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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8526F1 it is the complementary color #7AD90E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8526F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8526F1 shade: #8A26EC, #9B38FF, #AC4AFF, #BD5CFF and #CE6EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8526F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8526F1 shade: #8526F1, #7414DE, #6302CB, #5200B8 and #4100A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8526F1 shade: #8627F1, #BC27F1, #F127F0, #F127B9 and #F12783

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8526F1 shade: #8627F1, #4F27F1 and #2727F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8526F1 shade matches the following richer shades: #8627F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8526F1 shade: #8627F1, #873ADF, #884CCC, #895FBA and #8B72A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8526F1 shade: #2735F1, #5027F1, #8627F1, #BB27F1 and #F127F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8526F1 shade: #5D0CBA, #710EE1, #8627F1, #9C4EF4 and #B175F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8526F1 shade: #8526F1, #F1276B and #27F135

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8526F1 shade: #8526F1, #F18627 and #27F186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8526F1 shade: #8526F1, #F1276B, #93F127 and #27F1AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8526F1 shade: #8526F1, #F1272E, #93F127 and #27F1EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 84 / 0 / 5

HEX #8526F1

RGB 133 38 241

HSL 268.08, 0.88%, 0.55%

LAB 42.34, 74.1, -83.05

 

Complementary color

CMYK 44 / 0 / 94 / 15

HEX #7AD90E

RGB 122 217 14

HSL 88.08, 0.88%, 0.45%

LAB 78.34, -55.52, 75.33

 

CMYK 42 / 84 / 0 / 7

HEX #8A26EC

RGB 138 38 236

HSL 270.3, 0.84%, 0.54%

LAB 42.53, 73.6, -79.89

 

CMYK 39 / 78 / 0 / 0

HEX #9B38FF

RGB 155 56 255

HSL 269.85, 1%, 0.61%

LAB 48.28, 74.28, -81.05

 

CMYK 33 / 71 / 0 / 0

HEX #AC4AFF

RGB 172 74 255

HSL 272.49, 1%, 0.65%

LAB 52.83, 70.09, -73.55

 

CMYK 26 / 64 / 0 / 0

HEX #BD5CFF

RGB 189 92 255

HSL 275.71, 1%, 0.68%

LAB 57.74, 65.57, -65.5

 

CMYK 19 / 57 / 0 / 0

HEX #CE6EFF

RGB 206 110 255

HSL 279.72, 1%, 0.72%

LAB 62.92, 60.95, -57.09

 

CMYK 45 / 84 / 0 / 5

HEX #8526F1

RGB 133 38 241

HSL 268.08, 0.88%, 0.55%

LAB 42.34, 74.1, -83.05

 

CMYK 48 / 91 / 0 / 13

HEX #7414DE

RGB 116 20 222

HSL 268.51, 0.83%, 0.47%

LAB 36.91, 72.48, -81.27

 

CMYK 51 / 99 / 0 / 20

HEX #6302CB

RGB 99 2 203

HSL 268.96, 0.98%, 0.4%

LAB 31.82, 69.63, -78.74

 

CMYK 55 / 100 / 0 / 28

HEX #5200B8

RGB 82 0 184

HSL 266.74, 1%, 0.36%

LAB 27.45, 64.47, -74.86

 

CMYK 61 / 100 / 0 / 35

HEX #4100A5

RGB 65 0 165

HSL 263.64, 1%, 0.32%

LAB 23.14, 58.96, -70.65

 

CMYK 44 / 84 / 0 / 5

HEX #8627F1

RGB 134 39 241

HSL 268.22, 0.88%, 0.55%

LAB 42.57, 73.93, -82.68

 

CMYK 22 / 84 / 0 / 5

HEX #BC27F1

RGB 188 39 241

HSL 284.26, 0.88%, 0.55%

LAB 50.09, 81.34, -70.08

 

CMYK 0 / 84 / 0 / 5

HEX #F127F0

RGB 241 39 240

HSL 300.3, 0.88%, 0.55%

LAB 58.46, 89.91, -55.61

 

CMYK 0 / 84 / 23 / 5

HEX #F127B9

RGB 241 39 185

HSL 316.63, 0.88%, 0.55%

LAB 55.74, 82.65, -28.58

 

CMYK 0 / 84 / 46 / 5

HEX #F12783

RGB 241 39 131

HSL 332.67, 0.88%, 0.55%

LAB 53.8, 77.21, 0.36

 

CMYK 44 / 84 / 0 / 5

HEX #8627F1

RGB 134 39 241

HSL 268.22, 0.88%, 0.55%

LAB 42.57, 73.93, -82.68

 

CMYK 67 / 84 / 0 / 5

HEX #4F27F1

RGB 79 39 241

HSL 251.88, 0.88%, 0.55%

LAB 36.86, 68.68, -92.29

 

CMYK 84 / 84 / 0 / 5

HEX #2727F1

RGB 39 39 241

HSL 240, 0.88%, 0.55%

LAB 34.46, 66.6, -96.34

 

CMYK 44 / 84 / 0 / 5

HEX #8627F1

RGB 134 39 241

HSL 268.22, 0.88%, 0.55%

LAB 42.57, 73.93, -82.68

 

CMYK 44 / 84 / 0 / 5

HEX #8627F1

RGB 134 39 241

HSL 268.22, 0.88%, 0.55%

LAB 42.57, 73.93, -82.68

 

CMYK 39 / 74 / 0 / 13

HEX #873ADF

RGB 135 58 223

HSL 268, 0.72%, 0.55%

LAB 43.51, 63.08, -70.91

 

CMYK 33 / 63 / 0 / 20

HEX #884CCC

RGB 136 76 204

HSL 268.13, 0.56%, 0.55%

LAB 45.31, 50.17, -57.1

 

CMYK 26 / 49 / 0 / 27

HEX #895FBA

RGB 137 95 186

HSL 267.69, 0.4%, 0.55%

LAB 48.32, 35.56, -41.86

 

CMYK 17 / 32 / 0 / 35

HEX #8B72A7

RGB 139 114 167

HSL 268.3, 0.23%, 0.55%

LAB 52.19, 20.52, -24.75

 

CMYK 84 / 78 / 0 / 5

HEX #2735F1

RGB 39 53 241

HSL 235.84, 0.88%, 0.55%

LAB 36.61, 60.3, -92.78

 

CMYK 67 / 84 / 0 / 5

HEX #5027F1

RGB 80 39 241

HSL 252.18, 0.88%, 0.55%

LAB 36.94, 68.75, -92.15

 

CMYK 44 / 84 / 0 / 5

HEX #8627F1

RGB 134 39 241

HSL 268.22, 0.88%, 0.55%

LAB 42.57, 73.93, -82.68

 

CMYK 22 / 84 / 0 / 5

HEX #BB27F1

RGB 187 39 241

HSL 283.96, 0.88%, 0.55%

LAB 49.94, 81.18, -70.33

 

CMYK 0 / 84 / 0 / 5

HEX #F127F1

RGB 241 39 241

HSL 300, 0.88%, 0.55%

LAB 58.51, 90.06, -56.08

 

CMYK 50 / 94 / 0 / 27

HEX #5D0CBA

RGB 93 12 186

HSL 267.93, 0.88%, 0.39%

LAB 29.75, 63.73, -72.19

 

CMYK 50 / 94 / 0 / 12

HEX #710EE1

RGB 113 14 225

HSL 268.15, 0.88%, 0.47%

LAB 36.48, 73.92, -83.71

 

CMYK 44 / 84 / 0 / 5

HEX #8627F1

RGB 134 39 241

HSL 268.22, 0.88%, 0.55%

LAB 42.57, 73.93, -82.68

 

CMYK 36 / 68 / 0 / 4

HEX #9C4EF4

RGB 156 78 244

HSL 268.19, 0.88%, 0.63%

LAB 50.74, 62.89, -70.89

 

CMYK 28 / 52 / 0 / 4

HEX #B175F6

RGB 177 117 246

HSL 267.91, 0.88%, 0.71%

LAB 60.54, 48.28, -56.13

 

CMYK 45 / 84 / 0 / 5

HEX #8526F1

RGB 133 38 241

HSL 268.08, 0.88%, 0.55%

LAB 42.34, 74.1, -83.05

 

CMYK 0 / 84 / 56 / 5

HEX #F1276B

RGB 241 39 107

HSL 339.8, 0.88%, 0.55%

LAB 53.18, 75.41, 13.93

 

CMYK 84 / 0 / 78 / 5

HEX #27F135

RGB 39 241 53

HSL 124.16, 0.88%, 0.55%

LAB 83.76, -78.8, 71.27

 

CMYK 45 / 84 / 0 / 5

HEX #8526F1

RGB 133 38 241

HSL 268.08, 0.88%, 0.55%

LAB 42.34, 74.1, -83.05

 

CMYK 0 / 44 / 84 / 5

HEX #F18627

RGB 241 134 39

HSL 28.22, 0.88%, 0.55%

LAB 66.44, 34.83, 64.1

 

CMYK 84 / 0 / 44 / 5

HEX #27F186

RGB 39 241 134

HSL 148.22, 0.88%, 0.55%

LAB 84.52, -69.51, 38.71

 

CMYK 45 / 84 / 0 / 5

HEX #8526F1

RGB 133 38 241

HSL 268.08, 0.88%, 0.55%

LAB 42.34, 74.1, -83.05

 

CMYK 0 / 84 / 56 / 5

HEX #F1276B

RGB 241 39 107

HSL 339.8, 0.88%, 0.55%

LAB 53.18, 75.41, 13.93

 

CMYK 39 / 0 / 84 / 5

HEX #93F127

RGB 147 241 39

HSL 87.92, 0.88%, 0.55%

LAB 86.63, -56.02, 78.53

 

CMYK 84 / 0 / 28 / 5

HEX #27F1AE

RGB 39 241 174

HSL 160.1, 0.88%, 0.55%

LAB 85.2, -61.72, 19.41

 

CMYK 45 / 84 / 0 / 5

HEX #8526F1

RGB 133 38 241

HSL 268.08, 0.88%, 0.55%

LAB 42.34, 74.1, -83.05

 

CMYK 0 / 84 / 81 / 5

HEX #F1272E

RGB 241 39 46

HSL 357.92, 0.88%, 0.55%

LAB 52.23, 72.61, 48.3

 

CMYK 39 / 0 / 84 / 5

HEX #93F127

RGB 147 241 39

HSL 87.92, 0.88%, 0.55%

LAB 86.63, -56.02, 78.53

 

CMYK 84 / 0 / 3 / 5

HEX #27F1EA

RGB 39 241 234

HSL 177.92, 0.88%, 0.55%

LAB 86.64, -46.64, -9.84

 

Description

Color code: HEX #8526F1 | qconv.com Color code: HEX #8526F1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 38 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 38 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 84 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 84% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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