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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8522DF it is the complementary color #7ADD20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8522DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8522DF shade: #8A22DA, #9B34ED, #AC46FF, #BD58FF and #CE6AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8522DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8522DF shade: #8522DF, #7410CC, #6300B9, #5200A6 and #410093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8522DF shade: #8420DF, #B820DF, #DF20D3, #DF209F and #DF206C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8522DF shade: #8420DF, #5020DF and #2020DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8522DF shade matches the following richer shades: #8420DF and #850BF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8522DF shade: #8420DF, #8335CA, #8249B6, #815EA1 and #80728D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8522DF shade: #2023DF, #5020DF, #8320DF, #B620DF and #DF20D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8522DF shade: #591697, #6F1BBB, #8420DF, #9844E4 and #AC68E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8522DF shade: #8522DF, #DF2056 and #20DF36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8522DF shade: #8522DF, #DF8320 and #20DF83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8522DF shade: #8522DF, #DF2056, #7CDF20 and #20DFA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8522DF shade: #8522DF, #DF2320, #7CDF20 and #20DCDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 85 / 0 / 13

HEX #8522DF

RGB 133 34 223

HSL 271.43, 0.75%, 0.5%

LAB 40.34, 71.25, -76.11

 

Complementary color

CMYK 45 / 0 / 86 / 13

HEX #7ADD20

RGB 122 221 32

HSL 91.43, 0.75%, 0.5%

LAB 79.59, -56.58, 73.48

 

CMYK 37 / 84 / 0 / 15

HEX #8A22DA

RGB 138 34 218

HSL 273.91, 0.73%, 0.49%

LAB 40.59, 70.83, -72.82

 

CMYK 35 / 78 / 0 / 7

HEX #9B34ED

RGB 155 52 237

HSL 273.41, 0.84%, 0.57%

LAB 46.36, 71.74, -74.1

 

CMYK 33 / 73 / 0 / 0

HEX #AC46FF

RGB 172 70 255

HSL 273.08, 1%, 0.64%

LAB 52.25, 71.72, -74.48

 

CMYK 26 / 65 / 0 / 0

HEX #BD58FF

RGB 189 88 255

HSL 276.29, 1%, 0.67%

LAB 57.09, 67.36, -66.55

 

CMYK 19 / 58 / 0 / 0

HEX #CE6AFF

RGB 206 106 255

HSL 280.27, 1%, 0.71%

LAB 62.21, 62.87, -58.23

 

CMYK 40 / 85 / 0 / 13

HEX #8522DF

RGB 133 34 223

HSL 271.43, 0.75%, 0.5%

LAB 40.34, 71.25, -76.11

 

CMYK 43 / 92 / 0 / 20

HEX #7410CC

RGB 116 16 204

HSL 271.91, 0.85%, 0.43%

LAB 34.89, 69.3, -74.19

 

CMYK 46 / 100 / 0 / 27

HEX #6300B9

RGB 99 0 185

HSL 272.11, 1%, 0.36%

LAB 29.8, 66.02, -71.49

 

CMYK 51 / 100 / 0 / 35

HEX #5200A6

RGB 82 0 166

HSL 269.64, 1%, 0.33%

LAB 25.4, 60.4, -67.43

 

CMYK 56 / 100 / 0 / 42

HEX #410093

RGB 65 0 147

HSL 266.53, 1%, 0.29%

LAB 20.94, 54.71, -63.24

 

CMYK 41 / 86 / 0 / 13

HEX #8420DF

RGB 132 32 223

HSL 271.41, 0.75%, 0.5%

LAB 40.03, 71.67, -76.64

 

CMYK 17 / 86 / 0 / 13

HEX #B820DF

RGB 184 32 223

HSL 287.75, 0.75%, 0.5%

LAB 47.69, 79.03, -63.81

 

CMYK 0 / 86 / 5 / 13

HEX #DF20D3

RGB 223 32 211

HSL 303.77, 0.75%, 0.5%

LAB 53.41, 83.78, -47.43

 

CMYK 0 / 86 / 29 / 13

HEX #DF209F

RGB 223 32 159

HSL 320.1, 0.75%, 0.5%

LAB 50.95, 77.19, -20.99

 

CMYK 0 / 86 / 52 / 13

HEX #DF206C

RGB 223 32 108

HSL 336.13, 0.75%, 0.5%

LAB 49.26, 72.45, 7.3

 

CMYK 41 / 86 / 0 / 13

HEX #8420DF

RGB 132 32 223

HSL 271.41, 0.75%, 0.5%

LAB 40.03, 71.67, -76.64

 

CMYK 64 / 86 / 0 / 13

HEX #5020DF

RGB 80 32 223

HSL 255.08, 0.75%, 0.5%

LAB 34.12, 66.47, -86.58

 

CMYK 86 / 86 / 0 / 13

HEX #2020DF

RGB 32 32 223

HSL 240, 0.75%, 0.5%

LAB 31.04, 63.99, -91.79

 

CMYK 41 / 86 / 0 / 13

HEX #8420DF

RGB 132 32 223

HSL 271.41, 0.75%, 0.5%

LAB 40.03, 71.67, -76.64

 

CMYK 45 / 95 / 0 / 4

HEX #850BF4

RGB 133 11 244

HSL 271.42, 0.91%, 0.5%

LAB 40.83, 80.13, -87.24

 

CMYK 41 / 86 / 0 / 13

HEX #8420DF

RGB 132 32 223

HSL 271.41, 0.75%, 0.5%

LAB 40.03, 71.67, -76.64

 

CMYK 35 / 74 / 0 / 21

HEX #8335CA

RGB 131 53 202

HSL 271.41, 0.58%, 0.5%

LAB 40.63, 59.57, -63.55

 

CMYK 29 / 60 / 0 / 29

HEX #8249B6

RGB 130 73 182

HSL 271.38, 0.43%, 0.5%

LAB 42.59, 44.99, -48.71

 

CMYK 20 / 42 / 0 / 37

HEX #815EA1

RGB 129 94 161

HSL 271.34, 0.26%, 0.5%

LAB 45.97, 27.73, -30.98

 

CMYK 9 / 19 / 0 / 45

HEX #80728D

RGB 128 114 141

HSL 271.11, 0.11%, 0.5%

LAB 50.15, 10.89, -12.73

 

CMYK 86 / 84 / 0 / 13

HEX #2023DF

RGB 32 35 223

HSL 239.06, 0.75%, 0.5%

LAB 31.43, 62.81, -91.13

 

CMYK 64 / 86 / 0 / 13

HEX #5020DF

RGB 80 32 223

HSL 255.08, 0.75%, 0.5%

LAB 34.12, 66.47, -86.58

 

CMYK 41 / 86 / 0 / 13

HEX #8320DF

RGB 131 32 223

HSL 271.1, 0.75%, 0.5%

LAB 39.89, 71.55, -76.86

 

CMYK 18 / 86 / 0 / 13

HEX #B620DF

RGB 182 32 223

HSL 287.12, 0.75%, 0.5%

LAB 47.37, 78.71, -64.34

 

CMYK 0 / 86 / 4 / 13

HEX #DF20D6

RGB 223 32 214

HSL 302.83, 0.75%, 0.5%

LAB 53.57, 84.2, -48.89

 

CMYK 41 / 85 / 0 / 41

HEX #591697

RGB 89 22 151

HSL 271.16, 0.75%, 0.34%

LAB 26.54, 52.62, -56.37

 

CMYK 41 / 86 / 0 / 27

HEX #6F1BBB

RGB 111 27 187

HSL 271.5, 0.75%, 0.42%

LAB 33.46, 62.41, -66.59

 

CMYK 41 / 86 / 0 / 13

HEX #8420DF

RGB 132 32 223

HSL 271.41, 0.75%, 0.5%

LAB 40.03, 71.67, -76.64

 

CMYK 33 / 70 / 0 / 11

HEX #9844E4

RGB 152 68 228

HSL 271.5, 0.75%, 0.58%

LAB 47.51, 62.94, -67.16

 

CMYK 26 / 55 / 0 / 9

HEX #AC68E9

RGB 172 104 233

HSL 271.63, 0.75%, 0.66%

LAB 56.64, 50.9, -55.15

 

CMYK 40 / 85 / 0 / 13

HEX #8522DF

RGB 133 34 223

HSL 271.43, 0.75%, 0.5%

LAB 40.34, 71.25, -76.11

 

CMYK 0 / 86 / 61 / 13

HEX #DF2056

RGB 223 32 86

HSL 343.04, 0.75%, 0.5%

LAB 48.75, 70.99, 20.1

 

CMYK 86 / 0 / 76 / 13

HEX #20DF36

RGB 32 223 54

HSL 126.91, 0.75%, 0.5%

LAB 78.08, -74.22, 65.45

 

CMYK 40 / 85 / 0 / 13

HEX #8522DF

RGB 133 34 223

HSL 271.43, 0.75%, 0.5%

LAB 40.34, 71.25, -76.11

 

CMYK 0 / 41 / 86 / 13

HEX #DF8320

RGB 223 131 32

HSL 31.1, 0.75%, 0.5%

LAB 63.36, 28.85, 62.89

 

CMYK 86 / 0 / 41 / 13

HEX #20DF83

RGB 32 223 131

HSL 151.1, 0.75%, 0.5%

LAB 78.88, -64.5, 32.87

 

CMYK 40 / 85 / 0 / 13

HEX #8522DF

RGB 133 34 223

HSL 271.43, 0.75%, 0.5%

LAB 40.34, 71.25, -76.11

 

CMYK 0 / 86 / 61 / 13

HEX #DF2056

RGB 223 32 86

HSL 343.04, 0.75%, 0.5%

LAB 48.75, 70.99, 20.1

 

CMYK 44 / 0 / 86 / 13

HEX #7CDF20

RGB 124 223 32

HSL 91.1, 0.75%, 0.5%

LAB 80.27, -56.72, 74.1

 

CMYK 86 / 0 / 24 / 13

HEX #20DFA9

RGB 32 223 169

HSL 163.04, 0.75%, 0.5%

LAB 79.58, -56.56, 14.15

 

CMYK 40 / 85 / 0 / 13

HEX #8522DF

RGB 133 34 223

HSL 271.43, 0.75%, 0.5%

LAB 40.34, 71.25, -76.11

 

CMYK 0 / 84 / 86 / 13

HEX #DF2320

RGB 223 35 32

HSL 0.94, 0.75%, 0.5%

LAB 48.25, 68.3, 50.39

 

CMYK 44 / 0 / 86 / 13

HEX #7CDF20

RGB 124 223 32

HSL 91.1, 0.75%, 0.5%

LAB 80.27, -56.72, 74.1

 

CMYK 86 / 1 / 0 / 13

HEX #20DCDF

RGB 32 220 223

HSL 180.94, 0.75%, 0.5%

LAB 80.08, -40.98, -13.83

 

Description

Color code: HEX #8522DF | qconv.com Color code: HEX #8522DF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 34 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 34 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 85 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 85% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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