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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #851935 it is the complementary color #7AE6CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #851935. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #851935 shade: #8A1930, #9B2B43, #AC3D56, #BD4F69 and #CE617C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #851935. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #851935 shade: #851935, #740722, #63000F, #520000 and #410000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #851935 shade: #851935 and #851919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #851935 shade: #851935, #851952, #85196F, #7D1985 and #601985

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #851935 shade matches the following richer shades: #851935 and #920D2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #851935 shade: #851935, #78263B, #6B3341, #5E4048 and #524C4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #851935 shade: #85196F, #851953, #851936, #851919 and #853619

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #851935 shade: #3F0C19, #621327, #851935, #A72043 and #CA2651

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #851935 shade: #851935, #857E19 and #196185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #851935 shade: #851935, #368519 and #193685

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #851935 shade: #851935, #857E19, #198568 and #192085

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #851935 shade: #851935, #6C8519, #198568 and #321985

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 60 / 48

HEX #851935

RGB 133 25 53

HSL 344.44, 0.68%, 0.31%

LAB 29.26, 46.07, 11.81

 

Complementary color

CMYK 47 / 0 / 12 / 10

HEX #7AE6CA

RGB 122 230 202

HSL 164.44, 0.68%, 0.69%

LAB 84.48, -37.77, 4.03

 

CMYK 0 / 82 / 65 / 46

HEX #8A1930

RGB 138 25 48

HSL 347.79, 0.69%, 0.32%

LAB 30.19, 47.23, 16.55

 

CMYK 0 / 72 / 57 / 39

HEX #9B2B43

RGB 155 43 67

HSL 347.14, 0.57%, 0.39%

LAB 36.18, 47.64, 12.79

 

CMYK 0 / 65 / 50 / 33

HEX #AC3D56

RGB 172 61 86

HSL 346.49, 0.48%, 0.46%

LAB 42.43, 47.32, 9.92

 

CMYK 0 / 58 / 44 / 26

HEX #BD4F69

RGB 189 79 105

HSL 345.82, 0.45%, 0.53%

LAB 48.8, 46.65, 7.65

 

CMYK 0 / 53 / 40 / 19

HEX #CE617C

RGB 206 97 124

HSL 345.14, 0.53%, 0.59%

LAB 55.2, 45.81, 5.81

 

CMYK 0 / 81 / 60 / 48

HEX #851935

RGB 133 25 53

HSL 344.44, 0.68%, 0.31%

LAB 29.26, 46.07, 11.81

 

CMYK 0 / 94 / 71 / 55

HEX #740722

RGB 116 7 34

HSL 345.14, 0.89%, 0.24%

LAB 23.61, 44.38, 16.57

 

CMYK 0 / 100 / 85 / 61

HEX #63000F

RGB 99 0 15

HSL 350.91, 1%, 0.19%

LAB 18.74, 40.44, 22.38

 

CMYK 0 / 100 / 100 / 68

HEX #520000

RGB 82 0 0

HSL 0, 1%, 0.16%

LAB 14.37, 35.14, 22.44

 

CMYK 0 / 100 / 100 / 75

HEX #410000

RGB 65 0 0

HSL 0, 1%, 0.13%

LAB 9.98, 30.06, 15.75

 

CMYK 0 / 81 / 60 / 48

HEX #851935

RGB 133 25 53

HSL 344.44, 0.68%, 0.31%

LAB 29.26, 46.07, 11.81

 

CMYK 0 / 81 / 81 / 48

HEX #851919

RGB 133 25 25

HSL 0, 0.68%, 0.31%

LAB 28.78, 44.57, 29.34

 

CMYK 0 / 81 / 60 / 48

HEX #851935

RGB 133 25 53

HSL 344.44, 0.68%, 0.31%

LAB 29.26, 46.07, 11.81

 

CMYK 0 / 81 / 38 / 48

HEX #851952

RGB 133 25 82

HSL 328.33, 0.68%, 0.31%

LAB 30.14, 48.75, -6.23

 

CMYK 0 / 81 / 17 / 48

HEX #85196F

RGB 133 25 111

HSL 312.22, 0.68%, 0.31%

LAB 31.42, 52.51, -23.08

 

CMYK 6 / 81 / 0 / 48

HEX #7D1985

RGB 125 25 133

HSL 295.56, 0.68%, 0.31%

LAB 31.23, 54.3, -37.35

 

CMYK 28 / 81 / 0 / 48

HEX #601985

RGB 96 25 133

HSL 279.44, 0.68%, 0.31%

LAB 26.38, 48.61, -45.41

 

CMYK 0 / 81 / 60 / 48

HEX #851935

RGB 133 25 53

HSL 344.44, 0.68%, 0.31%

LAB 29.26, 46.07, 11.81

 

CMYK 0 / 91 / 68 / 43

HEX #920D2F

RGB 146 13 47

HSL 344.66, 0.84%, 0.31%

LAB 30.89, 52.24, 18.46

 

CMYK 0 / 81 / 60 / 48

HEX #851935

RGB 133 25 53

HSL 344.44, 0.68%, 0.31%

LAB 29.26, 46.07, 11.81

 

CMYK 0 / 68 / 51 / 53

HEX #78263B

RGB 120 38 59

HSL 344.63, 0.52%, 0.31%

LAB 28.63, 37.44, 6.54

 

CMYK 0 / 52 / 39 / 58

HEX #6B3341

RGB 107 51 65

HSL 345, 0.35%, 0.31%

LAB 29.1, 26.57, 2.92

 

CMYK 0 / 32 / 23 / 63

HEX #5E4048

RGB 94 64 72

HSL 344, 0.19%, 0.31%

LAB 30.67, 14.4, 0.4

 

CMYK 0 / 7 / 5 / 68

HEX #524C4E

RGB 82 76 78

HSL 340, 0.04%, 0.31%

LAB 32.95, 2.9, -0.29

 

CMYK 0 / 81 / 17 / 48

HEX #85196F

RGB 133 25 111

HSL 312.22, 0.68%, 0.31%

LAB 31.42, 52.51, -23.08

 

CMYK 0 / 81 / 38 / 48

HEX #851953

RGB 133 25 83

HSL 327.78, 0.68%, 0.31%

LAB 30.17, 48.87, -6.83

 

CMYK 0 / 81 / 59 / 48

HEX #851936

RGB 133 25 54

HSL 343.89, 0.68%, 0.31%

LAB 29.28, 46.15, 11.17

 

CMYK 0 / 81 / 81 / 48

HEX #851919

RGB 133 25 25

HSL 0, 0.68%, 0.31%

LAB 28.78, 44.57, 29.34

 

CMYK 0 / 59 / 81 / 48

HEX #853619

RGB 133 54 25

HSL 16.11, 0.68%, 0.31%

LAB 33.34, 32.22, 33.97

 

CMYK 0 / 81 / 60 / 75

HEX #3F0C19

RGB 63 12 25

HSL 344.71, 0.68%, 0.15%

LAB 11.89, 25.59, 5.33

 

CMYK 0 / 81 / 60 / 62

HEX #621327

RGB 98 19 39

HSL 344.81, 0.68%, 0.23%

LAB 20.86, 36.09, 8.74

 

CMYK 0 / 81 / 60 / 48

HEX #851935

RGB 133 25 53

HSL 344.44, 0.68%, 0.31%

LAB 29.26, 46.07, 11.81

 

CMYK 0 / 81 / 60 / 35

HEX #A72043

RGB 167 32 67

HSL 344.44, 0.68%, 0.39%

LAB 37.21, 54.89, 14.59

 

CMYK 0 / 81 / 60 / 21

HEX #CA2651

RGB 202 38 81

HSL 344.27, 0.68%, 0.47%

LAB 44.99, 63.89, 17.42

 

CMYK 0 / 81 / 60 / 48

HEX #851935

RGB 133 25 53

HSL 344.44, 0.68%, 0.31%

LAB 29.26, 46.07, 11.81

 

CMYK 0 / 5 / 81 / 48

HEX #857E19

RGB 133 126 25

HSL 56.11, 0.68%, 0.31%

LAB 51.81, -8.89, 51.2

 

CMYK 81 / 27 / 0 / 48

HEX #196185

RGB 25 97 133

HSL 200, 0.68%, 0.31%

LAB 38.64, -8.38, -26.17

 

CMYK 0 / 81 / 60 / 48

HEX #851935

RGB 133 25 53

HSL 344.44, 0.68%, 0.31%

LAB 29.26, 46.07, 11.81

 

CMYK 59 / 0 / 81 / 48

HEX #368519

RGB 54 133 25

HSL 103.89, 0.68%, 0.31%

LAB 49.04, -43.66, 46.84

 

CMYK 81 / 59 / 0 / 48

HEX #193685

RGB 25 54 133

HSL 223.89, 0.68%, 0.31%

LAB 25.38, 20.22, -47.34

 

CMYK 0 / 81 / 60 / 48

HEX #851935

RGB 133 25 53

HSL 344.44, 0.68%, 0.31%

LAB 29.26, 46.07, 11.81

 

CMYK 0 / 5 / 81 / 48

HEX #857E19

RGB 133 126 25

HSL 56.11, 0.68%, 0.31%

LAB 51.81, -8.89, 51.2

 

CMYK 81 / 0 / 22 / 48

HEX #198568

RGB 25 133 104

HSL 163.89, 0.68%, 0.31%

LAB 49.47, -36.45, 7.41

 

CMYK 81 / 76 / 0 / 48

HEX #192085

RGB 25 32 133

HSL 236.11, 0.68%, 0.31%

LAB 19.77, 35.02, -56.54

 

CMYK 0 / 81 / 60 / 48

HEX #851935

RGB 133 25 53

HSL 344.44, 0.68%, 0.31%

LAB 29.26, 46.07, 11.81

 

CMYK 19 / 0 / 81 / 48

HEX #6C8519

RGB 108 133 25

HSL 73.89, 0.68%, 0.31%

LAB 51.87, -23.89, 50.49

 

CMYK 81 / 0 / 22 / 48

HEX #198568

RGB 25 133 104

HSL 163.89, 0.68%, 0.31%

LAB 49.47, -36.45, 7.41

 

CMYK 62 / 81 / 0 / 48

HEX #321985

RGB 50 25 133

HSL 253.89, 0.68%, 0.31%

LAB 20.31, 41.43, -55.59

 

Description

Color code: HEX #851935 | qconv.com Color code: HEX #851935 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 25 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 25 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 60 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 60% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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