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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #851548 it is the complementary color #7AEAB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #851548. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #851548 shade: #8A1543, #9B2756, #AC3969, #BD4B7C and #CE5D8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #851548. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #851548 shade: #851548, #740335, #630022, #52000F and #410000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #851548 shade: #841548, #841529 and #841515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #851548 shade: #841548, #841566, #841584, #671584 and #491584

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #851548 shade matches the following richer shades: #841548 and #910846

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #851548 shade: #841548, #782149, #6C2D4A, #5F3A4B and #53464C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #851548 shade: #841584, #841567, #841549, #84152B and #841C15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #851548 shade: #3D0A21, #610F34, #841548, #A81A5B and #CC206E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #851548 shade: #851548, #846715 and #157584

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #851548 shade: #851548, #498415 and #154984

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #851548 shade: #851548, #846715, #158450 and #153284

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #851548 shade: #851548, #818415, #158450 and #181584

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 46 / 48

HEX #851548

RGB 133 21 72

HSL 332.68, 0.73%, 0.3%

LAB 29.39, 48.83, -0.71

 

Complementary color

CMYK 48 / 0 / 22 / 8

HEX #7AEAB7

RGB 122 234 183

HSL 152.68, 0.73%, 0.7%

LAB 85.2, -43.66, 15.02

 

CMYK 0 / 85 / 51 / 46

HEX #8A1543

RGB 138 21 67

HSL 336.41, 0.74%, 0.31%

LAB 30.27, 49.74, 4.02

 

CMYK 0 / 75 / 45 / 39

HEX #9B2756

RGB 155 39 86

HSL 335.69, 0.6%, 0.38%

LAB 36.16, 50.81, 0.55

 

CMYK 0 / 67 / 39 / 33

HEX #AC3969

RGB 172 57 105

HSL 334.96, 0.5%, 0.45%

LAB 42.33, 50.96, -2.05

 

CMYK 0 / 60 / 34 / 26

HEX #BD4B7C

RGB 189 75 124

HSL 334.21, 0.46%, 0.52%

LAB 48.64, 50.62, -4.06

 

CMYK 0 / 55 / 31 / 19

HEX #CE5D8F

RGB 206 93 143

HSL 333.45, 0.54%, 0.59%

LAB 55, 50.01, -5.67

 

CMYK 0 / 84 / 46 / 48

HEX #851548

RGB 133 21 72

HSL 332.68, 0.73%, 0.3%

LAB 29.39, 48.83, -0.71

 

CMYK 0 / 97 / 54 / 55

HEX #740335

RGB 116 3 53

HSL 333.45, 0.95%, 0.23%

LAB 23.79, 46.5, 3.63

 

CMYK 0 / 100 / 66 / 61

HEX #630022

RGB 99 0 34

HSL 339.39, 1%, 0.19%

LAB 19.09, 41.37, 9.92

 

CMYK 0 / 100 / 82 / 68

HEX #52000F

RGB 82 0 15

HSL 349.02, 1%, 0.16%

LAB 14.56, 35.66, 16.28

 

CMYK 0 / 100 / 100 / 75

HEX #410000

RGB 65 0 0

HSL 0, 1%, 0.13%

LAB 9.98, 30.06, 15.75

 

CMYK 0 / 84 / 45 / 48

HEX #841548

RGB 132 21 72

HSL 332.43, 0.73%, 0.3%

LAB 29.18, 48.56, -1.03

 

CMYK 0 / 84 / 69 / 48

HEX #841529

RGB 132 21 41

HSL 349.19, 0.73%, 0.3%

LAB 28.39, 46.17, 18.62

 

CMYK 0 / 84 / 84 / 48

HEX #841515

RGB 132 21 21

HSL 0, 0.73%, 0.3%

LAB 28.1, 45.3, 30.95

 

CMYK 0 / 84 / 45 / 48

HEX #841548

RGB 132 21 72

HSL 332.43, 0.73%, 0.3%

LAB 29.18, 48.56, -1.03

 

CMYK 0 / 84 / 23 / 48

HEX #841566

RGB 132 21 102

HSL 316.22, 0.73%, 0.3%

LAB 30.4, 52.08, -18.89

 

CMYK 0 / 84 / 0 / 48

HEX #841584

RGB 132 21 132

HSL 300, 0.73%, 0.3%

LAB 32.05, 56.62, -35.34

 

CMYK 22 / 84 / 0 / 48

HEX #671584

RGB 103 21 132

HSL 284.32, 0.73%, 0.3%

LAB 26.98, 51, -43.76

 

CMYK 45 / 84 / 0 / 48

HEX #491584

RGB 73 21 132

HSL 268.11, 0.73%, 0.3%

LAB 22.37, 45.99, -51.47

 

CMYK 0 / 84 / 45 / 48

HEX #841548

RGB 132 21 72

HSL 332.43, 0.73%, 0.3%

LAB 29.18, 48.56, -1.03

 

CMYK 0 / 94 / 52 / 43

HEX #910846

RGB 145 8 70

HSL 332.85, 0.9%, 0.3%

LAB 30.96, 54.32, 3.22

 

CMYK 0 / 84 / 45 / 48

HEX #841548

RGB 132 21 72

HSL 332.43, 0.73%, 0.3%

LAB 29.18, 48.56, -1.03

 

CMYK 0 / 73 / 39 / 53

HEX #782149

RGB 120 33 73

HSL 332.41, 0.57%, 0.3%

LAB 28.28, 41.12, -3.3

 

CMYK 0 / 58 / 31 / 58

HEX #6C2D4A

RGB 108 45 74

HSL 332.38, 0.41%, 0.3%

LAB 28.27, 31.52, -4.21

 

CMYK 0 / 39 / 21 / 63

HEX #5F3A4B

RGB 95 58 75

HSL 332.43, 0.24%, 0.3%

LAB 29.33, 19.1, -3.51

 

CMYK 0 / 16 / 8 / 67

HEX #53464C

RGB 83 70 76

HSL 332.31, 0.08%, 0.3%

LAB 31.21, 6.71, -1.55

 

CMYK 0 / 84 / 0 / 48

HEX #841584

RGB 132 21 132

HSL 300, 0.73%, 0.3%

LAB 32.05, 56.62, -35.34

 

CMYK 0 / 84 / 22 / 48

HEX #841567

RGB 132 21 103

HSL 315.68, 0.73%, 0.3%

LAB 30.45, 52.22, -19.46

 

CMYK 0 / 84 / 45 / 48

HEX #841549

RGB 132 21 73

HSL 331.89, 0.73%, 0.3%

LAB 29.22, 48.66, -1.65

 

CMYK 0 / 84 / 67 / 48

HEX #84152B

RGB 132 21 43

HSL 348.11, 0.73%, 0.3%

LAB 28.42, 46.28, 17.34

 

CMYK 0 / 79 / 84 / 48

HEX #841C15

RGB 132 28 21

HSL 3.78, 0.73%, 0.3%

LAB 28.88, 43.13, 31.7

 

CMYK 0 / 84 / 46 / 76

HEX #3D0A21

RGB 61 10 33

HSL 332.94, 0.72%, 0.14%

LAB 11.41, 26.64, -1.44

 

CMYK 0 / 85 / 46 / 62

HEX #610F34

RGB 97 15 52

HSL 332.93, 0.73%, 0.22%

LAB 20.56, 38.35, -0.87

 

CMYK 0 / 84 / 45 / 48

HEX #841548

RGB 132 21 72

HSL 332.43, 0.73%, 0.3%

LAB 29.18, 48.56, -1.03

 

CMYK 0 / 85 / 46 / 34

HEX #A81A5B

RGB 168 26 91

HSL 332.54, 0.73%, 0.38%

LAB 37.52, 58.61, -0.38

 

CMYK 0 / 84 / 46 / 20

HEX #CC206E

RGB 204 32 110

HSL 332.79, 0.73%, 0.46%

LAB 45.63, 67.97, 0.37

 

CMYK 0 / 84 / 46 / 48

HEX #851548

RGB 133 21 72

HSL 332.68, 0.73%, 0.3%

LAB 29.39, 48.83, -0.71

 

CMYK 0 / 22 / 84 / 48

HEX #846715

RGB 132 103 21

HSL 44.32, 0.73%, 0.3%

LAB 45.17, 3.53, 46.6

 

CMYK 84 / 11 / 0 / 48

HEX #157584

RGB 21 117 132

HSL 188.11, 0.73%, 0.3%

LAB 45.01, -20.53, -15.74

 

CMYK 0 / 84 / 46 / 48

HEX #851548

RGB 133 21 72

HSL 332.68, 0.73%, 0.3%

LAB 29.39, 48.83, -0.71

 

CMYK 45 / 0 / 84 / 48

HEX #498415

RGB 73 132 21

HSL 91.89, 0.73%, 0.3%

LAB 49.46, -37.52, 48.73

 

CMYK 84 / 45 / 0 / 48

HEX #154984

RGB 21 73 132

HSL 211.89, 0.73%, 0.3%

LAB 30.86, 6.18, -37.88

 

CMYK 0 / 84 / 46 / 48

HEX #851548

RGB 133 21 72

HSL 332.68, 0.73%, 0.3%

LAB 29.39, 48.83, -0.71

 

CMYK 0 / 22 / 84 / 48

HEX #846715

RGB 132 103 21

HSL 44.32, 0.73%, 0.3%

LAB 45.17, 3.53, 46.6

 

CMYK 84 / 0 / 39 / 48

HEX #158450

RGB 21 132 80

HSL 151.89, 0.73%, 0.3%

LAB 48.56, -42.18, 19.92

 

CMYK 84 / 62 / 0 / 48

HEX #153284

RGB 21 50 132

HSL 224.32, 0.73%, 0.3%

LAB 24.02, 22.23, -48.94

 

CMYK 0 / 84 / 46 / 48

HEX #851548

RGB 133 21 72

HSL 332.68, 0.73%, 0.3%

LAB 29.39, 48.83, -0.71

 

CMYK 2 / 0 / 84 / 48

HEX #818415

RGB 129 132 21

HSL 61.62, 0.73%, 0.3%

LAB 53.19, -14.13, 53.45

 

CMYK 84 / 0 / 39 / 48

HEX #158450

RGB 21 132 80

HSL 151.89, 0.73%, 0.3%

LAB 48.56, -42.18, 19.92

 

CMYK 82 / 84 / 0 / 48

HEX #181584

RGB 24 21 132

HSL 241.62, 0.73%, 0.3%

LAB 17.44, 40.79, -59.77

 

Description

Color code: HEX #851548 | qconv.com Color code: HEX #851548 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 21 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 21 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 46 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 46% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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