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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85103C it is the complementary color #7AEFC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85103C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85103C shade: #8A1037, #9B224A, #AC345D, #BD4670 and #CE5883

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85103C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85103C shade: #85103C, #740029, #630016, #520003 and #410000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85103C shade: #84103B, #84101C and #841010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85103C shade: #84103B, #84105B, #84107A, #6F1084 and #4F1084

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85103C shade matches the following richer shades: #84103B and #900438

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85103C shade: #84103B, #781B3E, #6C2741, #603344 and #553F47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85103C shade: #84107B, #84105B, #84103C, #84101D and #842110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85103C shade: #3B071A, #5F0B2B, #84103B, #A9144C and #CE185D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85103C shade: #85103C, #846F10 and #106B84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85103C shade: #85103C, #3C8410 and #103C84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85103C shade: #85103C, #846F10, #108458 and #102584

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85103C shade: #85103C, #778410, #108458 and #1D1084

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 55 / 48

HEX #85103C

RGB 133 16 60

HSL 337.44, 0.79%, 0.29%

LAB 28.6, 48.99, 6.2

 

Complementary color

CMYK 49 / 0 / 18 / 6

HEX #7AEFC3

RGB 122 239 195

HSL 157.44, 0.79%, 0.71%

LAB 86.9, -43.34, 11.17

 

CMYK 0 / 88 / 60 / 46

HEX #8A1037

RGB 138 16 55

HSL 340.82, 0.79%, 0.3%

LAB 29.54, 49.98, 11.02

 

CMYK 0 / 78 / 52 / 39

HEX #9B224A

RGB 155 34 74

HSL 340.17, 0.64%, 0.37%

LAB 35.22, 51.38, 6.94

 

CMYK 0 / 70 / 46 / 33

HEX #AC345D

RGB 172 52 93

HSL 339.5, 0.54%, 0.44%

LAB 41.24, 51.73, 3.86

 

CMYK 0 / 63 / 41 / 26

HEX #BD4670

RGB 189 70 112

HSL 338.82, 0.47%, 0.51%

LAB 47.45, 51.48, 1.47

 

CMYK 0 / 57 / 36 / 19

HEX #CE5883

RGB 206 88 131

HSL 338.14, 0.55%, 0.58%

LAB 53.75, 50.92, -0.43

 

CMYK 0 / 88 / 55 / 48

HEX #85103C

RGB 133 16 60

HSL 337.44, 0.79%, 0.29%

LAB 28.6, 48.99, 6.2

 

CMYK 0 / 100 / 65 / 55

HEX #740029

RGB 116 0 41

HSL 338.79, 1%, 0.23%

LAB 23.25, 46.26, 11.25

 

CMYK 0 / 100 / 78 / 61

HEX #630016

RGB 99 0 22

HSL 346.67, 1%, 0.19%

LAB 18.85, 40.71, 18.15

 

CMYK 0 / 100 / 96 / 68

HEX #520003

RGB 82 0 3

HSL 357.8, 1%, 0.16%

LAB 14.4, 35.24, 21.27

 

CMYK 0 / 100 / 100 / 75

HEX #410000

RGB 65 0 0

HSL 0, 1%, 0.13%

LAB 9.98, 30.06, 15.75

 

CMYK 0 / 88 / 55 / 48

HEX #84103B

RGB 132 16 59

HSL 337.76, 0.78%, 0.29%

LAB 28.36, 48.64, 6.5

 

CMYK 0 / 88 / 79 / 48

HEX #84101C

RGB 132 16 28

HSL 353.79, 0.78%, 0.29%

LAB 27.74, 46.82, 26.31

 

CMYK 0 / 88 / 88 / 48

HEX #841010

RGB 132 16 16

HSL 0, 0.78%, 0.29%

LAB 27.61, 46.44, 33.31

 

CMYK 0 / 88 / 55 / 48

HEX #84103B

RGB 132 16 59

HSL 337.76, 0.78%, 0.29%

LAB 28.36, 48.64, 6.5

 

CMYK 0 / 88 / 31 / 48

HEX #84105B

RGB 132 16 91

HSL 321.21, 0.78%, 0.29%

LAB 29.49, 51.85, -13.14

 

CMYK 0 / 88 / 8 / 48

HEX #84107A

RGB 132 16 122

HSL 305.17, 0.78%, 0.29%

LAB 31.07, 56.13, -30.62

 

CMYK 16 / 88 / 0 / 48

HEX #6F1084

RGB 111 16 132

HSL 289.14, 0.78%, 0.29%

LAB 27.89, 53.79, -42.22

 

CMYK 40 / 88 / 0 / 48

HEX #4F1084

RGB 79 16 132

HSL 272.59, 0.78%, 0.29%

LAB 22.65, 48.57, -50.98

 

CMYK 0 / 88 / 55 / 48

HEX #84103B

RGB 132 16 59

HSL 337.76, 0.78%, 0.29%

LAB 28.36, 48.64, 6.5

 

CMYK 0 / 97 / 61 / 44

HEX #900438

RGB 144 4 56

HSL 337.71, 0.95%, 0.29%

LAB 30.16, 53.65, 11.42

 

CMYK 0 / 88 / 55 / 48

HEX #84103B

RGB 132 16 59

HSL 337.76, 0.78%, 0.29%

LAB 28.36, 48.64, 6.5

 

CMYK 0 / 78 / 48 / 53

HEX #781B3E

RGB 120 27 62

HSL 337.42, 0.63%, 0.29%

LAB 27.09, 42.24, 2.33

 

CMYK 0 / 64 / 40 / 58

HEX #6C2741

RGB 108 39 65

HSL 337.39, 0.47%, 0.29%

LAB 26.79, 33.42, -0.4

 

CMYK 0 / 47 / 29 / 62

HEX #603344

RGB 96 51 68

HSL 337.33, 0.31%, 0.29%

LAB 27.5, 22.61, -1.6

 

CMYK 0 / 26 / 16 / 67

HEX #553F47

RGB 85 63 71

HSL 338.18, 0.15%, 0.29%

LAB 29.26, 11.04, -1.14

 

CMYK 0 / 88 / 7 / 48

HEX #84107B

RGB 132 16 123

HSL 304.66, 0.78%, 0.29%

LAB 31.13, 56.29, -31.16

 

CMYK 0 / 88 / 31 / 48

HEX #84105B

RGB 132 16 91

HSL 321.21, 0.78%, 0.29%

LAB 29.49, 51.85, -13.14

 

CMYK 0 / 88 / 55 / 48

HEX #84103C

RGB 132 16 60

HSL 337.24, 0.78%, 0.29%

LAB 28.39, 48.72, 5.87

 

CMYK 0 / 88 / 78 / 48

HEX #84101D

RGB 132 16 29

HSL 353.28, 0.78%, 0.29%

LAB 27.75, 46.86, 25.69

 

CMYK 0 / 75 / 88 / 48

HEX #842110

RGB 132 33 16

HSL 8.79, 0.78%, 0.29%

LAB 29.49, 41.17, 34.95

 

CMYK 0 / 88 / 56 / 77

HEX #3B071A

RGB 59 7 26

HSL 338.08, 0.79%, 0.13%

LAB 10.23, 26.48, 2.1

 

CMYK 0 / 88 / 55 / 63

HEX #5F0B2B

RGB 95 11 43

HSL 337.14, 0.79%, 0.21%

LAB 19.42, 38.05, 3.79

 

CMYK 0 / 88 / 55 / 48

HEX #84103B

RGB 132 16 59

HSL 337.76, 0.78%, 0.29%

LAB 28.36, 48.64, 6.5

 

CMYK 0 / 88 / 55 / 34

HEX #A9144C

RGB 169 20 76

HSL 337.45, 0.79%, 0.37%

LAB 36.85, 58.89, 8.35

 

CMYK 0 / 88 / 55 / 19

HEX #CE185D

RGB 206 24 93

HSL 337.25, 0.79%, 0.45%

LAB 45.03, 68.65, 10.13

 

CMYK 0 / 88 / 55 / 48

HEX #85103C

RGB 133 16 60

HSL 337.44, 0.79%, 0.29%

LAB 28.6, 48.99, 6.2

 

CMYK 0 / 16 / 88 / 48

HEX #846F10

RGB 132 111 16

HSL 49.14, 0.78%, 0.29%

LAB 47.38, -1.24, 50.02

 

CMYK 88 / 19 / 0 / 48

HEX #106B84

RGB 16 107 132

HSL 192.93, 0.78%, 0.29%

LAB 41.68, -15.46, -20.86

 

CMYK 0 / 88 / 55 / 48

HEX #85103C

RGB 133 16 60

HSL 337.44, 0.79%, 0.29%

LAB 28.6, 48.99, 6.2

 

CMYK 55 / 0 / 88 / 48

HEX #3C8410

RGB 60 132 16

HSL 97.24, 0.78%, 0.29%

LAB 48.88, -42.01, 49.32

 

CMYK 88 / 55 / 0 / 48

HEX #103C84

RGB 16 60 132

HSL 217.24, 0.78%, 0.29%

LAB 26.76, 14.73, -44.49

 

CMYK 0 / 88 / 55 / 48

HEX #85103C

RGB 133 16 60

HSL 337.44, 0.79%, 0.29%

LAB 28.6, 48.99, 6.2

 

CMYK 0 / 16 / 88 / 48

HEX #846F10

RGB 132 111 16

HSL 49.14, 0.78%, 0.29%

LAB 47.38, -1.24, 50.02

 

CMYK 88 / 0 / 33 / 48

HEX #108458

RGB 16 132 88

HSL 157.24, 0.78%, 0.29%

LAB 48.66, -40.88, 15.49

 

CMYK 88 / 72 / 0 / 48

HEX #102584

RGB 16 37 132

HSL 229.14, 0.78%, 0.29%

LAB 20.44, 30.79, -54.82

 

CMYK 0 / 88 / 55 / 48

HEX #85103C

RGB 133 16 60

HSL 337.44, 0.79%, 0.29%

LAB 28.6, 48.99, 6.2

 

CMYK 10 / 0 / 88 / 48

HEX #778410

RGB 119 132 16

HSL 66.72, 0.78%, 0.29%

LAB 52.36, -18.83, 53.67

 

CMYK 88 / 0 / 33 / 48

HEX #108458

RGB 16 132 88

HSL 157.24, 0.78%, 0.29%

LAB 48.66, -40.88, 15.49

 

CMYK 78 / 88 / 0 / 48

HEX #1D1084

RGB 29 16 132

HSL 246.72, 0.78%, 0.29%

LAB 16.98, 43.4, -60.53

 

Description

Color code: HEX #85103C | qconv.com Color code: HEX #85103C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 16 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 16 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 55 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 55% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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