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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84FEC1 it is the complementary color #7B013E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84FEC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84FEC1 shade: #89FEBC, #9AFFCF, #ABFFE2, #BCFFF5 and #CDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84FEC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84FEC1 shade: #84FEC1, #73ECAE, #62DA9B, #51C888 and #40B675

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84FEC1 shade: #86FEC2, #86FEA1, #8BFE86, #ABFE86 and #CBFE86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84FEC1 shade: #86FEC2, #86FEE2, #86F9FE, #86D9FE and #86B8FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84FEC1 shade matches the following richer shades: #86FEC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84FEC1 shade: #86FEC2, #90F4C2, #9AEAC2, #A4E0C2 and #ADD6C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84FEC1 shade: #8AFE86, #86FEA2, #86FEC2, #86FEE2 and #86FAFE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84FEC1 shade: #34FD99, #5DFDAD, #86FEC2, #AFFED6 and #D8FFEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84FEC1 shade: #84FEC1, #86AAFE and #FE9286

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84FEC1 shade: #84FEC1, #C286FE and #FEC286

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84FEC1 shade: #84FEC1, #86AAFE, #FE86C2 and #FEDA86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84FEC1 shade: #84FEC1, #8686FE, #FE86C2 and #FEFE86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 24 / 0

HEX #84FEC1

RGB 132 254 193

HSL 150, 0.98%, 0.76%

LAB 91.52, -47.86, 18.77

 

Complementary color

CMYK 0 / 99 / 50 / 52

HEX #7B013E

RGB 123 1 62

HSL 330, 0.98%, 0.24%

LAB 25.5, 49.41, 0.11

 

CMYK 46 / 0 / 26 / 0

HEX #89FEBC

RGB 137 254 188

HSL 146.15, 0.98%, 0.77%

LAB 91.61, -47.59, 21.48

 

CMYK 40 / 0 / 19 / 0

HEX #9AFFCF

RGB 154 255 207

HSL 151.49, 1%, 0.8%

LAB 92.97, -39.94, 13.75

 

CMYK 33 / 0 / 11 / 0

HEX #ABFFE2

RGB 171 255 226

HSL 159.29, 1%, 0.84%

LAB 94.17, -31.48, 5.8

 

CMYK 26 / 0 / 4 / 0

HEX #BCFFF5

RGB 188 255 245

HSL 171.04, 1%, 0.87%

LAB 95.5, -22.74, -1.96

 

CMYK 20 / 0 / 0 / 0

HEX #CDFFFF

RGB 205 255 255

HSL 180, 1%, 0.9%

LAB 96.71, -15.72, -5.23

 

CMYK 48 / 0 / 24 / 0

HEX #84FEC1

RGB 132 254 193

HSL 150, 0.98%, 0.76%

LAB 91.52, -47.86, 18.77

 

CMYK 51 / 0 / 26 / 7

HEX #73ECAE

RGB 115 236 174

HSL 149.26, 0.76%, 0.69%

LAB 85.35, -48, 19.86

 

CMYK 55 / 0 / 29 / 15

HEX #62DA9B

RGB 98 218 155

HSL 148.5, 0.62%, 0.62%

LAB 79.1, -48.08, 21.03

 

CMYK 60 / 0 / 32 / 22

HEX #51C888

RGB 81 200 136

HSL 147.73, 0.52%, 0.55%

LAB 72.78, -48.06, 22.29

 

CMYK 65 / 0 / 36 / 29

HEX #40B675

RGB 64 182 117

HSL 146.95, 0.48%, 0.48%

LAB 66.39, -47.89, 23.66

 

CMYK 47 / 0 / 24 / 0

HEX #86FEC2

RGB 134 254 194

HSL 150, 0.98%, 0.76%

LAB 91.62, -47.18, 18.4

 

CMYK 47 / 0 / 37 / 0

HEX #86FEA1

RGB 134 254 161

HSL 133.5, 0.98%, 0.76%

LAB 91.02, -53.12, 34.28

 

CMYK 45 / 0 / 47 / 0

HEX #8BFE86

RGB 139 254 134

HSL 117.5, 0.98%, 0.76%

LAB 90.82, -55.76, 47.21

 

CMYK 33 / 0 / 47 / 0

HEX #ABFE86

RGB 171 254 134

HSL 101.5, 0.98%, 0.76%

LAB 92.25, -46.08, 49.29

 

CMYK 20 / 0 / 47 / 0

HEX #CBFE86

RGB 203 254 134

HSL 85.5, 0.98%, 0.76%

LAB 94.01, -35.1, 51.86

 

CMYK 47 / 0 / 24 / 0

HEX #86FEC2

RGB 134 254 194

HSL 150, 0.98%, 0.76%

LAB 91.62, -47.18, 18.4

 

CMYK 47 / 0 / 11 / 0

HEX #86FEE2

RGB 134 254 226

HSL 166, 0.98%, 0.76%

LAB 92.33, -40.41, 2.94

 

CMYK 47 / 2 / 0 / 0

HEX #86F9FE

RGB 134 249 254

HSL 182.5, 0.98%, 0.76%

LAB 91.67, -31.42, -12.55

 

CMYK 47 / 15 / 0 / 0

HEX #86D9FE

RGB 134 217 254

HSL 198.5, 0.98%, 0.76%

LAB 82.83, -15.67, -25.89

 

CMYK 47 / 28 / 0 / 0

HEX #86B8FE

RGB 134 184 254

HSL 215, 0.98%, 0.76%

LAB 73.87, 1.92, -39.7

 

CMYK 47 / 0 / 24 / 0

HEX #86FEC2

RGB 134 254 194

HSL 150, 0.98%, 0.76%

LAB 91.62, -47.18, 18.4

 

CMYK 47 / 0 / 24 / 0

HEX #86FEC2

RGB 134 254 194

HSL 150, 0.98%, 0.76%

LAB 91.62, -47.18, 18.4

 

CMYK 41 / 0 / 20 / 4

HEX #90F4C2

RGB 144 244 194

HSL 150, 0.82%, 0.76%

LAB 89.17, -40.26, 15.03

 

CMYK 34 / 0 / 17 / 8

HEX #9AEAC2

RGB 154 234 194

HSL 150, 0.66%, 0.76%

LAB 86.81, -32.92, 11.74

 

CMYK 27 / 0 / 13 / 12

HEX #A4E0C2

RGB 164 224 194

HSL 150, 0.49%, 0.76%

LAB 84.53, -25.18, 8.57

 

CMYK 19 / 0 / 9 / 16

HEX #ADD6C2

RGB 173 214 194

HSL 150.73, 0.33%, 0.76%

LAB 82.31, -17.4, 5.44

 

CMYK 46 / 0 / 47 / 0

HEX #8AFE86

RGB 138 254 134

HSL 118, 0.98%, 0.76%

LAB 90.78, -56.04, 47.15

 

CMYK 47 / 0 / 36 / 0

HEX #86FEA2

RGB 134 254 162

HSL 134, 0.98%, 0.76%

LAB 91.04, -52.96, 33.81

 

CMYK 47 / 0 / 24 / 0

HEX #86FEC2

RGB 134 254 194

HSL 150, 0.98%, 0.76%

LAB 91.62, -47.18, 18.4

 

CMYK 47 / 0 / 11 / 0

HEX #86FEE2

RGB 134 254 226

HSL 166, 0.98%, 0.76%

LAB 92.33, -40.41, 2.94

 

CMYK 47 / 2 / 0 / 0

HEX #86FAFE

RGB 134 250 254

HSL 182, 0.98%, 0.76%

LAB 91.95, -31.89, -12.13

 

CMYK 79 / 0 / 40 / 1

HEX #34FD99

RGB 52 253 153

HSL 150.15, 0.98%, 0.6%

LAB 88.58, -69.07, 34.66

 

CMYK 63 / 0 / 32 / 1

HEX #5DFDAD

RGB 93 253 173

HSL 150, 0.98%, 0.68%

LAB 89.67, -59.58, 26.22

 

CMYK 47 / 0 / 24 / 0

HEX #86FEC2

RGB 134 254 194

HSL 150, 0.98%, 0.76%

LAB 91.62, -47.18, 18.4

 

CMYK 31 / 0 / 16 / 0

HEX #AFFED6

RGB 175 254 214

HSL 149.62, 0.98%, 0.84%

LAB 93.82, -32.26, 11.5

 

CMYK 15 / 0 / 8 / 0

HEX #D8FFEB

RGB 216 255 235

HSL 149.23, 1%, 0.92%

LAB 96.87, -16.24, 5.38

 

CMYK 48 / 0 / 24 / 0

HEX #84FEC1

RGB 132 254 193

HSL 150, 0.98%, 0.76%

LAB 91.52, -47.86, 18.77

 

CMYK 47 / 33 / 0 / 0

HEX #86AAFE

RGB 134 170 254

HSL 222, 0.98%, 0.76%

LAB 70.16, 9.76, -45.51

 

CMYK 0 / 43 / 47 / 0

HEX #FE9286

RGB 254 146 134

HSL 6, 0.98%, 0.76%

LAB 71.79, 39.39, 24.18

 

CMYK 48 / 0 / 24 / 0

HEX #84FEC1

RGB 132 254 193

HSL 150, 0.98%, 0.76%

LAB 91.52, -47.86, 18.77

 

CMYK 24 / 47 / 0 / 0

HEX #C286FE

RGB 194 134 254

HSL 270, 0.98%, 0.76%

LAB 66.27, 45.38, -51.31

 

CMYK 0 / 24 / 47 / 0

HEX #FEC286

RGB 254 194 134

HSL 30, 0.98%, 0.76%

LAB 82.58, 14.4, 38.39

 

CMYK 48 / 0 / 24 / 0

HEX #84FEC1

RGB 132 254 193

HSL 150, 0.98%, 0.76%

LAB 91.52, -47.86, 18.77

 

CMYK 47 / 33 / 0 / 0

HEX #86AAFE

RGB 134 170 254

HSL 222, 0.98%, 0.76%

LAB 70.16, 9.76, -45.51

 

CMYK 0 / 47 / 24 / 0

HEX #FE86C2

RGB 254 134 194

HSL 330, 0.98%, 0.76%

LAB 70.88, 52.36, -10.47

 

CMYK 0 / 14 / 47 / 0

HEX #FEDA86

RGB 254 218 134

HSL 42, 0.98%, 0.76%

LAB 88.42, 1.99, 45.78

 

CMYK 48 / 0 / 24 / 0

HEX #84FEC1

RGB 132 254 193

HSL 150, 0.98%, 0.76%

LAB 91.52, -47.86, 18.77

 

CMYK 47 / 47 / 0 / 0

HEX #8686FE

RGB 134 134 254

HSL 240, 0.98%, 0.76%

LAB 61.02, 30.59, -59.98

 

CMYK 0 / 47 / 24 / 0

HEX #FE86C2

RGB 254 134 194

HSL 330, 0.98%, 0.76%

LAB 70.88, 52.36, -10.47

 

CMYK 0 / 0 / 47 / 0

HEX #FEFE86

RGB 254 254 134

HSL 60, 0.98%, 0.76%

LAB 97.5, -15.93, 56.9

 

Description

Color code: HEX #84FEC1 | qconv.com Color code: HEX #84FEC1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 254 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 254 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 24 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 24% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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