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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84F79F it is the complementary color #7B0860. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84F79F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84F79F shade: #89F79A, #9AFFAD, #ABFFC0, #BCFFD3 and #CDFFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84F79F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84F79F shade: #84F79F, #73E58C, #62D379, #51C166 and #40AF53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84F79F shade: #82F79E, #86F782, #A6F782, #C5F782 and #E5F782

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84F79F shade: #82F79E, #82F7BD, #82F7DD, #82F2F7 and #82D2F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84F79F shade matches the following richer shades: #82F79E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84F79F shade: #82F79E, #8DECA3, #98E2A9, #A3D7AF and #ADCCB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84F79F shade: #A5F782, #86F782, #82F79E, #82F7BD and #82F7DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84F79F shade: #35F261, #5CF580, #82F79E, #A9FABC and #D0FCDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84F79F shade: #84F79F, #82C4F7 and #F78296

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84F79F shade: #84F79F, #9E82F7 and #F79E82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84F79F shade: #84F79F, #82C4F7, #F782DC and #F7B582

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84F79F shade: #84F79F, #82A1F7, #F782DC and #F7D882

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 36 / 3

HEX #84F79F

RGB 132 247 159

HSL 134.09, 0.88%, 0.74%

LAB 88.89, -51.1, 32.44

 

Complementary color

CMYK 0 / 93 / 22 / 52

HEX #7B0860

RGB 123 8 96

HSL 314.09, 0.88%, 0.26%

LAB 27.38, 51.92, -19.83

 

CMYK 45 / 0 / 38 / 3

HEX #89F79A

RGB 137 247 154

HSL 129.27, 0.87%, 0.75%

LAB 89, -50.57, 35.13

 

CMYK 40 / 0 / 32 / 0

HEX #9AFFAD

RGB 154 255 173

HSL 131.29, 1%, 0.8%

LAB 92.31, -46.13, 30.15

 

CMYK 33 / 0 / 25 / 0

HEX #ABFFC0

RGB 171 255 192

HSL 135, 1%, 0.84%

LAB 93.44, -37.95, 22.21

 

CMYK 26 / 0 / 17 / 0

HEX #BCFFD3

RGB 188 255 211

HSL 140.6, 1%, 0.87%

LAB 94.7, -29.41, 14.39

 

CMYK 20 / 0 / 10 / 0

HEX #CDFFE6

RGB 205 255 230

HSL 150, 1%, 0.9%

LAB 96.08, -20.64, 6.73

 

CMYK 47 / 0 / 36 / 3

HEX #84F79F

RGB 132 247 159

HSL 134.09, 0.88%, 0.74%

LAB 88.89, -51.1, 32.44

 

CMYK 50 / 0 / 39 / 10

HEX #73E58C

RGB 115 229 140

HSL 133.16, 0.69%, 0.67%

LAB 82.69, -51.24, 33.67

 

CMYK 54 / 0 / 43 / 17

HEX #62D379

RGB 98 211 121

HSL 132.21, 0.56%, 0.61%

LAB 76.42, -51.3, 34.98

 

CMYK 58 / 0 / 47 / 24

HEX #51C166

RGB 81 193 102

HSL 131.25, 0.47%, 0.54%

LAB 70.07, -51.22, 36.35

 

CMYK 63 / 0 / 53 / 31

HEX #40AF53

RGB 64 175 83

HSL 130.27, 0.46%, 0.47%

LAB 63.65, -50.94, 37.77

 

CMYK 47 / 0 / 36 / 3

HEX #82F79E

RGB 130 247 158

HSL 134.36, 0.88%, 0.74%

LAB 88.8, -51.78, 32.8

 

CMYK 46 / 0 / 47 / 3

HEX #86F782

RGB 134 247 130

HSL 117.95, 0.88%, 0.74%

LAB 88.54, -54.89, 46.22

 

CMYK 33 / 0 / 47 / 3

HEX #A6F782

RGB 166 247 130

HSL 101.54, 0.88%, 0.74%

LAB 89.97, -45.19, 48.31

 

CMYK 20 / 0 / 47 / 3

HEX #C5F782

RGB 197 247 130

HSL 85.64, 0.88%, 0.74%

LAB 91.69, -34.5, 50.81

 

CMYK 7 / 0 / 47 / 3

HEX #E5F782

RGB 229 247 130

HSL 69.23, 0.88%, 0.74%

LAB 93.79, -22.57, 53.86

 

CMYK 47 / 0 / 36 / 3

HEX #82F79E

RGB 130 247 158

HSL 134.36, 0.88%, 0.74%

LAB 88.8, -51.78, 32.8

 

CMYK 47 / 0 / 23 / 3

HEX #82F7BD

RGB 130 247 189

HSL 150.26, 0.88%, 0.74%

LAB 89.37, -46.14, 17.8

 

CMYK 47 / 0 / 11 / 3

HEX #82F7DD

RGB 130 247 221

HSL 166.67, 0.88%, 0.74%

LAB 90.09, -39.3, 2.25

 

CMYK 47 / 2 / 0 / 3

HEX #82F2F7

RGB 130 242 247

HSL 182.56, 0.88%, 0.74%

LAB 89.38, -30.73, -12.35

 

CMYK 47 / 15 / 0 / 3

HEX #82D2F7

RGB 130 210 247

HSL 198.97, 0.88%, 0.74%

LAB 80.49, -14.88, -25.76

 

CMYK 47 / 0 / 36 / 3

HEX #82F79E

RGB 130 247 158

HSL 134.36, 0.88%, 0.74%

LAB 88.8, -51.78, 32.8

 

CMYK 47 / 0 / 36 / 3

HEX #82F79E

RGB 130 247 158

HSL 134.36, 0.88%, 0.74%

LAB 88.8, -51.78, 32.8

 

CMYK 40 / 0 / 31 / 7

HEX #8DECA3

RGB 141 236 163

HSL 133.89, 0.71%, 0.74%

LAB 86.16, -43.29, 26.8

 

CMYK 33 / 0 / 25 / 11

HEX #98E2A9

RGB 152 226 169

HSL 133.78, 0.56%, 0.74%

LAB 83.93, -34.49, 20.73

 

CMYK 24 / 0 / 19 / 16

HEX #A3D7AF

RGB 163 215 175

HSL 133.85, 0.39%, 0.74%

LAB 81.56, -24.71, 14.36

 

CMYK 15 / 0 / 11 / 20

HEX #ADCCB5

RGB 173 204 181

HSL 135.48, 0.23%, 0.74%

LAB 79.27, -14.81, 8.01

 

CMYK 33 / 0 / 47 / 3

HEX #A5F782

RGB 165 247 130

HSL 102.05, 0.88%, 0.74%

LAB 89.92, -45.51, 48.24

 

CMYK 46 / 0 / 47 / 3

HEX #86F782

RGB 134 247 130

HSL 117.95, 0.88%, 0.74%

LAB 88.54, -54.89, 46.22

 

CMYK 47 / 0 / 36 / 3

HEX #82F79E

RGB 130 247 158

HSL 134.36, 0.88%, 0.74%

LAB 88.8, -51.78, 32.8

 

CMYK 47 / 0 / 23 / 3

HEX #82F7BD

RGB 130 247 189

HSL 150.26, 0.88%, 0.74%

LAB 89.37, -46.14, 17.8

 

CMYK 47 / 0 / 11 / 3

HEX #82F7DC

RGB 130 247 220

HSL 166.15, 0.88%, 0.74%

LAB 90.06, -39.53, 2.74

 

CMYK 78 / 0 / 60 / 5

HEX #35F261

RGB 53 242 97

HSL 133.97, 0.88%, 0.58%

LAB 84.55, -73.73, 55.97

 

CMYK 62 / 0 / 48 / 4

HEX #5CF580

RGB 92 245 128

HSL 134.12, 0.88%, 0.66%

LAB 86.57, -64.45, 44.42

 

CMYK 47 / 0 / 36 / 3

HEX #82F79E

RGB 130 247 158

HSL 134.36, 0.88%, 0.74%

LAB 88.8, -51.78, 32.8

 

CMYK 32 / 0 / 25 / 2

HEX #A9FABC

RGB 169 250 188

HSL 134.07, 0.89%, 0.82%

LAB 91.88, -36.98, 22.07

 

CMYK 17 / 0 / 13 / 1

HEX #D0FCDA

RGB 208 252 218

HSL 133.64, 0.88%, 0.9%

LAB 95.2, -20.42, 11.66

 

CMYK 47 / 0 / 36 / 3

HEX #84F79F

RGB 132 247 159

HSL 134.09, 0.88%, 0.74%

LAB 88.89, -51.1, 32.44

 

CMYK 47 / 21 / 0 / 3

HEX #82C4F7

RGB 130 196 247

HSL 206.15, 0.88%, 0.74%

LAB 76.64, -7.52, -31.66

 

CMYK 0 / 47 / 39 / 3

HEX #F78296

RGB 247 130 150

HSL 349.74, 0.88%, 0.74%

LAB 67.98, 46.56, 9.84

 

CMYK 47 / 0 / 36 / 3

HEX #84F79F

RGB 132 247 159

HSL 134.09, 0.88%, 0.74%

LAB 88.89, -51.1, 32.44

 

CMYK 36 / 47 / 0 / 3

HEX #9E82F7

RGB 158 130 247

HSL 254.36, 0.88%, 0.74%

LAB 61.61, 36.61, -55.08

 

CMYK 0 / 36 / 47 / 3

HEX #F79E82

RGB 247 158 130

HSL 14.36, 0.88%, 0.74%

LAB 73.44, 30.16, 28.42

 

CMYK 47 / 0 / 36 / 3

HEX #84F79F

RGB 132 247 159

HSL 134.09, 0.88%, 0.74%

LAB 88.89, -51.1, 32.44

 

CMYK 47 / 21 / 0 / 3

HEX #82C4F7

RGB 130 196 247

HSL 206.15, 0.88%, 0.74%

LAB 76.64, -7.52, -31.66

 

CMYK 0 / 47 / 11 / 3

HEX #F782DC

RGB 247 130 220

HSL 313.85, 0.88%, 0.74%

LAB 70.11, 55.98, -26.16

 

CMYK 0 / 27 / 47 / 3

HEX #F7B582

RGB 247 181 130

HSL 26.15, 0.88%, 0.74%

LAB 78.71, 18.06, 35.33

 

CMYK 47 / 0 / 36 / 3

HEX #84F79F

RGB 132 247 159

HSL 134.09, 0.88%, 0.74%

LAB 88.89, -51.1, 32.44

 

CMYK 47 / 35 / 0 / 3

HEX #82A1F7

RGB 130 161 247

HSL 224.1, 0.88%, 0.74%

LAB 67.24, 11.92, -46.3

 

CMYK 0 / 47 / 11 / 3

HEX #F782DC

RGB 247 130 220

HSL 313.85, 0.88%, 0.74%

LAB 70.11, 55.98, -26.16

 

CMYK 0 / 13 / 47 / 3

HEX #F7D882

RGB 247 216 130

HSL 44.1, 0.88%, 0.74%

LAB 87.24, -0.14, 46.15

 

Description

Color code: HEX #84F79F | qconv.com Color code: HEX #84F79F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 247 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 247 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 36 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 36% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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