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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84F534 it is the complementary color #7B0ACB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84F534. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84F534 shade: #89F52F, #9AFF42, #ABFF55, #BCFF68 and #CDFF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84F534. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84F534 shade: #84F534, #73E321, #62D10E, #51BF00 and #40AD00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84F534 shade: #83F532, #B8F532, #ECF532, #F5CA32 and #F59532

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84F534 shade: #83F532, #4FF532, #32F54B, #32F57F and #32F5B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84F534 shade matches the following richer shades: #83F532

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84F534 shade: #83F532, #86E444, #89D355, #8CC166 and #8FB078

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84F534 shade: #ECF532, #B8F532, #84F532, #50F532 and #32F549

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84F534 shade: #5ACC0A, #6BF30B, #83F532, #9BF75A and #B3F981

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84F534 shade: #84F534, #32F5CB and #F532D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84F534 shade: #84F534, #3284F5 and #F53284

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84F534 shade: #84F534, #32F5CB, #A432F5 and #F5325D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84F534 shade: #84F534, #32E5F5, #A432F5 and #F54332

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 79 / 4

HEX #84F534

RGB 132 245 52

HSL 95.13, 0.91%, 0.58%

LAB 87.22, -61.71, 75.62

 

Complementary color

CMYK 39 / 95 / 0 / 20

HEX #7B0ACB

RGB 123 10 203

HSL 275.13, 0.91%, 0.42%

LAB 35.48, 70.75, -72.6

 

CMYK 44 / 0 / 81 / 4

HEX #89F52F

RGB 137 245 47

HSL 92.73, 0.91%, 0.57%

LAB 87.4, -60.43, 77.17

 

CMYK 40 / 0 / 74 / 0

HEX #9AFF42

RGB 154 255 66

HSL 92.06, 1%, 0.63%

LAB 91.14, -57.98, 75.52

 

CMYK 33 / 0 / 67 / 0

HEX #ABFF55

RGB 171 255 85

HSL 89.65, 1%, 0.67%

LAB 92.06, -51.15, 70.13

 

CMYK 26 / 0 / 59 / 0

HEX #BCFF68

RGB 188 255 104

HSL 86.62, 1%, 0.7%

LAB 93.11, -43.77, 63.96

 

CMYK 20 / 0 / 52 / 0

HEX #CDFF7B

RGB 205 255 123

HSL 82.73, 1%, 0.74%

LAB 94.28, -35.94, 57.27

 

CMYK 46 / 0 / 79 / 4

HEX #84F534

RGB 132 245 52

HSL 95.13, 0.91%, 0.58%

LAB 87.22, -61.71, 75.62

 

CMYK 49 / 0 / 85 / 11

HEX #73E321

RGB 115 227 33

HSL 94.64, 0.78%, 0.51%

LAB 81.12, -60.89, 74.49

 

CMYK 53 / 0 / 93 / 18

HEX #62D10E

RGB 98 209 14

HSL 94.15, 0.87%, 0.44%

LAB 74.97, -59.75, 72.2

 

CMYK 58 / 0 / 100 / 25

HEX #51BF00

RGB 81 191 0

HSL 94.55, 1%, 0.37%

LAB 68.76, -58.23, 68.5

 

CMYK 63 / 0 / 100 / 32

HEX #40AD00

RGB 64 173 0

HSL 97.8, 1%, 0.34%

LAB 62.49, -56.28, 63.32

 

CMYK 47 / 0 / 80 / 4

HEX #83F532

RGB 131 245 50

HSL 95.08, 0.91%, 0.58%

LAB 87.17, -62.1, 76.1

 

CMYK 25 / 0 / 80 / 4

HEX #B8F532

RGB 184 245 50

HSL 78.77, 0.91%, 0.58%

LAB 89.73, -44.21, 79.37

 

CMYK 4 / 0 / 80 / 4

HEX #ECF532

RGB 236 245 50

HSL 62.77, 0.91%, 0.58%

LAB 93.18, -23.79, 83.73

 

CMYK 0 / 18 / 80 / 4

HEX #F5CA32

RGB 245 202 50

HSL 46.77, 0.91%, 0.58%

LAB 82.85, 1.28, 74.99

 

CMYK 0 / 39 / 80 / 4

HEX #F59532

RGB 245 149 50

HSL 30.46, 0.91%, 0.58%

LAB 70.27, 29, 63.68

 

CMYK 47 / 0 / 80 / 4

HEX #83F532

RGB 131 245 50

HSL 95.08, 0.91%, 0.58%

LAB 87.17, -62.1, 76.1

 

CMYK 68 / 0 / 80 / 4

HEX #4FF532

RGB 79 245 50

HSL 111.08, 0.91%, 0.58%

LAB 85.6, -74.67, 74.07

 

CMYK 80 / 0 / 69 / 4

HEX #32F54B

RGB 50 245 75

HSL 127.69, 0.91%, 0.58%

LAB 85.25, -77.21, 65.55

 

CMYK 80 / 0 / 48 / 4

HEX #32F57F

RGB 50 245 127

HSL 143.69, 0.91%, 0.58%

LAB 85.76, -70.95, 43.72

 

CMYK 80 / 0 / 27 / 4

HEX #32F5B4

RGB 50 245 180

HSL 160, 0.91%, 0.58%

LAB 86.64, -60.96, 18.34

 

CMYK 47 / 0 / 80 / 4

HEX #83F532

RGB 131 245 50

HSL 95.08, 0.91%, 0.58%

LAB 87.17, -62.1, 76.1

 

CMYK 47 / 0 / 80 / 4

HEX #83F532

RGB 131 245 50

HSL 95.08, 0.91%, 0.58%

LAB 87.17, -62.1, 76.1

 

CMYK 41 / 0 / 70 / 11

HEX #86E444

RGB 134 228 68

HSL 95.25, 0.75%, 0.58%

LAB 82.36, -53.65, 65.84

 

CMYK 35 / 0 / 60 / 17

HEX #89D355

RGB 137 211 85

HSL 95.24, 0.59%, 0.58%

LAB 77.62, -44.28, 53.96

 

CMYK 27 / 0 / 47 / 24

HEX #8CC166

RGB 140 193 102

HSL 94.95, 0.42%, 0.58%

LAB 72.68, -33.37, 40.17

 

CMYK 19 / 0 / 32 / 31

HEX #8FB078

RGB 143 176 120

HSL 95.36, 0.26%, 0.58%

LAB 68.2, -21.59, 25.11

 

CMYK 4 / 0 / 80 / 4

HEX #ECF532

RGB 236 245 50

HSL 62.77, 0.91%, 0.58%

LAB 93.18, -23.79, 83.73

 

CMYK 25 / 0 / 80 / 4

HEX #B8F532

RGB 184 245 50

HSL 78.77, 0.91%, 0.58%

LAB 89.73, -44.21, 79.37

 

CMYK 46 / 0 / 80 / 4

HEX #84F532

RGB 132 245 50

HSL 94.77, 0.91%, 0.58%

LAB 87.21, -61.81, 76.15

 

CMYK 67 / 0 / 80 / 4

HEX #50F532

RGB 80 245 50

HSL 110.77, 0.91%, 0.58%

LAB 85.63, -74.49, 74.1

 

CMYK 80 / 0 / 70 / 4

HEX #32F549

RGB 50 245 73

HSL 127.08, 0.91%, 0.58%

LAB 85.23, -77.38, 66.26

 

CMYK 56 / 0 / 95 / 20

HEX #5ACC0A

RGB 90 204 10

HSL 95.26, 0.91%, 0.42%

LAB 73.14, -60.23, 71.05

 

CMYK 56 / 0 / 95 / 5

HEX #6BF30B

RGB 107 243 11

HSL 95.17, 0.91%, 0.5%

LAB 85.63, -69.16, 81.28

 

CMYK 47 / 0 / 80 / 4

HEX #83F532

RGB 131 245 50

HSL 95.08, 0.91%, 0.58%

LAB 87.17, -62.1, 76.1

 

CMYK 37 / 0 / 64 / 3

HEX #9BF75A

RGB 155 247 90

HSL 95.16, 0.91%, 0.66%

LAB 89.03, -52.83, 64.74

 

CMYK 28 / 0 / 48 / 2

HEX #B3F981

RGB 179 249 129

HSL 95, 0.91%, 0.74%

LAB 91.2, -41.83, 50.44

 

CMYK 46 / 0 / 79 / 4

HEX #84F534

RGB 132 245 52

HSL 95.13, 0.91%, 0.58%

LAB 87.22, -61.71, 75.62

 

CMYK 80 / 0 / 17 / 4

HEX #32F5CB

RGB 50 245 203

HSL 167.08, 0.91%, 0.58%

LAB 87.14, -55.61, 7.12

 

CMYK 0 / 80 / 14 / 4

HEX #F532D2

RGB 245 50 210

HSL 310.77, 0.91%, 0.58%

LAB 58.36, 84.24, -38.79

 

CMYK 46 / 0 / 79 / 4

HEX #84F534

RGB 132 245 52

HSL 95.13, 0.91%, 0.58%

LAB 87.22, -61.71, 75.62

 

CMYK 80 / 46 / 0 / 4

HEX #3284F5

RGB 50 132 245

HSL 214.77, 0.91%, 0.58%

LAB 55.86, 15.03, -63.52

 

CMYK 0 / 80 / 46 / 4

HEX #F53284

RGB 245 50 132

HSL 334.77, 0.91%, 0.58%

LAB 55.44, 75.79, 2.24

 

CMYK 46 / 0 / 79 / 4

HEX #84F534

RGB 132 245 52

HSL 95.13, 0.91%, 0.58%

LAB 87.22, -61.71, 75.62

 

CMYK 80 / 0 / 17 / 4

HEX #32F5CB

RGB 50 245 203

HSL 167.08, 0.91%, 0.58%

LAB 87.14, -55.61, 7.12

 

CMYK 33 / 80 / 0 / 4

HEX #A432F5

RGB 164 50 245

HSL 275.08, 0.91%, 0.58%

LAB 47.96, 75.47, -75.93

 

CMYK 0 / 80 / 62 / 4

HEX #F5325D

RGB 245 50 93

HSL 346.77, 0.91%, 0.58%

LAB 54.54, 73.05, 24.29

 

CMYK 46 / 0 / 79 / 4

HEX #84F534

RGB 132 245 52

HSL 95.13, 0.91%, 0.58%

LAB 87.22, -61.71, 75.62

 

CMYK 80 / 7 / 0 / 4

HEX #32E5F5

RGB 50 229 245

HSL 184.92, 0.91%, 0.58%

LAB 83.6, -37.29, -20.17

 

CMYK 33 / 80 / 0 / 4

HEX #A432F5

RGB 164 50 245

HSL 275.08, 0.91%, 0.58%

LAB 47.96, 75.47, -75.93

 

CMYK 0 / 73 / 80 / 4

HEX #F54332

RGB 245 67 50

HSL 5.23, 0.91%, 0.58%

LAB 55.74, 66.2, 49.93

 

Description

Color code: HEX #84F534 | qconv.com Color code: HEX #84F534 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 245 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 245 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 79 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 79% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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