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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84F2AC it is the complementary color #7B0D53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84F2AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84F2AC shade: #89F2A7, #9AFFBA, #ABFFCD, #BCFFE0 and #CDFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84F2AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84F2AC shade: #84F2AC, #73E099, #62CE86, #51BC73 and #40AA60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84F2AC shade: #82F2AB, #82F28D, #96F282, #B4F282 and #D2F282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84F2AC shade: #82F2AB, #82F2C9, #82F2E7, #82DFF2 and #82C1F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84F2AC shade matches the following richer shades: #82F2AB and #77FDA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84F2AC shade: #82F2AB, #8EE7AE, #99DCB1, #A4D0B4 and #AFC5B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84F2AC shade: #97F282, #82F28C, #82F2A9, #82F2C7 and #82F2E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84F2AC shade: #38EA79, #5DEE92, #82F2AB, #A8F6C4 and #CDFADD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84F2AC shade: #84F2AC, #82B5F2 and #F28288

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84F2AC shade: #84F2AC, #A982F2 and #F2A982

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84F2AC shade: #84F2AC, #82B5F2, #F282CB and #F2C082

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84F2AC shade: #84F2AC, #8293F2, #F282CB and #F2E182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 29 / 5

HEX #84F2AC

RGB 132 242 172

HSL 141.82, 0.81%, 0.73%

LAB 87.67, -46.73, 24.2

 

Complementary color

CMYK 0 / 89 / 33 / 52

HEX #7B0D53

RGB 123 13 83

HSL 321.82, 0.81%, 0.27%

LAB 27.08, 49.34, -11.7

 

CMYK 43 / 0 / 31 / 5

HEX #89F2A7

RGB 137 242 167

HSL 137.14, 0.8%, 0.74%

LAB 87.78, -46.3, 26.93

 

CMYK 40 / 0 / 27 / 0

HEX #9AFFBA

RGB 154 255 186

HSL 139.01, 1%, 0.8%

LAB 92.55, -43.9, 23.9

 

CMYK 33 / 0 / 20 / 0

HEX #ABFFCD

RGB 171 255 205

HSL 144.29, 1%, 0.84%

LAB 93.7, -35.59, 15.93

 

CMYK 26 / 0 / 12 / 0

HEX #BCFFE0

RGB 188 255 224

HSL 152.24, 1%, 0.87%

LAB 94.99, -26.97, 8.12

 

CMYK 20 / 0 / 5 / 0

HEX #CDFFF3

RGB 205 255 243

HSL 165.6, 1%, 0.9%

LAB 96.4, -18.13, 0.5

 

CMYK 45 / 0 / 29 / 5

HEX #84F2AC

RGB 132 242 172

HSL 141.82, 0.81%, 0.73%

LAB 87.67, -46.73, 24.2

 

CMYK 49 / 0 / 32 / 12

HEX #73E099

RGB 115 224 153

HSL 140.92, 0.64%, 0.66%

LAB 81.43, -46.92, 25.35

 

CMYK 52 / 0 / 35 / 19

HEX #62CE86

RGB 98 206 134

HSL 140, 0.52%, 0.6%

LAB 75.11, -47.05, 26.59

 

CMYK 57 / 0 / 39 / 26

HEX #51BC73

RGB 81 188 115

HSL 139.07, 0.44%, 0.53%

LAB 68.72, -47.08, 27.91

 

CMYK 62 / 0 / 44 / 33

HEX #40AA60

RGB 64 170 96

HSL 138.11, 0.45%, 0.46%

LAB 62.24, -46.95, 29.34

 

CMYK 46 / 0 / 29 / 5

HEX #82F2AB

RGB 130 242 171

HSL 141.96, 0.81%, 0.73%

LAB 87.58, -47.43, 24.57

 

CMYK 46 / 0 / 42 / 5

HEX #82F28D

RGB 130 242 141

HSL 125.89, 0.81%, 0.73%

LAB 87.08, -52.42, 39.01

 

CMYK 38 / 0 / 46 / 5

HEX #96F282

RGB 150 242 130

HSL 109.29, 0.81%, 0.73%

LAB 87.78, -48.15, 45.41

 

CMYK 26 / 0 / 46 / 5

HEX #B4F282

RGB 180 242 130

HSL 93.21, 0.81%, 0.73%

LAB 89.31, -38.26, 47.66

 

CMYK 13 / 0 / 46 / 5

HEX #D2F282

RGB 210 242 130

HSL 77.14, 0.81%, 0.73%

LAB 91.15, -27.39, 50.34

 

CMYK 46 / 0 / 29 / 5

HEX #82F2AB

RGB 130 242 171

HSL 141.96, 0.81%, 0.73%

LAB 87.58, -47.43, 24.57

 

CMYK 46 / 0 / 17 / 5

HEX #82F2C9

RGB 130 242 201

HSL 158.04, 0.81%, 0.73%

LAB 88.19, -41.48, 9.93

 

CMYK 46 / 0 / 5 / 5

HEX #82F2E7

RGB 130 242 231

HSL 174.11, 0.81%, 0.73%

LAB 88.93, -34.67, -4.65

 

CMYK 46 / 8 / 0 / 5

HEX #82DFF2

RGB 130 223 242

HSL 190.18, 0.81%, 0.73%

LAB 83.93, -22.79, -17.89

 

CMYK 46 / 20 / 0 / 5

HEX #82C1F2

RGB 130 193 242

HSL 206.25, 0.81%, 0.73%

LAB 75.64, -7.31, -30.52

 

CMYK 46 / 0 / 29 / 5

HEX #82F2AB

RGB 130 242 171

HSL 141.96, 0.81%, 0.73%

LAB 87.58, -47.43, 24.57

 

CMYK 53 / 0 / 34 / 1

HEX #77FDA8

RGB 119 253 168

HSL 141.94, 0.97%, 0.73%

LAB 90.32, -55.19, 29.75

 

CMYK 46 / 0 / 29 / 5

HEX #82F2AB

RGB 130 242 171

HSL 141.96, 0.81%, 0.73%

LAB 87.58, -47.43, 24.57

 

CMYK 39 / 0 / 25 / 9

HEX #8EE7AE

RGB 142 231 174

HSL 141.57, 0.65%, 0.73%

LAB 84.98, -38.81, 19.51

 

CMYK 30 / 0 / 20 / 14

HEX #99DCB1

RGB 153 220 177

HSL 141.49, 0.49%, 0.73%

LAB 82.45, -29.91, 14.49

 

CMYK 21 / 0 / 13 / 18

HEX #A4D0B4

RGB 164 208 180

HSL 141.82, 0.32%, 0.73%

LAB 79.78, -20, 9.2

 

CMYK 11 / 0 / 7 / 23

HEX #AFC5B7

RGB 175 197 183

HSL 141.82, 0.16%, 0.73%

LAB 77.56, -10.16, 4.49

 

CMYK 38 / 0 / 46 / 5

HEX #97F282

RGB 151 242 130

HSL 108.75, 0.81%, 0.73%

LAB 87.82, -47.84, 45.48

 

CMYK 46 / 0 / 42 / 5

HEX #82F28C

RGB 130 242 140

HSL 125.36, 0.81%, 0.73%

LAB 87.07, -52.57, 39.48

 

CMYK 46 / 0 / 30 / 5

HEX #82F2A9

RGB 130 242 169

HSL 140.89, 0.81%, 0.73%

LAB 87.54, -47.79, 25.54

 

CMYK 46 / 0 / 18 / 5

HEX #82F2C7

RGB 130 242 199

HSL 156.96, 0.81%, 0.73%

LAB 88.15, -41.91, 10.9

 

CMYK 46 / 0 / 5 / 5

HEX #82F2E5

RGB 130 242 229

HSL 173.04, 0.81%, 0.73%

LAB 88.88, -35.15, -3.68

 

CMYK 76 / 0 / 48 / 8

HEX #38EA79

RGB 56 234 121

HSL 141.91, 0.81%, 0.57%

LAB 82.41, -67.52, 42.41

 

CMYK 61 / 0 / 39 / 7

HEX #5DEE92

RGB 93 238 146

HSL 141.93, 0.81%, 0.65%

LAB 84.77, -58.78, 33.27

 

CMYK 46 / 0 / 29 / 5

HEX #82F2AB

RGB 130 242 171

HSL 141.96, 0.81%, 0.73%

LAB 87.58, -47.43, 24.57

 

CMYK 32 / 0 / 20 / 4

HEX #A8F6C4

RGB 168 246 196

HSL 141.54, 0.81%, 0.81%

LAB 90.88, -34.01, 16.56

 

CMYK 18 / 0 / 12 / 2

HEX #CDFADD

RGB 205 250 221

HSL 141.33, 0.82%, 0.89%

LAB 94.56, -19.87, 9.17

 

CMYK 45 / 0 / 29 / 5

HEX #84F2AC

RGB 132 242 172

HSL 141.82, 0.81%, 0.73%

LAB 87.67, -46.73, 24.2

 

CMYK 46 / 25 / 0 / 5

HEX #82B5F2

RGB 130 181 242

HSL 212.68, 0.81%, 0.73%

LAB 72.36, -0.78, -35.58

 

CMYK 0 / 46 / 44 / 5

HEX #F28288

RGB 242 130 136

HSL 356.79, 0.81%, 0.73%

LAB 66.99, 43.32, 16.24

 

CMYK 45 / 0 / 29 / 5

HEX #84F2AC

RGB 132 242 172

HSL 141.82, 0.81%, 0.73%

LAB 87.67, -46.73, 24.2

 

CMYK 30 / 46 / 0 / 5

HEX #A982F2

RGB 169 130 242

HSL 260.89, 0.81%, 0.73%

LAB 62.35, 38.15, -51.09

 

CMYK 0 / 30 / 46 / 5

HEX #F2A982

RGB 242 169 130

HSL 20.89, 0.81%, 0.73%

LAB 75.37, 22.42, 30.86

 

CMYK 45 / 0 / 29 / 5

HEX #84F2AC

RGB 132 242 172

HSL 141.82, 0.81%, 0.73%

LAB 87.67, -46.73, 24.2

 

CMYK 46 / 25 / 0 / 5

HEX #82B5F2

RGB 130 181 242

HSL 212.68, 0.81%, 0.73%

LAB 72.36, -0.78, -35.58

 

CMYK 0 / 46 / 16 / 5

HEX #F282CB

RGB 242 130 203

HSL 320.89, 0.81%, 0.73%

LAB 68.86, 51.83, -18.68

 

CMYK 0 / 21 / 46 / 5

HEX #F2C082

RGB 242 192 130

HSL 33.21, 0.81%, 0.73%

LAB 80.84, 10.29, 37.97

 

CMYK 45 / 0 / 29 / 5

HEX #84F2AC

RGB 132 242 172

HSL 141.82, 0.81%, 0.73%

LAB 87.67, -46.73, 24.2

 

CMYK 46 / 39 / 0 / 5

HEX #8293F2

RGB 130 147 242

HSL 230.89, 0.81%, 0.73%

LAB 63.36, 18.56, -49.68

 

CMYK 0 / 46 / 16 / 5

HEX #F282CB

RGB 242 130 203

HSL 320.89, 0.81%, 0.73%

LAB 68.86, 51.83, -18.68

 

CMYK 0 / 7 / 46 / 5

HEX #F2E182

RGB 242 225 130

HSL 50.89, 0.81%, 0.73%

LAB 89.08, -6.69, 48.33

 

Description

Color code: HEX #84F2AC | qconv.com Color code: HEX #84F2AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 242 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 242 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 29 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 29% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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