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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84EE75 it is the complementary color #7B118A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84EE75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84EE75 shade: #89EE70, #9AFF83, #ABFF96, #BCFFA9 and #CDFFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84EE75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84EE75 shade: #84EE75, #73DC62, #62CA4F, #51B83C and #40A629

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84EE75 shade: #86EE77, #A6EE77, #C6EE77, #E6EE77 and #EED677

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84EE75 shade: #86EE77, #77EE88, #77EEA8, #77EEC9 and #77EEE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84EE75 shade matches the following richer shades: #86EE77 and #7CFB6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84EE75 shade: #86EE77, #8FE283, #98D590, #A2C99C and #ABBDA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84EE75 shade: #C6EE77, #A7EE77, #87EE77, #77EE87 and #77EEA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84EE75 shade: #44E52D, #65EA52, #86EE77, #A6F39C and #C7F7C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84EE75 shade: #84EE75, #77E6EE and #EE77B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84EE75 shade: #84EE75, #7787EE and #EE7787

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84EE75 shade: #84EE75, #77E6EE, #DE77EE and #EE7F77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84EE75 shade: #84EE75, #77C2EE, #DE77EE and #EEA377

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 51 / 7

HEX #84EE75

RGB 132 238 117

HSL 112.56, 0.78%, 0.7%

LAB 85.67, -53.52, 48.81

 

Complementary color

CMYK 11 / 88 / 0 / 46

HEX #7B118A

RGB 123 17 138

HSL 292.56, 0.78%, 0.3%

LAB 30.51, 56.84, -41.63

 

CMYK 42 / 0 / 53 / 7

HEX #89EE70

RGB 137 238 112

HSL 108.1, 0.79%, 0.69%

LAB 85.82, -52.65, 51.36

 

CMYK 40 / 0 / 49 / 0

HEX #9AFF83

RGB 154 255 131

HSL 108.87, 1%, 0.76%

LAB 91.7, -52.2, 49.84

 

CMYK 33 / 0 / 41 / 0

HEX #ABFF96

RGB 171 255 150

HSL 108, 1%, 0.79%

LAB 92.74, -44.47, 42.25

 

CMYK 26 / 0 / 34 / 0

HEX #BCFFA9

RGB 188 255 169

HSL 106.74, 1%, 0.83%

LAB 93.92, -36.31, 34.59

 

CMYK 20 / 0 / 26 / 0

HEX #CDFFBC

RGB 205 255 188

HSL 104.78, 1%, 0.87%

LAB 95.22, -27.81, 26.97

 

CMYK 45 / 0 / 51 / 7

HEX #84EE75

RGB 132 238 117

HSL 112.56, 0.78%, 0.7%

LAB 85.67, -53.52, 48.81

 

CMYK 48 / 0 / 55 / 14

HEX #73DC62

RGB 115 220 98

HSL 111.64, 0.64%, 0.62%

LAB 79.45, -53.49, 49.99

 

CMYK 51 / 0 / 61 / 21

HEX #62CA4F

RGB 98 202 79

HSL 110.73, 0.54%, 0.55%

LAB 73.16, -53.32, 51.1

 

CMYK 56 / 0 / 67 / 28

HEX #51B83C

RGB 81 184 60

HSL 109.84, 0.51%, 0.48%

LAB 66.79, -52.92, 52.01

 

CMYK 61 / 0 / 75 / 35

HEX #40A629

RGB 64 166 41

HSL 108.96, 0.6%, 0.41%

LAB 60.36, -52.19, 52.49

 

CMYK 44 / 0 / 50 / 7

HEX #86EE77

RGB 134 238 119

HSL 112.44, 0.78%, 0.7%

LAB 85.78, -52.7, 48.02

 

CMYK 30 / 0 / 50 / 7

HEX #A6EE77

RGB 166 238 119

HSL 96.3, 0.78%, 0.7%

LAB 87.28, -42.56, 50.2

 

CMYK 17 / 0 / 50 / 7

HEX #C6EE77

RGB 198 238 119

HSL 80.17, 0.78%, 0.7%

LAB 89.15, -31.12, 52.89

 

CMYK 3 / 0 / 50 / 7

HEX #E6EE77

RGB 230 238 119

HSL 64.03, 0.78%, 0.7%

LAB 91.37, -18.85, 56.07

 

CMYK 0 / 10 / 50 / 7

HEX #EED677

RGB 238 214 119

HSL 47.9, 0.78%, 0.7%

LAB 85.81, -3.71, 49.57

 

CMYK 44 / 0 / 50 / 7

HEX #86EE77

RGB 134 238 119

HSL 112.44, 0.78%, 0.7%

LAB 85.78, -52.7, 48.02

 

CMYK 50 / 0 / 43 / 7

HEX #77EE88

RGB 119 238 136

HSL 128.57, 0.78%, 0.7%

LAB 85.43, -54.47, 39.26

 

CMYK 50 / 0 / 29 / 7

HEX #77EEA8

RGB 119 238 168

HSL 144.71, 0.78%, 0.7%

LAB 85.96, -49.04, 23.82

 

CMYK 50 / 0 / 16 / 7

HEX #77EEC9

RGB 119 238 201

HSL 161.34, 0.78%, 0.7%

LAB 86.65, -42.28, 7.66

 

CMYK 50 / 0 / 2 / 7

HEX #77EEE9

RGB 119 238 233

HSL 177.48, 0.78%, 0.7%

LAB 87.46, -34.7, -7.91

 

CMYK 44 / 0 / 50 / 7

HEX #86EE77

RGB 134 238 119

HSL 112.44, 0.78%, 0.7%

LAB 85.78, -52.7, 48.02

 

CMYK 51 / 0 / 58 / 2

HEX #7CFB6A

RGB 124 251 106

HSL 112.55, 0.95%, 0.7%

LAB 89.07, -62.02, 57.74

 

CMYK 44 / 0 / 50 / 7

HEX #86EE77

RGB 134 238 119

HSL 112.44, 0.78%, 0.7%

LAB 85.78, -52.7, 48.02

 

CMYK 37 / 0 / 42 / 11

HEX #8FE283

RGB 143 226 131

HSL 112.42, 0.62%, 0.7%

LAB 82.84, -43.35, 38.61

 

CMYK 29 / 0 / 32 / 16

HEX #98D590

RGB 152 213 144

HSL 113.04, 0.45%, 0.7%

LAB 79.77, -32.64, 28.06

 

CMYK 19 / 0 / 22 / 21

HEX #A2C99C

RGB 162 201 156

HSL 112, 0.29%, 0.7%

LAB 77.19, -21.5, 18.33

 

CMYK 10 / 0 / 11 / 26

HEX #ABBDA8

RGB 171 189 168

HSL 111.43, 0.14%, 0.7%

LAB 74.75, -10.14, 8.52

 

CMYK 17 / 0 / 50 / 7

HEX #C6EE77

RGB 198 238 119

HSL 80.17, 0.78%, 0.7%

LAB 89.15, -31.12, 52.89

 

CMYK 30 / 0 / 50 / 7

HEX #A7EE77

RGB 167 238 119

HSL 95.8, 0.78%, 0.7%

LAB 87.34, -42.22, 50.27

 

CMYK 43 / 0 / 50 / 7

HEX #87EE77

RGB 135 238 119

HSL 111.93, 0.78%, 0.7%

LAB 85.82, -52.4, 48.08

 

CMYK 50 / 0 / 43 / 7

HEX #77EE87

RGB 119 238 135

HSL 128.07, 0.78%, 0.7%

LAB 85.41, -54.62, 39.73

 

CMYK 50 / 0 / 30 / 7

HEX #77EEA7

RGB 119 238 167

HSL 144.2, 0.78%, 0.7%

LAB 85.94, -49.23, 24.31

 

CMYK 70 / 0 / 80 / 10

HEX #44E52D

RGB 68 229 45

HSL 112.5, 0.78%, 0.54%

LAB 80.44, -71.95, 70.52

 

CMYK 57 / 0 / 65 / 8

HEX #65EA52

RGB 101 234 82

HSL 112.5, 0.78%, 0.62%

LAB 83.03, -64.05, 60.82

 

CMYK 44 / 0 / 50 / 7

HEX #86EE77

RGB 134 238 119

HSL 112.44, 0.78%, 0.7%

LAB 85.78, -52.7, 48.02

 

CMYK 32 / 0 / 36 / 5

HEX #A6F39C

RGB 166 243 156

HSL 113.1, 0.78%, 0.78%

LAB 89.21, -39.94, 34.64

 

CMYK 19 / 0 / 22 / 3

HEX #C7F7C0

RGB 199 247 192

HSL 112.36, 0.77%, 0.86%

LAB 92.78, -25.39, 21.52

 

CMYK 45 / 0 / 51 / 7

HEX #84EE75

RGB 132 238 117

HSL 112.56, 0.78%, 0.7%

LAB 85.67, -53.52, 48.81

 

CMYK 50 / 3 / 0 / 7

HEX #77E6EE

RGB 119 230 238

HSL 184.03, 0.78%, 0.7%

LAB 85.35, -29.64, -13.69

 

CMYK 0 / 50 / 24 / 7

HEX #EE77B6

RGB 238 119 182

HSL 328.24, 0.78%, 0.7%

LAB 65.55, 52.92, -11.94

 

CMYK 45 / 0 / 51 / 7

HEX #84EE75

RGB 132 238 117

HSL 112.56, 0.78%, 0.7%

LAB 85.67, -53.52, 48.81

 

CMYK 50 / 43 / 0 / 7

HEX #7787EE

RGB 119 135 238

HSL 231.93, 0.78%, 0.7%

LAB 59.36, 21.92, -53.86

 

CMYK 0 / 50 / 43 / 7

HEX #EE7787

RGB 238 119 135

HSL 351.93, 0.78%, 0.7%

LAB 64.26, 47.28, 12.91

 

CMYK 45 / 0 / 51 / 7

HEX #84EE75

RGB 132 238 117

HSL 112.56, 0.78%, 0.7%

LAB 85.67, -53.52, 48.81

 

CMYK 50 / 3 / 0 / 7

HEX #77E6EE

RGB 119 230 238

HSL 184.03, 0.78%, 0.7%

LAB 85.35, -29.64, -13.69

 

CMYK 7 / 50 / 0 / 7

HEX #DE77EE

RGB 222 119 238

HSL 291.93, 0.78%, 0.7%

LAB 65.67, 57.32, -43.26

 

CMYK 0 / 47 / 50 / 7

HEX #EE7F77

RGB 238 127 119

HSL 4.03, 0.78%, 0.7%

LAB 65.5, 41.76, 23.68

 

CMYK 45 / 0 / 51 / 7

HEX #84EE75

RGB 132 238 117

HSL 112.56, 0.78%, 0.7%

LAB 85.67, -53.52, 48.81

 

CMYK 50 / 18 / 0 / 7

HEX #77C2EE

RGB 119 194 238

HSL 202.18, 0.78%, 0.7%

LAB 75.25, -11.48, -29

 

CMYK 7 / 50 / 0 / 7

HEX #DE77EE

RGB 222 119 238

HSL 291.93, 0.78%, 0.7%

LAB 65.67, 57.32, -43.26

 

CMYK 0 / 32 / 50 / 7

HEX #EEA377

RGB 238 163 119

HSL 22.18, 0.78%, 0.7%

LAB 73.35, 22.98, 34

 

Description

Color code: HEX #84EE75 | qconv.com Color code: HEX #84EE75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 238 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 238 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 51 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 51% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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