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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84EE4C it is the complementary color #7B11B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84EE4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84EE4C shade: #89EE47, #9AFF5A, #ABFF6D, #BCFF80 and #CDFF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84EE4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84EE4C shade: #84EE4C, #73DC39, #62CA26, #51B813 and #40A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84EE4C shade: #85EF4E, #B1EF4E, #DCEF4E, #EFD64E and #EFAA4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84EE4C shade: #85EF4E, #5AEF4E, #4EEF6D, #4EEF98 and #4EEFC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84EE4C shade matches the following richer shades: #85EF4E and #80FE3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84EE4C shade: #85EF4E, #8ADF5D, #8FCF6D, #94BF7D and #99B08C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84EE4C shade: #DCEF4E, #B1EF4E, #86EF4E, #5BEF4E and #4EEF6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84EE4C shade: #57D614, #6BEB28, #85EF4E, #9FF273 and #B9F699

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84EE4C shade: #84EE4C, #4EEFD6 and #EF4EC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84EE4C shade: #84EE4C, #4E86EF and #EF4E86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84EE4C shade: #84EE4C, #4EEFD6, #B64EEF and #EF4E66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84EE4C shade: #84EE4C, #4ED6EF, #B64EEF and #EF664E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 68 / 7

HEX #84EE4C

RGB 132 238 76

HSL 99.26, 0.83%, 0.62%

LAB 85.29, -57.59, 65.88

 

Complementary color

CMYK 31 / 91 / 0 / 30

HEX #7B11B3

RGB 123 17 179

HSL 279.26, 0.83%, 0.38%

LAB 33.7, 64.72, -61.38

 

CMYK 42 / 0 / 70 / 7

HEX #89EE47

RGB 137 238 71

HSL 96.29, 0.83%, 0.61%

LAB 85.46, -56.42, 67.96

 

CMYK 40 / 0 / 65 / 0

HEX #9AFF5A

RGB 154 255 90

HSL 96.73, 1%, 0.68%

LAB 91.29, -56.35, 67.16

 

CMYK 33 / 0 / 57 / 0

HEX #ABFF6D

RGB 171 255 109

HSL 94.52, 1%, 0.71%

LAB 92.26, -49.18, 60.63

 

CMYK 26 / 0 / 50 / 0

HEX #BCFF80

RGB 188 255 128

HSL 91.65, 1%, 0.75%

LAB 93.35, -41.48, 53.64

 

CMYK 20 / 0 / 42 / 0

HEX #CDFF93

RGB 205 255 147

HSL 87.78, 1%, 0.79%

LAB 94.57, -33.38, 46.41

 

CMYK 45 / 0 / 68 / 7

HEX #84EE4C

RGB 132 238 76

HSL 99.26, 0.83%, 0.62%

LAB 85.29, -57.59, 65.88

 

CMYK 48 / 0 / 74 / 14

HEX #73DC39

RGB 115 220 57

HSL 98.65, 0.7%, 0.54%

LAB 79.11, -57.13, 66.14

 

CMYK 51 / 0 / 81 / 21

HEX #62CA26

RGB 98 202 38

HSL 98.05, 0.68%, 0.47%

LAB 72.88, -56.42, 65.74

 

CMYK 56 / 0 / 90 / 28

HEX #51B813

RGB 81 184 19

HSL 97.45, 0.81%, 0.4%

LAB 66.58, -55.35, 64.25

 

CMYK 61 / 0 / 100 / 35

HEX #40A600

RGB 64 166 0

HSL 96.87, 1%, 0.33%

LAB 60.21, -53.88, 61.52

 

CMYK 44 / 0 / 67 / 6

HEX #85EF4E

RGB 133 239 78

HSL 99.5, 0.83%, 0.62%

LAB 85.64, -57.52, 65.51

 

CMYK 26 / 0 / 67 / 6

HEX #B1EF4E

RGB 177 239 78

HSL 83.11, 0.83%, 0.62%

LAB 87.79, -42.74, 68.42

 

CMYK 8 / 0 / 67 / 6

HEX #DCEF4E

RGB 220 239 78

HSL 67.08, 0.83%, 0.62%

LAB 90.55, -26.21, 72.12

 

CMYK 0 / 10 / 67 / 6

HEX #EFD64E

RGB 239 214 78

HSL 50.68, 0.83%, 0.62%

LAB 85.5, -6.17, 67.47

 

CMYK 0 / 29 / 67 / 6

HEX #EFAA4E

RGB 239 170 78

HSL 34.29, 0.83%, 0.62%

LAB 74.6, 16.68, 56

 

CMYK 44 / 0 / 67 / 6

HEX #85EF4E

RGB 133 239 78

HSL 99.5, 0.83%, 0.62%

LAB 85.64, -57.52, 65.51

 

CMYK 62 / 0 / 67 / 6

HEX #5AEF4E

RGB 90 239 78

HSL 115.53, 0.83%, 0.62%

LAB 84.2, -68.62, 63.55

 

CMYK 67 / 0 / 54 / 6

HEX #4EEF6D

RGB 78 239 109

HSL 131.55, 0.83%, 0.62%

LAB 84.2, -67.59, 50.34

 

CMYK 67 / 0 / 36 / 6

HEX #4EEF98

RGB 78 239 152

HSL 147.58, 0.83%, 0.62%

LAB 84.8, -60.81, 30.22

 

CMYK 67 / 0 / 18 / 6

HEX #4EEFC4

RGB 78 239 196

HSL 163.98, 0.83%, 0.62%

LAB 85.67, -51.54, 8.73

 

CMYK 44 / 0 / 67 / 6

HEX #85EF4E

RGB 133 239 78

HSL 99.5, 0.83%, 0.62%

LAB 85.64, -57.52, 65.51

 

CMYK 50 / 0 / 76 / 0

HEX #80FE3E

RGB 128 254 62

HSL 99.38, 0.99%, 0.62%

LAB 89.78, -65.62, 75.08

 

CMYK 44 / 0 / 67 / 6

HEX #85EF4E

RGB 133 239 78

HSL 99.5, 0.83%, 0.62%

LAB 85.64, -57.52, 65.51

 

CMYK 38 / 0 / 58 / 13

HEX #8ADF5D

RGB 138 223 93

HSL 99.23, 0.67%, 0.62%

LAB 81.27, -48.24, 54.61

 

CMYK 31 / 0 / 47 / 19

HEX #8FCF6D

RGB 143 207 109

HSL 99.18, 0.51%, 0.62%

LAB 77.02, -37.86, 42.14

 

CMYK 23 / 0 / 35 / 25

HEX #94BF7D

RGB 148 191 125

HSL 99.09, 0.34%, 0.62%

LAB 72.92, -26.44, 28.79

 

CMYK 13 / 0 / 20 / 31

HEX #99B08C

RGB 153 176 140

HSL 98.33, 0.19%, 0.62%

LAB 69.27, -14.71, 15.84

 

CMYK 8 / 0 / 67 / 6

HEX #DCEF4E

RGB 220 239 78

HSL 67.08, 0.83%, 0.62%

LAB 90.55, -26.21, 72.12

 

CMYK 26 / 0 / 67 / 6

HEX #B1EF4E

RGB 177 239 78

HSL 83.11, 0.83%, 0.62%

LAB 87.79, -42.74, 68.42

 

CMYK 44 / 0 / 67 / 6

HEX #86EF4E

RGB 134 239 78

HSL 99.13, 0.83%, 0.62%

LAB 85.68, -57.22, 65.57

 

CMYK 62 / 0 / 67 / 6

HEX #5BEF4E

RGB 91 239 78

HSL 115.16, 0.83%, 0.62%

LAB 84.23, -68.41, 63.59

 

CMYK 67 / 0 / 55 / 6

HEX #4EEF6B

RGB 78 239 107

HSL 130.81, 0.83%, 0.62%

LAB 84.18, -67.85, 51.23

 

CMYK 59 / 0 / 91 / 16

HEX #57D614

RGB 87 214 20

HSL 99.28, 0.83%, 0.46%

LAB 76.17, -64.2, 72.24

 

CMYK 54 / 0 / 83 / 8

HEX #6BEB28

RGB 107 235 40

HSL 99.38, 0.83%, 0.54%

LAB 83.28, -65.66, 74.75

 

CMYK 44 / 0 / 67 / 6

HEX #85EF4E

RGB 133 239 78

HSL 99.5, 0.83%, 0.62%

LAB 85.64, -57.52, 65.51

 

CMYK 34 / 0 / 52 / 5

HEX #9FF273

RGB 159 242 115

HSL 99.21, 0.83%, 0.7%

LAB 88.02, -47.06, 52.85

 

CMYK 25 / 0 / 38 / 4

HEX #B9F699

RGB 185 246 153

HSL 99.35, 0.84%, 0.78%

LAB 91.02, -35.46, 38.7

 

CMYK 45 / 0 / 68 / 7

HEX #84EE4C

RGB 132 238 76

HSL 99.26, 0.83%, 0.62%

LAB 85.29, -57.59, 65.88

 

CMYK 67 / 0 / 10 / 6

HEX #4EEFD6

RGB 78 239 214

HSL 170.68, 0.83%, 0.62%

LAB 86.11, -47.15, -0.07

 

CMYK 0 / 67 / 17 / 6

HEX #EF4EC6

RGB 239 78 198

HSL 315.28, 0.83%, 0.62%

LAB 59.78, 72.96, -29.83

 

CMYK 45 / 0 / 68 / 7

HEX #84EE4C

RGB 132 238 76

HSL 99.26, 0.83%, 0.62%

LAB 85.29, -57.59, 65.88

 

CMYK 67 / 44 / 0 / 6

HEX #4E86EF

RGB 78 134 239

HSL 219.13, 0.83%, 0.62%

LAB 56.98, 15.12, -58.35

 

CMYK 0 / 67 / 44 / 6

HEX #EF4E86

RGB 239 78 134

HSL 339.13, 0.83%, 0.62%

LAB 57.58, 65.56, 4.01

 

CMYK 45 / 0 / 68 / 7

HEX #84EE4C

RGB 132 238 76

HSL 99.26, 0.83%, 0.62%

LAB 85.29, -57.59, 65.88

 

CMYK 67 / 0 / 10 / 6

HEX #4EEFD6

RGB 78 239 214

HSL 170.68, 0.83%, 0.62%

LAB 86.11, -47.15, -0.07

 

CMYK 24 / 67 / 0 / 6

HEX #B64EEF

RGB 182 78 239

HSL 278.76, 0.83%, 0.62%

LAB 53.63, 66.91, -63.28

 

CMYK 0 / 67 / 57 / 6

HEX #EF4E66

RGB 239 78 102

HSL 351.06, 0.83%, 0.62%

LAB 56.84, 62.96, 21.83

 

CMYK 45 / 0 / 68 / 7

HEX #84EE4C

RGB 132 238 76

HSL 99.26, 0.83%, 0.62%

LAB 85.29, -57.59, 65.88

 

CMYK 67 / 10 / 0 / 6

HEX #4ED6EF

RGB 78 214 239

HSL 189.32, 0.83%, 0.62%

LAB 79.58, -28.85, -23.04

 

CMYK 24 / 67 / 0 / 6

HEX #B64EEF

RGB 182 78 239

HSL 278.76, 0.83%, 0.62%

LAB 53.63, 66.91, -63.28

 

CMYK 0 / 57 / 67 / 6

HEX #EF664E

RGB 239 102 78

HSL 8.94, 0.83%, 0.62%

LAB 60.25, 51.33, 39.78

 

Description

Color code: HEX #84EE4C | qconv.com Color code: HEX #84EE4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 238 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 238 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 68 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 68% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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