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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84ED3D it is the complementary color #7B12C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84ED3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84ED3D shade: #89ED38, #9AFF4B, #ABFF5E, #BCFF71 and #CDFF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84ED3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84ED3D shade: #84ED3D, #73DB2A, #62C917, #51B704 and #40A500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84ED3D shade: #83ED3B, #B3ED3B, #E3ED3B, #EDC73B and #ED973B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84ED3D shade: #83ED3B, #53ED3B, #3BED53, #3BED83 and #3BEDB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84ED3D shade matches the following richer shades: #83ED3B and #7FFE2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84ED3D shade: #83ED3B, #86DB4C, #89CA5E, #8DB96F and #90A780

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84ED3D shade: #E4ED3B, #B4ED3B, #85ED3B, #56ED3B and #3BED50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84ED3D shade: #5AC312, #6BE916, #83ED3B, #9BF061 and #B3F487

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84ED3D shade: #84ED3D, #3BEDC6 and #ED3BCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84ED3D shade: #84ED3D, #3B85ED and #ED3B85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84ED3D shade: #84ED3D, #3BEDC6, #A33BED and #ED3B62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84ED3D shade: #84ED3D, #3BDEED, #A33BED and #ED4A3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 74 / 7

HEX #84ED3D

RGB 132 237 61

HSL 95.8, 0.83%, 0.58%

LAB 84.9, -58.22, 70.73

 

Complementary color

CMYK 37 / 91 / 0 / 24

HEX #7B12C2

RGB 123 18 194

HSL 275.8, 0.83%, 0.42%

LAB 35.08, 67.61, -67.99

 

CMYK 42 / 0 / 76 / 7

HEX #89ED38

RGB 137 237 56

HSL 93.15, 0.83%, 0.57%

LAB 85.08, -56.95, 72.54

 

CMYK 40 / 0 / 71 / 0

HEX #9AFF4B

RGB 154 255 75

HSL 93.67, 1%, 0.65%

LAB 91.19, -57.43, 72.59

 

CMYK 33 / 0 / 63 / 0

HEX #ABFF5E

RGB 171 255 94

HSL 91.3, 1%, 0.68%

LAB 92.13, -50.48, 66.72

 

CMYK 26 / 0 / 56 / 0

HEX #BCFF71

RGB 188 255 113

HSL 88.31, 1%, 0.72%

LAB 93.19, -42.98, 60.2

 

CMYK 20 / 0 / 48 / 0

HEX #CDFF84

RGB 205 255 132

HSL 84.39, 1%, 0.76%

LAB 94.38, -35.04, 53.27

 

CMYK 44 / 0 / 74 / 7

HEX #84ED3D

RGB 132 237 61

HSL 95.8, 0.83%, 0.58%

LAB 84.9, -58.22, 70.73

 

CMYK 47 / 0 / 81 / 14

HEX #73DB2A

RGB 115 219 42

HSL 95.25, 0.71%, 0.51%

LAB 78.74, -57.57, 70.26

 

CMYK 51 / 0 / 89 / 21

HEX #62C917

RGB 98 201 23

HSL 94.72, 0.79%, 0.44%

LAB 72.52, -56.63, 68.8

 

CMYK 56 / 0 / 98 / 28

HEX #51B704

RGB 81 183 4

HSL 94.19, 0.96%, 0.37%

LAB 66.23, -55.34, 66.02

 

CMYK 61 / 0 / 100 / 35

HEX #40A500

RGB 64 165 0

HSL 96.73, 1%, 0.32%

LAB 59.89, -53.53, 61.27

 

CMYK 45 / 0 / 75 / 7

HEX #83ED3B

RGB 131 237 59

HSL 95.73, 0.83%, 0.58%

LAB 84.85, -58.65, 71.3

 

CMYK 24 / 0 / 75 / 7

HEX #B3ED3B

RGB 179 237 59

HSL 79.55, 0.83%, 0.58%

LAB 87.23, -42.22, 74.4

 

CMYK 4 / 0 / 75 / 7

HEX #E3ED3B

RGB 227 237 59

HSL 63.37, 0.83%, 0.58%

LAB 90.42, -23.33, 78.53

 

CMYK 0 / 16 / 75 / 7

HEX #EDC73B

RGB 237 199 59

HSL 47.19, 0.83%, 0.58%

LAB 81.38, -0.25, 70.44

 

CMYK 0 / 36 / 75 / 7

HEX #ED973B

RGB 237 151 59

HSL 31.01, 0.83%, 0.58%

LAB 69.79, 24.98, 59.27

 

CMYK 45 / 0 / 75 / 7

HEX #83ED3B

RGB 131 237 59

HSL 95.73, 0.83%, 0.58%

LAB 84.85, -58.65, 71.3

 

CMYK 65 / 0 / 75 / 7

HEX #53ED3B

RGB 83 237 59

HSL 111.91, 0.83%, 0.58%

LAB 83.3, -70.85, 69.26

 

CMYK 75 / 0 / 65 / 7

HEX #3BED53

RGB 59 237 83

HSL 128.09, 0.83%, 0.58%

LAB 82.98, -72.92, 60.08

 

CMYK 75 / 0 / 45 / 7

HEX #3BED83

RGB 59 237 131

HSL 144.27, 0.83%, 0.58%

LAB 83.51, -66.56, 38.95

 

CMYK 75 / 0 / 24 / 7

HEX #3BEDB3

RGB 59 237 179

HSL 160.45, 0.83%, 0.58%

LAB 84.36, -57.18, 15.68

 

CMYK 45 / 0 / 75 / 7

HEX #83ED3B

RGB 131 237 59

HSL 95.73, 0.83%, 0.58%

LAB 84.85, -58.65, 71.3

 

CMYK 50 / 0 / 83 / 0

HEX #7FFE2A

RGB 127 254 42

HSL 95.94, 0.99%, 0.58%

LAB 89.66, -66.84, 80.21

 

CMYK 45 / 0 / 75 / 7

HEX #83ED3B

RGB 131 237 59

HSL 95.73, 0.83%, 0.58%

LAB 84.85, -58.65, 71.3

 

CMYK 39 / 0 / 65 / 14

HEX #86DB4C

RGB 134 219 76

HSL 95.66, 0.67%, 0.58%

LAB 79.76, -49.43, 60.06

 

CMYK 32 / 0 / 53 / 21

HEX #89CA5E

RGB 137 202 94

HSL 96.11, 0.5%, 0.58%

LAB 75.06, -39.45, 46.9

 

CMYK 24 / 0 / 40 / 27

HEX #8DB96F

RGB 141 185 111

HSL 95.68, 0.35%, 0.58%

LAB 70.53, -28.05, 32.9

 

CMYK 14 / 0 / 23 / 35

HEX #90A780

RGB 144 167 128

HSL 95.38, 0.18%, 0.58%

LAB 65.85, -15.34, 17.57

 

CMYK 4 / 0 / 75 / 7

HEX #E4ED3B

RGB 228 237 59

HSL 63.03, 0.83%, 0.58%

LAB 90.5, -22.92, 78.63

 

CMYK 24 / 0 / 75 / 7

HEX #B4ED3B

RGB 180 237 59

HSL 79.21, 0.83%, 0.58%

LAB 87.28, -41.84, 74.48

 

CMYK 44 / 0 / 75 / 7

HEX #85ED3B

RGB 133 237 59

HSL 95.06, 0.83%, 0.58%

LAB 84.93, -58.03, 71.41

 

CMYK 64 / 0 / 75 / 7

HEX #56ED3B

RGB 86 237 59

HSL 110.9, 0.83%, 0.58%

LAB 83.37, -70.24, 69.36

 

CMYK 75 / 0 / 66 / 7

HEX #3BED50

RGB 59 237 80

HSL 127.08, 0.83%, 0.58%

LAB 82.95, -73.21, 61.25

 

CMYK 54 / 0 / 91 / 24

HEX #5AC312

RGB 90 195 18

HSL 95.59, 0.83%, 0.42%

LAB 70.35, -56.87, 67.71

 

CMYK 54 / 0 / 91 / 9

HEX #6BE916

RGB 107 233 22

HSL 95.83, 0.83%, 0.5%

LAB 82.63, -65.55, 77.58

 

CMYK 45 / 0 / 75 / 7

HEX #83ED3B

RGB 131 237 59

HSL 95.73, 0.83%, 0.58%

LAB 84.85, -58.65, 71.3

 

CMYK 35 / 0 / 60 / 6

HEX #9BF061

RGB 155 240 97

HSL 95.66, 0.83%, 0.66%

LAB 87.07, -49.35, 59.68

 

CMYK 27 / 0 / 45 / 4

HEX #B3F487

RGB 179 244 135

HSL 95.78, 0.83%, 0.74%

LAB 89.88, -38.91, 45.96

 

CMYK 44 / 0 / 74 / 7

HEX #84ED3D

RGB 132 237 61

HSL 95.8, 0.83%, 0.58%

LAB 84.9, -58.22, 70.73

 

CMYK 75 / 0 / 16 / 7

HEX #3BEDC6

RGB 59 237 198

HSL 166.85, 0.83%, 0.58%

LAB 84.78, -52.71, 6.35

 

CMYK 0 / 75 / 14 / 7

HEX #ED3BCC

RGB 237 59 204

HSL 311.12, 0.83%, 0.58%

LAB 57.55, 79.44, -36.74

 

CMYK 44 / 0 / 74 / 7

HEX #84ED3D

RGB 132 237 61

HSL 95.8, 0.83%, 0.58%

LAB 84.9, -58.22, 70.73

 

CMYK 75 / 44 / 0 / 7

HEX #3B85ED

RGB 59 133 237

HSL 215.06, 0.83%, 0.58%

LAB 55.91, 12.44, -59

 

CMYK 0 / 75 / 44 / 7

HEX #ED3B85

RGB 237 59 133

HSL 335.06, 0.83%, 0.58%

LAB 54.89, 71.37, 0.67

 

CMYK 44 / 0 / 74 / 7

HEX #84ED3D

RGB 132 237 61

HSL 95.8, 0.83%, 0.58%

LAB 84.9, -58.22, 70.73

 

CMYK 75 / 0 / 16 / 7

HEX #3BEDC6

RGB 59 237 198

HSL 166.85, 0.83%, 0.58%

LAB 84.78, -52.71, 6.35

 

CMYK 31 / 75 / 0 / 7

HEX #A33BED

RGB 163 59 237

HSL 275.06, 0.83%, 0.58%

LAB 48.3, 70.53, -70.9

 

CMYK 0 / 75 / 59 / 7

HEX #ED3B62

RGB 237 59 98

HSL 346.85, 0.83%, 0.58%

LAB 54.04, 68.66, 20.38

 

CMYK 44 / 0 / 74 / 7

HEX #84ED3D

RGB 132 237 61

HSL 95.8, 0.83%, 0.58%

LAB 84.9, -58.22, 70.73

 

CMYK 75 / 6 / 0 / 7

HEX #3BDEED

RGB 59 222 237

HSL 185.06, 0.83%, 0.58%

LAB 81.45, -35.58, -19.18

 

CMYK 31 / 75 / 0 / 7

HEX #A33BED

RGB 163 59 237

HSL 275.06, 0.83%, 0.58%

LAB 48.3, 70.53, -70.9

 

CMYK 0 / 69 / 75 / 7

HEX #ED4A3B

RGB 237 74 59

HSL 5.06, 0.83%, 0.58%

LAB 55.3, 61.56, 44.33

 

Description

Color code: HEX #84ED3D | qconv.com Color code: HEX #84ED3D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 237 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 237 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 74 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 74% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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