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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84E828 it is the complementary color #7B17D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84E828. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84E828 shade: #89E823, #9AFA36, #ABFF49, #BCFF5C and #CDFF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84E828. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84E828 shade: #84E828, #73D615, #62C402, #51B200 and #40A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84E828 shade: #83E826, #B7E826, #E8E526, #E8B026 and #E87C26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84E828 shade: #83E826, #4FE826, #26E832, #26E866 and #26E89A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84E828 shade matches the following richer shades: #83E826 and #82FC13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84E828 shade: #83E826, #84D539, #85C14D, #86AE60 and #869B74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84E828 shade: #E8E526, #B8E826, #84E826, #50E826 and #26E830

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84E828 shade: #5BAA12, #6FCF16, #83E826, #98EC4B and #AEF071

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84E828 shade: #84E828, #26E8B1 and #E826D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84E828 shade: #84E828, #2684E8 and #E82684

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84E828 shade: #84E828, #26E8B1, #8A26E8 and #E8265D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84E828 shade: #84E828, #26E5E8, #8A26E8 and #E82926

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 83 / 9

HEX #84E828

RGB 132 232 40

HSL 91.25, 0.81%, 0.53%

LAB 83.32, -57.35, 75.14

 

Complementary color

CMYK 43 / 89 / 0 / 16

HEX #7B17D7

RGB 123 23 215

HSL 271.25, 0.81%, 0.47%

LAB 37.35, 71.05, -76.48

 

CMYK 41 / 0 / 85 / 9

HEX #89E823

RGB 137 232 35

HSL 88.93, 0.81%, 0.52%

LAB 83.52, -55.92, 76.51

 

CMYK 38 / 0 / 78 / 2

HEX #9AFA36

RGB 154 250 54

HSL 89.39, 0.95%, 0.6%

LAB 89.63, -56.64, 77.64

 

CMYK 33 / 0 / 71 / 0

HEX #ABFF49

RGB 171 255 73

HSL 87.69, 1%, 0.64%

LAB 91.98, -51.94, 74.33

 

CMYK 26 / 0 / 64 / 0

HEX #BCFF5C

RGB 188 255 92

HSL 84.66, 1%, 0.68%

LAB 93.01, -44.71, 68.72

 

CMYK 20 / 0 / 56 / 0

HEX #CDFF6F

RGB 205 255 111

HSL 80.83, 1%, 0.72%

LAB 94.16, -37.03, 62.44

 

CMYK 43 / 0 / 83 / 9

HEX #84E828

RGB 132 232 40

HSL 91.25, 0.81%, 0.53%

LAB 83.32, -57.35, 75.14

 

CMYK 46 / 0 / 90 / 16

HEX #73D615

RGB 115 214 21

HSL 90.78, 0.82%, 0.46%

LAB 77.16, -56.43, 73.3

 

CMYK 50 / 0 / 99 / 23

HEX #62C402

RGB 98 196 2

HSL 90.31, 0.98%, 0.39%

LAB 70.93, -55.23, 70.24

 

CMYK 54 / 0 / 100 / 30

HEX #51B200

RGB 81 178 0

HSL 92.7, 1%, 0.35%

LAB 64.64, -53.61, 65.25

 

CMYK 60 / 0 / 100 / 37

HEX #40A000

RGB 64 160 0

HSL 96, 1%, 0.31%

LAB 58.26, -51.77, 59.98

 

CMYK 44 / 0 / 84 / 9

HEX #83E826

RGB 131 232 38

HSL 91.24, 0.81%, 0.53%

LAB 83.27, -57.74, 75.54

 

CMYK 21 / 0 / 84 / 9

HEX #B7E826

RGB 183 232 38

HSL 75.15, 0.81%, 0.53%

LAB 85.97, -39.32, 78.93

 

CMYK 0 / 1 / 84 / 9

HEX #E8E526

RGB 232 229 38

HSL 59.07, 0.81%, 0.53%

LAB 88.61, -18.08, 82.54

 

CMYK 0 / 24 / 84 / 9

HEX #E8B026

RGB 232 176 38

HSL 42.68, 0.81%, 0.53%

LAB 75.04, 8.91, 71.24

 

CMYK 0 / 47 / 84 / 9

HEX #E87C26

RGB 232 124 38

HSL 26.6, 0.81%, 0.53%

LAB 63.1, 36.32, 61.12

 

CMYK 44 / 0 / 84 / 9

HEX #83E826

RGB 131 232 38

HSL 91.24, 0.81%, 0.53%

LAB 83.27, -57.74, 75.54

 

CMYK 66 / 0 / 84 / 9

HEX #4FE826

RGB 79 232 38

HSL 107.32, 0.81%, 0.53%

LAB 81.57, -71.19, 73.39

 

CMYK 84 / 0 / 78 / 9

HEX #26E832

RGB 38 232 50

HSL 123.71, 0.81%, 0.53%

LAB 80.94, -76.52, 69.44

 

CMYK 84 / 0 / 56 / 9

HEX #26E866

RGB 38 232 102

HSL 139.79, 0.81%, 0.53%

LAB 81.34, -71.53, 49.96

 

CMYK 84 / 0 / 34 / 9

HEX #26E89A

RGB 38 232 154

HSL 155.88, 0.81%, 0.53%

LAB 82.09, -62.75, 25.43

 

CMYK 44 / 0 / 84 / 9

HEX #83E826

RGB 131 232 38

HSL 91.24, 0.81%, 0.53%

LAB 83.27, -57.74, 75.54

 

CMYK 48 / 0 / 92 / 1

HEX #82FC13

RGB 130 252 19

HSL 91.42, 0.97%, 0.53%

LAB 89.12, -65.91, 83.64

 

CMYK 44 / 0 / 84 / 9

HEX #83E826

RGB 131 232 38

HSL 91.24, 0.81%, 0.53%

LAB 83.27, -57.74, 75.54

 

CMYK 38 / 0 / 73 / 16

HEX #84D539

RGB 132 213 57

HSL 91.15, 0.65%, 0.53%

LAB 77.75, -48.99, 65.05

 

CMYK 31 / 0 / 60 / 24

HEX #85C14D

RGB 133 193 77

HSL 91.03, 0.48%, 0.53%

LAB 72, -38.58, 51.11

 

CMYK 23 / 0 / 45 / 32

HEX #86AE60

RGB 134 174 96

HSL 90.77, 0.33%, 0.53%

LAB 66.66, -27.29, 35.63

 

CMYK 14 / 0 / 25 / 39

HEX #869B74

RGB 134 155 116

HSL 92.31, 0.16%, 0.53%

LAB 61.46, -14.77, 18.05

 

CMYK 0 / 1 / 84 / 9

HEX #E8E526

RGB 232 229 38

HSL 59.07, 0.81%, 0.53%

LAB 88.61, -18.08, 82.54

 

CMYK 21 / 0 / 84 / 9

HEX #B8E826

RGB 184 232 38

HSL 74.85, 0.81%, 0.53%

LAB 86.03, -38.93, 79

 

CMYK 43 / 0 / 84 / 9

HEX #84E826

RGB 132 232 38

HSL 90.93, 0.81%, 0.53%

LAB 83.32, -57.42, 75.59

 

CMYK 66 / 0 / 84 / 9

HEX #50E826

RGB 80 232 38

HSL 107.01, 0.81%, 0.53%

LAB 81.6, -70.99, 73.42

 

CMYK 84 / 0 / 79 / 9

HEX #26E830

RGB 38 232 48

HSL 123.09, 0.81%, 0.53%

LAB 80.93, -76.64, 70

 

CMYK 46 / 0 / 89 / 33

HEX #5BAA12

RGB 91 170 18

HSL 91.18, 0.81%, 0.37%

LAB 62.52, -47.14, 61.15

 

CMYK 46 / 0 / 89 / 19

HEX #6FCF16

RGB 111 207 22

HSL 91.14, 0.81%, 0.45%

LAB 74.86, -55, 71.16

 

CMYK 44 / 0 / 84 / 9

HEX #83E826

RGB 131 232 38

HSL 91.24, 0.81%, 0.53%

LAB 83.27, -57.74, 75.54

 

CMYK 36 / 0 / 68 / 7

HEX #98EC4B

RGB 152 236 75

HSL 91.3, 0.81%, 0.61%

LAB 85.59, -50.48, 66.85

 

CMYK 28 / 0 / 53 / 6

HEX #AEF071

RGB 174 240 113

HSL 91.18, 0.81%, 0.69%

LAB 88.21, -41.32, 54.18

 

CMYK 43 / 0 / 83 / 9

HEX #84E828

RGB 132 232 40

HSL 91.25, 0.81%, 0.53%

LAB 83.32, -57.35, 75.14

 

CMYK 84 / 0 / 24 / 9

HEX #26E8B1

RGB 38 232 177

HSL 162.99, 0.81%, 0.53%

LAB 82.54, -57.72, 14.12

 

CMYK 0 / 84 / 9 / 9

HEX #E826D2

RGB 232 38 210

HSL 306.8, 0.81%, 0.53%

LAB 55.27, 84.23, -43.81

 

CMYK 43 / 0 / 83 / 9

HEX #84E828

RGB 132 232 40

HSL 91.25, 0.81%, 0.53%

LAB 83.32, -57.35, 75.14

 

CMYK 84 / 43 / 0 / 9

HEX #2684E8

RGB 38 132 232

HSL 210.93, 0.81%, 0.53%

LAB 54.8, 9.14, -58.01

 

CMYK 0 / 84 / 43 / 9

HEX #E82684

RGB 232 38 132

HSL 330.93, 0.81%, 0.53%

LAB 52.07, 75.37, -2.98

 

CMYK 43 / 0 / 83 / 9

HEX #84E828

RGB 132 232 40

HSL 91.25, 0.81%, 0.53%

LAB 83.32, -57.35, 75.14

 

CMYK 84 / 0 / 24 / 9

HEX #26E8B1

RGB 38 232 177

HSL 162.99, 0.81%, 0.53%

LAB 82.54, -57.72, 14.12

 

CMYK 41 / 84 / 0 / 9

HEX #8A26E8

RGB 138 38 232

HSL 270.93, 0.81%, 0.53%

LAB 42.18, 72.72, -78.2

 

CMYK 0 / 84 / 60 / 9

HEX #E8265D

RGB 232 38 93

HSL 342.99, 0.81%, 0.53%

LAB 51.07, 72.48, 19.24

 

CMYK 43 / 0 / 83 / 9

HEX #84E828

RGB 132 232 40

HSL 91.25, 0.81%, 0.53%

LAB 83.32, -57.35, 75.14

 

CMYK 84 / 1 / 0 / 9

HEX #26E5E8

RGB 38 229 232

HSL 180.93, 0.81%, 0.53%

LAB 83.06, -42.01, -14.14

 

CMYK 41 / 84 / 0 / 9

HEX #8A26E8

RGB 138 38 232

HSL 270.93, 0.81%, 0.53%

LAB 42.18, 72.72, -78.2

 

CMYK 0 / 82 / 84 / 9

HEX #E82926

RGB 232 41 38

HSL 0.93, 0.81%, 0.53%

LAB 50.55, 69.55, 50.17

 

Description

Color code: HEX #84E828 | qconv.com Color code: HEX #84E828 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 232 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 232 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 83 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 83% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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