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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84E2AB it is the complementary color #7B1D54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84E2AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84E2AB shade: #89E2A6, #9AF4B9, #ABFFCC, #BCFFDF and #CDFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84E2AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84E2AB shade: #84E2AB, #73D098, #62BE85, #51AC72 and #409A5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84E2AB shade: #83E2AA, #83E291, #8FE283, #A8E283 and #C2E283

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84E2AB shade: #83E2AA, #83E2C4, #83E2DE, #83CDE2 and #83B3E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84E2AB shade matches the following richer shades: #83E2AA, #77EEA8 and #6AFBA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84E2AB shade: #83E2AA, #8FD6AD, #9CC9AF, #A8BDB1 and #B5B0B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84E2AB shade: #90E283, #83E290, #83E2A9, #83E2C2 and #83E2DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84E2AB shade: #40D27D, #62DA94, #83E2AA, #A4EAC1 and #C6F2D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84E2AB shade: #84E2AB, #83A9E2 and #E28383

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84E2AB shade: #84E2AB, #A983E2 and #E2A983

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84E2AB shade: #84E2AB, #83A9E2, #E283BC and #E2BC83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84E2AB shade: #84E2AB, #838DE2, #E283BC and #E2D883

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 24 / 11

HEX #84E2AB

RGB 132 226 171

HSL 144.89, 0.62%, 0.7%

LAB 83.04, -39.92, 18.31

 

Complementary color

CMYK 0 / 76 / 32 / 52

HEX #7B1D54

RGB 123 29 84

HSL 324.89, 0.62%, 0.3%

LAB 28.72, 44.91, -9.87

 

CMYK 39 / 0 / 27 / 11

HEX #89E2A6

RGB 137 226 166

HSL 139.55, 0.61%, 0.71%

LAB 83.16, -39.47, 21.12

 

CMYK 37 / 0 / 24 / 4

HEX #9AF4B9

RGB 154 244 185

HSL 140.67, 0.8%, 0.78%

LAB 89.43, -39.21, 20.09

 

CMYK 33 / 0 / 20 / 0

HEX #ABFFCC

RGB 171 255 204

HSL 143.57, 1%, 0.84%

LAB 93.68, -35.78, 16.41

 

CMYK 26 / 0 / 13 / 0

HEX #BCFFDF

RGB 188 255 223

HSL 151.34, 1%, 0.87%

LAB 94.97, -27.16, 8.6

 

CMYK 20 / 0 / 5 / 0

HEX #CDFFF2

RGB 205 255 242

HSL 164.4, 1%, 0.9%

LAB 96.37, -18.33, 0.98

 

CMYK 42 / 0 / 24 / 11

HEX #84E2AB

RGB 132 226 171

HSL 144.89, 0.62%, 0.7%

LAB 83.04, -39.92, 18.31

 

CMYK 45 / 0 / 27 / 18

HEX #73D098

RGB 115 208 152

HSL 143.87, 0.5%, 0.63%

LAB 76.69, -40.16, 19.38

 

CMYK 48 / 0 / 30 / 25

HEX #62BE85

RGB 98 190 133

HSL 142.83, 0.41%, 0.56%

LAB 70.26, -40.36, 20.53

 

CMYK 53 / 0 / 34 / 33

HEX #51AC72

RGB 81 172 114

HSL 141.76, 0.36%, 0.5%

LAB 63.73, -40.51, 21.78

 

CMYK 58 / 0 / 38 / 40

HEX #409A5F

RGB 64 154 95

HSL 140.67, 0.41%, 0.43%

LAB 57.1, -40.55, 23.14

 

CMYK 42 / 0 / 25 / 11

HEX #83E2AA

RGB 131 226 170

HSL 144.63, 0.62%, 0.7%

LAB 82.98, -40.39, 18.74

 

CMYK 42 / 0 / 36 / 11

HEX #83E291

RGB 131 226 145

HSL 128.84, 0.62%, 0.7%

LAB 82.52, -44.82, 31.03

 

CMYK 37 / 0 / 42 / 11

HEX #8FE283

RGB 143 226 131

HSL 112.42, 0.62%, 0.7%

LAB 82.84, -43.35, 38.61

 

CMYK 26 / 0 / 42 / 11

HEX #A8E283

RGB 168 226 131

HSL 96.63, 0.62%, 0.7%

LAB 84.15, -35.06, 40.55

 

CMYK 14 / 0 / 42 / 11

HEX #C2E283

RGB 194 226 131

HSL 80.21, 0.62%, 0.7%

LAB 85.76, -25.66, 42.91

 

CMYK 42 / 0 / 25 / 11

HEX #83E2AA

RGB 131 226 170

HSL 144.63, 0.62%, 0.7%

LAB 82.98, -40.39, 18.74

 

CMYK 42 / 0 / 13 / 11

HEX #83E2C4

RGB 131 226 196

HSL 161.05, 0.62%, 0.7%

LAB 83.55, -35.05, 5.89

 

CMYK 42 / 0 / 2 / 11

HEX #83E2DE

RGB 131 226 222

HSL 177.47, 0.62%, 0.7%

LAB 84.22, -29.06, -6.87

 

CMYK 42 / 9 / 0 / 11

HEX #83CDE2

RGB 131 205 226

HSL 193.26, 0.62%, 0.7%

LAB 78.45, -17.65, -17.63

 

CMYK 42 / 21 / 0 / 11

HEX #83B3E2

RGB 131 179 226

HSL 209.68, 0.62%, 0.7%

LAB 71.25, -3.89, -28.59

 

CMYK 42 / 0 / 25 / 11

HEX #83E2AA

RGB 131 226 170

HSL 144.63, 0.62%, 0.7%

LAB 82.98, -40.39, 18.74

 

CMYK 50 / 0 / 29 / 7

HEX #77EEA8

RGB 119 238 168

HSL 144.71, 0.78%, 0.7%

LAB 85.96, -49.04, 23.82

 

CMYK 58 / 0 / 34 / 2

HEX #6AFBA6

RGB 106 251 166

HSL 144.83, 0.95%, 0.7%

LAB 89.3, -57.61, 29.32

 

CMYK 42 / 0 / 25 / 11

HEX #83E2AA

RGB 131 226 170

HSL 144.63, 0.62%, 0.7%

LAB 82.98, -40.39, 18.74

 

CMYK 33 / 0 / 19 / 16

HEX #8FD6AD

RGB 143 214 173

HSL 145.35, 0.46%, 0.7%

LAB 80.15, -30.86, 13.28

 

CMYK 22 / 0 / 13 / 21

HEX #9CC9AF

RGB 156 201 175

HSL 145.33, 0.29%, 0.7%

LAB 77.24, -20.06, 8.18

 

CMYK 11 / 0 / 6 / 26

HEX #A8BDB1

RGB 168 189 177

HSL 145.71, 0.14%, 0.7%

LAB 74.76, -9.51, 3.62

 

CMYK 0 / 3 / 1 / 29

HEX #B5B0B3

RGB 181 176 179

HSL 324, 0.03%, 0.7%

LAB 72.31, 2.33, -0.91

 

CMYK 36 / 0 / 42 / 11

HEX #90E283

RGB 144 226 131

HSL 111.79, 0.62%, 0.7%

LAB 82.89, -43.04, 38.68

 

CMYK 42 / 0 / 36 / 11

HEX #83E290

RGB 131 226 144

HSL 128.21, 0.62%, 0.7%

LAB 82.5, -44.99, 31.52

 

CMYK 42 / 0 / 25 / 11

HEX #83E2A9

RGB 131 226 169

HSL 144, 0.62%, 0.7%

LAB 82.96, -40.58, 19.24

 

CMYK 42 / 0 / 14 / 11

HEX #83E2C2

RGB 131 226 194

HSL 159.79, 0.62%, 0.7%

LAB 83.5, -35.49, 6.88

 

CMYK 42 / 0 / 3 / 11

HEX #83E2DC

RGB 131 226 220

HSL 176.21, 0.62%, 0.7%

LAB 84.17, -29.54, -5.89

 

CMYK 70 / 0 / 40 / 18

HEX #40D27D

RGB 64 210 125

HSL 145.07, 0.62%, 0.54%

LAB 75.24, -57.21, 31.24

 

CMYK 55 / 0 / 32 / 15

HEX #62DA94

RGB 98 218 148

HSL 145, 0.62%, 0.62%

LAB 78.97, -49.43, 24.5

 

CMYK 42 / 0 / 25 / 11

HEX #83E2AA

RGB 131 226 170

HSL 144.63, 0.62%, 0.7%

LAB 82.98, -40.39, 18.74

 

CMYK 30 / 0 / 18 / 8

HEX #A4EAC1

RGB 164 234 193

HSL 144.86, 0.63%, 0.78%

LAB 87.28, -30.16, 13.01

 

CMYK 18 / 0 / 11 / 5

HEX #C6F2D8

RGB 198 242 216

HSL 144.55, 0.63%, 0.86%

LAB 91.89, -19.11, 7.88

 

CMYK 42 / 0 / 24 / 11

HEX #84E2AB

RGB 132 226 171

HSL 144.89, 0.62%, 0.7%

LAB 83.04, -39.92, 18.31

 

CMYK 42 / 25 / 0 / 11

HEX #83A9E2

RGB 131 169 226

HSL 216, 0.62%, 0.7%

LAB 68.53, 1.64, -32.8

 

CMYK 0 / 42 / 42 / 11

HEX #E28383

RGB 226 131 131

HSL 0, 0.62%, 0.7%

LAB 64.99, 36.43, 15.97

 

CMYK 42 / 0 / 24 / 11

HEX #84E2AB

RGB 132 226 171

HSL 144.89, 0.62%, 0.7%

LAB 83.04, -39.92, 18.31

 

CMYK 25 / 42 / 0 / 11

HEX #A983E2

RGB 169 131 226

HSL 264, 0.62%, 0.7%

LAB 61.79, 33.7, -43.1

 

CMYK 0 / 25 / 42 / 11

HEX #E2A983

RGB 226 169 131

HSL 24, 0.62%, 0.7%

LAB 73.66, 16.2, 27.76

 

CMYK 42 / 0 / 24 / 11

HEX #84E2AB

RGB 132 226 171

HSL 144.89, 0.62%, 0.7%

LAB 83.04, -39.92, 18.31

 

CMYK 42 / 25 / 0 / 11

HEX #83A9E2

RGB 131 169 226

HSL 216, 0.62%, 0.7%

LAB 68.53, 1.64, -32.8

 

CMYK 0 / 42 / 17 / 11

HEX #E283BC

RGB 226 131 188

HSL 324, 0.62%, 0.7%

LAB 66.54, 43.91, -13.99

 

CMYK 0 / 17 / 42 / 11

HEX #E2BC83

RGB 226 188 131

HSL 36, 0.62%, 0.7%

LAB 78.33, 6.1, 33.91

 

CMYK 42 / 0 / 24 / 11

HEX #84E2AB

RGB 132 226 171

HSL 144.89, 0.62%, 0.7%

LAB 83.04, -39.92, 18.31

 

CMYK 42 / 38 / 0 / 11

HEX #838DE2

RGB 131 141 226

HSL 233.68, 0.62%, 0.7%

LAB 61.1, 17.7, -44.4

 

CMYK 0 / 42 / 17 / 11

HEX #E283BC

RGB 226 131 188

HSL 324, 0.62%, 0.7%

LAB 66.54, 43.91, -13.99

 

CMYK 0 / 4 / 42 / 11

HEX #E2D883

RGB 226 216 131

HSL 53.68, 0.62%, 0.7%

LAB 85.46, -8.38, 43.05

 

Description

Color code: HEX #84E2AB | qconv.com Color code: HEX #84E2AB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 226 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 226 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 24 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 24% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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