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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84E140 it is the complementary color #7B1EBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84E140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84E140 shade: #89E13B, #9AF34E, #ABFF61, #BCFF74 and #CDFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84E140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84E140 shade: #84E140, #73CF2D, #62BD1A, #51AB07 and #409900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84E140 shade: #85E141, #B0E141, #DBE141, #E1BC41 and #E19141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84E140 shade: #85E141, #5AE141, #41E154, #41E17F and #41E1AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84E140 shade matches the following richer shades: #85E141 and #82F330

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84E140 shade: #85E141, #88D053, #8ABE65, #8DAC77 and #909A88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84E140 shade: #DCE141, #B1E141, #87E141, #5CE141 and #41E151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84E140 shade: #5CB41C, #6FD822, #85E141, #9CE765 and #B3ED89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84E140 shade: #84E140, #41E1BC and #E141C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84E140 shade: #84E140, #4187E1 and #E14187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84E140 shade: #84E140, #41E1BC, #9C41E1 and #E14167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84E140 shade: #84E140, #41D7E1, #9C41E1 and #E14C41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 72 / 12

HEX #84E140

RGB 132 225 64

HSL 94.66, 0.73%, 0.57%

LAB 81.36, -53.38, 66.22

 

Complementary color

CMYK 36 / 84 / 0 / 25

HEX #7B1EBF

RGB 123 30 191

HSL 274.66, 0.73%, 0.43%

LAB 35.79, 64.08, -65.06

 

CMYK 39 / 0 / 74 / 12

HEX #89E13B

RGB 137 225 59

HSL 91.81, 0.73%, 0.56%

LAB 81.56, -52.06, 68.19

 

CMYK 37 / 0 / 68 / 5

HEX #9AF34E

RGB 154 243 78

HSL 92.36, 0.87%, 0.63%

LAB 87.74, -52.45, 67.99

 

CMYK 33 / 0 / 62 / 0

HEX #ABFF61

RGB 171 255 97

HSL 91.9, 1%, 0.69%

LAB 92.15, -50.23, 65.54

 

CMYK 26 / 0 / 55 / 0

HEX #BCFF74

RGB 188 255 116

HSL 88.92, 1%, 0.73%

LAB 93.22, -42.69, 58.91

 

CMYK 20 / 0 / 47 / 0

HEX #CDFF87

RGB 205 255 135

HSL 85, 1%, 0.76%

LAB 94.42, -34.73, 51.92

 

CMYK 41 / 0 / 72 / 12

HEX #84E140

RGB 132 225 64

HSL 94.66, 0.73%, 0.57%

LAB 81.36, -53.38, 66.22

 

CMYK 44 / 0 / 78 / 19

HEX #73CF2D

RGB 115 207 45

HSL 94.07, 0.64%, 0.49%

LAB 75.11, -52.84, 66.07

 

CMYK 48 / 0 / 86 / 26

HEX #62BD1A

RGB 98 189 26

HSL 93.5, 0.76%, 0.42%

LAB 68.8, -52.05, 65.02

 

CMYK 53 / 0 / 96 / 33

HEX #51AB07

RGB 81 171 7

HSL 92.93, 0.92%, 0.35%

LAB 62.42, -50.89, 62.57

 

CMYK 58 / 0 / 100 / 40

HEX #409900

RGB 64 153 0

HSL 94.9, 1%, 0.3%

LAB 55.96, -49.26, 58.16

 

CMYK 41 / 0 / 71 / 12

HEX #85E141

RGB 133 225 65

HSL 94.5, 0.73%, 0.57%

LAB 81.41, -52.99, 65.93

 

CMYK 22 / 0 / 71 / 12

HEX #B0E141

RGB 176 225 65

HSL 78.38, 0.73%, 0.57%

LAB 83.68, -37.73, 68.95

 

CMYK 3 / 0 / 71 / 12

HEX #DBE141

RGB 219 225 65

HSL 62.25, 0.73%, 0.57%

LAB 86.65, -20.58, 72.85

 

CMYK 0 / 16 / 71 / 12

HEX #E1BC41

RGB 225 188 65

HSL 46.13, 0.73%, 0.57%

LAB 77.49, 0.61, 64.06

 

CMYK 0 / 36 / 71 / 12

HEX #E19141

RGB 225 145 65

HSL 30, 0.73%, 0.57%

LAB 67.01, 23.45, 53.32

 

CMYK 41 / 0 / 71 / 12

HEX #85E141

RGB 133 225 65

HSL 94.5, 0.73%, 0.57%

LAB 81.41, -52.99, 65.93

 

CMYK 60 / 0 / 71 / 12

HEX #5AE141

RGB 90 225 65

HSL 110.63, 0.73%, 0.57%

LAB 79.84, -64.94, 63.83

 

CMYK 71 / 0 / 63 / 12

HEX #41E154

RGB 65 225 84

HSL 127.13, 0.73%, 0.57%

LAB 79.39, -68.1, 55.72

 

CMYK 71 / 0 / 44 / 12

HEX #41E17F

RGB 65 225 127

HSL 143.25, 0.73%, 0.57%

LAB 79.9, -62.17, 36.3

 

CMYK 71 / 0 / 24 / 12

HEX #41E1AA

RGB 65 225 170

HSL 159.38, 0.73%, 0.57%

LAB 80.67, -53.71, 15.22

 

CMYK 41 / 0 / 71 / 12

HEX #85E141

RGB 133 225 65

HSL 94.5, 0.73%, 0.57%

LAB 81.41, -52.99, 65.93

 

CMYK 47 / 0 / 80 / 5

HEX #82F330

RGB 130 243 48

HSL 94.77, 0.89%, 0.57%

LAB 86.53, -61.75, 76.02

 

CMYK 41 / 0 / 71 / 12

HEX #85E141

RGB 133 225 65

HSL 94.5, 0.73%, 0.57%

LAB 81.41, -52.99, 65.93

 

CMYK 35 / 0 / 60 / 18

HEX #88D053

RGB 136 208 83

HSL 94.56, 0.57%, 0.57%

LAB 76.66, -43.53, 53.75

 

CMYK 27 / 0 / 47 / 25

HEX #8ABE65

RGB 138 190 101

HSL 95.06, 0.41%, 0.57%

LAB 71.67, -32.82, 39.4

 

CMYK 18 / 0 / 31 / 33

HEX #8DAC77

RGB 141 172 119

HSL 95.09, 0.24%, 0.57%

LAB 66.9, -20.46, 23.88

 

CMYK 6 / 0 / 12 / 40

HEX #909A88

RGB 144 154 136

HSL 93.33, 0.08%, 0.57%

LAB 62.35, -7.03, 8.23

 

CMYK 2 / 0 / 71 / 12

HEX #DCE141

RGB 220 225 65

HSL 61.88, 0.73%, 0.57%

LAB 86.73, -20.16, 72.95

 

CMYK 21 / 0 / 71 / 12

HEX #B1E141

RGB 177 225 65

HSL 78, 0.73%, 0.57%

LAB 83.75, -37.35, 69.03

 

CMYK 40 / 0 / 71 / 12

HEX #87E141

RGB 135 225 65

HSL 93.75, 0.73%, 0.57%

LAB 81.5, -52.34, 66.05

 

CMYK 59 / 0 / 71 / 12

HEX #5CE141

RGB 92 225 65

HSL 109.88, 0.73%, 0.57%

LAB 79.9, -64.48, 63.91

 

CMYK 71 / 0 / 64 / 12

HEX #41E151

RGB 65 225 81

HSL 126, 0.73%, 0.57%

LAB 79.37, -68.42, 56.95

 

CMYK 49 / 0 / 84 / 29

HEX #5CB41C

RGB 92 180 28

HSL 94.74, 0.73%, 0.41%

LAB 65.75, -50.37, 61.79

 

CMYK 49 / 0 / 84 / 15

HEX #6FD822

RGB 111 216 34

HSL 94.62, 0.73%, 0.49%

LAB 77.64, -57.98, 71.18

 

CMYK 41 / 0 / 71 / 12

HEX #85E141

RGB 133 225 65

HSL 94.5, 0.73%, 0.57%

LAB 81.41, -52.99, 65.93

 

CMYK 32 / 0 / 56 / 9

HEX #9CE765

RGB 156 231 101

HSL 94.62, 0.73%, 0.65%

LAB 84.57, -44.83, 55.08

 

CMYK 24 / 0 / 42 / 7

HEX #B3ED89

RGB 179 237 137

HSL 94.8, 0.74%, 0.73%

LAB 87.95, -35.5, 42.55

 

CMYK 41 / 0 / 72 / 12

HEX #84E140

RGB 132 225 64

HSL 94.66, 0.73%, 0.57%

LAB 81.36, -53.38, 66.22

 

CMYK 71 / 0 / 16 / 12

HEX #41E1BC

RGB 65 225 188

HSL 166.13, 0.73%, 0.57%

LAB 81.07, -49.49, 6.3

 

CMYK 0 / 71 / 12 / 12

HEX #E141C7

RGB 225 65 199

HSL 309.75, 0.73%, 0.57%

LAB 56, 74.24, -36.45

 

CMYK 41 / 0 / 72 / 12

HEX #84E140

RGB 132 225 64

HSL 94.66, 0.73%, 0.57%

LAB 81.36, -53.38, 66.22

 

CMYK 71 / 40 / 0 / 12

HEX #4187E1

RGB 65 135 225

HSL 213.75, 0.73%, 0.57%

LAB 55.98, 7.69, -52.19

 

CMYK 0 / 71 / 40 / 12

HEX #E14187

RGB 225 65 135

HSL 333.75, 0.73%, 0.57%

LAB 53.53, 66.41, -2.77

 

CMYK 41 / 0 / 72 / 12

HEX #84E140

RGB 132 225 64

HSL 94.66, 0.73%, 0.57%

LAB 81.36, -53.38, 66.22

 

CMYK 71 / 0 / 16 / 12

HEX #41E1BC

RGB 65 225 188

HSL 166.13, 0.73%, 0.57%

LAB 81.07, -49.49, 6.3

 

CMYK 31 / 71 / 0 / 12

HEX #9C41E1

RGB 156 65 225

HSL 274.13, 0.73%, 0.57%

LAB 47.35, 64.3, -65.7

 

CMYK 0 / 71 / 54 / 12

HEX #E14167

RGB 225 65 103

HSL 345.75, 0.73%, 0.57%

LAB 52.69, 63.61, 15.2

 

CMYK 41 / 0 / 72 / 12

HEX #84E140

RGB 132 225 64

HSL 94.66, 0.73%, 0.57%

LAB 81.36, -53.38, 66.22

 

CMYK 71 / 4 / 0 / 12

HEX #41D7E1

RGB 65 215 225

HSL 183.75, 0.73%, 0.57%

LAB 79.13, -35.14, -16.27

 

CMYK 31 / 71 / 0 / 12

HEX #9C41E1

RGB 156 65 225

HSL 274.13, 0.73%, 0.57%

LAB 47.35, 64.3, -65.7

 

CMYK 0 / 66 / 71 / 12

HEX #E14C41

RGB 225 76 65

HSL 4.13, 0.73%, 0.57%

LAB 53.55, 57.17, 38.53

 

Description

Color code: HEX #84E140 | qconv.com Color code: HEX #84E140 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 225 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 225 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 72 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 72% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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