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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84DB0C it is the complementary color #7B24F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84DB0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84DB0C shade: #89DB07, #9AED1A, #ABFF2D, #BCFF40 and #CDFF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84DB0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84DB0C shade: #84DB0C, #73C900, #62B700, #51A500 and #409300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84DB0C shade: #83DA0B, #BBDA0B, #DAC10B, #DA8A0B and #DA520B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84DB0C shade: #83DA0B, #4CDA0B, #14DA0B, #0BDA3B and #0BDA73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84DB0C shade matches the following richer shades: #83DA0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84DB0C shade: #83DA0B, #80C71E, #7DB531, #7AA243 and #779056

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84DB0C shade: #DAC20B, #BBDA0B, #84DA0B, #4DDA0B and #16DA0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84DB0C shade: #548C07, #6CB309, #83DA0B, #99F31C and #AAF543

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84DB0C shade: #84DB0C, #0BDA8B and #DA0BD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84DB0C shade: #84DB0C, #0B84DA and #DA0B84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84DB0C shade: #84DB0C, #0BDA8B, #620BDA and #DA0B5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84DB0C shade: #84DB0C, #0BDAC9, #620BDA and #DA0B1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 95 / 14

HEX #84DB0C

RGB 132 219 12

HSL 85.22, 0.9%, 0.45%

LAB 79.38, -53.05, 76.57

 

Complementary color

CMYK 49 / 85 / 0 / 5

HEX #7B24F3

RGB 123 36 243

HSL 265.22, 0.9%, 0.55%

LAB 41.13, 74.03, -86.22

 

CMYK 37 / 0 / 97 / 14

HEX #89DB07

RGB 137 219 7

HSL 83.21, 0.94%, 0.44%

LAB 79.61, -51.41, 77.31

 

CMYK 35 / 0 / 89 / 7

HEX #9AED1A

RGB 154 237 26

HSL 83.6, 0.85%, 0.52%

LAB 85.76, -52.44, 80.37

 

CMYK 33 / 0 / 82 / 0

HEX #ABFF2D

RGB 171 255 45

HSL 84, 1%, 0.59%

LAB 91.85, -53.25, 82.2

 

CMYK 26 / 0 / 75 / 0

HEX #BCFF40

RGB 188 255 64

HSL 81.05, 1%, 0.63%

LAB 92.83, -46.41, 78.36

 

CMYK 20 / 0 / 67 / 0

HEX #CDFF53

RGB 205 255 83

HSL 77.44, 1%, 0.66%

LAB 93.94, -39.07, 73.41

 

CMYK 40 / 0 / 95 / 14

HEX #84DB0C

RGB 132 219 12

HSL 85.22, 0.9%, 0.45%

LAB 79.38, -53.05, 76.57

 

CMYK 43 / 0 / 100 / 21

HEX #73C900

RGB 115 201 0

HSL 85.67, 1%, 0.39%

LAB 73.17, -51.82, 72.51

 

CMYK 46 / 0 / 100 / 28

HEX #62B700

RGB 98 183 0

HSL 87.87, 1%, 0.36%

LAB 66.87, -50.35, 67.29

 

CMYK 51 / 0 / 100 / 35

HEX #51A500

RGB 81 165 0

HSL 90.55, 1%, 0.32%

LAB 60.48, -48.78, 61.98

 

CMYK 56 / 0 / 100 / 42

HEX #409300

RGB 64 147 0

HSL 93.88, 1%, 0.29%

LAB 53.98, -47.05, 56.6

 

CMYK 40 / 0 / 95 / 15

HEX #83DA0B

RGB 131 218 11

HSL 85.22, 0.9%, 0.45%

LAB 79.04, -53, 76.37

 

CMYK 14 / 0 / 95 / 15

HEX #BBDA0B

RGB 187 218 11

HSL 68.99, 0.9%, 0.45%

LAB 82.23, -31.93, 80.25

 

CMYK 0 / 11 / 95 / 15

HEX #DAC10B

RGB 218 193 11

HSL 52.75, 0.9%, 0.45%

LAB 77.92, -6.52, 78.06

 

CMYK 0 / 37 / 95 / 15

HEX #DA8A0B

RGB 218 138 11

HSL 36.81, 0.9%, 0.45%

LAB 64.25, 22.65, 68.2

 

CMYK 0 / 62 / 95 / 15

HEX #DA520B

RGB 218 82 11

HSL 20.58, 0.9%, 0.45%

LAB 52.91, 50.78, 60.66

 

CMYK 40 / 0 / 95 / 15

HEX #83DA0B

RGB 131 218 11

HSL 85.22, 0.9%, 0.45%

LAB 79.04, -53, 76.37

 

CMYK 65 / 0 / 95 / 15

HEX #4CDA0B

RGB 76 218 11

HSL 101.16, 0.9%, 0.45%

LAB 77.1, -68.17, 74

 

CMYK 91 / 0 / 95 / 15

HEX #14DA0B

RGB 20 218 11

HSL 117.39, 0.9%, 0.45%

LAB 76.26, -75.54, 72.97

 

CMYK 95 / 0 / 73 / 15

HEX #0BDA3B

RGB 11 218 59

HSL 133.91, 0.9%, 0.45%

LAB 76.39, -73.68, 62.04

 

CMYK 95 / 0 / 47 / 15

HEX #0BDA73

RGB 11 218 115

HSL 150.14, 0.9%, 0.45%

LAB 76.95, -66.76, 38.35

 

CMYK 40 / 0 / 95 / 15

HEX #83DA0B

RGB 131 218 11

HSL 85.22, 0.9%, 0.45%

LAB 79.04, -53, 76.37

 

CMYK 40 / 0 / 95 / 15

HEX #83DA0B

RGB 131 218 11

HSL 85.22, 0.9%, 0.45%

LAB 79.04, -53, 76.37

 

CMYK 36 / 0 / 85 / 22

HEX #80C71E

RGB 128 199 30

HSL 85.21, 0.74%, 0.45%

LAB 73.24, -45.89, 68.52

 

CMYK 31 / 0 / 73 / 29

HEX #7DB531

RGB 125 181 49

HSL 85.45, 0.57%, 0.45%

LAB 67.75, -38.35, 57.84

 

CMYK 25 / 0 / 59 / 36

HEX #7AA243

RGB 122 162 67

HSL 85.26, 0.41%, 0.45%

LAB 61.98, -29.33, 44.17

 

CMYK 17 / 0 / 40 / 44

HEX #779056

RGB 119 144 86

HSL 85.86, 0.25%, 0.45%

LAB 56.62, -19.35, 27.95

 

CMYK 0 / 11 / 95 / 15

HEX #DAC20B

RGB 218 194 11

HSL 53.04, 0.9%, 0.45%

LAB 78.18, -7.03, 78.25

 

CMYK 14 / 0 / 95 / 15

HEX #BBDA0B

RGB 187 218 11

HSL 68.99, 0.9%, 0.45%

LAB 82.23, -31.93, 80.25

 

CMYK 39 / 0 / 95 / 15

HEX #84DA0B

RGB 132 218 11

HSL 84.93, 0.9%, 0.45%

LAB 79.08, -52.67, 76.43

 

CMYK 65 / 0 / 95 / 15

HEX #4DDA0B

RGB 77 218 11

HSL 100.87, 0.9%, 0.45%

LAB 77.13, -67.96, 74.03

 

CMYK 90 / 0 / 95 / 15

HEX #16DA0B

RGB 22 218 11

HSL 116.81, 0.9%, 0.45%

LAB 76.28, -75.42, 72.98

 

CMYK 40 / 0 / 95 / 45

HEX #548C07

RGB 84 140 7

HSL 85.26, 0.9%, 0.29%

LAB 52.57, -37.47, 54.64

 

CMYK 40 / 0 / 95 / 30

HEX #6CB309

RGB 108 179 9

HSL 85.06, 0.9%, 0.37%

LAB 66.1, -45.23, 65.77

 

CMYK 40 / 0 / 95 / 15

HEX #83DA0B

RGB 131 218 11

HSL 85.22, 0.9%, 0.45%

LAB 79.04, -53, 76.37

 

CMYK 37 / 0 / 88 / 5

HEX #99F31C

RGB 153 243 28

HSL 85.12, 0.9%, 0.53%

LAB 87.46, -55.13, 81.44

 

CMYK 31 / 0 / 73 / 4

HEX #AAF543

RGB 170 245 67

HSL 85.28, 0.9%, 0.61%

LAB 89.04, -48.49, 73.43

 

CMYK 40 / 0 / 95 / 14

HEX #84DB0C

RGB 132 219 12

HSL 85.22, 0.9%, 0.45%

LAB 79.38, -53.05, 76.57

 

CMYK 95 / 0 / 36 / 15

HEX #0BDA8B

RGB 11 218 139

HSL 157.1, 0.9%, 0.45%

LAB 77.33, -62.34, 26.7

 

CMYK 0 / 95 / 1 / 15

HEX #DA0BD7

RGB 218 11 215

HSL 300.87, 0.9%, 0.45%

LAB 51.89, 86.06, -52.19

 

CMYK 40 / 0 / 95 / 14

HEX #84DB0C

RGB 132 219 12

HSL 85.22, 0.9%, 0.45%

LAB 79.38, -53.05, 76.57

 

CMYK 95 / 39 / 0 / 15

HEX #0B84DA

RGB 11 132 218

HSL 204.93, 0.9%, 0.45%

LAB 53.64, 2.32, -52.05

 

CMYK 0 / 95 / 39 / 15

HEX #DA0B84

RGB 218 11 132

HSL 324.93, 0.9%, 0.45%

LAB 48.02, 76.17, -9.29

 

CMYK 40 / 0 / 95 / 14

HEX #84DB0C

RGB 132 219 12

HSL 85.22, 0.9%, 0.45%

LAB 79.38, -53.05, 76.57

 

CMYK 95 / 0 / 36 / 15

HEX #0BDA8B

RGB 11 218 139

HSL 157.1, 0.9%, 0.45%

LAB 77.33, -62.34, 26.7

 

CMYK 55 / 95 / 0 / 15

HEX #620BDA

RGB 98 11 218

HSL 265.22, 0.9%, 0.45%

LAB 33.77, 71.6, -84.23

 

CMYK 0 / 95 / 58 / 15

HEX #DA0B5B

RGB 218 11 91

HSL 336.81, 0.9%, 0.45%

LAB 46.84, 73.01, 14.26

 

CMYK 40 / 0 / 95 / 14

HEX #84DB0C

RGB 132 219 12

HSL 85.22, 0.9%, 0.45%

LAB 79.38, -53.05, 76.57

 

CMYK 95 / 0 / 8 / 15

HEX #0BDAC9

RGB 11 218 201

HSL 175.07, 0.9%, 0.45%

LAB 78.71, -47.31, -4.13

 

CMYK 55 / 95 / 0 / 15

HEX #620BDA

RGB 98 11 218

HSL 265.22, 0.9%, 0.45%

LAB 33.77, 71.6, -84.23

 

CMYK 0 / 95 / 87 / 15

HEX #DA0B1D

RGB 218 11 29

HSL 354.78, 0.9%, 0.45%

LAB 45.95, 70.55, 49.51

 

Description

Color code: HEX #84DB0C | qconv.com Color code: HEX #84DB0C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 219 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 219 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 95 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 95% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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