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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84D8D3 it is the complementary color #7B272C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84D8D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #84D8D3: #89D8CE, #9AEAE1, #ABFCF4, #BCFFFF and #CDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84D8D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #84D8D3: #84D8D3, #73C6C0, #62B4AD, #51A29A and #409087

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 2 / 15

HEX #84D8D3

RGB 132 216 211

HSL 176.43, 0.52%, 0.68%

LAB 81.14, -26.62, -5.58

 

Complementary color

CMYK 0 / 68 / 64 / 52

HEX #7B272C

RGB 123 39 44

HSL 356.43, 0.52%, 0.32%

LAB 29.02, 36.77, 17.08

 

CMYK 37 / 0 / 5 / 15

HEX #89D8CE

RGB 137 216 206

HSL 172.41, 0.5%, 0.69%

LAB 81.23, -26.49, -2.76

 

CMYK 34 / 0 / 4 / 8

HEX #9AEAE1

RGB 154 234 225

HSL 173.25, 0.66%, 0.76%

LAB 87.56, -26.36, -3.41

 

CMYK 32 / 0 / 3 / 1

HEX #ABFCF4

RGB 171 252 244

HSL 174.07, 0.93%, 0.83%

LAB 93.8, -26.23, -4.04

 

CMYK 26 / 0 / 0 / 0

HEX #BCFFFF

RGB 188 255 255

HSL 180, 1%, 0.87%

LAB 95.76, -20.62, -6.73

 

CMYK 20 / 0 / 0 / 0

HEX #CDFFFF

RGB 205 255 255

HSL 180, 1%, 0.9%

LAB 96.71, -15.72, -5.23

 

CMYK 39 / 0 / 2 / 15

HEX #84D8D3

RGB 132 216 211

HSL 176.43, 0.52%, 0.68%

LAB 81.14, -26.62, -5.58

 

CMYK 42 / 0 / 3 / 22

HEX #73C6C0

RGB 115 198 192

HSL 175.66, 0.42%, 0.61%

LAB 74.72, -26.69, -4.92

 

CMYK 46 / 0 / 4 / 29

HEX #62B4AD

RGB 98 180 173

HSL 174.88, 0.35%, 0.55%

LAB 68.21, -26.75, -4.22

 

CMYK 50 / 0 / 5 / 36

HEX #51A29A

RGB 81 162 154

HSL 174.07, 0.33%, 0.48%

LAB 61.59, -26.76, -3.47

 

CMYK 56 / 0 / 6 / 44

HEX #409087

RGB 64 144 135

HSL 173.25, 0.38%, 0.41%

LAB 54.85, -26.69, -2.64

 

CMYK 39 / 0 / 2 / 15

HEX #84D8D3

RGB 132 216 211

HSL 176.43, 0.52%, 0.68%

LAB 81.14, -26.62, -5.58

 

CMYK 40 / 4 / 0 / 16

HEX #82CFD7

RGB 130 207 215

HSL 185.65, 0.52%, 0.68%

LAB 78.62, -21.7, -11.47

 

CMYK 40 / 10 / 0 / 16

HEX #82C1D7

RGB 130 193 215

HSL 195.53, 0.52%, 0.68%

LAB 74.69, -14.54, -17.37

 

CMYK 40 / 17 / 0 / 16

HEX #82B3D7

RGB 130 179 215

HSL 205.41, 0.52%, 0.68%

LAB 70.8, -7.1, -23.29

 

CMYK 40 / 24 / 0 / 16

HEX #82A4D7

RGB 130 164 215

HSL 216, 0.52%, 0.68%

LAB 66.67, 1.16, -29.62

 

CMYK 39 / 0 / 2 / 15

HEX #84D8D3

RGB 132 216 211

HSL 176.43, 0.52%, 0.68%

LAB 81.14, -26.62, -5.58

 

CMYK 42 / 0 / 0 / 95

HEX #070C0C

RGB 7 12 12

HSL 180, 0.26%, 0.04%

LAB 3.02, -1.34, -0.47

 

CMYK 38 / 0 / 2 / 75

HEX #273F3E

RGB 39 63 62

HSL 177.5, 0.24%, 0.2%

LAB 24.75, -9.54, -2.36

 

CMYK 39 / 0 / 3 / 55

HEX #46726F

RGB 70 114 111

HSL 175.91, 0.24%, 0.36%

LAB 44.92, -15.92, -3.15

 

CMYK 39 / 0 / 2 / 35

HEX #65A5A1

RGB 101 165 161

HSL 176.25, 0.26%, 0.52%

LAB 63.55, -21.44, -4.41

 

CMYK 39 / 0 / 2 / 15

HEX #84D8D3

RGB 132 216 211

HSL 176.43, 0.52%, 0.68%

LAB 81.14, -26.62, -5.58

 

CMYK 34 / 40 / 0 / 16

HEX #8E82D7

RGB 142 130 215

HSL 248.47, 0.52%, 0.68%

LAB 58.62, 24.01, -42.1

 

CMYK 0 / 18 / 40 / 16

HEX #D7B082

RGB 215 176 130

HSL 32.47, 0.52%, 0.68%

LAB 74.26, 7.95, 28.89

 

CMYK 39 / 0 / 2 / 15

HEX #84D8D3

RGB 132 216 211

HSL 176.43, 0.52%, 0.68%

LAB 81.14, -26.62, -5.58

 

CMYK 2 / 40 / 0 / 16

HEX #D282D7

RGB 210 130 215

HSL 296.47, 0.52%, 0.68%

LAB 65.42, 43.97, -31

 

CMYK 0 / 2 / 40 / 16

HEX #D7D282

RGB 215 210 130

HSL 56.47, 0.52%, 0.68%

LAB 82.99, -9.79, 40.23

 

CMYK 39 / 0 / 2 / 15

HEX #84D8D3

RGB 132 216 211

HSL 176.43, 0.52%, 0.68%

LAB 81.14, -26.62, -5.58

 

CMYK 34 / 40 / 0 / 16

HEX #8E82D7

RGB 142 130 215

HSL 248.47, 0.52%, 0.68%

LAB 58.62, 24.01, -42.1

 

CMYK 0 / 40 / 37 / 16

HEX #D78288

RGB 215 130 136

HSL 355.76, 0.52%, 0.68%

LAB 63.5, 33.43, 10.84

 

CMYK 5 / 0 / 40 / 16

HEX #CCD782

RGB 204 215 130

HSL 67.76, 0.52%, 0.68%

LAB 83.47, -16.6, 40.66

 

CMYK 39 / 0 / 2 / 15

HEX #84D8D3

RGB 132 216 211

HSL 176.43, 0.52%, 0.68%

LAB 81.14, -26.62, -5.58

 

CMYK 22 / 40 / 0 / 16

HEX #A782D7

RGB 167 130 215

HSL 266.12, 0.52%, 0.68%

LAB 60.86, 31.1, -38.44

 

CMYK 0 / 40 / 37 / 16

HEX #D78288

RGB 215 130 136

HSL 355.76, 0.52%, 0.68%

LAB 63.5, 33.43, 10.84

 

CMYK 17 / 0 / 40 / 16

HEX #B3D782

RGB 179 215 130

HSL 85.41, 0.52%, 0.68%

LAB 81.73, -26.07, 38.08

 

Description

Color code: HEX #84D8D3 | qconv.com Color code: HEX #84D8D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 216 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 216 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 2 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 2% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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