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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84C40F it is the complementary color #7B3BF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84C40F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84C40F shade: #89C40A, #9AD61D, #ABE830, #BCFA43 and #CDFF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84C40F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84C40F shade: #84C40F, #73B200, #62A000, #518E00 and #407C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84C40F shade: #83C20F, #B3C20F, #C2A10F, #C2710F and #C2400F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84C40F shade: #83C20F, #52C20F, #22C20F, #0FC22C and #0FC25C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84C40F shade matches the following richer shades: #83C20F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84C40F shade: #83C20F, #7EB220, #79A130, #749041 and #6F7F52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84C40F shade: #C2A10F, #B3C20F, #84C20F, #54C20F and #24C20F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84C40F shade: #4F7609, #699C0C, #83C20F, #9DE912 and #ADF034

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84C40F shade: #84C40F, #0FC272 and #B90FC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84C40F shade: #84C40F, #0F84C2 and #C20F84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84C40F shade: #84C40F, #0FC272, #4E0FC2 and #C20F60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84C40F shade: #84C40F, #0FC2A7, #4E0FC2 and #C20F2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 92 / 23

HEX #84C40F

RGB 132 196 15

HSL 81.22, 0.86%, 0.41%

LAB 72.51, -43.58, 70.69

 

Complementary color

CMYK 49 / 75 / 0 / 6

HEX #7B3BF0

RGB 123 59 240

HSL 261.22, 0.86%, 0.59%

LAB 43.7, 65, -80.3

 

CMYK 30 / 0 / 95 / 23

HEX #89C40A

RGB 137 196 10

HSL 79.03, 0.9%, 0.4%

LAB 72.77, -41.79, 71.62

 

CMYK 28 / 0 / 86 / 16

HEX #9AD61D

RGB 154 214 29

HSL 79.46, 0.76%, 0.48%

LAB 79.07, -42.76, 74.26

 

CMYK 26 / 0 / 79 / 9

HEX #ABE830

RGB 171 232 48

HSL 79.89, 0.8%, 0.55%

LAB 85.29, -43.52, 75.62

 

CMYK 25 / 0 / 73 / 2

HEX #BCFA43

RGB 188 250 67

HSL 80.33, 0.95%, 0.62%

LAB 91.45, -44.12, 76.1

 

CMYK 20 / 0 / 66 / 0

HEX #CDFF56

RGB 205 255 86

HSL 77.75, 1%, 0.67%

LAB 93.96, -38.89, 72.32

 

CMYK 33 / 0 / 92 / 23

HEX #84C40F

RGB 132 196 15

HSL 81.22, 0.86%, 0.41%

LAB 72.51, -43.58, 70.69

 

CMYK 35 / 0 / 100 / 30

HEX #73B200

RGB 115 178 0

HSL 81.24, 1%, 0.35%

LAB 66.13, -42.45, 67.05

 

CMYK 39 / 0 / 100 / 37

HEX #62A000

RGB 98 160 0

HSL 83.25, 1%, 0.31%

LAB 59.65, -41.05, 61.67

 

CMYK 43 / 0 / 100 / 44

HEX #518E00

RGB 81 142 0

HSL 85.77, 1%, 0.28%

LAB 53.05, -39.59, 56.18

 

CMYK 48 / 0 / 100 / 51

HEX #407C00

RGB 64 124 0

HSL 89.03, 1%, 0.24%

LAB 46.32, -38.03, 50.59

 

CMYK 32 / 0 / 92 / 24

HEX #83C20F

RGB 131 194 15

HSL 81.12, 0.86%, 0.41%

LAB 71.85, -43.09, 70.14

 

CMYK 8 / 0 / 92 / 24

HEX #B3C20F

RGB 179 194 15

HSL 65.03, 0.86%, 0.41%

LAB 74.95, -23.79, 73.91

 

CMYK 0 / 17 / 92 / 24

HEX #C2A10F

RGB 194 161 15

HSL 48.94, 0.86%, 0.41%

LAB 67.27, -0.28, 68.57

 

CMYK 0 / 42 / 92 / 24

HEX #C2710F

RGB 194 113 15

HSL 32.85, 0.86%, 0.41%

LAB 55.39, 25.9, 59.72

 

CMYK 0 / 67 / 92 / 24

HEX #C2400F

RGB 194 64 15

HSL 16.42, 0.86%, 0.41%

LAB 45.87, 50.1, 52.98

 

CMYK 32 / 0 / 92 / 24

HEX #83C20F

RGB 131 194 15

HSL 81.12, 0.86%, 0.41%

LAB 71.85, -43.09, 70.14

 

CMYK 58 / 0 / 92 / 24

HEX #52C20F

RGB 82 194 15

HSL 97.54, 0.86%, 0.41%

LAB 69.76, -58.73, 67.56

 

CMYK 82 / 0 / 92 / 24

HEX #22C20F

RGB 34 194 15

HSL 113.63, 0.86%, 0.41%

LAB 68.72, -67.59, 66.27

 

CMYK 92 / 0 / 77 / 24

HEX #0FC22C

RGB 15 194 44

HSL 129.72, 0.86%, 0.41%

LAB 68.65, -67.78, 59.37

 

CMYK 92 / 0 / 53 / 24

HEX #0FC25C

RGB 15 194 92

HSL 145.81, 0.86%, 0.41%

LAB 69.08, -62.46, 39.82

 

CMYK 32 / 0 / 92 / 24

HEX #83C20F

RGB 131 194 15

HSL 81.12, 0.86%, 0.41%

LAB 71.85, -43.09, 70.14

 

CMYK 32 / 0 / 92 / 24

HEX #83C20F

RGB 131 194 15

HSL 81.12, 0.86%, 0.41%

LAB 71.85, -43.09, 70.14

 

CMYK 29 / 0 / 82 / 30

HEX #7EB220

RGB 126 178 32

HSL 81.37, 0.7%, 0.41%

LAB 66.81, -37.5, 62.34

 

CMYK 25 / 0 / 70 / 37

HEX #79A130

RGB 121 161 48

HSL 81.24, 0.54%, 0.41%

LAB 61.45, -30.8, 51.82

 

CMYK 19 / 0 / 55 / 44

HEX #749041

RGB 116 144 65

HSL 81.27, 0.38%, 0.41%

LAB 56.13, -23.08, 38.26

 

CMYK 13 / 0 / 35 / 50

HEX #6F7F52

RGB 111 127 82

HSL 81.33, 0.22%, 0.41%

LAB 50.88, -14.13, 22.57

 

CMYK 0 / 17 / 92 / 24

HEX #C2A10F

RGB 194 161 15

HSL 48.94, 0.86%, 0.41%

LAB 67.27, -0.28, 68.57

 

CMYK 8 / 0 / 92 / 24

HEX #B3C20F

RGB 179 194 15

HSL 65.03, 0.86%, 0.41%

LAB 74.95, -23.79, 73.91

 

CMYK 32 / 0 / 92 / 24

HEX #84C20F

RGB 132 194 15

HSL 80.78, 0.86%, 0.41%

LAB 71.91, -42.72, 70.21

 

CMYK 57 / 0 / 92 / 24

HEX #54C20F

RGB 84 194 15

HSL 96.87, 0.86%, 0.41%

LAB 69.83, -58.21, 67.64

 

CMYK 81 / 0 / 92 / 24

HEX #24C20F

RGB 36 194 15

HSL 112.96, 0.86%, 0.41%

LAB 68.75, -67.37, 66.31

 

CMYK 33 / 0 / 92 / 54

HEX #4F7609

RGB 79 118 9

HSL 81.47, 0.86%, 0.25%

LAB 45.14, -29.44, 48.04

 

CMYK 33 / 0 / 92 / 39

HEX #699C0C

RGB 105 156 12

HSL 81.25, 0.86%, 0.33%

LAB 58.8, -36.43, 59.38

 

CMYK 32 / 0 / 92 / 24

HEX #83C20F

RGB 131 194 15

HSL 81.12, 0.86%, 0.41%

LAB 71.85, -43.09, 70.14

 

CMYK 33 / 0 / 92 / 9

HEX #9DE912

RGB 157 233 18

HSL 81.21, 0.86%, 0.49%

LAB 84.74, -49.91, 80.71

 

CMYK 28 / 0 / 78 / 6

HEX #ADF034

RGB 173 240 52

HSL 81.38, 0.86%, 0.57%

LAB 87.7, -46.05, 76.77

 

CMYK 33 / 0 / 92 / 23

HEX #84C40F

RGB 132 196 15

HSL 81.22, 0.86%, 0.41%

LAB 72.51, -43.58, 70.69

 

CMYK 92 / 0 / 41 / 24

HEX #0FC272

RGB 15 194 114

HSL 153.18, 0.86%, 0.41%

LAB 69.4, -58.67, 29.11

 

CMYK 5 / 92 / 0 / 24

HEX #B90FC2

RGB 185 15 194

HSL 296.98, 0.86%, 0.41%

LAB 45.01, 77.13, -51.41

 

CMYK 33 / 0 / 92 / 23

HEX #84C40F

RGB 132 196 15

HSL 81.22, 0.86%, 0.41%

LAB 72.51, -43.58, 70.69

 

CMYK 92 / 32 / 0 / 24

HEX #0F84C2

RGB 15 132 194

HSL 200.78, 0.86%, 0.41%

LAB 52.4, -6.7, -40.42

 

CMYK 0 / 92 / 32 / 24

HEX #C20F84

RGB 194 15 132

HSL 320.78, 0.86%, 0.41%

LAB 43.47, 70.64, -16.62

 

CMYK 33 / 0 / 92 / 23

HEX #84C40F

RGB 132 196 15

HSL 81.22, 0.86%, 0.41%

LAB 72.51, -43.58, 70.69

 

CMYK 92 / 0 / 41 / 24

HEX #0FC272

RGB 15 194 114

HSL 153.18, 0.86%, 0.41%

LAB 69.4, -58.67, 29.11

 

CMYK 60 / 92 / 0 / 24

HEX #4E0FC2

RGB 78 15 194

HSL 261.12, 0.86%, 0.41%

LAB 29.05, 63.78, -78.14

 

CMYK 0 / 92 / 51 / 24

HEX #C20F60

RGB 194 15 96

HSL 332.85, 0.86%, 0.41%

LAB 42.24, 67.31, 3.95

 

CMYK 33 / 0 / 92 / 23

HEX #84C40F

RGB 132 196 15

HSL 81.22, 0.86%, 0.41%

LAB 72.51, -43.58, 70.69

 

CMYK 92 / 0 / 14 / 24

HEX #0FC2A7

RGB 15 194 167

HSL 170.95, 0.86%, 0.41%

LAB 70.51, -46.38, 2.22

 

CMYK 60 / 92 / 0 / 24

HEX #4E0FC2

RGB 78 15 194

HSL 261.12, 0.86%, 0.41%

LAB 29.05, 63.78, -78.14

 

CMYK 0 / 92 / 78 / 24

HEX #C20F2A

RGB 194 15 42

HSL 350.95, 0.86%, 0.41%

LAB 41.18, 64.37, 36.24

 

Description

Color code: HEX #84C40F | qconv.com Color code: HEX #84C40F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 196 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 196 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 92 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 92% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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