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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84BF23 it is the complementary color #7B40DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84BF23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84BF23 shade: #89BF1E, #9AD131, #ABE344, #BCF557 and #CDFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84BF23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84BF23 shade: #84BF23, #73AD10, #629B00, #518900 and #407700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84BF23 shade: #83BE23, #ADBE23, #BEA523, #BE7B23 and #BE5123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84BF23 shade: #83BE23, #59BE23, #30BE23, #23BE40 and #23BE6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84BF23 shade matches the following richer shades: #83BE23 and #87D011

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84BF23 shade: #83BE23, #7FAB35, #7A9947, #768759 and #71756B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84BF23 shade: #BEA423, #AEBE23, #85BE23, #5CBE23 and #32BE23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84BF23 shade: #537816, #6B9B1C, #83BE23, #99D931 and #ABE053

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84BF23 shade: #84BF23, #23BE7B and #B823BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84BF23 shade: #84BF23, #2385BE and #BE2385

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84BF23 shade: #84BF23, #23BE7B, #5C23BE and #BE2366

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84BF23 shade: #84BF23, #23BEA9, #5C23BE and #BE2337

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 82 / 25

HEX #84BF23

RGB 132 191 35

HSL 82.69, 0.69%, 0.44%

LAB 71.07, -40.83, 65.48

 

Complementary color

CMYK 44 / 71 / 0 / 14

HEX #7B40DC

RGB 123 64 220

HSL 262.69, 0.69%, 0.56%

LAB 42.83, 57.63, -70.37

 

CMYK 28 / 0 / 84 / 25

HEX #89BF1E

RGB 137 191 30

HSL 80.12, 0.73%, 0.43%

LAB 71.33, -39.13, 67.06

 

CMYK 26 / 0 / 77 / 18

HEX #9AD131

RGB 154 209 49

HSL 80.63, 0.63%, 0.51%

LAB 77.69, -39.82, 67.99

 

CMYK 25 / 0 / 70 / 11

HEX #ABE344

RGB 171 227 68

HSL 81.13, 0.74%, 0.58%

LAB 83.97, -40.33, 68.08

 

CMYK 23 / 0 / 64 / 4

HEX #BCF557

RGB 188 245 87

HSL 81.65, 0.89%, 0.65%

LAB 90.18, -40.72, 67.67

 

CMYK 20 / 0 / 58 / 0

HEX #CDFF6A

RGB 205 255 106

HSL 80.13, 1%, 0.71%

LAB 94.12, -37.45, 64.52

 

CMYK 31 / 0 / 82 / 25

HEX #84BF23

RGB 132 191 35

HSL 82.69, 0.69%, 0.44%

LAB 71.07, -40.83, 65.48

 

CMYK 34 / 0 / 91 / 32

HEX #73AD10

RGB 115 173 16

HSL 82.17, 0.83%, 0.37%

LAB 64.62, -40, 63.73

 

CMYK 37 / 0 / 100 / 39

HEX #629B00

RGB 98 155 0

HSL 82.06, 1%, 0.3%

LAB 58.07, -38.91, 60.45

 

CMYK 41 / 0 / 100 / 46

HEX #518900

RGB 81 137 0

HSL 84.53, 1%, 0.27%

LAB 51.43, -37.47, 54.92

 

CMYK 46 / 0 / 100 / 53

HEX #407700

RGB 64 119 0

HSL 87.73, 1%, 0.23%

LAB 44.64, -35.93, 49.28

 

CMYK 31 / 0 / 82 / 25

HEX #83BE23

RGB 131 190 35

HSL 82.84, 0.69%, 0.44%

LAB 70.71, -40.77, 65.14

 

CMYK 9 / 0 / 82 / 25

HEX #ADBE23

RGB 173 190 35

HSL 66.58, 0.69%, 0.44%

LAB 73.44, -23.91, 68.58

 

CMYK 0 / 13 / 82 / 25

HEX #BEA523

RGB 190 165 35

HSL 50.32, 0.69%, 0.44%

LAB 68, -3.73, 64.43

 

CMYK 0 / 35 / 82 / 25

HEX #BE7B23

RGB 190 123 35

HSL 34.06, 0.69%, 0.44%

LAB 57.3, 19.17, 54.99

 

CMYK 0 / 57 / 82 / 25

HEX #BE5123

RGB 190 81 35

HSL 17.81, 0.69%, 0.44%

LAB 48.2, 41.4, 46.67

 

CMYK 31 / 0 / 82 / 25

HEX #83BE23

RGB 131 190 35

HSL 82.84, 0.69%, 0.44%

LAB 70.71, -40.77, 65.14

 

CMYK 53 / 0 / 82 / 25

HEX #59BE23

RGB 89 190 35

HSL 99.1, 0.69%, 0.44%

LAB 68.8, -54.69, 62.7

 

CMYK 75 / 0 / 82 / 25

HEX #30BE23

RGB 48 190 35

HSL 114.97, 0.69%, 0.44%

LAB 67.71, -63.73, 61.29

 

CMYK 82 / 0 / 66 / 25

HEX #23BE40

RGB 35 190 64

HSL 131.23, 0.69%, 0.44%

LAB 67.69, -63.18, 51.02

 

CMYK 82 / 0 / 44 / 25

HEX #23BE6A

RGB 35 190 106

HSL 147.48, 0.69%, 0.44%

LAB 68.19, -57.24, 31.71

 

CMYK 31 / 0 / 82 / 25

HEX #83BE23

RGB 131 190 35

HSL 82.84, 0.69%, 0.44%

LAB 70.71, -40.77, 65.14

 

CMYK 35 / 0 / 92 / 18

HEX #87D011

RGB 135 208 17

HSL 82.93, 0.85%, 0.44%

LAB 76.25, -47.48, 73.52

 

CMYK 31 / 0 / 82 / 25

HEX #83BE23

RGB 131 190 35

HSL 82.84, 0.69%, 0.44%

LAB 70.71, -40.77, 65.14

 

CMYK 26 / 0 / 69 / 33

HEX #7FAB35

RGB 127 171 53

HSL 82.37, 0.53%, 0.44%

LAB 64.88, -32.77, 53.48

 

CMYK 20 / 0 / 54 / 40

HEX #7A9947

RGB 122 153 71

HSL 82.68, 0.37%, 0.44%

LAB 59.32, -24.54, 39.14

 

CMYK 13 / 0 / 34 / 47

HEX #768759

RGB 118 135 89

HSL 82.17, 0.21%, 0.44%

LAB 53.92, -14.58, 22.75

 

CMYK 3 / 0 / 9 / 54

HEX #71756B

RGB 113 117 107

HSL 84, 0.04%, 0.44%

LAB 48.63, -3.51, 4.99

 

CMYK 0 / 14 / 82 / 25

HEX #BEA423

RGB 190 164 35

HSL 49.94, 0.69%, 0.44%

LAB 67.74, -3.2, 64.19

 

CMYK 8 / 0 / 82 / 25

HEX #AEBE23

RGB 174 190 35

HSL 66.19, 0.69%, 0.44%

LAB 73.51, -23.48, 68.68

 

CMYK 30 / 0 / 82 / 25

HEX #85BE23

RGB 133 190 35

HSL 82.06, 0.69%, 0.44%

LAB 70.83, -40.02, 65.28

 

CMYK 52 / 0 / 82 / 25

HEX #5CBE23

RGB 92 190 35

HSL 97.94, 0.69%, 0.44%

LAB 68.91, -53.84, 62.84

 

CMYK 74 / 0 / 82 / 25

HEX #32BE23

RGB 50 190 35

HSL 114.19, 0.69%, 0.44%

LAB 67.74, -63.41, 61.33

 

CMYK 31 / 0 / 82 / 53

HEX #537816

RGB 83 120 22

HSL 82.65, 0.69%, 0.28%

LAB 46.08, -28.23, 45.52

 

CMYK 31 / 0 / 82 / 39

HEX #6B9B1C

RGB 107 155 28

HSL 82.68, 0.69%, 0.36%

LAB 58.65, -34.67, 55.71

 

CMYK 31 / 0 / 82 / 25

HEX #83BE23

RGB 131 190 35

HSL 82.84, 0.69%, 0.44%

LAB 70.71, -40.77, 65.14

 

CMYK 29 / 0 / 77 / 15

HEX #99D931

RGB 153 217 49

HSL 82.86, 0.69%, 0.52%

LAB 79.97, -43.68, 70.09

 

CMYK 24 / 0 / 63 / 12

HEX #ABE053

RGB 171 224 83

HSL 82.55, 0.69%, 0.6%

LAB 83.23, -37.98, 61.53

 

CMYK 31 / 0 / 82 / 25

HEX #84BF23

RGB 132 191 35

HSL 82.69, 0.69%, 0.44%

LAB 71.07, -40.83, 65.48

 

CMYK 82 / 0 / 35 / 25

HEX #23BE7B

RGB 35 190 123

HSL 154.06, 0.69%, 0.44%

LAB 68.47, -53.96, 23.18

 

CMYK 3 / 82 / 0 / 25

HEX #B823BE

RGB 184 35 190

HSL 297.68, 0.69%, 0.44%

LAB 45.78, 72.84, -47.85

 

CMYK 31 / 0 / 82 / 25

HEX #84BF23

RGB 132 191 35

HSL 82.69, 0.69%, 0.44%

LAB 71.07, -40.83, 65.48

 

CMYK 82 / 30 / 0 / 25

HEX #2385BE

RGB 35 133 190

HSL 202.06, 0.69%, 0.44%

LAB 52.79, -7.38, -37.51

 

CMYK 0 / 82 / 30 / 25

HEX #BE2385

RGB 190 35 133

HSL 322.06, 0.69%, 0.44%

LAB 44.01, 66.22, -16.49

 

CMYK 31 / 0 / 82 / 25

HEX #84BF23

RGB 132 191 35

HSL 82.69, 0.69%, 0.44%

LAB 71.07, -40.83, 65.48

 

CMYK 82 / 0 / 35 / 25

HEX #23BE7B

RGB 35 190 123

HSL 154.06, 0.69%, 0.44%

LAB 68.47, -53.96, 23.18

 

CMYK 52 / 82 / 0 / 25

HEX #5C23BE

RGB 92 35 190

HSL 262.06, 0.69%, 0.44%

LAB 32.25, 58.03, -70.44

 

CMYK 0 / 82 / 46 / 25

HEX #BE2366

RGB 190 35 102

HSL 334.06, 0.69%, 0.44%

LAB 42.93, 63.06, 1.08

 

CMYK 31 / 0 / 82 / 25

HEX #84BF23

RGB 132 191 35

HSL 82.69, 0.69%, 0.44%

LAB 71.07, -40.83, 65.48

 

CMYK 82 / 0 / 11 / 25

HEX #23BEA9

RGB 35 190 169

HSL 171.87, 0.69%, 0.44%

LAB 69.5, -42.87, -0.31

 

CMYK 52 / 82 / 0 / 25

HEX #5C23BE

RGB 92 35 190

HSL 262.06, 0.69%, 0.44%

LAB 32.25, 58.03, -70.44

 

CMYK 0 / 82 / 71 / 25

HEX #BE2337

RGB 190 35 55

HSL 352.26, 0.69%, 0.44%

LAB 41.88, 59.92, 29.02

 

Description

Color code: HEX #84BF23 | qconv.com Color code: HEX #84BF23 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 191 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 191 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 82 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 82% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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