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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84BC0A it is the complementary color #7B43F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84BC0A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84BC0A shade: #89BC05, #9ACE18, #ABE02B, #BCF23E and #CDFF51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84BC0A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84BC0A shade: #84BC0A, #73AA00, #629800, #518600 and #407400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84BC0A shade: #85BD0A, #B5BD0A, #BD950A, #BD640A and #BD340A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84BC0A shade: #85BD0A, #54BD0A, #24BD0A, #0ABD20 and #0ABD50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84BC0A shade matches the following richer shades: #85BD0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84BC0A shade: #85BD0A, #7FAD1A, #799D2A, #738D3A and #6D7D4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84BC0A shade: #BD930A, #B7BD0A, #87BD0A, #58BD0A and #28BD0A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84BC0A shade: #4E6F06, #699608, #85BD0A, #A0E40C and #B3F426

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84BC0A shade: #84BC0A, #0ABD63 and #AB0ABD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84BC0A shade: #84BC0A, #0A87BD and #BD0A87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84BC0A shade: #84BC0A, #0ABD63, #400ABD and #BD0A63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84BC0A shade: #84BC0A, #0ABD99, #400ABD and #BD0A2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 95 / 26

HEX #84BC0A

RGB 132 188 10

HSL 78.88, 0.9%, 0.39%

LAB 70.1, -40.21, 69.38

 

Complementary color

CMYK 50 / 73 / 0 / 4

HEX #7B43F5

RGB 123 67 245

HSL 258.88, 0.9%, 0.61%

LAB 45.38, 62.7, -80.35

 

CMYK 27 / 0 / 97 / 26

HEX #89BC05

RGB 137 188 5

HSL 76.72, 0.95%, 0.38%

LAB 70.38, -38.36, 70.29

 

CMYK 25 / 0 / 88 / 19

HEX #9ACE18

RGB 154 206 24

HSL 77.14, 0.79%, 0.45%

LAB 76.73, -39.39, 73.24

 

CMYK 24 / 0 / 81 / 12

HEX #ABE02B

RGB 171 224 43

HSL 77.57, 0.74%, 0.52%

LAB 82.99, -40.22, 74.87

 

CMYK 22 / 0 / 74 / 5

HEX #BCF23E

RGB 188 242 62

HSL 78, 0.87%, 0.6%

LAB 89.18, -40.88, 75.51

 

CMYK 20 / 0 / 68 / 0

HEX #CDFF51

RGB 205 255 81

HSL 77.24, 1%, 0.66%

LAB 93.92, -39.19, 74.12

 

CMYK 30 / 0 / 95 / 26

HEX #84BC0A

RGB 132 188 10

HSL 78.88, 0.9%, 0.39%

LAB 70.1, -40.21, 69.38

 

CMYK 32 / 0 / 100 / 33

HEX #73AA00

RGB 115 170 0

HSL 79.41, 1%, 0.33%

LAB 63.67, -39, 65.16

 

CMYK 36 / 0 / 100 / 40

HEX #629800

RGB 98 152 0

HSL 81.32, 1%, 0.3%

LAB 57.13, -37.61, 59.71

 

CMYK 40 / 0 / 100 / 47

HEX #518600

RGB 81 134 0

HSL 83.73, 1%, 0.26%

LAB 50.45, -36.17, 54.16

 

CMYK 45 / 0 / 100 / 55

HEX #407400

RGB 64 116 0

HSL 86.9, 1%, 0.23%

LAB 43.63, -34.65, 48.49

 

CMYK 30 / 0 / 95 / 26

HEX #85BD0A

RGB 133 189 10

HSL 78.77, 0.9%, 0.39%

LAB 70.46, -40.27, 69.69

 

CMYK 4 / 0 / 95 / 26

HEX #B5BD0A

RGB 181 189 10

HSL 62.68, 0.9%, 0.39%

LAB 73.7, -20.55, 73.61

 

CMYK 0 / 21 / 95 / 26

HEX #BD950A

RGB 189 149 10

HSL 46.59, 0.9%, 0.39%

LAB 63.62, 3.88, 66.36

 

CMYK 0 / 47 / 95 / 26

HEX #BD640A

RGB 189 100 10

HSL 30.17, 0.9%, 0.39%

LAB 51.79, 30.71, 57.91

 

CMYK 0 / 72 / 95 / 26

HEX #BD340A

RGB 189 52 10

HSL 14.08, 0.9%, 0.39%

LAB 43.21, 53.04, 52.29

 

CMYK 30 / 0 / 95 / 26

HEX #85BD0A

RGB 133 189 10

HSL 78.77, 0.9%, 0.39%

LAB 70.46, -40.27, 69.69

 

CMYK 56 / 0 / 95 / 26

HEX #54BD0A

RGB 84 189 10

HSL 95.2, 0.9%, 0.39%

LAB 68.24, -56.55, 66.98

 

CMYK 81 / 0 / 95 / 26

HEX #24BD0A

RGB 36 189 10

HSL 111.28, 0.9%, 0.39%

LAB 67.12, -66.03, 65.6

 

CMYK 95 / 0 / 83 / 26

HEX #0ABD20

RGB 10 189 32

HSL 127.37, 0.9%, 0.39%

LAB 66.95, -67.34, 61.23

 

CMYK 95 / 0 / 58 / 26

HEX #0ABD50

RGB 10 189 80

HSL 143.46, 0.9%, 0.39%

LAB 67.31, -62.82, 43.42

 

CMYK 30 / 0 / 95 / 26

HEX #85BD0A

RGB 133 189 10

HSL 78.77, 0.9%, 0.39%

LAB 70.46, -40.27, 69.69

 

CMYK 30 / 0 / 95 / 26

HEX #85BD0A

RGB 133 189 10

HSL 78.77, 0.9%, 0.39%

LAB 70.46, -40.27, 69.69

 

CMYK 27 / 0 / 85 / 32

HEX #7FAD1A

RGB 127 173 26

HSL 78.78, 0.74%, 0.39%

LAB 65.34, -35.08, 62.58

 

CMYK 23 / 0 / 73 / 38

HEX #799D2A

RGB 121 157 42

HSL 78.78, 0.58%, 0.39%

LAB 60.2, -29.28, 52.86

 

CMYK 18 / 0 / 59 / 45

HEX #738D3A

RGB 115 141 58

HSL 78.8, 0.42%, 0.39%

LAB 55.07, -22.67, 40.45

 

CMYK 13 / 0 / 41 / 51

HEX #6D7D4A

RGB 109 125 74

HSL 78.82, 0.26%, 0.39%

LAB 49.99, -15, 25.87

 

CMYK 0 / 22 / 95 / 26

HEX #BD930A

RGB 189 147 10

HSL 45.92, 0.9%, 0.39%

LAB 63.1, 4.97, 65.98

 

CMYK 3 / 0 / 95 / 26

HEX #B7BD0A

RGB 183 189 10

HSL 62.01, 0.9%, 0.39%

LAB 73.86, -19.69, 73.8

 

CMYK 29 / 0 / 95 / 26

HEX #87BD0A

RGB 135 189 10

HSL 78.1, 0.9%, 0.39%

LAB 70.57, -39.5, 69.83

 

CMYK 53 / 0 / 95 / 26

HEX #58BD0A

RGB 88 189 10

HSL 93.85, 0.9%, 0.39%

LAB 68.38, -55.44, 67.15

 

CMYK 79 / 0 / 95 / 26

HEX #28BD0A

RGB 40 189 10

HSL 109.94, 0.9%, 0.39%

LAB 67.18, -65.52, 65.67

 

CMYK 30 / 0 / 95 / 56

HEX #4E6F06

RGB 78 111 6

HSL 78.86, 0.9%, 0.23%

LAB 42.77, -26.6, 46.72

 

CMYK 30 / 0 / 95 / 41

HEX #699608

RGB 105 150 8

HSL 79.01, 0.9%, 0.31%

LAB 56.91, -33.81, 58.47

 

CMYK 30 / 0 / 95 / 26

HEX #85BD0A

RGB 133 189 10

HSL 78.77, 0.9%, 0.39%

LAB 70.46, -40.27, 69.69

 

CMYK 30 / 0 / 95 / 11

HEX #A0E40C

RGB 160 228 12

HSL 78.89, 0.9%, 0.47%

LAB 83.44, -46.84, 80.38

 

CMYK 27 / 0 / 84 / 4

HEX #B3F426

RGB 179 244 38

HSL 78.93, 0.9%, 0.55%

LAB 89.12, -46.04, 81.53

 

CMYK 30 / 0 / 95 / 26

HEX #84BC0A

RGB 132 188 10

HSL 78.88, 0.9%, 0.39%

LAB 70.1, -40.21, 69.38

 

CMYK 95 / 0 / 48 / 26

HEX #0ABD63

RGB 10 189 99

HSL 149.83, 0.9%, 0.39%

LAB 67.55, -59.9, 34.42

 

CMYK 10 / 95 / 0 / 26

HEX #AB0ABD

RGB 171 10 189

HSL 293.97, 0.9%, 0.39%

LAB 42.08, 74.62, -53.33

 

CMYK 30 / 0 / 95 / 26

HEX #84BC0A

RGB 132 188 10

HSL 78.88, 0.9%, 0.39%

LAB 70.1, -40.21, 69.38

 

CMYK 95 / 29 / 0 / 26

HEX #0A87BD

RGB 10 135 189

HSL 198.1, 0.9%, 0.39%

LAB 53.02, -10.51, -36.58

 

CMYK 0 / 95 / 29 / 26

HEX #BD0A87

RGB 189 10 135

HSL 318.1, 0.9%, 0.39%

LAB 42.44, 70.46, -20.14

 

CMYK 30 / 0 / 95 / 26

HEX #84BC0A

RGB 132 188 10

HSL 78.88, 0.9%, 0.39%

LAB 70.1, -40.21, 69.38

 

CMYK 95 / 0 / 48 / 26

HEX #0ABD63

RGB 10 189 99

HSL 149.83, 0.9%, 0.39%

LAB 67.55, -59.9, 34.42

 

CMYK 66 / 95 / 0 / 26

HEX #400ABD

RGB 64 10 189

HSL 258.1, 0.9%, 0.39%

LAB 26.68, 62.67, -79.16

 

CMYK 0 / 95 / 48 / 26

HEX #BD0A63

RGB 189 10 99

HSL 330.17, 0.9%, 0.39%

LAB 41.12, 66.95, 0.3

 

CMYK 30 / 0 / 95 / 26

HEX #84BC0A

RGB 132 188 10

HSL 78.88, 0.9%, 0.39%

LAB 70.1, -40.21, 69.38

 

CMYK 95 / 0 / 19 / 26

HEX #0ABD99

RGB 10 189 153

HSL 167.93, 0.9%, 0.39%

LAB 68.58, -48.21, 7.08

 

CMYK 66 / 95 / 0 / 26

HEX #400ABD

RGB 64 10 189

HSL 258.1, 0.9%, 0.39%

LAB 26.68, 62.67, -79.16

 

CMYK 0 / 95 / 76 / 26

HEX #BD0A2E

RGB 189 10 46

HSL 347.93, 0.9%, 0.39%

LAB 39.97, 63.81, 32.22

 

Description

Color code: HEX #84BC0A | qconv.com Color code: HEX #84BC0A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 188 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 188 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 95 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 95% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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