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Color name
HEX #84B221

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84B221 it is the complementary color #7B4DDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84B221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84B221 shade: #89B21C, #9AC42F, #ABD642, #BCE855 and #CDFA68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84B221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84B221 shade: #84B221, #73A00E, #628E00, #517C00 and #406A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84B221 shade: #83B120, #AAB120, #B19120, #B16A20 and #B14320

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84B221 shade: #83B120, #5CB120, #35B120, #20B133 and #20B15A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84B221 shade matches the following richer shades: #83B120 and #89C20F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84B221 shade: #83B120, #7DA031, #778F42, #707E53 and #6A6D64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84B221 shade: #B19120, #A9B120, #83B120, #5DB120 and #36B120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84B221 shade: #4F6B14, #698E1A, #83B120, #9DD427 and #ADDD46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84B221 shade: #84B221, #20B16B and #A520B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84B221 shade: #84B221, #2083B1 and #B12083

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84B221 shade: #84B221, #20B16B, #4E20B1 and #B12066

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84B221 shade: #84B221, #20B196, #4E20B1 and #B1203B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 81 / 30

HEX #84B221

RGB 132 178 33

HSL 79.03, 0.69%, 0.41%

LAB 67.17, -35.12, 62.53

 

Complementary color

CMYK 45 / 65 / 0 / 13

HEX #7B4DDE

RGB 123 77 222

HSL 259.03, 0.69%, 0.59%

LAB 45.35, 51.63, -67.41

 

CMYK 23 / 0 / 84 / 30

HEX #89B21C

RGB 137 178 28

HSL 76.4, 0.73%, 0.4%

LAB 67.46, -33.31, 64.18

 

CMYK 21 / 0 / 76 / 23

HEX #9AC42F

RGB 154 196 47

HSL 76.91, 0.61%, 0.48%

LAB 73.9, -34.05, 65.06

 

CMYK 20 / 0 / 69 / 16

HEX #ABD642

RGB 171 214 66

HSL 77.43, 0.64%, 0.55%

LAB 80.26, -34.61, 65.07

 

CMYK 19 / 0 / 63 / 9

HEX #BCE855

RGB 188 232 85

HSL 77.96, 0.76%, 0.62%

LAB 86.53, -35.03, 64.58

 

CMYK 18 / 0 / 58 / 2

HEX #CDFA68

RGB 205 250 104

HSL 78.49, 0.94%, 0.69%

LAB 92.73, -35.35, 63.81

 

CMYK 26 / 0 / 81 / 30

HEX #84B221

RGB 132 178 33

HSL 79.03, 0.69%, 0.41%

LAB 67.17, -35.12, 62.53

 

CMYK 28 / 0 / 91 / 37

HEX #73A00E

RGB 115 160 14

HSL 78.49, 0.84%, 0.34%

LAB 60.62, -34.26, 60.78

 

CMYK 31 / 0 / 100 / 44

HEX #628E00

RGB 98 142 0

HSL 78.59, 1%, 0.28%

LAB 53.97, -33.13, 57.28

 

CMYK 35 / 0 / 100 / 51

HEX #517C00

RGB 81 124 0

HSL 80.81, 1%, 0.24%

LAB 47.19, -31.69, 51.64

 

CMYK 40 / 0 / 100 / 58

HEX #406A00

RGB 64 106 0

HSL 83.77, 1%, 0.21%

LAB 40.24, -30.2, 45.86

 

CMYK 26 / 0 / 82 / 31

HEX #83B120

RGB 131 177 32

HSL 79.03, 0.69%, 0.41%

LAB 66.8, -35.1, 62.45

 

CMYK 4 / 0 / 82 / 31

HEX #AAB120

RGB 170 177 32

HSL 62.9, 0.69%, 0.41%

LAB 69.54, -18.84, 65.9

 

CMYK 0 / 18 / 82 / 31

HEX #B19120

RGB 177 145 32

HSL 46.76, 0.69%, 0.41%

LAB 61.4, 1.12, 59.08

 

CMYK 0 / 40 / 82 / 31

HEX #B16A20

RGB 177 106 32

HSL 30.62, 0.69%, 0.41%

LAB 51.56, 22.8, 50.34

 

CMYK 0 / 62 / 82 / 31

HEX #B14320

RGB 177 67 32

HSL 14.48, 0.69%, 0.41%

LAB 43.46, 43.08, 42.85

 

CMYK 26 / 0 / 82 / 31

HEX #83B120

RGB 131 177 32

HSL 79.03, 0.69%, 0.41%

LAB 66.8, -35.1, 62.45

 

CMYK 48 / 0 / 82 / 31

HEX #5CB120

RGB 92 177 32

HSL 95.17, 0.69%, 0.41%

LAB 64.82, -49.03, 59.92

 

CMYK 70 / 0 / 82 / 31

HEX #35B120

RGB 53 177 32

HSL 111.31, 0.69%, 0.41%

LAB 63.59, -58.9, 58.34

 

CMYK 82 / 0 / 71 / 31

HEX #20B133

RGB 32 177 51

HSL 127.86, 0.69%, 0.41%

LAB 63.33, -60.72, 51.59

 

CMYK 82 / 0 / 49 / 31

HEX #20B15A

RGB 32 177 90

HSL 144, 0.69%, 0.41%

LAB 63.75, -55.73, 34.23

 

CMYK 26 / 0 / 82 / 31

HEX #83B120

RGB 131 177 32

HSL 79.03, 0.69%, 0.41%

LAB 66.8, -35.1, 62.45

 

CMYK 29 / 0 / 92 / 24

HEX #89C20F

RGB 137 194 15

HSL 79.11, 0.86%, 0.41%

LAB 72.19, -40.84, 70.55

 

CMYK 26 / 0 / 82 / 31

HEX #83B120

RGB 131 177 32

HSL 79.03, 0.69%, 0.41%

LAB 66.8, -35.1, 62.45

 

CMYK 22 / 0 / 69 / 37

HEX #7DA031

RGB 125 160 49

HSL 78.92, 0.53%, 0.41%

LAB 61.41, -28.64, 51.47

 

CMYK 17 / 0 / 54 / 44

HEX #778F42

RGB 119 143 66

HSL 78.7, 0.37%, 0.41%

LAB 56.05, -21.24, 37.72

 

CMYK 11 / 0 / 34 / 51

HEX #707E53

RGB 112 126 83

HSL 79.53, 0.21%, 0.41%

LAB 50.68, -13.03, 21.75

 

CMYK 3 / 0 / 8 / 57

HEX #6A6D64

RGB 106 109 100

HSL 80, 0.04%, 0.41%

LAB 45.53, -2.96, 4.62

 

CMYK 0 / 18 / 82 / 31

HEX #B19120

RGB 177 145 32

HSL 46.76, 0.69%, 0.41%

LAB 61.4, 1.12, 59.08

 

CMYK 5 / 0 / 82 / 31

HEX #A9B120

RGB 169 177 32

HSL 63.31, 0.69%, 0.41%

LAB 69.46, -19.27, 65.8

 

CMYK 26 / 0 / 82 / 31

HEX #83B120

RGB 131 177 32

HSL 79.03, 0.69%, 0.41%

LAB 66.8, -35.1, 62.45

 

CMYK 47 / 0 / 82 / 31

HEX #5DB120

RGB 93 177 32

HSL 94.76, 0.69%, 0.41%

LAB 64.86, -48.71, 59.97

 

CMYK 69 / 0 / 82 / 31

HEX #36B120

RGB 54 177 32

HSL 110.9, 0.69%, 0.41%

LAB 63.62, -58.71, 58.37

 

CMYK 26 / 0 / 81 / 58

HEX #4F6B14

RGB 79 107 20

HSL 79.31, 0.69%, 0.25%

LAB 41.58, -23.63, 41.91

 

CMYK 26 / 0 / 82 / 44

HEX #698E1A

RGB 105 142 26

HSL 79.14, 0.69%, 0.33%

LAB 54.47, -29.51, 52.47

 

CMYK 26 / 0 / 82 / 31

HEX #83B120

RGB 131 177 32

HSL 79.03, 0.69%, 0.41%

LAB 66.8, -35.1, 62.45

 

CMYK 26 / 0 / 82 / 17

HEX #9DD427

RGB 157 212 39

HSL 79.08, 0.69%, 0.49%

LAB 78.7, -40.43, 71.77

 

CMYK 22 / 0 / 68 / 13

HEX #ADDD46

RGB 173 221 70

HSL 79.07, 0.69%, 0.57%

LAB 82.4, -36.78, 65.8

 

CMYK 26 / 0 / 81 / 30

HEX #84B221

RGB 132 178 33

HSL 79.03, 0.69%, 0.41%

LAB 67.17, -35.12, 62.53

 

CMYK 82 / 0 / 40 / 31

HEX #20B16B

RGB 32 177 107

HSL 151.03, 0.69%, 0.41%

LAB 64.01, -52.66, 25.71

 

CMYK 7 / 82 / 0 / 31

HEX #A520B1

RGB 165 32 177

HSL 295.03, 0.69%, 0.41%

LAB 41.54, 67.87, -47.17

 

CMYK 26 / 0 / 81 / 30

HEX #84B221

RGB 132 178 33

HSL 79.03, 0.69%, 0.41%

LAB 67.17, -35.12, 62.53

 

CMYK 82 / 26 / 0 / 31

HEX #2083B1

RGB 32 131 177

HSL 199.03, 0.69%, 0.41%

LAB 51.51, -11.25, -32.05

 

CMYK 0 / 82 / 26 / 31

HEX #B12083

RGB 177 32 131

HSL 319.03, 0.69%, 0.41%

LAB 41.25, 63.67, -19.71

 

CMYK 26 / 0 / 81 / 30

HEX #84B221

RGB 132 178 33

HSL 79.03, 0.69%, 0.41%

LAB 67.17, -35.12, 62.53

 

CMYK 82 / 0 / 40 / 31

HEX #20B16B

RGB 32 177 107

HSL 151.03, 0.69%, 0.41%

LAB 64.01, -52.66, 25.71

 

CMYK 56 / 82 / 0 / 31

HEX #4E20B1

RGB 78 32 177

HSL 259.03, 0.69%, 0.41%

LAB 28.97, 54.13, -68.18

 

CMYK 0 / 82 / 42 / 31

HEX #B12066

RGB 177 32 102

HSL 331.03, 0.69%, 0.41%

LAB 40.15, 60.48, -3.29

 

CMYK 26 / 0 / 81 / 30

HEX #84B221

RGB 132 178 33

HSL 79.03, 0.69%, 0.41%

LAB 67.17, -35.12, 62.53

 

CMYK 82 / 0 / 15 / 31

HEX #20B196

RGB 32 177 150

HSL 168.83, 0.69%, 0.41%

LAB 64.93, -42.65, 3.5

 

CMYK 56 / 82 / 0 / 31

HEX #4E20B1

RGB 78 32 177

HSL 259.03, 0.69%, 0.41%

LAB 28.97, 54.13, -68.18

 

CMYK 0 / 82 / 67 / 31

HEX #B1203B

RGB 177 32 59

HSL 348.83, 0.69%, 0.41%

LAB 39.06, 57.24, 22.48

 

Description

Color code: HEX #84B221 | qconv.com Color code: HEX #84B221 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 178 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 178 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 81 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 81% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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