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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84A71C it is the complementary color #7B58E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84A71C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84A71C shade: #89A717, #9AB92A, #ABCB3D, #BCDD50 and #CDEF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84A71C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84A71C shade: #84A71C, #739509, #628300, #517100 and #405F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84A71C shade: #83A61C, #A6A31C, #A67E1C, #A6591C and #A6341C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84A71C shade: #83A61C, #5EA61C, #39A61C, #1CA624 and #1CA64A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84A71C shade matches the following richer shades: #83A61C and #8BB50C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84A71C shade: #83A61C, #7B962C, #73863B, #6C774B and #64675B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84A71C shade: #A67F1C, #A6A31C, #83A61C, #5FA61C and #3AA61C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84A71C shade: #4B5F10, #678216, #83A61C, #9FC922 and #B3DD37

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84A71C shade: #84A71C, #1CA65A and #911CA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84A71C shade: #84A71C, #1C83A6 and #A61C83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84A71C shade: #84A71C, #1CA65A, #3F1CA6 and #A61C68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84A71C shade: #84A71C, #1CA683, #3F1CA6 and #A61C3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 83 / 35

HEX #84A71C

RGB 132 167 28

HSL 75.11, 0.71%, 0.38%

LAB 63.86, -30.2, 60.93

 

Complementary color

CMYK 46 / 61 / 0 / 11

HEX #7B58E3

RGB 123 88 227

HSL 255.11, 0.71%, 0.62%

LAB 47.93, 47.03, -66.06

 

CMYK 18 / 0 / 86 / 35

HEX #89A717

RGB 137 167 23

HSL 72.5, 0.76%, 0.37%

LAB 64.18, -28.29, 62.54

 

CMYK 17 / 0 / 77 / 27

HEX #9AB92A

RGB 154 185 42

HSL 73.01, 0.63%, 0.45%

LAB 70.69, -29.14, 63.63

 

CMYK 16 / 0 / 70 / 20

HEX #ABCB3D

RGB 171 203 61

HSL 73.52, 0.58%, 0.52%

LAB 77.11, -29.79, 63.74

 

CMYK 15 / 0 / 64 / 13

HEX #BCDD50

RGB 188 221 80

HSL 74.04, 0.67%, 0.59%

LAB 83.43, -30.3, 63.29

 

CMYK 14 / 0 / 59 / 6

HEX #CDEF63

RGB 205 239 99

HSL 74.57, 0.81%, 0.66%

LAB 89.68, -30.7, 62.53

 

CMYK 21 / 0 / 83 / 35

HEX #84A71C

RGB 132 167 28

HSL 75.11, 0.71%, 0.38%

LAB 63.86, -30.2, 60.93

 

CMYK 23 / 0 / 94 / 42

HEX #739509

RGB 115 149 9

HSL 74.57, 0.89%, 0.31%

LAB 57.23, -29.23, 58.83

 

CMYK 25 / 0 / 100 / 49

HEX #628300

RGB 98 131 0

HSL 75.11, 1%, 0.26%

LAB 50.49, -27.96, 54.62

 

CMYK 28 / 0 / 100 / 56

HEX #517100

RGB 81 113 0

HSL 76.99, 1%, 0.22%

LAB 43.59, -26.48, 48.88

 

CMYK 33 / 0 / 100 / 63

HEX #405F00

RGB 64 95 0

HSL 79.58, 1%, 0.19%

LAB 36.51, -24.98, 42.98

 

CMYK 21 / 0 / 83 / 35

HEX #83A61C

RGB 131 166 28

HSL 75.22, 0.71%, 0.38%

LAB 63.49, -30.14, 60.58

 

CMYK 0 / 2 / 83 / 35

HEX #A6A31C

RGB 166 163 28

HSL 58.7, 0.71%, 0.38%

LAB 65.27, -13.56, 63.15

 

CMYK 0 / 24 / 83 / 35

HEX #A67E1C

RGB 166 126 28

HSL 42.61, 0.71%, 0.38%

LAB 55.19, 6.51, 54.49

 

CMYK 0 / 46 / 83 / 35

HEX #A6591C

RGB 166 89 28

HSL 26.52, 0.71%, 0.38%

LAB 46.09, 27.3, 46.44

 

CMYK 0 / 69 / 83 / 35

HEX #A6341C

RGB 166 52 28

HSL 10.43, 0.71%, 0.38%

LAB 38.98, 45.63, 39.92

 

CMYK 21 / 0 / 83 / 35

HEX #83A61C

RGB 131 166 28

HSL 75.22, 0.71%, 0.38%

LAB 63.49, -30.14, 60.58

 

CMYK 43 / 0 / 83 / 35

HEX #5EA61C

RGB 94 166 28

HSL 91.3, 0.71%, 0.38%

LAB 61.43, -44.16, 57.96

 

CMYK 66 / 0 / 83 / 35

HEX #39A61C

RGB 57 166 28

HSL 107.39, 0.71%, 0.38%

LAB 60.09, -54.62, 56.25

 

CMYK 83 / 0 / 78 / 35

HEX #1CA624

RGB 28 166 36

HSL 123.48, 0.71%, 0.38%

LAB 59.57, -58.97, 53.16

 

CMYK 83 / 0 / 55 / 35

HEX #1CA64A

RGB 28 166 74

HSL 140, 0.71%, 0.38%

LAB 59.9, -54.87, 37.5

 

CMYK 21 / 0 / 83 / 35

HEX #83A61C

RGB 131 166 28

HSL 75.22, 0.71%, 0.38%

LAB 63.49, -30.14, 60.58

 

CMYK 23 / 0 / 93 / 29

HEX #8BB50C

RGB 139 181 12

HSL 74.91, 0.88%, 0.38%

LAB 68.43, -34.29, 67.99

 

CMYK 21 / 0 / 83 / 35

HEX #83A61C

RGB 131 166 28

HSL 75.22, 0.71%, 0.38%

LAB 63.49, -30.14, 60.58

 

CMYK 18 / 0 / 71 / 41

HEX #7B962C

RGB 123 150 44

HSL 75.28, 0.55%, 0.38%

LAB 58.23, -24.92, 50.18

 

CMYK 14 / 0 / 56 / 47

HEX #73863B

RGB 115 134 59

HSL 75.2, 0.39%, 0.38%

LAB 52.96, -18.97, 37.54

 

CMYK 9 / 0 / 37 / 53

HEX #6C774B

RGB 108 119 75

HSL 75, 0.23%, 0.38%

LAB 48.12, -12, 22.87

 

CMYK 3 / 0 / 12 / 60

HEX #64675B

RGB 100 103 91

HSL 75, 0.06%, 0.38%

LAB 43.01, -3.57, 6.37

 

CMYK 0 / 23 / 83 / 35

HEX #A67F1C

RGB 166 127 28

HSL 43.04, 0.71%, 0.38%

LAB 55.45, 5.95, 54.72

 

CMYK 0 / 2 / 83 / 35

HEX #A6A31C

RGB 166 163 28

HSL 58.7, 0.71%, 0.38%

LAB 65.27, -13.56, 63.15

 

CMYK 21 / 0 / 83 / 35

HEX #83A61C

RGB 131 166 28

HSL 75.22, 0.71%, 0.38%

LAB 63.49, -30.14, 60.58

 

CMYK 43 / 0 / 83 / 35

HEX #5FA61C

RGB 95 166 28

HSL 90.87, 0.71%, 0.38%

LAB 61.47, -43.82, 58.02

 

CMYK 65 / 0 / 83 / 35

HEX #3AA61C

RGB 58 166 28

HSL 106.96, 0.71%, 0.38%

LAB 60.12, -54.4, 56.29

 

CMYK 21 / 0 / 83 / 63

HEX #4B5F10

RGB 75 95 16

HSL 75.19, 0.71%, 0.22%

LAB 37.33, -19.42, 39.25

 

CMYK 21 / 0 / 83 / 49

HEX #678216

RGB 103 130 22

HSL 75, 0.71%, 0.3%

LAB 50.58, -24.68, 50.1

 

CMYK 21 / 0 / 83 / 35

HEX #83A61C

RGB 131 166 28

HSL 75.22, 0.71%, 0.38%

LAB 63.49, -30.14, 60.58

 

CMYK 21 / 0 / 83 / 21

HEX #9FC922

RGB 159 201 34

HSL 75.09, 0.71%, 0.46%

LAB 75.61, -34.89, 70.34

 

CMYK 19 / 0 / 75 / 13

HEX #B3DD37

RGB 179 221 55

HSL 75.18, 0.71%, 0.54%

LAB 82.69, -35.28, 71.36

 

CMYK 21 / 0 / 83 / 35

HEX #84A71C

RGB 132 167 28

HSL 75.11, 0.71%, 0.38%

LAB 63.86, -30.2, 60.93

 

CMYK 83 / 0 / 46 / 35

HEX #1CA65A

RGB 28 166 90

HSL 146.96, 0.71%, 0.38%

LAB 60.12, -52.26, 29.61

 

CMYK 13 / 83 / 0 / 35

HEX #911CA6

RGB 145 28 166

HSL 290.87, 0.71%, 0.38%

LAB 37.12, 63.26, -47.89

 

CMYK 21 / 0 / 83 / 35

HEX #84A71C

RGB 132 167 28

HSL 75.11, 0.71%, 0.38%

LAB 63.86, -30.2, 60.93

 

CMYK 83 / 21 / 0 / 35

HEX #1C83A6

RGB 28 131 166

HSL 195.22, 0.71%, 0.38%

LAB 50.96, -15.57, -26.56

 

CMYK 0 / 83 / 21 / 35

HEX #A61C83

RGB 166 28 131

HSL 315.22, 0.71%, 0.38%

LAB 38.86, 62.12, -23.57

 

CMYK 21 / 0 / 83 / 35

HEX #84A71C

RGB 132 167 28

HSL 75.11, 0.71%, 0.38%

LAB 63.86, -30.2, 60.93

 

CMYK 83 / 0 / 46 / 35

HEX #1CA65A

RGB 28 166 90

HSL 146.96, 0.71%, 0.38%

LAB 60.12, -52.26, 29.61

 

CMYK 62 / 83 / 0 / 35

HEX #3F1CA6

RGB 63 28 166

HSL 255.22, 0.71%, 0.38%

LAB 25.68, 51.12, -67.04

 

CMYK 0 / 83 / 37 / 35

HEX #A61C68

RGB 166 28 104

HSL 326.96, 0.71%, 0.38%

LAB 37.73, 58.9, -8.39

 

CMYK 21 / 0 / 83 / 35

HEX #84A71C

RGB 132 167 28

HSL 75.11, 0.71%, 0.38%

LAB 63.86, -30.2, 60.93

 

CMYK 83 / 0 / 21 / 35

HEX #1CA683

RGB 28 166 131

HSL 164.78, 0.71%, 0.38%

LAB 60.92, -43.3, 8.32

 

CMYK 62 / 83 / 0 / 35

HEX #3F1CA6

RGB 63 28 166

HSL 255.22, 0.71%, 0.38%

LAB 25.68, 51.12, -67.04

 

CMYK 0 / 83 / 62 / 35

HEX #A61C3F

RGB 166 28 63

HSL 344.78, 0.71%, 0.38%

LAB 36.55, 55.42, 16.23

 

Description

Color code: HEX #84A71C | qconv.com Color code: HEX #84A71C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 167 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 167 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 83 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 83% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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