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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #849014 it is the complementary color #7B6FEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #849014. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #849014 shade: #89900F, #9AA222, #ABB435, #BCC648 and #CDD85B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #849014. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #849014 shade: #849014, #737E01, #626C00, #515A00 and #404800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #849014 shade: #849014, #907A14, #905914, #903714 and #901614

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #849014 shade: #849014, #629014, #419014, #1F9014 and #149029

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #849014 shade matches the following richer shades: #849014 and #8E9D06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #849014 shade: #849014, #798221, #6E752E, #64683B and #595B48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #849014 shade: #905814, #907914, #859014, #649014 and #439014

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #849014 shade: #41470A, #626B0F, #849014, #A5B419 and #C6D81D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #849014 shade: #849014, #149037 and #681490

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #849014 shade: #849014, #148590 and #901485

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #849014 shade: #849014, #149037, #1E1490 and #90146C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #849014 shade: #849014, #14905C, #1E1490 and #901447

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 86 / 44

HEX #849014

RGB 132 144 20

HSL 65.81, 0.76%, 0.32%

LAB 56.98, -19.09, 57.02

 

Complementary color

CMYK 48 / 53 / 0 / 8

HEX #7B6FEB

RGB 123 111 235

HSL 245.81, 0.76%, 0.68%

LAB 53.58, 36.12, -61.44

 

CMYK 5 / 0 / 90 / 44

HEX #89900F

RGB 137 144 15

HSL 63.26, 0.81%, 0.31%

LAB 57.37, -16.99, 58.59

 

CMYK 5 / 0 / 79 / 36

HEX #9AA222

RGB 154 162 34

HSL 63.75, 0.65%, 0.38%

LAB 64.02, -18.13, 60

 

CMYK 5 / 0 / 71 / 29

HEX #ABB435

RGB 171 180 53

HSL 64.25, 0.55%, 0.46%

LAB 70.56, -19.03, 60.2

 

CMYK 5 / 0 / 64 / 22

HEX #BCC648

RGB 188 198 72

HSL 64.76, 0.53%, 0.53%

LAB 77.01, -19.75, 59.75

 

CMYK 5 / 0 / 58 / 15

HEX #CDD85B

RGB 205 216 91

HSL 65.28, 0.62%, 0.6%

LAB 83.36, -20.34, 58.95

 

CMYK 8 / 0 / 86 / 44

HEX #849014

RGB 132 144 20

HSL 65.81, 0.76%, 0.32%

LAB 56.98, -19.09, 57.02

 

CMYK 9 / 0 / 99 / 51

HEX #737E01

RGB 115 126 1

HSL 65.28, 0.98%, 0.25%

LAB 50.18, -17.86, 54.74

 

CMYK 9 / 0 / 100 / 58

HEX #626C00

RGB 98 108 0

HSL 65.56, 1%, 0.21%

LAB 43.24, -16.22, 49.17

 

CMYK 10 / 0 / 100 / 65

HEX #515A00

RGB 81 90 0

HSL 66, 1%, 0.18%

LAB 36.1, -14.5, 43.23

 

CMYK 11 / 0 / 100 / 72

HEX #404800

RGB 64 72 0

HSL 66.67, 1%, 0.14%

LAB 28.71, -12.74, 37.03

 

CMYK 8 / 0 / 86 / 44

HEX #849014

RGB 132 144 20

HSL 65.81, 0.76%, 0.32%

LAB 56.98, -19.09, 57.02

 

CMYK 0 / 15 / 86 / 44

HEX #907A14

RGB 144 122 20

HSL 49.35, 0.76%, 0.32%

LAB 51.72, -1.69, 53.03

 

CMYK 0 / 38 / 86 / 44

HEX #905914

RGB 144 89 20

HSL 33.39, 0.76%, 0.32%

LAB 42.95, 17.3, 45.61

 

CMYK 0 / 62 / 86 / 44

HEX #903714

RGB 144 55 20

HSL 16.94, 0.76%, 0.32%

LAB 35.42, 35.92, 39.08

 

CMYK 0 / 85 / 86 / 44

HEX #901614

RGB 144 22 20

HSL 0.97, 0.76%, 0.32%

LAB 30.77, 48.65, 34.94

 

CMYK 8 / 0 / 86 / 44

HEX #849014

RGB 132 144 20

HSL 65.81, 0.76%, 0.32%

LAB 56.98, -19.09, 57.02

 

CMYK 32 / 0 / 86 / 44

HEX #629014

RGB 98 144 20

HSL 82.26, 0.76%, 0.32%

LAB 54.65, -33.51, 54.1

 

CMYK 55 / 0 / 86 / 44

HEX #419014

RGB 65 144 20

HSL 98.23, 0.76%, 0.32%

LAB 53.08, -45, 52.12

 

CMYK 78 / 0 / 86 / 44

HEX #1F9014

RGB 31 144 20

HSL 114.68, 0.76%, 0.32%

LAB 52.16, -52.64, 50.95

 

CMYK 86 / 0 / 72 / 44

HEX #149029

RGB 20 144 41

HSL 130.16, 0.76%, 0.32%

LAB 52.12, -52.5, 43.77

 

CMYK 8 / 0 / 86 / 44

HEX #849014

RGB 132 144 20

HSL 65.81, 0.76%, 0.32%

LAB 56.98, -19.09, 57.02

 

CMYK 10 / 0 / 96 / 38

HEX #8E9D06

RGB 142 157 6

HSL 65.96, 0.93%, 0.32%

LAB 61.55, -21.58, 63.48

 

CMYK 8 / 0 / 86 / 44

HEX #849014

RGB 132 144 20

HSL 65.81, 0.76%, 0.32%

LAB 56.98, -19.09, 57.02

 

CMYK 7 / 0 / 75 / 49

HEX #798221

RGB 121 130 33

HSL 65.57, 0.6%, 0.32%

LAB 52, -16.19, 48.21

 

CMYK 6 / 0 / 61 / 54

HEX #6E752E

RGB 110 117 46

HSL 65.92, 0.44%, 0.32%

LAB 47.28, -13.28, 37.4

 

CMYK 4 / 0 / 43 / 59

HEX #64683B

RGB 100 104 59

HSL 65.33, 0.28%, 0.32%

LAB 42.65, -9.18, 24.79

 

CMYK 2 / 0 / 21 / 64

HEX #595B48

RGB 89 91 72

HSL 66.32, 0.12%, 0.32%

LAB 37.97, -4.49, 10.72

 

CMYK 0 / 39 / 86 / 44

HEX #905814

RGB 144 88 20

HSL 32.9, 0.76%, 0.32%

LAB 42.7, 17.88, 45.4

 

CMYK 0 / 16 / 86 / 44

HEX #907914

RGB 144 121 20

HSL 48.87, 0.76%, 0.32%

LAB 51.44, -1.12, 52.8

 

CMYK 8 / 0 / 86 / 44

HEX #859014

RGB 133 144 20

HSL 65.32, 0.76%, 0.32%

LAB 57.06, -18.65, 57.11

 

CMYK 31 / 0 / 86 / 44

HEX #649014

RGB 100 144 20

HSL 81.29, 0.76%, 0.32%

LAB 54.77, -32.72, 54.25

 

CMYK 53 / 0 / 86 / 44

HEX #439014

RGB 67 144 20

HSL 97.26, 0.76%, 0.32%

LAB 53.16, -44.4, 52.21

 

CMYK 8 / 0 / 86 / 72

HEX #41470A

RGB 65 71 10

HSL 65.9, 0.75%, 0.16%

LAB 28.52, -11.16, 32.98

 

CMYK 8 / 0 / 86 / 58

HEX #626B0F

RGB 98 107 15

HSL 65.87, 0.75%, 0.24%

LAB 42.98, -15.24, 45.29

 

CMYK 8 / 0 / 86 / 44

HEX #849014

RGB 132 144 20

HSL 65.81, 0.76%, 0.32%

LAB 56.98, -19.09, 57.02

 

CMYK 8 / 0 / 86 / 29

HEX #A5B419

RGB 165 180 25

HSL 65.81, 0.76%, 0.4%

LAB 69.97, -22.69, 67.77

 

CMYK 8 / 0 / 87 / 15

HEX #C6D81D

RGB 198 216 29

HSL 65.78, 0.76%, 0.48%

LAB 82.49, -26.17, 78.26

 

CMYK 8 / 0 / 86 / 44

HEX #849014

RGB 132 144 20

HSL 65.81, 0.76%, 0.32%

LAB 56.98, -19.09, 57.02

 

CMYK 86 / 0 / 62 / 44

HEX #149037

RGB 20 144 55

HSL 136.94, 0.76%, 0.32%

LAB 52.25, -50.9, 37.68

 

CMYK 28 / 86 / 0 / 44

HEX #681490

RGB 104 20 144

HSL 280.65, 0.76%, 0.32%

LAB 28, 53.96, -49.57

 

CMYK 8 / 0 / 86 / 44

HEX #849014

RGB 132 144 20

HSL 65.81, 0.76%, 0.32%

LAB 56.98, -19.09, 57.02

 

CMYK 86 / 8 / 0 / 44

HEX #148590

RGB 20 133 144

HSL 185.32, 0.76%, 0.32%

LAB 50.61, -24.91, -14.3

 

CMYK 0 / 86 / 8 / 44

HEX #901485

RGB 144 20 133

HSL 305.32, 0.76%, 0.32%

LAB 34.24, 59.45, -32.35

 

CMYK 8 / 0 / 86 / 44

HEX #849014

RGB 132 144 20

HSL 65.81, 0.76%, 0.32%

LAB 56.98, -19.09, 57.02

 

CMYK 86 / 0 / 62 / 44

HEX #149037

RGB 20 144 55

HSL 136.94, 0.76%, 0.32%

LAB 52.25, -50.9, 37.68

 

CMYK 79 / 86 / 0 / 44

HEX #1E1490

RGB 30 20 144

HSL 244.84, 0.76%, 0.32%

LAB 19.18, 45.42, -64.4

 

CMYK 0 / 86 / 25 / 44

HEX #90146C

RGB 144 20 108

HSL 317.42, 0.76%, 0.32%

LAB 32.95, 55.94, -18.62

 

CMYK 8 / 0 / 86 / 44

HEX #849014

RGB 132 144 20

HSL 65.81, 0.76%, 0.32%

LAB 56.98, -19.09, 57.02

 

CMYK 86 / 0 / 36 / 44

HEX #14905C

RGB 20 144 92

HSL 154.84, 0.76%, 0.32%

LAB 52.8, -44.4, 18.87

 

CMYK 79 / 86 / 0 / 44

HEX #1E1490

RGB 30 20 144

HSL 244.84, 0.76%, 0.32%

LAB 19.18, 45.42, -64.4

 

CMYK 0 / 86 / 51 / 44

HEX #901447

RGB 144 20 71

HSL 335.32, 0.76%, 0.32%

LAB 31.54, 51.96, 3.36

 

Description

Color code: HEX #849014 | qconv.com Color code: HEX #849014 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 144 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 144 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 86 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 86% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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