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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #848D41 it is the complementary color #7B72BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #848D41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #848D41 shade: #898D3C, #9A9F4F, #ABB162, #BCC375 and #CDD588

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #848D41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #848D41 shade: #848D41, #737B2E, #62691B, #515708 and #404500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #848D41 shade: #838C40, #8C8040, #8C6C40, #8C5840 and #8C4340

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #848D41 shade: #838C40, #6E8C40, #5A8C40, #468C40 and #408C4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #848D41 shade matches the following richer shades: #838C40, #8F9C30, #9CAD1F and #A9BD0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #848D41 shade: #838C40, #767B51, #6A6B61, #5D5A72 and #504A82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #848D41 shade: #8C6C40, #8C8040, #838C40, #6F8C40 and #5B8C40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #848D41 shade: #4E5326, #686F33, #838C40, #9DA84D and #AFB966

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #848D41 shade: #848D41, #408C58 and #76408C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #848D41 shade: #848D41, #40838C and #8C4083

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #848D41 shade: #848D41, #408C58, #49408C and #8C4074

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #848D41 shade: #848D41, #408C6F, #49408C and #8C405D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 54 / 45

HEX #848D41

RGB 132 141 65

HSL 67.11, 0.37%, 0.4%

LAB 56.42, -14.8, 38.91

 

Complementary color

CMYK 35 / 40 / 0 / 25

HEX #7B72BE

RGB 123 114 190

HSL 247.11, 0.37%, 0.6%

LAB 51.8, 21.51, -38.77

 

CMYK 3 / 0 / 57 / 45

HEX #898D3C

RGB 137 141 60

HSL 62.96, 0.4%, 0.39%

LAB 56.78, -13.07, 41.87

 

CMYK 3 / 0 / 50 / 38

HEX #9A9F4F

RGB 154 159 79

HSL 63.75, 0.34%, 0.47%

LAB 63.53, -13.58, 40.74

 

CMYK 3 / 0 / 45 / 31

HEX #ABB162

RGB 171 177 98

HSL 64.56, 0.34%, 0.54%

LAB 70.16, -13.97, 39.54

 

CMYK 4 / 0 / 40 / 24

HEX #BCC375

RGB 188 195 117

HSL 65.38, 0.39%, 0.61%

LAB 76.68, -14.28, 38.34

 

CMYK 4 / 0 / 36 / 16

HEX #CDD588

RGB 205 213 136

HSL 66.23, 0.48%, 0.68%

LAB 83.1, -14.53, 37.18

 

CMYK 6 / 0 / 54 / 45

HEX #848D41

RGB 132 141 65

HSL 67.11, 0.37%, 0.4%

LAB 56.42, -14.8, 38.91

 

CMYK 7 / 0 / 63 / 52

HEX #737B2E

RGB 115 123 46

HSL 66.23, 0.46%, 0.33%

LAB 49.51, -14.29, 39.97

 

CMYK 7 / 0 / 74 / 59

HEX #62691B

RGB 98 105 27

HSL 65.38, 0.59%, 0.26%

LAB 42.43, -13.57, 40.59

 

CMYK 7 / 0 / 91 / 66

HEX #515708

RGB 81 87 8

HSL 64.56, 0.83%, 0.19%

LAB 35.17, -12.53, 40.01

 

CMYK 7 / 0 / 100 / 73

HEX #404500

RGB 64 69 0

HSL 64.35, 1%, 0.14%

LAB 27.7, -11, 36.2

 

CMYK 6 / 0 / 54 / 45

HEX #838C40

RGB 131 140 64

HSL 67.11, 0.37%, 0.4%

LAB 56.04, -14.8, 38.94

 

CMYK 0 / 9 / 54 / 45

HEX #8C8040

RGB 140 128 64

HSL 50.53, 0.37%, 0.4%

LAB 53.37, -4.3, 36

 

CMYK 0 / 23 / 54 / 45

HEX #8C6C40

RGB 140 108 64

HSL 34.74, 0.37%, 0.4%

LAB 47.84, 7.1, 29.32

 

CMYK 0 / 37 / 54 / 45

HEX #8C5840

RGB 140 88 64

HSL 18.95, 0.37%, 0.4%

LAB 42.65, 18.78, 22.79

 

CMYK 0 / 52 / 54 / 45

HEX #8C4340

RGB 140 67 64

HSL 2.37, 0.37%, 0.4%

LAB 37.77, 30.69, 16.4

 

CMYK 6 / 0 / 54 / 45

HEX #838C40

RGB 131 140 64

HSL 67.11, 0.37%, 0.4%

LAB 56.04, -14.8, 38.94

 

CMYK 21 / 0 / 54 / 45

HEX #6E8C40

RGB 110 140 64

HSL 83.68, 0.37%, 0.4%

LAB 54.49, -23.61, 36.74

 

CMYK 36 / 0 / 54 / 45

HEX #5A8C40

RGB 90 140 64

HSL 99.47, 0.37%, 0.4%

LAB 53.28, -31.32, 34.99

 

CMYK 50 / 0 / 54 / 45

HEX #468C40

RGB 70 140 64

HSL 115.26, 0.37%, 0.4%

LAB 52.32, -37.99, 33.62

 

CMYK 54 / 0 / 44 / 45

HEX #408C4F

RGB 64 140 79

HSL 131.84, 0.37%, 0.4%

LAB 52.3, -37.41, 25.59

 

CMYK 6 / 0 / 54 / 45

HEX #838C40

RGB 131 140 64

HSL 67.11, 0.37%, 0.4%

LAB 56.04, -14.8, 38.94

 

CMYK 8 / 0 / 69 / 39

HEX #8F9C30

RGB 143 156 48

HSL 67.22, 0.53%, 0.4%

LAB 61.51, -19.16, 52.38

 

CMYK 10 / 0 / 82 / 32

HEX #9CAD1F

RGB 156 173 31

HSL 67.18, 0.7%, 0.4%

LAB 67.32, -22.9, 63.82

 

CMYK 11 / 0 / 92 / 26

HEX #A9BD0F

RGB 169 189 15

HSL 66.9, 0.85%, 0.4%

LAB 72.8, -25.6, 71.91

 

CMYK 6 / 0 / 54 / 45

HEX #838C40

RGB 131 140 64

HSL 67.11, 0.37%, 0.4%

LAB 56.04, -14.8, 38.94

 

CMYK 4 / 0 / 34 / 52

HEX #767B51

RGB 118 123 81

HSL 67.14, 0.21%, 0.4%

LAB 50.23, -9.17, 22.38

 

CMYK 1 / 0 / 9 / 58

HEX #6A6B61

RGB 106 107 97

HSL 66, 0.05%, 0.4%

LAB 44.86, -2.37, 5.47

 

CMYK 18 / 21 / 0 / 55

HEX #5D5A72

RGB 93 90 114

HSL 247.5, 0.12%, 0.4%

LAB 39.33, 6.68, -13.18

 

CMYK 38 / 43 / 0 / 49

HEX #504A82

RGB 80 74 130

HSL 246.43, 0.27%, 0.4%

LAB 34.43, 17, -30.75

 

CMYK 0 / 23 / 54 / 45

HEX #8C6C40

RGB 140 108 64

HSL 34.74, 0.37%, 0.4%

LAB 47.84, 7.1, 29.32

 

CMYK 0 / 9 / 54 / 45

HEX #8C8040

RGB 140 128 64

HSL 50.53, 0.37%, 0.4%

LAB 53.37, -4.3, 36

 

CMYK 6 / 0 / 54 / 45

HEX #838C40

RGB 131 140 64

HSL 67.11, 0.37%, 0.4%

LAB 56.04, -14.8, 38.94

 

CMYK 21 / 0 / 54 / 45

HEX #6F8C40

RGB 111 140 64

HSL 82.89, 0.37%, 0.4%

LAB 54.56, -23.2, 36.83

 

CMYK 35 / 0 / 54 / 45

HEX #5B8C40

RGB 91 140 64

HSL 98.68, 0.37%, 0.4%

LAB 53.33, -30.95, 35.07

 

CMYK 6 / 0 / 54 / 67

HEX #4E5326

RGB 78 83 38

HSL 66.67, 0.37%, 0.24%

LAB 33.87, -9.6, 25.44

 

CMYK 6 / 0 / 54 / 56

HEX #686F33

RGB 104 111 51

HSL 67, 0.37%, 0.32%

LAB 45.01, -12.22, 32.13

 

CMYK 6 / 0 / 54 / 45

HEX #838C40

RGB 131 140 64

HSL 67.11, 0.37%, 0.4%

LAB 56.04, -14.8, 38.94

 

CMYK 7 / 0 / 54 / 34

HEX #9DA84D

RGB 157 168 77

HSL 67.25, 0.37%, 0.48%

LAB 66.3, -17.17, 45.02

 

CMYK 5 / 0 / 45 / 27

HEX #AFB966

RGB 175 185 102

HSL 67.23, 0.37%, 0.56%

LAB 72.74, -16.02, 40.77

 

CMYK 6 / 0 / 54 / 45

HEX #848D41

RGB 132 141 65

HSL 67.11, 0.37%, 0.4%

LAB 56.42, -14.8, 38.91

 

CMYK 54 / 0 / 37 / 45

HEX #408C58

RGB 64 140 88

HSL 138.95, 0.37%, 0.4%

LAB 52.45, -35.78, 20.82

 

CMYK 16 / 54 / 0 / 45

HEX #76408C

RGB 118 64 140

HSL 282.63, 0.37%, 0.4%

LAB 36.77, 36.86, -32.93

 

CMYK 6 / 0 / 54 / 45

HEX #848D41

RGB 132 141 65

HSL 67.11, 0.37%, 0.4%

LAB 56.42, -14.8, 38.91

 

CMYK 54 / 6 / 0 / 45

HEX #40838C

RGB 64 131 140

HSL 187.11, 0.37%, 0.4%

LAB 50.94, -18.54, -11.36

 

CMYK 0 / 54 / 6 / 45

HEX #8C4083

RGB 140 64 131

HSL 307.11, 0.37%, 0.4%

LAB 39.38, 41.6, -23.09

 

CMYK 6 / 0 / 54 / 45

HEX #848D41

RGB 132 141 65

HSL 67.11, 0.37%, 0.4%

LAB 56.42, -14.8, 38.91

 

CMYK 54 / 0 / 37 / 45

HEX #408C58

RGB 64 140 88

HSL 138.95, 0.37%, 0.4%

LAB 52.45, -35.78, 20.82

 

CMYK 48 / 54 / 0 / 45

HEX #49408C

RGB 73 64 140

HSL 247.11, 0.37%, 0.4%

LAB 31.75, 24.69, -41.21

 

CMYK 0 / 54 / 17 / 45

HEX #8C4074

RGB 140 64 116

HSL 318.95, 0.37%, 0.4%

LAB 38.73, 39.02, -14.83

 

CMYK 6 / 0 / 54 / 45

HEX #848D41

RGB 132 141 65

HSL 67.11, 0.37%, 0.4%

LAB 56.42, -14.8, 38.91

 

CMYK 54 / 0 / 21 / 45

HEX #408C6F

RGB 64 140 111

HSL 157.11, 0.37%, 0.4%

LAB 52.94, -30.85, 8.43

 

CMYK 48 / 54 / 0 / 45

HEX #49408C

RGB 73 64 140

HSL 247.11, 0.37%, 0.4%

LAB 31.75, 24.69, -41.21

 

CMYK 0 / 54 / 34 / 45

HEX #8C405D

RGB 140 64 93

HSL 337.11, 0.37%, 0.4%

LAB 37.9, 35.6, -1.67

 

Description

Color code: HEX #848D41 | qconv.com Color code: HEX #848D41 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 141 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 141 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 54 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 54% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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