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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8488AF it is the complementary color #7B7750. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8488AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8488AF shade: #8988AA, #9A9ABD, #ABACD0, #BCBEE3 and #CDD0F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8488AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8488AF shade: #8488AF, #73769C, #626489, #515276 and #404063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8488AF shade: #8488AE, #8B84AE, #9784AE, #A284AE and #AE84AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8488AF shade: #8488AE and #8484AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8488AF shade matches the following richer shades: #8488AE, #737ABF, #636DCF, #525FE0 and #4252F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8488AF shade: #8488AE, #94959E, #A5A28D, #B5B07D and #C6BD6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8488AF shade: #849FAE, #8493AE, #8488AE, #8B84AE and #9684AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8488AF shade: #585D87, #6B6F9E, #8488AE, #9DA0BF and #B6B8CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8488AF shade: #8488AF, #AE84AA and #99AE84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8488AF shade: #8488AF, #AE8488 and #88AE84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8488AF shade: #8488AF, #AE84AA, #AEAA84 and #84AE88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8488AF shade: #8488AF, #AE849D, #AEAA84 and #84AE95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 22 / 0 / 31

HEX #8488AF

RGB 132 136 175

HSL 234.42, 0.21%, 0.6%

LAB 57.66, 7.3, -21

 

Complementary color

CMYK 0 / 3 / 35 / 52

HEX #7B7750

RGB 123 119 80

HSL 54.42, 0.21%, 0.4%

LAB 49.48, -4.93, 22.04

 

CMYK 19 / 20 / 0 / 33

HEX #8988AA

RGB 137 136 170

HSL 241.76, 0.17%, 0.6%

LAB 57.87, 7.71, -17.78

 

CMYK 19 / 19 / 0 / 26

HEX #9A9ABD

RGB 154 154 189

HSL 240, 0.21%, 0.67%

LAB 64.69, 7.38, -18.06

 

CMYK 18 / 17 / 0 / 18

HEX #ABACD0

RGB 171 172 208

HSL 238.38, 0.28%, 0.74%

LAB 71.36, 7.07, -18.34

 

CMYK 17 / 16 / 0 / 11

HEX #BCBEE3

RGB 188 190 227

HSL 236.92, 0.41%, 0.81%

LAB 77.91, 6.79, -18.64

 

CMYK 17 / 15 / 0 / 4

HEX #CDD0F6

RGB 205 208 246

HSL 235.61, 0.69%, 0.88%

LAB 84.35, 6.53, -18.95

 

CMYK 25 / 22 / 0 / 31

HEX #8488AF

RGB 132 136 175

HSL 234.42, 0.21%, 0.6%

LAB 57.66, 7.3, -21

 

CMYK 26 / 24 / 0 / 39

HEX #73769C

RGB 115 118 156

HSL 235.61, 0.17%, 0.53%

LAB 50.69, 7.69, -20.82

 

CMYK 28 / 27 / 0 / 46

HEX #626489

RGB 98 100 137

HSL 236.92, 0.17%, 0.46%

LAB 43.53, 8.14, -20.69

 

CMYK 31 / 31 / 0 / 54

HEX #515276

RGB 81 82 118

HSL 238.38, 0.19%, 0.39%

LAB 36.16, 8.67, -20.61

 

CMYK 35 / 35 / 0 / 61

HEX #404063

RGB 64 64 99

HSL 240, 0.21%, 0.32%

LAB 28.53, 9.33, -20.6

 

CMYK 24 / 22 / 0 / 32

HEX #8488AE

RGB 132 136 174

HSL 234.29, 0.21%, 0.6%

LAB 57.63, 7.05, -20.48

 

CMYK 20 / 24 / 0 / 32

HEX #8B84AE

RGB 139 132 174

HSL 250, 0.21%, 0.6%

LAB 57.12, 11.62, -21.21

 

CMYK 13 / 24 / 0 / 32

HEX #9784AE

RGB 151 132 174

HSL 267.14, 0.21%, 0.6%

LAB 58.17, 15.57, -19.52

 

CMYK 7 / 24 / 0 / 32

HEX #A284AE

RGB 162 132 174

HSL 282.86, 0.21%, 0.6%

LAB 59.2, 19.28, -17.86

 

CMYK 0 / 24 / 0 / 32

HEX #AE84AE

RGB 174 132 174

HSL 300, 0.21%, 0.6%

LAB 60.39, 23.39, -15.93

 

CMYK 24 / 22 / 0 / 32

HEX #8488AE

RGB 132 136 174

HSL 234.29, 0.21%, 0.6%

LAB 57.63, 7.05, -20.48

 

CMYK 24 / 24 / 0 / 32

HEX #8484AE

RGB 132 132 174

HSL 240, 0.21%, 0.6%

LAB 56.55, 9.38, -22.13

 

CMYK 24 / 22 / 0 / 32

HEX #8488AE

RGB 132 136 174

HSL 234.29, 0.21%, 0.6%

LAB 57.63, 7.05, -20.48

 

CMYK 40 / 36 / 0 / 25

HEX #737ABF

RGB 115 122 191

HSL 234.47, 0.37%, 0.6%

LAB 53.3, 14.8, -37.01

 

CMYK 52 / 47 / 0 / 19

HEX #636DCF

RGB 99 109 207

HSL 234.44, 0.53%, 0.6%

LAB 49.61, 23.61, -52.09

 

CMYK 63 / 58 / 0 / 12

HEX #525FE0

RGB 82 95 224

HSL 234.51, 0.7%, 0.6%

LAB 46.12, 34.62, -67.44

 

CMYK 73 / 66 / 0 / 6

HEX #4252F0

RGB 66 82 240

HSL 234.48, 0.85%, 0.6%

LAB 43.48, 45.84, -80.82

 

CMYK 24 / 22 / 0 / 32

HEX #8488AE

RGB 132 136 174

HSL 234.29, 0.21%, 0.6%

LAB 57.63, 7.05, -20.48

 

CMYK 6 / 6 / 0 / 38

HEX #94959E

RGB 148 149 158

HSL 234, 0.05%, 0.6%

LAB 61.88, 1.44, -4.86

 

CMYK 0 / 2 / 15 / 35

HEX #A5A28D

RGB 165 162 141

HSL 52.5, 0.12%, 0.6%

LAB 66.34, -2.62, 11.32

 

CMYK 0 / 3 / 31 / 29

HEX #B5B07D

RGB 181 176 125

HSL 54.64, 0.27%, 0.6%

LAB 71.12, -6.24, 26.82

 

CMYK 0 / 5 / 45 / 22

HEX #C6BD6C

RGB 198 189 108

HSL 54, 0.44%, 0.6%

LAB 75.75, -8.12, 41.89

 

CMYK 24 / 9 / 0 / 32

HEX #849FAE

RGB 132 159 174

HSL 201.43, 0.21%, 0.6%

LAB 63.96, -5.94, -10.9

 

CMYK 24 / 16 / 0 / 32

HEX #8493AE

RGB 132 147 174

HSL 218.57, 0.21%, 0.6%

LAB 60.63, 0.76, -15.92

 

CMYK 24 / 22 / 0 / 32

HEX #8488AE

RGB 132 136 174

HSL 234.29, 0.21%, 0.6%

LAB 57.63, 7.05, -20.48

 

CMYK 20 / 24 / 0 / 32

HEX #8B84AE

RGB 139 132 174

HSL 250, 0.21%, 0.6%

LAB 57.12, 11.62, -21.21

 

CMYK 14 / 24 / 0 / 32

HEX #9684AE

RGB 150 132 174

HSL 265.71, 0.21%, 0.6%

LAB 58.08, 15.24, -19.66

 

CMYK 35 / 31 / 0 / 47

HEX #585D87

RGB 88 93 135

HSL 233.62, 0.21%, 0.44%

LAB 40.66, 8.77, -24

 

CMYK 32 / 30 / 0 / 38

HEX #6B6F9E

RGB 107 111 158

HSL 235.29, 0.21%, 0.52%

LAB 48.21, 9.92, -25.87

 

CMYK 24 / 22 / 0 / 32

HEX #8488AE

RGB 132 136 174

HSL 234.29, 0.21%, 0.6%

LAB 57.63, 7.05, -20.48

 

CMYK 18 / 16 / 0 / 25

HEX #9DA0BF

RGB 157 160 191

HSL 234.71, 0.21%, 0.68%

LAB 66.57, 5.44, -16.29

 

CMYK 12 / 11 / 0 / 19

HEX #B6B8CF

RGB 182 184 207

HSL 235.2, 0.21%, 0.76%

LAB 75.28, 3.86, -11.81

 

CMYK 25 / 22 / 0 / 31

HEX #8488AF

RGB 132 136 175

HSL 234.42, 0.21%, 0.6%

LAB 57.66, 7.3, -21

 

CMYK 0 / 24 / 2 / 32

HEX #AE84AA

RGB 174 132 170

HSL 305.71, 0.21%, 0.6%

LAB 60.25, 22.62, -13.86

 

CMYK 12 / 0 / 24 / 32

HEX #99AE84

RGB 153 174 132

HSL 90, 0.21%, 0.6%

LAB 68.54, -14.99, 19.2

 

CMYK 25 / 22 / 0 / 31

HEX #8488AF

RGB 132 136 175

HSL 234.42, 0.21%, 0.6%

LAB 57.66, 7.3, -21

 

CMYK 0 / 24 / 22 / 32

HEX #AE8488

RGB 174 132 136

HSL 354.29, 0.21%, 0.6%

LAB 59.23, 16.73, 4.11

 

CMYK 22 / 0 / 24 / 32

HEX #88AE84

RGB 136 174 132

HSL 114.29, 0.21%, 0.6%

LAB 67.41, -21.15, 17.46

 

CMYK 25 / 22 / 0 / 31

HEX #8488AF

RGB 132 136 175

HSL 234.42, 0.21%, 0.6%

LAB 57.66, 7.3, -21

 

CMYK 0 / 24 / 2 / 32

HEX #AE84AA

RGB 174 132 170

HSL 305.71, 0.21%, 0.6%

LAB 60.25, 22.62, -13.86

 

CMYK 0 / 2 / 24 / 32

HEX #AEAA84

RGB 174 170 132

HSL 54.29, 0.21%, 0.6%

LAB 69.05, -4.85, 20.15

 

CMYK 24 / 0 / 22 / 32

HEX #84AE88

RGB 132 174 136

HSL 125.71, 0.21%, 0.6%

LAB 67.24, -21.83, 15

 

CMYK 25 / 22 / 0 / 31

HEX #8488AF

RGB 132 136 175

HSL 234.42, 0.21%, 0.6%

LAB 57.66, 7.3, -21

 

CMYK 0 / 24 / 10 / 32

HEX #AE849D

RGB 174 132 157

HSL 324.29, 0.21%, 0.6%

LAB 59.83, 20.23, -7.06

 

CMYK 0 / 2 / 24 / 32

HEX #AEAA84

RGB 174 170 132

HSL 54.29, 0.21%, 0.6%

LAB 69.05, -4.85, 20.15

 

CMYK 24 / 0 / 14 / 32

HEX #84AE95

RGB 132 174 149

HSL 144.29, 0.21%, 0.6%

LAB 67.54, -19.35, 8.27

 

Description

Color code: HEX #8488AF | qconv.com Color code: HEX #8488AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 136 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 136 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 22 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 22% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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