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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8482D5 it is the complementary color #7B7D2A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8482D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8482D5 shade: #8982D0, #9A94E3, #ABA6F6, #BCB8FF and #CDCAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8482D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8482D5 shade: #8482D5, #7370C2, #625EAF, #514C9C and #403A89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8482D5 shade: #8381D5, #9A81D5, #B081D5, #C781D5 and #D581CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8482D5 shade: #8381D5 and #8181D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8482D5 shade matches the following richer shades: #8381D5, #7673E3, #6966F0 and #5C58FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8482D5 shade: #8381D5, #908EC7, #9D9CBA, #AAAAAC and #B7B79E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8482D5 shade: #81ACD5, #8196D5, #8281D5, #9981D5 and #AF81D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8482D5 shade: #4643C0, #6462CB, #8381D5, #A1A0DF and #C0BFEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8482D5 shade: #8482D5, #D581C3 and #A1D581

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8482D5 shade: #8482D5, #D58281 and #81D582

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8482D5 shade: #8482D5, #D581C3, #D4D581 and #81D593

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8482D5 shade: #8482D5, #D581A9, #D4D581 and #81D5AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 39 / 0 / 16

HEX #8482D5

RGB 132 130 213

HSL 241.45, 0.5%, 0.67%

LAB 57.73, 20.77, -42.45

 

Complementary color

CMYK 2 / 0 / 66 / 51

HEX #7B7D2A

RGB 123 125 42

HSL 61.45, 0.5%, 0.33%

LAB 50.74, -12.06, 43.32

 

CMYK 34 / 38 / 0 / 18

HEX #8982D0

RGB 137 130 208

HSL 245.38, 0.45%, 0.66%

LAB 57.88, 20.77, -39.36

 

CMYK 32 / 35 / 0 / 11

HEX #9A94E3

RGB 154 148 227

HSL 244.56, 0.59%, 0.74%

LAB 64.64, 20.05, -39.28

 

CMYK 30 / 33 / 0 / 4

HEX #ABA6F6

RGB 171 166 246

HSL 243.75, 0.82%, 0.81%

LAB 71.27, 19.4, -39.24

 

CMYK 26 / 28 / 0 / 0

HEX #BCB8FF

RGB 188 184 255

HSL 243.38, 1%, 0.86%

LAB 77.4, 16.42, -34.5

 

CMYK 20 / 21 / 0 / 0

HEX #CDCAFF

RGB 205 202 255

HSL 243.4, 1%, 0.9%

LAB 83.15, 11.68, -25.56

 

CMYK 38 / 39 / 0 / 16

HEX #8482D5

RGB 132 130 213

HSL 241.45, 0.5%, 0.67%

LAB 57.73, 20.77, -42.45

 

CMYK 41 / 42 / 0 / 24

HEX #7370C2

RGB 115 112 194

HSL 242.2, 0.4%, 0.6%

LAB 50.84, 21.68, -42.62

 

CMYK 44 / 46 / 0 / 31

HEX #625EAF

RGB 98 94 175

HSL 242.96, 0.34%, 0.53%

LAB 43.8, 22.74, -42.86

 

CMYK 48 / 51 / 0 / 39

HEX #514C9C

RGB 81 76 156

HSL 243.75, 0.34%, 0.45%

LAB 36.59, 24, -43.15

 

CMYK 53 / 58 / 0 / 46

HEX #403A89

RGB 64 58 137

HSL 244.56, 0.41%, 0.38%

LAB 29.22, 25.52, -43.49

 

CMYK 38 / 39 / 0 / 16

HEX #8381D5

RGB 131 129 213

HSL 241.43, 0.5%, 0.67%

LAB 57.4, 21.1, -42.97

 

CMYK 28 / 39 / 0 / 16

HEX #9A81D5

RGB 154 129 213

HSL 257.86, 0.5%, 0.67%

LAB 59.32, 27.43, -39.81

 

CMYK 17 / 39 / 0 / 16

HEX #B081D5

RGB 176 129 213

HSL 273.57, 0.5%, 0.67%

LAB 61.42, 33.85, -36.37

 

CMYK 7 / 39 / 0 / 16

HEX #C781D5

RGB 199 129 213

HSL 290, 0.5%, 0.67%

LAB 63.87, 40.78, -32.37

 

CMYK 0 / 39 / 4 / 16

HEX #D581CC

RGB 213 129 204

HSL 306.43, 0.5%, 0.67%

LAB 65.13, 43.42, -25.27

 

CMYK 38 / 39 / 0 / 16

HEX #8381D5

RGB 131 129 213

HSL 241.43, 0.5%, 0.67%

LAB 57.4, 21.1, -42.97

 

CMYK 39 / 39 / 0 / 16

HEX #8181D5

RGB 129 129 213

HSL 240, 0.5%, 0.67%

LAB 57.24, 20.57, -43.23

 

CMYK 38 / 39 / 0 / 16

HEX #8381D5

RGB 131 129 213

HSL 241.43, 0.5%, 0.67%

LAB 57.4, 21.1, -42.97

 

CMYK 48 / 49 / 0 / 11

HEX #7673E3

RGB 118 115 227

HSL 241.61, 0.67%, 0.67%

LAB 53.66, 30.3, -56.84

 

CMYK 56 / 58 / 0 / 6

HEX #6966F0

RGB 105 102 240

HSL 241.3, 0.82%, 0.67%

LAB 50.45, 39.42, -69.36

 

CMYK 64 / 65 / 0 / 0

HEX #5C58FE

RGB 92 88 254

HSL 241.45, 0.99%, 0.67%

LAB 47.51, 49.97, -82

 

CMYK 38 / 39 / 0 / 16

HEX #8381D5

RGB 131 129 213

HSL 241.43, 0.5%, 0.67%

LAB 57.4, 21.1, -42.97

 

CMYK 28 / 29 / 0 / 22

HEX #908EC7

RGB 144 142 199

HSL 242.11, 0.34%, 0.67%

LAB 61.13, 13.49, -29.18

 

CMYK 16 / 16 / 0 / 27

HEX #9D9CBA

RGB 157 156 186

HSL 242, 0.18%, 0.67%

LAB 65.35, 6.56, -15.35

 

CMYK 1 / 1 / 0 / 33

HEX #AAAAAC

RGB 170 170 172

HSL 240, 0.01%, 0.67%

LAB 69.66, 0.38, -1.03

 

CMYK 0 / 0 / 14 / 28

HEX #B7B79E

RGB 183 183 158

HSL 60, 0.15%, 0.67%

LAB 73.81, -4.35, 12.73

 

CMYK 39 / 19 / 0 / 16

HEX #81ACD5

RGB 129 172 213

HSL 209.29, 0.5%, 0.67%

LAB 68.73, -4.09, -25.35

 

CMYK 39 / 30 / 0 / 16

HEX #8196D5

RGB 129 150 213

HSL 225, 0.5%, 0.67%

LAB 62.75, 8.3, -34.6

 

CMYK 39 / 39 / 0 / 16

HEX #8281D5

RGB 130 129 213

HSL 240.71, 0.5%, 0.67%

LAB 57.32, 20.84, -43.1

 

CMYK 28 / 39 / 0 / 16

HEX #9981D5

RGB 153 129 213

HSL 257.14, 0.5%, 0.67%

LAB 59.23, 27.15, -39.96

 

CMYK 18 / 39 / 0 / 16

HEX #AF81D5

RGB 175 129 213

HSL 272.86, 0.5%, 0.67%

LAB 61.32, 33.56, -36.53

 

CMYK 64 / 65 / 0 / 25

HEX #4643C0

RGB 70 67 192

HSL 241.44, 0.5%, 0.51%

LAB 36.22, 39.28, -65.18

 

CMYK 51 / 52 / 0 / 20

HEX #6462CB

RGB 100 98 203

HSL 241.14, 0.5%, 0.59%

LAB 46.65, 29.32, -54.54

 

CMYK 38 / 39 / 0 / 16

HEX #8381D5

RGB 131 129 213

HSL 241.43, 0.5%, 0.67%

LAB 57.4, 21.1, -42.97

 

CMYK 28 / 28 / 0 / 13

HEX #A1A0DF

RGB 161 160 223

HSL 240.95, 0.5%, 0.75%

LAB 68.05, 14.22, -31.72

 

CMYK 18 / 18 / 0 / 8

HEX #C0BFEA

RGB 192 191 234

HSL 241.4, 0.51%, 0.83%

LAB 78.7, 9.03, -21.19

 

CMYK 38 / 39 / 0 / 16

HEX #8482D5

RGB 132 130 213

HSL 241.45, 0.5%, 0.67%

LAB 57.73, 20.77, -42.45

 

CMYK 0 / 39 / 8 / 16

HEX #D581C3

RGB 213 129 195

HSL 312.86, 0.5%, 0.67%

LAB 64.79, 41.86, -20.72

 

CMYK 24 / 0 / 39 / 16

HEX #A1D581

RGB 161 213 129

HSL 97.14, 0.5%, 0.67%

LAB 80.04, -31.75, 36.19

 

CMYK 38 / 39 / 0 / 16

HEX #8482D5

RGB 132 130 213

HSL 241.45, 0.5%, 0.67%

LAB 57.73, 20.77, -42.45

 

CMYK 0 / 39 / 39 / 16

HEX #D58281

RGB 213 130 129

HSL 0.71, 0.5%, 0.67%

LAB 63.09, 31.86, 14.21

 

CMYK 39 / 0 / 39 / 16

HEX #81D582

RGB 129 213 130

HSL 120.71, 0.5%, 0.67%

LAB 78.38, -42.15, 33.21

 

CMYK 38 / 39 / 0 / 16

HEX #8482D5

RGB 132 130 213

HSL 241.45, 0.5%, 0.67%

LAB 57.73, 20.77, -42.45

 

CMYK 0 / 39 / 8 / 16

HEX #D581C3

RGB 213 129 195

HSL 312.86, 0.5%, 0.67%

LAB 64.79, 41.86, -20.72

 

CMYK 0 / 0 / 39 / 16

HEX #D4D581

RGB 212 213 129

HSL 60.71, 0.5%, 0.67%

LAB 83.53, -12.59, 41.37

 

CMYK 39 / 0 / 31 / 16

HEX #81D593

RGB 129 213 147

HSL 132.86, 0.5%, 0.67%

LAB 78.67, -39.36, 24.82

 

CMYK 38 / 39 / 0 / 16

HEX #8482D5

RGB 132 130 213

HSL 241.45, 0.5%, 0.67%

LAB 57.73, 20.77, -42.45

 

CMYK 0 / 39 / 21 / 16

HEX #D581A9

RGB 213 129 169

HSL 331.43, 0.5%, 0.67%

LAB 63.93, 37.69, -7.34

 

CMYK 0 / 0 / 39 / 16

HEX #D4D581

RGB 212 213 129

HSL 60.71, 0.5%, 0.67%

LAB 83.53, -12.59, 41.37

 

CMYK 39 / 0 / 19 / 16

HEX #81D5AC

RGB 129 213 172

HSL 150.71, 0.5%, 0.67%

LAB 79.18, -34.63, 12.34

 

Description

Color code: HEX #8482D5 | qconv.com Color code: HEX #8482D5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 130 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 130 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 39 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 39% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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