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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8480D6 it is the complementary color #7B7F29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8480D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8480D6 shade: #8980D1, #9A92E4, #ABA4F7, #BCB6FF and #CDC8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8480D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8480D6 shade: #8480D6, #736EC3, #625CB0, #514A9D and #40388A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8480D6 shade: #8480D6, #9B80D6, #B280D6, #C980D6 and #D680CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8480D6 shade: #8480D6 and #8080D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8480D6 shade matches the following richer shades: #8480D6, #7872E3, #6B65F1 and #5F57FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8480D6 shade: #8480D6, #908EC8, #9D9BBB, #A9A9AD and #B5B69F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8480D6 shade: #80ABD6, #8094D6, #8380D6, #9A80D6 and #B180D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8480D6 shade: #4842C2, #6661CC, #8480D6, #A29FE0 and #C0BEEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8480D6 shade: #8480D6, #D680C2 and #9FD680

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8480D6 shade: #8480D6, #D68380 and #80D683

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8480D6 shade: #8480D6, #D680C2, #D3D680 and #80D694

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8480D6 shade: #8480D6, #D680A8, #D3D680 and #80D6AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 40 / 0 / 16

HEX #8480D6

RGB 132 128 214

HSL 242.79, 0.51%, 0.67%

LAB 57.27, 22.23, -43.73

 

Complementary color

CMYK 3 / 0 / 68 / 50

HEX #7B7F29

RGB 123 127 41

HSL 62.79, 0.51%, 0.33%

LAB 51.32, -13.21, 44.36

 

CMYK 34 / 39 / 0 / 18

HEX #8980D1

RGB 137 128 209

HSL 246.67, 0.47%, 0.66%

LAB 57.42, 22.21, -40.64

 

CMYK 32 / 36 / 0 / 11

HEX #9A92E4

RGB 154 146 228

HSL 245.85, 0.6%, 0.73%

LAB 64.18, 21.45, -40.55

 

CMYK 31 / 34 / 0 / 3

HEX #ABA4F7

RGB 171 164 247

HSL 245.06, 0.84%, 0.81%

LAB 70.82, 20.77, -40.49

 

CMYK 26 / 29 / 0 / 0

HEX #BCB6FF

RGB 188 182 255

HSL 244.93, 1%, 0.86%

LAB 76.9, 17.52, -35.26

 

CMYK 20 / 22 / 0 / 0

HEX #CDC8FF

RGB 205 200 255

HSL 245.45, 1%, 0.89%

LAB 82.65, 12.75, -26.32

 

CMYK 38 / 40 / 0 / 16

HEX #8480D6

RGB 132 128 214

HSL 242.79, 0.51%, 0.67%

LAB 57.27, 22.23, -43.73

 

CMYK 41 / 44 / 0 / 24

HEX #736EC3

RGB 115 110 195

HSL 243.53, 0.41%, 0.6%

LAB 50.38, 23.18, -43.92

 

CMYK 44 / 48 / 0 / 31

HEX #625CB0

RGB 98 92 176

HSL 244.29, 0.35%, 0.53%

LAB 43.34, 24.28, -44.17

 

CMYK 48 / 53 / 0 / 38

HEX #514A9D

RGB 81 74 157

HSL 245.06, 0.36%, 0.45%

LAB 36.14, 25.59, -44.48

 

CMYK 54 / 59 / 0 / 46

HEX #40388A

RGB 64 56 138

HSL 245.85, 0.42%, 0.38%

LAB 28.78, 27.15, -44.81

 

CMYK 38 / 40 / 0 / 16

HEX #8480D6

RGB 132 128 214

HSL 242.79, 0.51%, 0.67%

LAB 57.27, 22.23, -43.73

 

CMYK 28 / 40 / 0 / 16

HEX #9B80D6

RGB 155 128 214

HSL 258.84, 0.51%, 0.67%

LAB 59.22, 28.54, -40.53

 

CMYK 17 / 40 / 0 / 16

HEX #B280D6

RGB 178 128 214

HSL 274.88, 0.51%, 0.67%

LAB 61.45, 35.23, -36.88

 

CMYK 6 / 40 / 0 / 16

HEX #C980D6

RGB 201 128 214

HSL 290.93, 0.51%, 0.67%

LAB 63.93, 42.12, -32.83

 

CMYK 0 / 40 / 5 / 16

HEX #D680CB

RGB 214 128 203

HSL 307.67, 0.51%, 0.67%

LAB 65, 44.08, -24.89

 

CMYK 38 / 40 / 0 / 16

HEX #8480D6

RGB 132 128 214

HSL 242.79, 0.51%, 0.67%

LAB 57.27, 22.23, -43.73

 

CMYK 40 / 40 / 0 / 16

HEX #8080D6

RGB 128 128 214

HSL 240, 0.51%, 0.67%

LAB 56.96, 21.19, -44.24

 

CMYK 38 / 40 / 0 / 16

HEX #8480D6

RGB 132 128 214

HSL 242.79, 0.51%, 0.67%

LAB 57.27, 22.23, -43.73

 

CMYK 47 / 50 / 0 / 11

HEX #7872E3

RGB 120 114 227

HSL 243.19, 0.67%, 0.67%

LAB 53.57, 31.33, -56.98

 

CMYK 56 / 58 / 0 / 5

HEX #6B65F1

RGB 107 101 241

HSL 242.57, 0.83%, 0.67%

LAB 50.43, 40.68, -69.93

 

CMYK 63 / 66 / 0 / 0

HEX #5F57FF

RGB 95 87 255

HSL 242.86, 1%, 0.67%

LAB 47.58, 51.24, -82.42

 

CMYK 38 / 40 / 0 / 16

HEX #8480D6

RGB 132 128 214

HSL 242.79, 0.51%, 0.67%

LAB 57.27, 22.23, -43.73

 

CMYK 28 / 29 / 0 / 22

HEX #908EC8

RGB 144 142 200

HSL 242.07, 0.35%, 0.67%

LAB 61.17, 13.74, -29.68

 

CMYK 16 / 17 / 0 / 27

HEX #9D9BBB

RGB 157 155 187

HSL 243.75, 0.19%, 0.67%

LAB 65.12, 7.34, -16.26

 

CMYK 2 / 2 / 0 / 32

HEX #A9A9AD

RGB 169 169 173

HSL 240, 0.02%, 0.67%

LAB 69.35, 0.77, -2.06

 

CMYK 1 / 0 / 13 / 29

HEX #B5B69F

RGB 181 182 159

HSL 62.61, 0.14%, 0.67%

LAB 73.4, -4.4, 11.6

 

CMYK 40 / 20 / 0 / 16

HEX #80ABD6

RGB 128 171 214

HSL 210, 0.51%, 0.67%

LAB 68.44, -3.53, -26.36

 

CMYK 40 / 31 / 0 / 16

HEX #8094D6

RGB 128 148 214

HSL 226.05, 0.51%, 0.67%

LAB 62.19, 9.47, -36.03

 

CMYK 39 / 40 / 0 / 16

HEX #8380D6

RGB 131 128 214

HSL 242.09, 0.51%, 0.67%

LAB 57.19, 21.97, -43.86

 

CMYK 28 / 40 / 0 / 16

HEX #9A80D6

RGB 154 128 214

HSL 258.14, 0.51%, 0.67%

LAB 59.13, 28.25, -40.68

 

CMYK 17 / 40 / 0 / 16

HEX #B180D6

RGB 177 128 214

HSL 274.19, 0.51%, 0.67%

LAB 61.34, 34.93, -37.05

 

CMYK 63 / 66 / 0 / 24

HEX #4842C2

RGB 72 66 194

HSL 242.81, 0.51%, 0.51%

LAB 36.31, 40.83, -66.2

 

CMYK 50 / 52 / 0 / 20

HEX #6661CC

RGB 102 97 204

HSL 242.8, 0.51%, 0.59%

LAB 46.62, 30.67, -55.15

 

CMYK 38 / 40 / 0 / 16

HEX #8480D6

RGB 132 128 214

HSL 242.79, 0.51%, 0.67%

LAB 57.27, 22.23, -43.73

 

CMYK 28 / 29 / 0 / 12

HEX #A29FE0

RGB 162 159 224

HSL 242.77, 0.51%, 0.75%

LAB 67.92, 15.32, -32.48

 

CMYK 18 / 19 / 0 / 8

HEX #C0BEEA

RGB 192 190 234

HSL 242.73, 0.51%, 0.83%

LAB 78.45, 9.57, -21.58

 

CMYK 38 / 40 / 0 / 16

HEX #8480D6

RGB 132 128 214

HSL 242.79, 0.51%, 0.67%

LAB 57.27, 22.23, -43.73

 

CMYK 0 / 40 / 9 / 16

HEX #D680C2

RGB 214 128 194

HSL 313.95, 0.51%, 0.67%

LAB 64.67, 42.54, -20.34

 

CMYK 26 / 0 / 40 / 16

HEX #9FD680

RGB 159 214 128

HSL 98.37, 0.51%, 0.67%

LAB 80.19, -33.06, 36.87

 

CMYK 38 / 40 / 0 / 16

HEX #8480D6

RGB 132 128 214

HSL 242.79, 0.51%, 0.67%

LAB 57.27, 22.23, -43.73

 

CMYK 0 / 39 / 40 / 16

HEX #D68380

RGB 214 131 128

HSL 2.09, 0.51%, 0.67%

LAB 63.41, 31.59, 15.24

 

CMYK 40 / 0 / 39 / 16

HEX #80D683

RGB 128 214 131

HSL 122.09, 0.51%, 0.67%

LAB 78.65, -42.74, 33.04

 

CMYK 38 / 40 / 0 / 16

HEX #8480D6

RGB 132 128 214

HSL 242.79, 0.51%, 0.67%

LAB 57.27, 22.23, -43.73

 

CMYK 0 / 40 / 9 / 16

HEX #D680C2

RGB 214 128 194

HSL 313.95, 0.51%, 0.67%

LAB 64.67, 42.54, -20.34

 

CMYK 1 / 0 / 40 / 16

HEX #D3D680

RGB 211 214 128

HSL 62.09, 0.51%, 0.67%

LAB 83.71, -13.6, 42.07

 

CMYK 40 / 0 / 31 / 16

HEX #80D694

RGB 128 214 148

HSL 133.95, 0.51%, 0.67%

LAB 78.94, -39.92, 24.65

 

CMYK 38 / 40 / 0 / 16

HEX #8480D6

RGB 132 128 214

HSL 242.79, 0.51%, 0.67%

LAB 57.27, 22.23, -43.73

 

CMYK 0 / 40 / 21 / 16

HEX #D680A8

RGB 214 128 168

HSL 332.09, 0.51%, 0.67%

LAB 63.8, 38.41, -6.94

 

CMYK 1 / 0 / 40 / 16

HEX #D3D680

RGB 211 214 128

HSL 62.09, 0.51%, 0.67%

LAB 83.71, -13.6, 42.07

 

CMYK 40 / 0 / 19 / 16

HEX #80D6AE

RGB 128 214 174

HSL 152.09, 0.51%, 0.67%

LAB 79.46, -34.96, 11.68

 

Description

Color code: HEX #8480D6 | qconv.com Color code: HEX #8480D6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 128 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 128 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 40 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 40% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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