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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8478A8 it is the complementary color #7B8757. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8478A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8478A8 shade: #8978A3, #9A8AB6, #AB9CC9, #BCAEDC and #CDC0EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8478A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8478A8 shade: #8478A8, #736695, #625482, #51426F and #40305C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8478A8 shade: #8276A7, #9076A7, #9D76A7, #A776A5 and #A77697

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8478A8 shade: #8276A7 and #7676A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8478A8 shade matches the following richer shades: #8276A7, #7964BA, #7052CC, #6740DE and #5E2EF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8478A8 shade: #8276A7, #8C8895, #959A83, #9EAD71 and #A7BF5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8478A8 shade: #7684A7, #7677A7, #8276A7, #9076A7 and #9D76A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8478A8 shade: #5A4F7C, #6D5F95, #8276A7, #998FB8 and #B0A8C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8478A8 shade: #8478A8, #A77691 and #7EA776

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8478A8 shade: #8478A8, #A78276 and #76A782

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8478A8 shade: #8478A8, #A77691, #9BA776 and #76A78C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8478A8 shade: #8478A8, #A77682, #9BA776 and #76A79B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 29 / 0 / 34

HEX #8478A8

RGB 132 120 168

HSL 255, 0.22%, 0.56%

LAB 53.13, 14.95, -23.93

 

Complementary color

CMYK 9 / 0 / 36 / 47

HEX #7B8757

RGB 123 135 87

HSL 75, 0.22%, 0.44%

LAB 54.27, -12.83, 24.39

 

CMYK 16 / 26 / 0 / 36

HEX #8978A3

RGB 137 120 163

HSL 263.72, 0.19%, 0.55%

LAB 53.38, 15.41, -20.61

 

CMYK 15 / 24 / 0 / 29

HEX #9A8AB6

RGB 154 138 182

HSL 261.82, 0.23%, 0.63%

LAB 60.27, 14.9, -20.84

 

CMYK 15 / 22 / 0 / 21

HEX #AB9CC9

RGB 171 156 201

HSL 260, 0.29%, 0.7%

LAB 67.02, 14.44, -21.08

 

CMYK 15 / 21 / 0 / 14

HEX #BCAEDC

RGB 188 174 220

HSL 258.26, 0.4%, 0.77%

LAB 73.63, 14.02, -21.34

 

CMYK 14 / 20 / 0 / 6

HEX #CDC0EF

RGB 205 192 239

HSL 256.6, 0.59%, 0.85%

LAB 80.13, 13.63, -21.61

 

CMYK 21 / 29 / 0 / 34

HEX #8478A8

RGB 132 120 168

HSL 255, 0.22%, 0.56%

LAB 53.13, 14.95, -23.93

 

CMYK 23 / 32 / 0 / 42

HEX #736695

RGB 115 102 149

HSL 256.6, 0.19%, 0.49%

LAB 46.07, 15.54, -23.82

 

CMYK 25 / 35 / 0 / 49

HEX #625482

RGB 98 84 130

HSL 258.26, 0.21%, 0.42%

LAB 38.81, 16.22, -23.76

 

CMYK 27 / 41 / 0 / 56

HEX #51426F

RGB 81 66 111

HSL 260, 0.25%, 0.35%

LAB 31.33, 17.01, -23.75

 

CMYK 30 / 48 / 0 / 64

HEX #40305C

RGB 64 48 92

HSL 261.82, 0.31%, 0.27%

LAB 23.59, 17.96, -23.81

 

CMYK 22 / 29 / 0 / 35

HEX #8276A7

RGB 130 118 167

HSL 254.69, 0.22%, 0.56%

LAB 52.39, 15.25, -24.51

 

CMYK 14 / 29 / 0 / 35

HEX #9076A7

RGB 144 118 167

HSL 271.84, 0.22%, 0.56%

LAB 53.68, 19.81, -22.41

 

CMYK 6 / 29 / 0 / 35

HEX #9D76A7

RGB 157 118 167

HSL 287.76, 0.22%, 0.56%

LAB 54.98, 24.16, -20.3

 

CMYK 0 / 29 / 1 / 35

HEX #A776A5

RGB 167 118 165

HSL 302.45, 0.22%, 0.56%

LAB 55.98, 27.16, -17.54

 

CMYK 0 / 29 / 10 / 35

HEX #A77697

RGB 167 118 151

HSL 319.59, 0.22%, 0.56%

LAB 55.49, 24.55, -10.16

 

CMYK 22 / 29 / 0 / 35

HEX #8276A7

RGB 130 118 167

HSL 254.69, 0.22%, 0.56%

LAB 52.39, 15.25, -24.51

 

CMYK 29 / 29 / 0 / 35

HEX #7676A7

RGB 118 118 167

HSL 240, 0.22%, 0.56%

LAB 51.38, 11.48, -26.15

 

CMYK 22 / 29 / 0 / 35

HEX #8276A7

RGB 130 118 167

HSL 254.69, 0.22%, 0.56%

LAB 52.39, 15.25, -24.51

 

CMYK 35 / 46 / 0 / 27

HEX #7964BA

RGB 121 100 186

HSL 254.65, 0.38%, 0.56%

LAB 47.91, 28.25, -42.61

 

CMYK 45 / 60 / 0 / 20

HEX #7052CC

RGB 112 82 204

HSL 254.75, 0.54%, 0.56%

LAB 44, 41.71, -59.34

 

CMYK 54 / 71 / 0 / 13

HEX #6740DE

RGB 103 64 222

HSL 254.81, 0.71%, 0.56%

LAB 40.94, 54.99, -74.7

 

CMYK 61 / 81 / 0 / 6

HEX #5E2EF0

RGB 94 46 240

HSL 254.85, 0.87%, 0.56%

LAB 38.94, 66.99, -88.24

 

CMYK 22 / 29 / 0 / 35

HEX #8276A7

RGB 130 118 167

HSL 254.69, 0.22%, 0.56%

LAB 52.39, 15.25, -24.51

 

CMYK 6 / 9 / 0 / 42

HEX #8C8895

RGB 140 136 149

HSL 258.46, 0.06%, 0.56%

LAB 57.42, 4.09, -6.4

 

CMYK 3 / 0 / 15 / 40

HEX #959A83

RGB 149 154 131

HSL 73.04, 0.1%, 0.56%

LAB 62.63, -6.02, 11.47

 

CMYK 9 / 0 / 35 / 32

HEX #9EAD71

RGB 158 173 113

HSL 75, 0.27%, 0.56%

LAB 68.28, -15.34, 29.14

 

CMYK 13 / 0 / 50 / 25

HEX #A7BF5F

RGB 167 191 95

HSL 75, 0.43%, 0.56%

LAB 73.74, -22.95, 45.3

 

CMYK 29 / 21 / 0 / 35

HEX #7684A7

RGB 118 132 167

HSL 222.86, 0.22%, 0.56%

LAB 55.22, 3.22, -20.24

 

CMYK 29 / 29 / 0 / 35

HEX #7677A7

RGB 118 119 167

HSL 238.78, 0.22%, 0.56%

LAB 51.65, 10.88, -25.73

 

CMYK 22 / 29 / 0 / 35

HEX #8276A7

RGB 130 118 167

HSL 254.69, 0.22%, 0.56%

LAB 52.39, 15.25, -24.51

 

CMYK 14 / 29 / 0 / 35

HEX #9076A7

RGB 144 118 167

HSL 271.84, 0.22%, 0.56%

LAB 53.68, 19.81, -22.41

 

CMYK 6 / 29 / 0 / 35

HEX #9D76A7

RGB 157 118 167

HSL 287.76, 0.22%, 0.56%

LAB 54.98, 24.16, -20.3

 

CMYK 27 / 36 / 0 / 51

HEX #5A4F7C

RGB 90 79 124

HSL 254.67, 0.22%, 0.4%

LAB 36.41, 15.17, -23.88

 

CMYK 27 / 36 / 0 / 42

HEX #6D5F95

RGB 109 95 149

HSL 255.56, 0.22%, 0.48%

LAB 43.66, 17.9, -27.6

 

CMYK 22 / 29 / 0 / 35

HEX #8276A7

RGB 130 118 167

HSL 254.69, 0.22%, 0.56%

LAB 52.39, 15.25, -24.51

 

CMYK 17 / 22 / 0 / 28

HEX #998FB8

RGB 153 143 184

HSL 254.63, 0.22%, 0.64%

LAB 61.55, 12.16, -20.03

 

CMYK 12 / 16 / 0 / 22

HEX #B0A8C8

RGB 176 168 200

HSL 255, 0.23%, 0.72%

LAB 70.46, 9.17, -15.27

 

CMYK 21 / 29 / 0 / 34

HEX #8478A8

RGB 132 120 168

HSL 255, 0.22%, 0.56%

LAB 53.13, 14.95, -23.93

 

CMYK 0 / 29 / 13 / 35

HEX #A77691

RGB 167 118 145

HSL 326.94, 0.22%, 0.56%

LAB 55.29, 23.5, -6.96

 

CMYK 25 / 0 / 29 / 35

HEX #7EA776

RGB 126 167 118

HSL 110.2, 0.22%, 0.56%

LAB 64.47, -23.55, 20.97

 

CMYK 21 / 29 / 0 / 34

HEX #8478A8

RGB 132 120 168

HSL 255, 0.22%, 0.56%

LAB 53.13, 14.95, -23.93

 

CMYK 0 / 22 / 29 / 35

HEX #A78276

RGB 167 130 118

HSL 14.69, 0.22%, 0.56%

LAB 57.55, 12.43, 11.94

 

CMYK 29 / 0 / 22 / 35

HEX #76A782

RGB 118 167 130

HSL 134.69, 0.22%, 0.56%

LAB 64.24, -24.16, 13.99

 

CMYK 21 / 29 / 0 / 34

HEX #8478A8

RGB 132 120 168

HSL 255, 0.22%, 0.56%

LAB 53.13, 14.95, -23.93

 

CMYK 0 / 29 / 13 / 35

HEX #A77691

RGB 167 118 145

HSL 326.94, 0.22%, 0.56%

LAB 55.29, 23.5, -6.96

 

CMYK 7 / 0 / 29 / 35

HEX #9BA776

RGB 155 167 118

HSL 74.69, 0.22%, 0.56%

LAB 66.45, -12.7, 23.99

 

CMYK 29 / 0 / 16 / 35

HEX #76A78C

RGB 118 167 140

HSL 146.94, 0.22%, 0.56%

LAB 64.47, -22.18, 8.77

 

CMYK 21 / 29 / 0 / 34

HEX #8478A8

RGB 132 120 168

HSL 255, 0.22%, 0.56%

LAB 53.13, 14.95, -23.93

 

CMYK 0 / 29 / 22 / 35

HEX #A77682

RGB 167 118 130

HSL 345.31, 0.22%, 0.56%

LAB 54.85, 21.03, 1.13

 

CMYK 7 / 0 / 29 / 35

HEX #9BA776

RGB 155 167 118

HSL 74.69, 0.22%, 0.56%

LAB 66.45, -12.7, 23.99

 

CMYK 29 / 0 / 7 / 35

HEX #76A79B

RGB 118 167 155

HSL 165.31, 0.22%, 0.56%

LAB 64.85, -18.96, 0.95

 

Description

Color code: HEX #8478A8 | qconv.com Color code: HEX #8478A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 120 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 120 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 29 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 29% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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