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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #846F22 it is the complementary color #7B90DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #846F22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #846F22 shade: #896F1D, #9A8130, #AB9343, #BCA556 and #CDB769

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #846F22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #846F22 shade: #846F22, #735D0F, #624B00, #513900 and #402700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #846F22 shade: #867123, #865623, #863B23 and #862323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #846F22 shade: #867123, #808623, #668623, #4B8623 and #308623

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #846F22 shade matches the following richer shades: #867123, #937815 and #A18007

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #846F22 shade: #867123, #786930, #6B613E, #5D594B and #4F5159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #846F22 shade: #863B23, #865623, #867023, #818623 and #668623

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #846F22 shade: #443912, #65551A, #867123, #A78C2B and #C7A833

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #846F22 shade: #846F22, #248623 and #492386

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #846F22 shade: #846F22, #238670 and #702386

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #846F22 shade: #846F22, #248623, #233886 and #842386

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #846F22 shade: #846F22, #23863F, #233886 and #86236A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 74 / 48

HEX #846F22

RGB 132 111 34

HSL 47.14, 0.59%, 0.33%

LAB 47.48, -0.52, 43.75

 

Complementary color

CMYK 44 / 35 / 0 / 13

HEX #7B90DD

RGB 123 144 221

HSL 227.14, 0.59%, 0.67%

LAB 61.11, 12.5, -41.64

 

CMYK 0 / 19 / 79 / 46

HEX #896F1D

RGB 137 111 29

HSL 45.56, 0.65%, 0.33%

LAB 47.98, 1.59, 46.44

 

CMYK 0 / 16 / 69 / 40

HEX #9A8130

RGB 154 129 48

HSL 45.85, 0.52%, 0.4%

LAB 54.85, 0.26, 45.84

 

CMYK 0 / 14 / 61 / 33

HEX #AB9343

RGB 171 147 67

HSL 46.15, 0.44%, 0.47%

LAB 61.59, -0.81, 44.77

 

CMYK 0 / 12 / 54 / 26

HEX #BCA556

RGB 188 165 86

HSL 46.47, 0.43%, 0.54%

LAB 68.22, -1.68, 43.55

 

CMYK 0 / 11 / 49 / 20

HEX #CDB769

RGB 205 183 105

HSL 46.8, 0.5%, 0.61%

LAB 74.74, -2.41, 42.29

 

CMYK 0 / 16 / 74 / 48

HEX #846F22

RGB 132 111 34

HSL 47.14, 0.59%, 0.33%

LAB 47.48, -0.52, 43.75

 

CMYK 0 / 19 / 87 / 55

HEX #735D0F

RGB 115 93 15

HSL 46.8, 0.77%, 0.25%

LAB 40.42, 0.98, 43.73

 

CMYK 0 / 23 / 100 / 62

HEX #624B00

RGB 98 75 0

HSL 45.92, 1%, 0.19%

LAB 33.2, 2.91, 41.93

 

CMYK 0 / 30 / 100 / 68

HEX #513900

RGB 81 57 0

HSL 42.22, 1%, 0.16%

LAB 25.79, 5.41, 35.22

 

CMYK 0 / 39 / 100 / 75

HEX #402700

RGB 64 39 0

HSL 36.56, 1%, 0.13%

LAB 18.1, 8.16, 26.34

 

CMYK 0 / 16 / 74 / 47

HEX #867123

RGB 134 113 35

HSL 47.27, 0.59%, 0.33%

LAB 48.26, -0.68, 44.16

 

CMYK 0 / 36 / 74 / 47

HEX #865623

RGB 134 86 35

HSL 30.91, 0.59%, 0.33%

LAB 40.97, 15.08, 36.72

 

CMYK 0 / 56 / 74 / 47

HEX #863B23

RGB 134 59 35

HSL 14.55, 0.59%, 0.33%

LAB 34.64, 30.46, 29.87

 

CMYK 0 / 74 / 74 / 47

HEX #862323

RGB 134 35 35

HSL 0, 0.59%, 0.33%

LAB 30.38, 41.78, 25.02

 

CMYK 0 / 16 / 74 / 47

HEX #867123

RGB 134 113 35

HSL 47.27, 0.59%, 0.33%

LAB 48.26, -0.68, 44.16

 

CMYK 4 / 0 / 74 / 47

HEX #808623

RGB 128 134 35

HSL 63.64, 0.59%, 0.33%

LAB 53.77, -15.05, 49.37

 

CMYK 24 / 0 / 74 / 47

HEX #668623

RGB 102 134 35

HSL 79.39, 0.59%, 0.33%

LAB 51.83, -26.4, 46.82

 

CMYK 44 / 0 / 74 / 47

HEX #4B8623

RGB 75 134 35

HSL 95.76, 0.59%, 0.33%

LAB 50.3, -36.82, 44.77

 

CMYK 64 / 0 / 74 / 47

HEX #308623

RGB 48 134 35

HSL 112.12, 0.59%, 0.33%

LAB 49.25, -44.85, 43.38

 

CMYK 0 / 16 / 74 / 47

HEX #867123

RGB 134 113 35

HSL 47.27, 0.59%, 0.33%

LAB 48.26, -0.68, 44.16

 

CMYK 0 / 18 / 86 / 42

HEX #937815

RGB 147 120 21

HSL 47.14, 0.75%, 0.33%

LAB 51.49, 0.88, 52.67

 

CMYK 0 / 20 / 96 / 37

HEX #A18007

RGB 161 128 7

HSL 47.14, 0.92%, 0.33%

LAB 55.1, 2.62, 59.23

 

CMYK 0 / 16 / 74 / 47

HEX #867123

RGB 134 113 35

HSL 47.27, 0.59%, 0.33%

LAB 48.26, -0.68, 44.16

 

CMYK 0 / 13 / 60 / 53

HEX #786930

RGB 120 105 48

HSL 47.5, 0.43%, 0.33%

LAB 44.67, -1.74, 33.69

 

CMYK 0 / 9 / 42 / 58

HEX #6B613E

RGB 107 97 62

HSL 46.67, 0.27%, 0.33%

LAB 41.25, -1.59, 21.41

 

CMYK 0 / 4 / 19 / 64

HEX #5D594B

RGB 93 89 75

HSL 46.67, 0.11%, 0.33%

LAB 37.81, -1.06, 8.69

 

CMYK 11 / 9 / 0 / 65

HEX #4F5159

RGB 79 81 89

HSL 228, 0.06%, 0.33%

LAB 34.54, 1.02, -4.95

 

CMYK 0 / 56 / 74 / 47

HEX #863B23

RGB 134 59 35

HSL 14.55, 0.59%, 0.33%

LAB 34.64, 30.46, 29.87

 

CMYK 0 / 36 / 74 / 47

HEX #865623

RGB 134 86 35

HSL 30.91, 0.59%, 0.33%

LAB 40.97, 15.08, 36.72

 

CMYK 0 / 16 / 74 / 47

HEX #867023

RGB 134 112 35

HSL 46.67, 0.59%, 0.33%

LAB 47.98, -0.1, 43.88

 

CMYK 4 / 0 / 74 / 47

HEX #818623

RGB 129 134 35

HSL 63.03, 0.59%, 0.33%

LAB 53.86, -14.6, 49.48

 

CMYK 24 / 0 / 74 / 47

HEX #668623

RGB 102 134 35

HSL 79.39, 0.59%, 0.33%

LAB 51.83, -26.4, 46.82

 

CMYK 0 / 16 / 74 / 73

HEX #443912

RGB 68 57 18

HSL 46.8, 0.58%, 0.17%

LAB 24.32, -0.51, 25.33

 

CMYK 0 / 16 / 74 / 60

HEX #65551A

RGB 101 85 26

HSL 47.2, 0.59%, 0.25%

LAB 36.63, -0.63, 35.32

 

CMYK 0 / 16 / 74 / 47

HEX #867123

RGB 134 113 35

HSL 47.27, 0.59%, 0.33%

LAB 48.26, -0.68, 44.16

 

CMYK 0 / 16 / 74 / 35

HEX #A78C2B

RGB 167 140 43

HSL 46.94, 0.59%, 0.41%

LAB 59.11, -0.21, 52.69

 

CMYK 0 / 16 / 74 / 22

HEX #C7A833

RGB 199 168 51

HSL 47.43, 0.59%, 0.49%

LAB 69.74, -0.75, 60.98

 

CMYK 0 / 16 / 74 / 48

HEX #846F22

RGB 132 111 34

HSL 47.14, 0.59%, 0.33%

LAB 47.48, -0.52, 43.75

 

CMYK 73 / 0 / 74 / 47

HEX #248623

RGB 36 134 35

HSL 119.39, 0.59%, 0.33%

LAB 48.94, -47.42, 42.96

 

CMYK 46 / 74 / 0 / 47

HEX #492386

RGB 73 35 134

HSL 263.03, 0.59%, 0.33%

LAB 24.76, 40.19, -48.81

 

CMYK 0 / 16 / 74 / 48

HEX #846F22

RGB 132 111 34

HSL 47.14, 0.59%, 0.33%

LAB 47.48, -0.52, 43.75

 

CMYK 74 / 0 / 16 / 47

HEX #238670

RGB 35 134 112

HSL 166.67, 0.59%, 0.33%

LAB 50.19, -33.47, 3.8

 

CMYK 16 / 74 / 0 / 47

HEX #702386

RGB 112 35 134

HSL 286.67, 0.59%, 0.33%

LAB 30.32, 48.25, -39.54

 

CMYK 0 / 16 / 74 / 48

HEX #846F22

RGB 132 111 34

HSL 47.14, 0.59%, 0.33%

LAB 47.48, -0.52, 43.75

 

CMYK 73 / 0 / 74 / 47

HEX #248623

RGB 36 134 35

HSL 119.39, 0.59%, 0.33%

LAB 48.94, -47.42, 42.96

 

CMYK 74 / 58 / 0 / 47

HEX #233886

RGB 35 56 134

HSL 227.27, 0.59%, 0.33%

LAB 26.47, 20.47, -46.17

 

CMYK 1 / 74 / 0 / 47

HEX #842386

RGB 132 35 134

HSL 298.79, 0.59%, 0.33%

LAB 33.62, 52.78, -34.08

 

CMYK 0 / 16 / 74 / 48

HEX #846F22

RGB 132 111 34

HSL 47.14, 0.59%, 0.33%

LAB 47.48, -0.52, 43.75

 

CMYK 74 / 0 / 53 / 47

HEX #23863F

RGB 35 134 63

HSL 136.97, 0.59%, 0.33%

LAB 49.21, -44.14, 30.09

 

CMYK 74 / 58 / 0 / 47

HEX #233886

RGB 35 56 134

HSL 227.27, 0.59%, 0.33%

LAB 26.47, 20.47, -46.17

 

CMYK 0 / 74 / 21 / 47

HEX #86236A

RGB 134 35 106

HSL 316.97, 0.59%, 0.33%

LAB 32.5, 48.77, -18.17

 

Description

Color code: HEX #846F22 | qconv.com Color code: HEX #846F22 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 111 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 111 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 74 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 74% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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