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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8466CE it is the complementary color #7B9931. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8466CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8466CE shade: #8966C9, #9A78DC, #AB8AEF, #BC9CFF and #CDAEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8466CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8466CE shade: #8466CE, #7354BB, #6242A8, #513095 and #401E82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8466CE shade: #8365CD, #9F65CD, #BB65CD, #CD65C3 and #CD65A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8466CE shade: #8365CD, #6765CD and #6565CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8466CE shade matches the following richer shades: #8365CD, #7C54DE, #7544EE and #6E33FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8466CE shade: #8365CD, #8A75BD, #9186AC, #98969C and #9FA78B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8466CE shade: #657FCD, #6765CD, #8265CD, #9E65CD and #BA65CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8466CE shade: #5837A9, #6A46C3, #8365CD, #9C84D7 and #B5A3E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8466CE shade: #8466CE, #CD659B and #71CD65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8466CE shade: #8466CE, #CD8265 and #65CD82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8466CE shade: #8466CE, #CD659B, #B0CD65 and #65CD97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8466CE shade: #8466CE, #CD657C, #B0CD65 and #65CDB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 50 / 0 / 19

HEX #8466CE

RGB 132 102 206

HSL 257.31, 0.51%, 0.6%

LAB 50.53, 35.33, -49.89

 

Complementary color

CMYK 20 / 0 / 68 / 40

HEX #7B9931

RGB 123 153 49

HSL 77.31, 0.51%, 0.4%

LAB 59.17, -26.06, 49.11

 

CMYK 32 / 49 / 0 / 21

HEX #8966C9

RGB 137 102 201

HSL 261.21, 0.48%, 0.59%

LAB 50.73, 35.31, -46.68

 

CMYK 30 / 45 / 0 / 14

HEX #9A78DC

RGB 154 120 220

HSL 260.4, 0.59%, 0.67%

LAB 57.53, 34.34, -46.56

 

CMYK 28 / 42 / 0 / 6

HEX #AB8AEF

RGB 171 138 239

HSL 259.6, 0.76%, 0.74%

LAB 64.22, 33.45, -46.47

 

CMYK 26 / 39 / 0 / 0

HEX #BC9CFF

RGB 188 156 255

HSL 259.39, 1%, 0.81%

LAB 70.66, 31.93, -44.99

 

CMYK 20 / 32 / 0 / 0

HEX #CDAEFF

RGB 205 174 255

HSL 262.96, 1%, 0.84%

LAB 76.36, 26.89, -35.99

 

CMYK 36 / 50 / 0 / 19

HEX #8466CE

RGB 132 102 206

HSL 257.31, 0.51%, 0.6%

LAB 50.53, 35.33, -49.89

 

CMYK 39 / 55 / 0 / 27

HEX #7354BB

RGB 115 84 187

HSL 258.06, 0.43%, 0.53%

LAB 43.61, 36.47, -50.08

 

CMYK 42 / 61 / 0 / 34

HEX #6242A8

RGB 98 66 168

HSL 258.82, 0.44%, 0.46%

LAB 36.59, 37.69, -50.26

 

CMYK 46 / 68 / 0 / 42

HEX #513095

RGB 81 48 149

HSL 259.6, 0.51%, 0.39%

LAB 29.5, 38.95, -50.35

 

CMYK 51 / 77 / 0 / 49

HEX #401E82

RGB 64 30 130

HSL 260.4, 0.63%, 0.31%

LAB 22.41, 40.04, -50.19

 

CMYK 36 / 51 / 0 / 20

HEX #8365CD

RGB 131 101 205

HSL 257.31, 0.51%, 0.6%

LAB 50.15, 35.39, -49.94

 

CMYK 22 / 51 / 0 / 20

HEX #9F65CD

RGB 159 101 205

HSL 273.46, 0.51%, 0.6%

LAB 53.04, 42.72, -45.15

 

CMYK 9 / 51 / 0 / 20

HEX #BB65CD

RGB 187 101 205

HSL 289.62, 0.51%, 0.6%

LAB 56.37, 50.39, -39.69

 

CMYK 0 / 51 / 5 / 20

HEX #CD65C3

RGB 205 101 195

HSL 305.77, 0.51%, 0.6%

LAB 58.25, 53.65, -30.87

 

CMYK 0 / 51 / 19 / 20

HEX #CD65A7

RGB 205 101 167

HSL 321.92, 0.51%, 0.6%

LAB 57.15, 49.14, -16.47

 

CMYK 36 / 51 / 0 / 20

HEX #8365CD

RGB 131 101 205

HSL 257.31, 0.51%, 0.6%

LAB 50.15, 35.39, -49.94

 

CMYK 50 / 51 / 0 / 20

HEX #6765CD

RGB 103 101 205

HSL 241.15, 0.51%, 0.6%

LAB 47.75, 28.76, -53.91

 

CMYK 51 / 51 / 0 / 20

HEX #6565CD

RGB 101 101 205

HSL 240, 0.51%, 0.6%

LAB 47.6, 28.32, -54.16

 

CMYK 36 / 51 / 0 / 20

HEX #8365CD

RGB 131 101 205

HSL 257.31, 0.51%, 0.6%

LAB 50.15, 35.39, -49.94

 

CMYK 44 / 62 / 0 / 13

HEX #7C54DE

RGB 124 84 222

HSL 257.39, 0.68%, 0.6%

LAB 46.84, 48.06, -64.98

 

CMYK 51 / 71 / 0 / 7

HEX #7544EE

RGB 117 68 238

HSL 257.29, 0.83%, 0.6%

LAB 44.36, 59.48, -78.11

 

CMYK 57 / 80 / 0 / 0

HEX #6E33FF

RGB 110 51 255

HSL 257.35, 1%, 0.6%

LAB 42.62, 70.52, -90.55

 

CMYK 36 / 51 / 0 / 20

HEX #8365CD

RGB 131 101 205

HSL 257.31, 0.51%, 0.6%

LAB 50.15, 35.39, -49.94

 

CMYK 27 / 38 / 0 / 26

HEX #8A75BD

RGB 138 117 189

HSL 257.5, 0.35%, 0.6%

LAB 53.81, 23.77, -34.93

 

CMYK 16 / 22 / 0 / 33

HEX #9186AC

RGB 145 134 172

HSL 257.37, 0.19%, 0.6%

LAB 58.08, 11.97, -18.55

 

CMYK 3 / 4 / 0 / 39

HEX #98969C

RGB 152 150 156

HSL 260, 0.03%, 0.6%

LAB 62.41, 1.9, -2.9

 

CMYK 5 / 0 / 17 / 35

HEX #9FA78B

RGB 159 167 139

HSL 77.14, 0.14%, 0.6%

LAB 67.18, -7.91, 13.54

 

CMYK 51 / 38 / 0 / 20

HEX #657FCD

RGB 101 127 205

HSL 225, 0.51%, 0.6%

LAB 54.4, 12.48, -43.32

 

CMYK 50 / 51 / 0 / 20

HEX #6765CD

RGB 103 101 205

HSL 241.15, 0.51%, 0.6%

LAB 47.75, 28.76, -53.91

 

CMYK 37 / 51 / 0 / 20

HEX #8265CD

RGB 130 101 205

HSL 256.73, 0.51%, 0.6%

LAB 50.05, 35.14, -50.1

 

CMYK 23 / 51 / 0 / 20

HEX #9E65CD

RGB 158 101 205

HSL 272.88, 0.51%, 0.6%

LAB 52.93, 42.45, -45.34

 

CMYK 9 / 51 / 0 / 20

HEX #BA65CD

RGB 186 101 205

HSL 289.04, 0.51%, 0.6%

LAB 56.24, 50.12, -39.89

 

CMYK 48 / 67 / 0 / 34

HEX #5837A9

RGB 88 55 169

HSL 257.37, 0.51%, 0.44%

LAB 33.29, 42.17, -56.27

 

CMYK 46 / 64 / 0 / 24

HEX #6A46C3

RGB 106 70 195

HSL 257.28, 0.51%, 0.52%

LAB 40.22, 44.72, -60.27

 

CMYK 36 / 51 / 0 / 20

HEX #8365CD

RGB 131 101 205

HSL 257.31, 0.51%, 0.6%

LAB 50.15, 35.39, -49.94

 

CMYK 27 / 39 / 0 / 16

HEX #9C84D7

RGB 156 132 215

HSL 257.35, 0.51%, 0.68%

LAB 60.32, 26.77, -39.36

 

CMYK 20 / 28 / 0 / 12

HEX #B5A3E1

RGB 181 163 225

HSL 257.42, 0.51%, 0.76%

LAB 70.49, 19.02, -28.92

 

CMYK 36 / 50 / 0 / 19

HEX #8466CE

RGB 132 102 206

HSL 257.31, 0.51%, 0.6%

LAB 50.53, 35.33, -49.89

 

CMYK 0 / 51 / 24 / 20

HEX #CD659B

RGB 205 101 155

HSL 328.85, 0.51%, 0.6%

LAB 56.74, 47.4, -10.13

 

CMYK 45 / 0 / 51 / 20

HEX #71CD65

RGB 113 205 101

HSL 113.08, 0.51%, 0.6%

LAB 74.9, -47.66, 43.09

 

CMYK 36 / 50 / 0 / 19

HEX #8466CE

RGB 132 102 206

HSL 257.31, 0.51%, 0.6%

LAB 50.53, 35.33, -49.89

 

CMYK 0 / 37 / 51 / 20

HEX #CD8265

RGB 205 130 101

HSL 16.73, 0.51%, 0.6%

LAB 61.55, 25.82, 27.72

 

CMYK 51 / 0 / 37 / 20

HEX #65CD82

RGB 101 205 130

HSL 136.73, 0.51%, 0.6%

LAB 74.85, -46.59, 28.34

 

CMYK 36 / 50 / 0 / 19

HEX #8466CE

RGB 132 102 206

HSL 257.31, 0.51%, 0.6%

LAB 50.53, 35.33, -49.89

 

CMYK 0 / 51 / 24 / 20

HEX #CD659B

RGB 205 101 155

HSL 328.85, 0.51%, 0.6%

LAB 56.74, 47.4, -10.13

 

CMYK 14 / 0 / 51 / 20

HEX #B0CD65

RGB 176 205 101

HSL 76.73, 0.51%, 0.6%

LAB 78.36, -25.65, 48.1

 

CMYK 51 / 0 / 26 / 20

HEX #65CD97

RGB 101 205 151

HSL 148.85, 0.51%, 0.6%

LAB 75.24, -42.63, 17.82

 

CMYK 36 / 50 / 0 / 19

HEX #8466CE

RGB 132 102 206

HSL 257.31, 0.51%, 0.6%

LAB 50.53, 35.33, -49.89

 

CMYK 0 / 51 / 40 / 20

HEX #CD657C

RGB 205 101 124

HSL 346.73, 0.51%, 0.6%

LAB 55.83, 43.47, 6.68

 

CMYK 14 / 0 / 51 / 20

HEX #B0CD65

RGB 176 205 101

HSL 76.73, 0.51%, 0.6%

LAB 78.36, -25.65, 48.1

 

CMYK 51 / 0 / 11 / 20

HEX #65CDB6

RGB 101 205 182

HSL 166.73, 0.51%, 0.6%

LAB 75.95, -35.78, 2.21

 

Description

Color code: HEX #8466CE | qconv.com Color code: HEX #8466CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 102 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 102 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 50 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 50% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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