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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #845DBE it is the complementary color #7BA241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #845DBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #845DBE shade: #895DB9, #9A6FCC, #AB81DF, #BC93F2 and #CDA5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #845DBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #845DBE shade: #845DBE, #734BAB, #623998, #512785 and #401572

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #845DBE shade: #835BBE, #9D5BBE, #B85BBE, #BE5BA9 and #BE5B8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #845DBE shade: #835BBE, #685BBE and #5B5BBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #845DBE shade matches the following richer shades: #835BBE, #7F48D0, #7B36E3 and #7823F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #845DBE shade: #835BBE, #866DAB, #8A8098, #8D9386 and #91A573

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #845DBE shade: #5B68BE, #685BBE, #825BBE, #9D5BBE and #B75BBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #845DBE shade: #5B388E, #6E44AB, #835BBE, #9978C9 and #AF96D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #845DBE shade: #845DBE, #BE5B82 and #5BBE5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #845DBE shade: #845DBE, #BE825B and #5BBE82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #845DBE shade: #845DBE, #BE5B82, #96BE5B and #5BBE96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #845DBE shade: #845DBE, #BE5B65, #96BE5B and #5BBEB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 51 / 0 / 25

HEX #845DBE

RGB 132 93 190

HSL 264.12, 0.43%, 0.55%

LAB 47.56, 36.35, -45.42

 

Complementary color

CMYK 24 / 0 / 60 / 36

HEX #7BA241

RGB 123 162 65

HSL 84.12, 0.43%, 0.45%

LAB 62.03, -29.13, 45.16

 

CMYK 26 / 50 / 0 / 27

HEX #895DB9

RGB 137 93 185

HSL 268.7, 0.4%, 0.55%

LAB 47.82, 36.45, -42.08

 

CMYK 25 / 46 / 0 / 20

HEX #9A6FCC

RGB 154 111 204

HSL 267.74, 0.48%, 0.62%

LAB 54.66, 35.54, -42.07

 

CMYK 23 / 42 / 0 / 13

HEX #AB81DF

RGB 171 129 223

HSL 266.81, 0.59%, 0.69%

LAB 61.38, 34.68, -42.06

 

CMYK 22 / 39 / 0 / 5

HEX #BC93F2

RGB 188 147 242

HSL 265.89, 0.79%, 0.76%

LAB 68, 33.89, -42.07

 

CMYK 20 / 35 / 0 / 0

HEX #CDA5FF

RGB 205 165 255

HSL 266.67, 1%, 0.82%

LAB 74.26, 31.81, -39.25

 

CMYK 31 / 51 / 0 / 25

HEX #845DBE

RGB 132 93 190

HSL 264.12, 0.43%, 0.55%

LAB 47.56, 36.35, -45.42

 

CMYK 33 / 56 / 0 / 33

HEX #734BAB

RGB 115 75 171

HSL 265, 0.39%, 0.48%

LAB 40.6, 37.39, -45.51

 

CMYK 36 / 63 / 0 / 40

HEX #623998

RGB 98 57 152

HSL 265.89, 0.45%, 0.41%

LAB 33.54, 38.45, -45.54

 

CMYK 39 / 71 / 0 / 48

HEX #512785

RGB 81 39 133

HSL 266.81, 0.55%, 0.34%

LAB 26.43, 39.41, -45.43

 

CMYK 44 / 82 / 0 / 55

HEX #401572

RGB 64 21 114

HSL 267.74, 0.69%, 0.26%

LAB 19.4, 39.88, -44.91

 

CMYK 31 / 52 / 0 / 25

HEX #835BBE

RGB 131 91 190

HSL 264.24, 0.43%, 0.55%

LAB 47.01, 37.24, -46.31

 

CMYK 17 / 52 / 0 / 25

HEX #9D5BBE

RGB 157 91 190

HSL 280, 0.43%, 0.55%

LAB 49.94, 44.22, -41.47

 

CMYK 3 / 52 / 0 / 25

HEX #B85BBE

RGB 184 91 190

HSL 296.36, 0.43%, 0.55%

LAB 53.37, 51.69, -35.83

 

CMYK 0 / 52 / 11 / 25

HEX #BE5BA9

RGB 190 91 169

HSL 312.73, 0.43%, 0.55%

LAB 53.27, 49.76, -23.75

 

CMYK 0 / 52 / 25 / 25

HEX #BE5B8E

RGB 190 91 142

HSL 329.09, 0.43%, 0.55%

LAB 52.27, 45.64, -9.41

 

CMYK 31 / 52 / 0 / 25

HEX #835BBE

RGB 131 91 190

HSL 264.24, 0.43%, 0.55%

LAB 47.01, 37.24, -46.31

 

CMYK 45 / 52 / 0 / 25

HEX #685BBE

RGB 104 91 190

HSL 247.88, 0.43%, 0.55%

LAB 44.44, 30.53, -50.57

 

CMYK 52 / 52 / 0 / 25

HEX #5B5BBE

RGB 91 91 190

HSL 240, 0.43%, 0.55%

LAB 43.4, 27.62, -52.3

 

CMYK 31 / 52 / 0 / 25

HEX #835BBE

RGB 131 91 190

HSL 264.24, 0.43%, 0.55%

LAB 47.01, 37.24, -46.31

 

CMYK 39 / 65 / 0 / 18

HEX #7F48D0

RGB 127 72 208

HSL 264.26, 0.59%, 0.55%

LAB 43.8, 51.33, -61.89

 

CMYK 46 / 76 / 0 / 11

HEX #7B36E3

RGB 123 54 227

HSL 263.93, 0.76%, 0.55%

LAB 41.84, 63.86, -75.99

 

CMYK 51 / 86 / 0 / 4

HEX #7823F5

RGB 120 35 245

HSL 264.29, 0.91%, 0.55%

LAB 40.88, 74.47, -87.78

 

CMYK 31 / 52 / 0 / 25

HEX #835BBE

RGB 131 91 190

HSL 264.24, 0.43%, 0.55%

LAB 47.01, 37.24, -46.31

 

CMYK 22 / 36 / 0 / 33

HEX #866DAB

RGB 134 109 171

HSL 264.19, 0.27%, 0.55%

LAB 50.62, 22.82, -29.54

 

CMYK 9 / 16 / 0 / 40

HEX #8A8098

RGB 138 128 152

HSL 265, 0.1%, 0.55%

LAB 55.18, 8.62, -11.49

 

CMYK 4 / 0 / 9 / 42

HEX #8D9386

RGB 141 147 134

HSL 87.69, 0.06%, 0.55%

LAB 60.12, -4.67, 6.13

 

CMYK 12 / 0 / 30 / 35

HEX #91A573

RGB 145 165 115

HSL 84, 0.22%, 0.55%

LAB 65.1, -15.96, 23.67

 

CMYK 52 / 45 / 0 / 25

HEX #5B68BE

RGB 91 104 190

HSL 232.12, 0.43%, 0.55%

LAB 46.77, 19.53, -46.89

 

CMYK 45 / 52 / 0 / 25

HEX #685BBE

RGB 104 91 190

HSL 247.88, 0.43%, 0.55%

LAB 44.44, 30.53, -50.57

 

CMYK 32 / 52 / 0 / 25

HEX #825BBE

RGB 130 91 190

HSL 263.64, 0.43%, 0.55%

LAB 46.9, 36.98, -46.48

 

CMYK 17 / 52 / 0 / 25

HEX #9D5BBE

RGB 157 91 190

HSL 280, 0.43%, 0.55%

LAB 49.94, 44.22, -41.47

 

CMYK 4 / 52 / 0 / 25

HEX #B75BBE

RGB 183 91 190

HSL 295.76, 0.43%, 0.55%

LAB 53.24, 51.42, -36.05

 

CMYK 36 / 61 / 0 / 44

HEX #5B388E

RGB 91 56 142

HSL 264.42, 0.43%, 0.39%

LAB 31.82, 34.64, -42.24

 

CMYK 36 / 60 / 0 / 33

HEX #6E44AB

RGB 110 68 171

HSL 264.47, 0.43%, 0.47%

LAB 38.53, 40.15, -48.86

 

CMYK 31 / 52 / 0 / 25

HEX #835BBE

RGB 131 91 190

HSL 264.24, 0.43%, 0.55%

LAB 47.01, 37.24, -46.31

 

CMYK 24 / 40 / 0 / 21

HEX #9978C9

RGB 153 120 201

HSL 264.44, 0.43%, 0.63%

LAB 56.51, 29.39, -37.46

 

CMYK 18 / 30 / 0 / 16

HEX #AF96D5

RGB 175 150 213

HSL 263.81, 0.43%, 0.71%

LAB 66.31, 21.75, -28.79

 

CMYK 31 / 51 / 0 / 25

HEX #845DBE

RGB 132 93 190

HSL 264.12, 0.43%, 0.55%

LAB 47.56, 36.35, -45.42

 

CMYK 0 / 52 / 32 / 25

HEX #BE5B82

RGB 190 91 130

HSL 336.36, 0.43%, 0.55%

LAB 51.88, 44.03, -2.86

 

CMYK 52 / 0 / 52 / 25

HEX #5BBE5B

RGB 91 190 91

HSL 120, 0.43%, 0.55%

LAB 69.33, -49.1, 40.96

 

CMYK 31 / 51 / 0 / 25

HEX #845DBE

RGB 132 93 190

HSL 264.12, 0.43%, 0.55%

LAB 47.56, 36.35, -45.42

 

CMYK 0 / 32 / 52 / 25

HEX #BE825B

RGB 190 130 91

HSL 23.64, 0.43%, 0.55%

LAB 59.59, 18.76, 30.35

 

CMYK 52 / 0 / 32 / 25

HEX #5BBE82

RGB 91 190 130

HSL 143.64, 0.43%, 0.55%

LAB 69.94, -42.73, 21.66

 

CMYK 31 / 51 / 0 / 25

HEX #845DBE

RGB 132 93 190

HSL 264.12, 0.43%, 0.55%

LAB 47.56, 36.35, -45.42

 

CMYK 0 / 52 / 32 / 25

HEX #BE5B82

RGB 190 91 130

HSL 336.36, 0.43%, 0.55%

LAB 51.88, 44.03, -2.86

 

CMYK 21 / 0 / 52 / 25

HEX #96BE5B

RGB 150 190 91

HSL 84.24, 0.43%, 0.55%

LAB 72.27, -29.49, 45.2

 

CMYK 52 / 0 / 21 / 25

HEX #5BBE96

RGB 91 190 150

HSL 155.76, 0.43%, 0.55%

LAB 70.35, -38.6, 11.45

 

CMYK 31 / 51 / 0 / 25

HEX #845DBE

RGB 132 93 190

HSL 264.12, 0.43%, 0.55%

LAB 47.56, 36.35, -45.42

 

CMYK 0 / 52 / 47 / 25

HEX #BE5B65

RGB 190 91 101

HSL 353.94, 0.43%, 0.55%

LAB 51.12, 40.71, 13.33

 

CMYK 21 / 0 / 52 / 25

HEX #96BE5B

RGB 150 190 91

HSL 84.24, 0.43%, 0.55%

LAB 72.27, -29.49, 45.2

 

CMYK 52 / 0 / 5 / 25

HEX #5BBEB4

RGB 91 190 180

HSL 173.94, 0.43%, 0.55%

LAB 71.11, -31.42, -3.83

 

Description

Color code: HEX #845DBE | qconv.com Color code: HEX #845DBE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 93 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 93 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 51 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 51% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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