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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84595F it is the complementary color #7BA6A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84595F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84595F shade: #89595A, #9A6B6D, #AB7D80, #BC8F93 and #CDA1A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84595F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84595F shade: #84595F, #73474C, #623539, #512326 and #401113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84595F shade: #82595F and #825959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84595F shade: #82595F, #82596A, #825975, #825980 and #795982

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84595F shade matches the following richer shades: #82595F, #944752, #A63545, #B82438 and #C9122B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84595F shade: #82595F, #716B6B, #5F7C78, #4D8E85 and #3CA092

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84595F shade: #825975, #82596A, #82595F, #825E59 and #826959

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84595F shade: #51373B, #6A484D, #82595F, #9A6B71 and #AB8389

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84595F shade: #84595F, #808259 and #597082

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84595F shade: #84595F, #5F8259 and #595F82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84595F shade: #84595F, #808259, #59827C and #5B5982

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84595F shade: #84595F, #748259, #59827C and #675982

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 28 / 48

HEX #84595F

RGB 132 89 95

HSL 351.63, 0.19%, 0.43%

LAB 42.58, 18.64, 3.76

 

Complementary color

CMYK 26 / 0 / 4 / 35

HEX #7BA6A0

RGB 123 166 160

HSL 171.63, 0.19%, 0.57%

LAB 64.98, -15.77, -1.61

 

CMYK 0 / 35 / 34 / 46

HEX #89595A

RGB 137 89 90

HSL 358.75, 0.21%, 0.44%

LAB 43.07, 19.95, 7.6

 

CMYK 0 / 31 / 29 / 40

HEX #9A6B6D

RGB 154 107 109

HSL 357.45, 0.19%, 0.51%

LAB 50.08, 19.07, 6.43

 

CMYK 0 / 27 / 25 / 33

HEX #AB7D80

RGB 171 125 128

HSL 356.09, 0.21%, 0.58%

LAB 56.96, 18.3, 5.41

 

CMYK 0 / 24 / 22 / 26

HEX #BC8F93

RGB 188 143 147

HSL 354.67, 0.25%, 0.65%

LAB 63.71, 17.62, 4.49

 

CMYK 0 / 21 / 19 / 20

HEX #CDA1A6

RGB 205 161 166

HSL 353.18, 0.31%, 0.72%

LAB 70.33, 17.02, 3.64

 

CMYK 0 / 33 / 28 / 48

HEX #84595F

RGB 132 89 95

HSL 351.63, 0.19%, 0.43%

LAB 42.58, 18.64, 3.76

 

CMYK 0 / 38 / 34 / 55

HEX #73474C

RGB 115 71 76

HSL 353.18, 0.24%, 0.36%

LAB 35.35, 19.56, 4.93

 

CMYK 0 / 46 / 42 / 62

HEX #623539

RGB 98 53 57

HSL 354.67, 0.3%, 0.3%

LAB 27.95, 20.63, 6.37

 

CMYK 0 / 57 / 53 / 68

HEX #512326

RGB 81 35 38

HSL 356.09, 0.4%, 0.23%

LAB 20.41, 21.85, 8.28

 

CMYK 0 / 73 / 70 / 75

HEX #401113

RGB 64 17 19

HSL 357.45, 0.58%, 0.16%

LAB 12.85, 23, 10.93

 

CMYK 0 / 32 / 27 / 49

HEX #82595F

RGB 130 89 95

HSL 351.22, 0.19%, 0.43%

LAB 42.33, 17.82, 3.38

 

CMYK 0 / 32 / 32 / 49

HEX #825959

RGB 130 89 89

HSL 0, 0.19%, 0.43%

LAB 42.17, 16.92, 6.82

 

CMYK 0 / 32 / 27 / 49

HEX #82595F

RGB 130 89 95

HSL 351.22, 0.19%, 0.43%

LAB 42.33, 17.82, 3.38

 

CMYK 0 / 32 / 18 / 49

HEX #82596A

RGB 130 89 106

HSL 335.12, 0.19%, 0.43%

LAB 42.66, 19.62, -2.89

 

CMYK 0 / 32 / 10 / 49

HEX #825975

RGB 130 89 117

HSL 319.02, 0.19%, 0.43%

LAB 43.03, 21.59, -9.06

 

CMYK 0 / 32 / 2 / 49

HEX #825980

RGB 130 89 128

HSL 302.93, 0.19%, 0.43%

LAB 43.43, 23.73, -15.14

 

CMYK 7 / 32 / 0 / 49

HEX #795982

RGB 121 89 130

HSL 286.83, 0.19%, 0.43%

LAB 42.49, 20.97, -17.88

 

CMYK 0 / 32 / 27 / 49

HEX #82595F

RGB 130 89 95

HSL 351.22, 0.19%, 0.43%

LAB 42.33, 17.82, 3.38

 

CMYK 0 / 52 / 45 / 42

HEX #944752

RGB 148 71 82

HSL 351.43, 0.35%, 0.43%

LAB 40.27, 33.49, 8.8

 

CMYK 0 / 68 / 58 / 35

HEX #A63545

RGB 166 53 69

HSL 351.5, 0.52%, 0.43%

LAB 39.72, 47.35, 16.65

 

CMYK 0 / 80 / 70 / 28

HEX #B82438

RGB 184 36 56

HSL 351.89, 0.67%, 0.43%

LAB 40.8, 58, 26.81

 

CMYK 0 / 91 / 79 / 21

HEX #C9122B

RGB 201 18 43

HSL 351.8, 0.84%, 0.43%

LAB 42.8, 65.79, 37.82

 

CMYK 0 / 32 / 27 / 49

HEX #82595F

RGB 130 89 95

HSL 351.22, 0.19%, 0.43%

LAB 42.33, 17.82, 3.38

 

CMYK 0 / 5 / 5 / 56

HEX #716B6B

RGB 113 107 107

HSL 0, 0.03%, 0.43%

LAB 45.75, 2.34, 0.83

 

CMYK 23 / 0 / 3 / 51

HEX #5F7C78

RGB 95 124 120

HSL 171.72, 0.13%, 0.43%

LAB 49.74, -11.28, -1.23

 

CMYK 46 / 0 / 6 / 44

HEX #4D8E85

RGB 77 142 133

HSL 171.69, 0.3%, 0.43%

LAB 54.68, -23.11, -1.68

 

CMYK 63 / 0 / 9 / 37

HEX #3CA092

RGB 60 160 146

HSL 171.6, 0.45%, 0.43%

LAB 60.05, -32.28, -1.3

 

CMYK 0 / 32 / 10 / 49

HEX #825975

RGB 130 89 117

HSL 319.02, 0.19%, 0.43%

LAB 43.03, 21.59, -9.06

 

CMYK 0 / 32 / 18 / 49

HEX #82596A

RGB 130 89 106

HSL 335.12, 0.19%, 0.43%

LAB 42.66, 19.62, -2.89

 

CMYK 0 / 32 / 27 / 49

HEX #82595F

RGB 130 89 95

HSL 351.22, 0.19%, 0.43%

LAB 42.33, 17.82, 3.38

 

CMYK 0 / 28 / 32 / 49

HEX #825E59

RGB 130 94 89

HSL 7.32, 0.19%, 0.43%

LAB 43.47, 13.95, 8.65

 

CMYK 0 / 19 / 32 / 49

HEX #826959

RGB 130 105 89

HSL 23.41, 0.19%, 0.43%

LAB 46.41, 7.44, 12.76

 

CMYK 0 / 32 / 27 / 68

HEX #51373B

RGB 81 55 59

HSL 350.77, 0.19%, 0.27%

LAB 26.15, 12.29, 2.16

 

CMYK 0 / 32 / 27 / 58

HEX #6A484D

RGB 106 72 77

HSL 351.18, 0.19%, 0.35%

LAB 34.47, 15.33, 2.88

 

CMYK 0 / 32 / 27 / 49

HEX #82595F

RGB 130 89 95

HSL 351.22, 0.19%, 0.43%

LAB 42.33, 17.82, 3.38

 

CMYK 0 / 31 / 27 / 40

HEX #9A6B71

RGB 154 107 113

HSL 352.34, 0.19%, 0.51%

LAB 50.19, 19.66, 4.21

 

CMYK 0 / 23 / 20 / 33

HEX #AB8389

RGB 171 131 137

HSL 351, 0.19%, 0.59%

LAB 58.69, 16.3, 2.71

 

CMYK 0 / 33 / 28 / 48

HEX #84595F

RGB 132 89 95

HSL 351.63, 0.19%, 0.43%

LAB 42.58, 18.64, 3.76

 

CMYK 2 / 0 / 32 / 49

HEX #808259

RGB 128 130 89

HSL 62.93, 0.19%, 0.43%

LAB 53.25, -7.75, 22

 

CMYK 32 / 14 / 0 / 49

HEX #597082

RGB 89 112 130

HSL 206.34, 0.19%, 0.43%

LAB 46.07, -3.86, -12.67

 

CMYK 0 / 33 / 28 / 48

HEX #84595F

RGB 132 89 95

HSL 351.63, 0.19%, 0.43%

LAB 42.58, 18.64, 3.76

 

CMYK 27 / 0 / 32 / 49

HEX #5F8259

RGB 95 130 89

HSL 111.22, 0.19%, 0.43%

LAB 50.83, -20.85, 18.33

 

CMYK 32 / 27 / 0 / 49

HEX #595F82

RGB 89 95 130

HSL 231.22, 0.19%, 0.43%

LAB 41.09, 6.43, -20.29

 

CMYK 0 / 33 / 28 / 48

HEX #84595F

RGB 132 89 95

HSL 351.63, 0.19%, 0.43%

LAB 42.58, 18.64, 3.76

 

CMYK 2 / 0 / 32 / 49

HEX #808259

RGB 128 130 89

HSL 62.93, 0.19%, 0.43%

LAB 53.25, -7.75, 22

 

CMYK 32 / 0 / 5 / 49

HEX #59827C

RGB 89 130 124

HSL 171.22, 0.19%, 0.43%

LAB 51.32, -15.59, -1.31

 

CMYK 30 / 32 / 0 / 49

HEX #5B5982

RGB 91 89 130

HSL 242.93, 0.19%, 0.43%

LAB 39.55, 10.82, -22.66

 

CMYK 0 / 33 / 28 / 48

HEX #84595F

RGB 132 89 95

HSL 351.63, 0.19%, 0.43%

LAB 42.58, 18.64, 3.76

 

CMYK 11 / 0 / 32 / 49

HEX #748259

RGB 116 130 89

HSL 80.49, 0.19%, 0.43%

LAB 52.29, -12.69, 20.55

 

CMYK 32 / 0 / 5 / 49

HEX #59827C

RGB 89 130 124

HSL 171.22, 0.19%, 0.43%

LAB 51.32, -15.59, -1.31

 

CMYK 21 / 32 / 0 / 49

HEX #675982

RGB 103 89 130

HSL 260.49, 0.19%, 0.43%

LAB 40.64, 14.77, -20.89

 

Description

Color code: HEX #84595F | qconv.com Color code: HEX #84595F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 89 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 89 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 28 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 28% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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