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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #845917 it is the complementary color #7BA6E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #845917. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #845917 shade: #895912, #9A6B25, #AB7D38, #BC8F4B and #CDA15E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #845917. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #845917 shade: #845917, #734704, #623500, #512300 and #401100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #845917 shade: #825817, #823B17, #821E17 and #821717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #845917 shade: #825817, #827517, #738217, #568217 and #398217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #845917 shade matches the following richer shades: #825817 and #8E5A0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #845917 shade: #825817, #765523, #695330, #5D503C and #514D48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #845917 shade: #821E17, #823B17, #825717, #827417 and #748217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #845917 shade: #3C280B, #5F4011, #825817, #A56F1D and #C88723

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #845917 shade: #845917, #2C8217 and #2C1782

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #845917 shade: #845917, #178257 and #571782

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #845917 shade: #845917, #2C8217, #174282 and #6D1782

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #845917 shade: #845917, #178222, #174282 and #821777

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 83 / 48

HEX #845917

RGB 132 89 23

HSL 36.33, 0.7%, 0.3%

LAB 41.39, 11.82, 42.49

 

Complementary color

CMYK 47 / 28 / 0 / 9

HEX #7BA6E8

RGB 123 166 232

HSL 216.33, 0.7%, 0.7%

LAB 67.51, 3.05, -37.71

 

CMYK 0 / 35 / 87 / 46

HEX #895912

RGB 137 89 18

HSL 35.8, 0.77%, 0.3%

LAB 42.01, 14, 45.15

 

CMYK 0 / 31 / 76 / 40

HEX #9A6B25

RGB 154 107 37

HSL 35.9, 0.61%, 0.37%

LAB 48.91, 12.16, 44.69

 

CMYK 0 / 27 / 67 / 33

HEX #AB7D38

RGB 171 125 56

HSL 36, 0.51%, 0.45%

LAB 55.7, 10.65, 43.53

 

CMYK 0 / 24 / 60 / 26

HEX #BC8F4B

RGB 188 143 75

HSL 36.11, 0.46%, 0.52%

LAB 62.38, 9.4, 42.17

 

CMYK 0 / 21 / 54 / 20

HEX #CDA15E

RGB 205 161 94

HSL 36.22, 0.53%, 0.59%

LAB 68.95, 8.34, 40.78

 

CMYK 0 / 33 / 83 / 48

HEX #845917

RGB 132 89 23

HSL 36.33, 0.7%, 0.3%

LAB 41.39, 11.82, 42.49

 

CMYK 0 / 38 / 97 / 55

HEX #734704

RGB 115 71 4

HSL 36.22, 0.93%, 0.23%

LAB 34.31, 13.9, 42.27

 

CMYK 0 / 46 / 100 / 62

HEX #623500

RGB 98 53 0

HSL 32.45, 1%, 0.19%

LAB 27.14, 16.52, 37.35

 

CMYK 0 / 57 / 100 / 68

HEX #512300

RGB 81 35 0

HSL 25.93, 1%, 0.16%

LAB 19.85, 19.32, 29.08

 

CMYK 0 / 73 / 100 / 75

HEX #401100

RGB 64 17 0

HSL 15.94, 1%, 0.13%

LAB 12.55, 21.87, 19.27

 

CMYK 0 / 32 / 82 / 49

HEX #825817

RGB 130 88 23

HSL 36.45, 0.7%, 0.3%

LAB 40.88, 11.47, 41.92

 

CMYK 0 / 55 / 82 / 49

HEX #823B17

RGB 130 59 23

HSL 20.19, 0.7%, 0.3%

LAB 33.85, 28.24, 35.31

 

CMYK 0 / 77 / 82 / 49

HEX #821E17

RGB 130 30 23

HSL 3.93, 0.7%, 0.3%

LAB 28.74, 41.82, 30.28

 

CMYK 0 / 82 / 82 / 49

HEX #821717

RGB 130 23 23

HSL 0, 0.7%, 0.3%

LAB 27.9, 44.17, 29.43

 

CMYK 0 / 32 / 82 / 49

HEX #825817

RGB 130 88 23

HSL 36.45, 0.7%, 0.3%

LAB 40.88, 11.47, 41.92

 

CMYK 0 / 10 / 82 / 49

HEX #827517

RGB 130 117 23

HSL 52.71, 0.7%, 0.3%

LAB 48.92, -5.37, 49.17

 

CMYK 12 / 0 / 82 / 49

HEX #738217

RGB 115 130 23

HSL 68.41, 0.7%, 0.3%

LAB 51.46, -19.35, 50.92

 

CMYK 34 / 0 / 82 / 49

HEX #568217

RGB 86 130 23

HSL 84.67, 0.7%, 0.3%

LAB 49.5, -31.68, 48.42

 

CMYK 56 / 0 / 82 / 49

HEX #398217

RGB 57 130 23

HSL 100.93, 0.7%, 0.3%

LAB 48.13, -41.77, 46.65

 

CMYK 0 / 32 / 82 / 49

HEX #825817

RGB 130 88 23

HSL 36.45, 0.7%, 0.3%

LAB 40.88, 11.47, 41.92

 

CMYK 0 / 37 / 92 / 44

HEX #8E5A0B

RGB 142 90 11

HSL 36.18, 0.86%, 0.3%

LAB 42.89, 15.57, 48.26

 

CMYK 0 / 32 / 82 / 49

HEX #825817

RGB 130 88 23

HSL 36.45, 0.7%, 0.3%

LAB 40.88, 11.47, 41.92

 

CMYK 0 / 28 / 70 / 54

HEX #765523

RGB 118 85 35

HSL 36.14, 0.54%, 0.3%

LAB 38.67, 8.17, 33.66

 

CMYK 0 / 21 / 54 / 59

HEX #695330

RGB 105 83 48

HSL 36.84, 0.37%, 0.3%

LAB 36.75, 4.29, 23.84

 

CMYK 0 / 14 / 35 / 64

HEX #5D503C

RGB 93 80 60

HSL 36.36, 0.22%, 0.3%

LAB 34.78, 2.02, 13.8

 

CMYK 0 / 5 / 11 / 68

HEX #514D48

RGB 81 77 72

HSL 33.33, 0.06%, 0.3%

LAB 32.97, 0.63, 3.55

 

CMYK 0 / 77 / 82 / 49

HEX #821E17

RGB 130 30 23

HSL 3.93, 0.7%, 0.3%

LAB 28.74, 41.82, 30.28

 

CMYK 0 / 55 / 82 / 49

HEX #823B17

RGB 130 59 23

HSL 20.19, 0.7%, 0.3%

LAB 33.85, 28.24, 35.31

 

CMYK 0 / 33 / 82 / 49

HEX #825717

RGB 130 87 23

HSL 35.89, 0.7%, 0.3%

LAB 40.61, 12.06, 41.68

 

CMYK 0 / 11 / 82 / 49

HEX #827417

RGB 130 116 23

HSL 52.15, 0.7%, 0.3%

LAB 48.63, -4.8, 48.91

 

CMYK 11 / 0 / 82 / 49

HEX #748217

RGB 116 130 23

HSL 67.85, 0.7%, 0.3%

LAB 51.54, -18.9, 51.02

 

CMYK 0 / 33 / 82 / 76

HEX #3C280B

RGB 60 40 11

HSL 35.51, 0.69%, 0.14%

LAB 17.93, 5.99, 21.5

 

CMYK 0 / 33 / 82 / 63

HEX #5F4011

RGB 95 64 17

HSL 36.15, 0.7%, 0.22%

LAB 29.76, 8.81, 32.44

 

CMYK 0 / 32 / 82 / 49

HEX #825817

RGB 130 88 23

HSL 36.45, 0.7%, 0.3%

LAB 40.88, 11.47, 41.92

 

CMYK 0 / 33 / 82 / 35

HEX #A56F1D

RGB 165 111 29

HSL 36.18, 0.7%, 0.38%

LAB 51.22, 14.56, 50.6

 

CMYK 0 / 33 / 83 / 22

HEX #C88723

RGB 200 135 35

HSL 36.36, 0.7%, 0.46%

LAB 61.42, 16.96, 59.1

 

CMYK 0 / 33 / 83 / 48

HEX #845917

RGB 132 89 23

HSL 36.33, 0.7%, 0.3%

LAB 41.39, 11.82, 42.49

 

CMYK 66 / 0 / 82 / 49

HEX #2C8217

RGB 44 130 23

HSL 108.22, 0.7%, 0.3%

LAB 47.7, -45.21, 46.1

 

CMYK 66 / 82 / 0 / 49

HEX #2C1782

RGB 44 23 130

HSL 251.78, 0.7%, 0.3%

LAB 19.06, 40.81, -55.78

 

CMYK 0 / 33 / 83 / 48

HEX #845917

RGB 132 89 23

HSL 36.33, 0.7%, 0.3%

LAB 41.39, 11.82, 42.49

 

CMYK 82 / 0 / 33 / 49

HEX #178257

RGB 23 130 87

HSL 155.89, 0.7%, 0.3%

LAB 48.05, -39.6, 15.25

 

CMYK 33 / 82 / 0 / 49

HEX #571782

RGB 87 23 130

HSL 275.89, 0.7%, 0.3%

LAB 24.48, 47.03, -46.67

 

CMYK 0 / 33 / 83 / 48

HEX #845917

RGB 132 89 23

HSL 36.33, 0.7%, 0.3%

LAB 41.39, 11.82, 42.49

 

CMYK 66 / 0 / 82 / 49

HEX #2C8217

RGB 44 130 23

HSL 108.22, 0.7%, 0.3%

LAB 47.7, -45.21, 46.1

 

CMYK 82 / 49 / 0 / 49

HEX #174282

RGB 23 66 130

HSL 215.89, 0.7%, 0.3%

LAB 28.62, 10.36, -40.23

 

CMYK 16 / 82 / 0 / 49

HEX #6D1782

RGB 109 23 130

HSL 288.22, 0.7%, 0.3%

LAB 28.05, 51.12, -40.72

 

CMYK 0 / 33 / 83 / 48

HEX #845917

RGB 132 89 23

HSL 36.33, 0.7%, 0.3%

LAB 41.39, 11.82, 42.49

 

CMYK 82 / 0 / 74 / 49

HEX #178222

RGB 23 130 34

HSL 126.17, 0.7%, 0.3%

LAB 47.32, -48.24, 41.6

 

CMYK 82 / 49 / 0 / 49

HEX #174282

RGB 23 66 130

HSL 215.89, 0.7%, 0.3%

LAB 28.62, 10.36, -40.23

 

CMYK 0 / 82 / 8 / 49

HEX #821777

RGB 130 23 119

HSL 306.17, 0.7%, 0.3%

LAB 31.09, 53.59, -28.71

 

Description

Color code: HEX #845917 | qconv.com Color code: HEX #845917 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 89 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 89 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 83 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 83% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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