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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8457C3 it is the complementary color #7BA83C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8457C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8457C3 shade: #8957BE, #9A69D1, #AB7BE4, #BC8DF7 and #CD9FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8457C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8457C3 shade: #8457C3, #7345B0, #62339D, #51218A and #400F77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8457C3 shade: #8356C2, #A056C2, #BD56C2, #C256AA and #C2568D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8457C3 shade: #8356C2, #6656C2 and #5656C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8457C3 shade matches the following richer shades: #8356C2, #8044D5, #7D31E7 and #7A1FFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8457C3 shade: #8356C2, #8669B0, #897B9D, #8D8E8A and #90A178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8457C3 shade: #5663C2, #6656C2, #8356C2, #A056C2 and #BD56C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8457C3 shade: #5B3492, #6E3FB0, #8356C2, #9A75CD and #B093D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8457C3 shade: #8457C3, #C25680 and #56C258

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8457C3 shade: #8457C3, #C28356 and #56C283

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8457C3 shade: #8457C3, #C25680, #95C256 and #56C299

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8457C3 shade: #8457C3, #C2565F, #95C256 and #56C2B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 55 / 0 / 24

HEX #8457C3

RGB 132 87 195

HSL 265, 0.47%, 0.55%

LAB 46.53, 41.04, -49.97

 

Complementary color

CMYK 27 / 0 / 64 / 34

HEX #7BA83C

RGB 123 168 60

HSL 85, 0.47%, 0.45%

LAB 63.79, -32.4, 49.35

 

CMYK 28 / 54 / 0 / 25

HEX #8957BE

RGB 137 87 190

HSL 269.13, 0.44%, 0.54%

LAB 46.78, 41.06, -46.63

 

CMYK 26 / 50 / 0 / 18

HEX #9A69D1

RGB 154 105 209

HSL 268.27, 0.53%, 0.62%

LAB 53.57, 40.11, -46.62

 

CMYK 25 / 46 / 0 / 11

HEX #AB7BE4

RGB 171 123 228

HSL 267.43, 0.66%, 0.69%

LAB 60.27, 39.2, -46.6

 

CMYK 24 / 43 / 0 / 3

HEX #BC8DF7

RGB 188 141 247

HSL 266.6, 0.87%, 0.76%

LAB 66.87, 38.35, -46.58

 

CMYK 20 / 38 / 0 / 0

HEX #CD9FFF

RGB 205 159 255

HSL 268.75, 1%, 0.81%

LAB 72.89, 35.09, -41.38

 

CMYK 32 / 55 / 0 / 24

HEX #8457C3

RGB 132 87 195

HSL 265, 0.47%, 0.55%

LAB 46.53, 41.04, -49.97

 

CMYK 35 / 61 / 0 / 31

HEX #7345B0

RGB 115 69 176

HSL 265.79, 0.44%, 0.48%

LAB 39.64, 42.08, -50.01

 

CMYK 38 / 68 / 0 / 38

HEX #62339D

RGB 98 51 157

HSL 266.6, 0.51%, 0.41%

LAB 32.7, 43.05, -49.94

 

CMYK 41 / 76 / 0 / 46

HEX #51218A

RGB 81 33 138

HSL 267.43, 0.61%, 0.34%

LAB 25.78, 43.73, -49.61

 

CMYK 46 / 87 / 0 / 53

HEX #400F77

RGB 64 15 119

HSL 268.27, 0.78%, 0.26%

LAB 19.07, 43.57, -48.67

 

CMYK 32 / 56 / 0 / 24

HEX #8356C2

RGB 131 86 194

HSL 265, 0.47%, 0.55%

LAB 46.14, 41.1, -50.01

 

CMYK 18 / 56 / 0 / 24

HEX #A056C2

RGB 160 86 194

HSL 281.11, 0.47%, 0.55%

LAB 49.53, 48.51, -44.42

 

CMYK 3 / 56 / 0 / 24

HEX #BD56C2

RGB 189 86 194

HSL 297.22, 0.47%, 0.55%

LAB 53.35, 56.19, -38.12

 

CMYK 0 / 56 / 12 / 24

HEX #C256AA

RGB 194 86 170

HSL 313.33, 0.47%, 0.55%

LAB 52.98, 53.5, -24.74

 

CMYK 0 / 56 / 27 / 24

HEX #C2568D

RGB 194 86 141

HSL 329.44, 0.47%, 0.55%

LAB 51.89, 49.24, -9.32

 

CMYK 32 / 56 / 0 / 24

HEX #8356C2

RGB 131 86 194

HSL 265, 0.47%, 0.55%

LAB 46.14, 41.1, -50.01

 

CMYK 47 / 56 / 0 / 24

HEX #6656C2

RGB 102 86 194

HSL 248.89, 0.47%, 0.55%

LAB 43.32, 34.3, -54.69

 

CMYK 56 / 56 / 0 / 24

HEX #5656C2

RGB 86 86 194

HSL 240, 0.47%, 0.55%

LAB 42.04, 30.98, -56.82

 

CMYK 32 / 56 / 0 / 24

HEX #8356C2

RGB 131 86 194

HSL 265, 0.47%, 0.55%

LAB 46.14, 41.1, -50.01

 

CMYK 40 / 68 / 0 / 16

HEX #8044D5

RGB 128 68 213

HSL 264.83, 0.63%, 0.55%

LAB 43.55, 54.81, -65.17

 

CMYK 46 / 79 / 0 / 9

HEX #7D31E7

RGB 125 49 231

HSL 265.05, 0.79%, 0.55%

LAB 41.73, 67.1, -78.43

 

CMYK 51 / 88 / 0 / 2

HEX #7A1FFA

RGB 122 31 250

HSL 264.93, 0.96%, 0.55%

LAB 41.25, 76.86, -89.97

 

CMYK 32 / 56 / 0 / 24

HEX #8356C2

RGB 131 86 194

HSL 265, 0.47%, 0.55%

LAB 46.14, 41.1, -50.01

 

CMYK 24 / 40 / 0 / 31

HEX #8669B0

RGB 134 105 176

HSL 264.51, 0.31%, 0.55%

LAB 49.87, 26.4, -33.64

 

CMYK 13 / 22 / 0 / 38

HEX #897B9D

RGB 137 123 157

HSL 264.71, 0.15%, 0.55%

LAB 53.94, 12.29, -16.27

 

CMYK 1 / 0 / 3 / 44

HEX #8D8E8A

RGB 141 142 138

HSL 75, 0.02%, 0.55%

LAB 58.83, -1.14, 1.99

 

CMYK 11 / 0 / 25 / 37

HEX #90A178

RGB 144 161 120

HSL 84.88, 0.18%, 0.55%

LAB 63.98, -13.49, 19.41

 

CMYK 56 / 49 / 0 / 24

HEX #5663C2

RGB 86 99 194

HSL 232.78, 0.47%, 0.55%

LAB 45.36, 22.87, -51.49

 

CMYK 47 / 56 / 0 / 24

HEX #6656C2

RGB 102 86 194

HSL 248.89, 0.47%, 0.55%

LAB 43.32, 34.3, -54.69

 

CMYK 32 / 56 / 0 / 24

HEX #8356C2

RGB 131 86 194

HSL 265, 0.47%, 0.55%

LAB 46.14, 41.1, -50.01

 

CMYK 18 / 56 / 0 / 24

HEX #A056C2

RGB 160 86 194

HSL 281.11, 0.47%, 0.55%

LAB 49.53, 48.51, -44.42

 

CMYK 3 / 56 / 0 / 24

HEX #BD56C2

RGB 189 86 194

HSL 297.22, 0.47%, 0.55%

LAB 53.35, 56.19, -38.12

 

CMYK 38 / 64 / 0 / 43

HEX #5B3492

RGB 91 52 146

HSL 264.89, 0.47%, 0.39%

LAB 31.24, 38.02, -45.63

 

CMYK 38 / 64 / 0 / 31

HEX #6E3FB0

RGB 110 63 176

HSL 264.96, 0.47%, 0.47%

LAB 37.85, 44.22, -52.93

 

CMYK 32 / 56 / 0 / 24

HEX #8356C2

RGB 131 86 194

HSL 265, 0.47%, 0.55%

LAB 46.14, 41.1, -50.01

 

CMYK 25 / 43 / 0 / 20

HEX #9A75CD

RGB 154 117 205

HSL 265.23, 0.47%, 0.63%

LAB 56.09, 32.36, -40.38

 

CMYK 19 / 32 / 0 / 15

HEX #B093D8

RGB 176 147 216

HSL 265.22, 0.47%, 0.71%

LAB 65.79, 24.42, -31.25

 

CMYK 32 / 55 / 0 / 24

HEX #8457C3

RGB 132 87 195

HSL 265, 0.47%, 0.55%

LAB 46.53, 41.04, -49.97

 

CMYK 0 / 56 / 34 / 24

HEX #C25680

RGB 194 86 128

HSL 336.67, 0.47%, 0.55%

LAB 51.48, 47.57, -2.19

 

CMYK 56 / 0 / 55 / 24

HEX #56C258

RGB 86 194 88

HSL 121.11, 0.47%, 0.55%

LAB 70.36, -52.36, 43.61

 

CMYK 32 / 55 / 0 / 24

HEX #8457C3

RGB 132 87 195

HSL 265, 0.47%, 0.55%

LAB 46.53, 41.04, -49.97

 

CMYK 0 / 32 / 56 / 24

HEX #C28356

RGB 194 131 86

HSL 25, 0.47%, 0.55%

LAB 60.22, 19.44, 33.98

 

CMYK 56 / 0 / 32 / 24

HEX #56C283

RGB 86 194 131

HSL 145, 0.47%, 0.55%

LAB 71.01, -45.44, 22.56

 

CMYK 32 / 55 / 0 / 24

HEX #8457C3

RGB 132 87 195

HSL 265, 0.47%, 0.55%

LAB 46.53, 41.04, -49.97

 

CMYK 0 / 56 / 34 / 24

HEX #C25680

RGB 194 86 128

HSL 336.67, 0.47%, 0.55%

LAB 51.48, 47.57, -2.19

 

CMYK 23 / 0 / 56 / 24

HEX #95C256

RGB 149 194 86

HSL 85, 0.47%, 0.55%

LAB 73.31, -32.26, 48.77

 

CMYK 56 / 0 / 21 / 24

HEX #56C299

RGB 86 194 153

HSL 157.22, 0.47%, 0.55%

LAB 71.46, -40.85, 11.37

 

CMYK 32 / 55 / 0 / 24

HEX #8457C3

RGB 132 87 195

HSL 265, 0.47%, 0.55%

LAB 46.53, 41.04, -49.97

 

CMYK 0 / 56 / 51 / 24

HEX #C2565F

RGB 194 86 95

HSL 355, 0.47%, 0.55%

LAB 50.63, 44.07, 16.33

 

CMYK 23 / 0 / 56 / 24

HEX #95C256

RGB 149 194 86

HSL 85, 0.47%, 0.55%

LAB 73.31, -32.26, 48.77

 

CMYK 56 / 0 / 5 / 24

HEX #56C2B9

RGB 86 194 185

HSL 175, 0.47%, 0.55%

LAB 72.27, -33.06, -4.86

 

Description

Color code: HEX #8457C3 | qconv.com Color code: HEX #8457C3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 87 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 87 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 55 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 55% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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