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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84576D it is the complementary color #7BA892. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84576D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84576D shade: #895768, #9A697B, #AB7B8E, #BC8DA1 and #CD9FB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84576D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84576D shade: #84576D, #73455A, #623347, #512134 and #400F21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84576D shade: #85576D, #855761 and #855757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84576D shade: #85576D, #85577A, #835785, #775785 and #6B5785

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84576D shade matches the following richer shades: #85576D, #96456D, #A8336C, #BA216C and #CC106C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84576D shade: #85576D, #73686E, #617A6E, #4F8C6E and #3E9E6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84576D shade: #835785, #85577A, #85576E, #855761 and #855857

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84576D shade: #533644, #6C4659, #85576D, #9C6882 and #AD8196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84576D shade: #84576D, #857757 and #578085

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84576D shade: #84576D, #6E8557 and #576E85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84576D shade: #84576D, #857757, #57856E and #576485

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84576D shade: #84576D, #858557, #57856E and #575785

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 17 / 48

HEX #84576D

RGB 132 87 109

HSL 330.67, 0.21%, 0.43%

LAB 42.5, 22.09, -4.93

 

Complementary color

CMYK 27 / 0 / 13 / 34

HEX #7BA892

RGB 123 168 146

HSL 150.67, 0.21%, 0.57%

LAB 65.19, -19.84, 6.5

 

CMYK 0 / 36 / 24 / 46

HEX #895768

RGB 137 87 104

HSL 339.6, 0.22%, 0.44%

LAB 42.96, 23.2, -1.12

 

CMYK 0 / 32 / 20 / 40

HEX #9A697B

RGB 154 105 123

HSL 337.96, 0.2%, 0.51%

LAB 49.98, 22.37, -2.04

 

CMYK 0 / 28 / 17 / 33

HEX #AB7B8E

RGB 171 123 142

HSL 336.25, 0.22%, 0.58%

LAB 56.86, 21.64, -2.85

 

CMYK 0 / 25 / 14 / 26

HEX #BC8DA1

RGB 188 141 161

HSL 334.47, 0.26%, 0.65%

LAB 63.6, 20.97, -3.59

 

CMYK 0 / 22 / 12 / 20

HEX #CD9FB4

RGB 205 159 180

HSL 332.61, 0.32%, 0.71%

LAB 70.23, 20.37, -4.28

 

CMYK 0 / 34 / 17 / 48

HEX #84576D

RGB 132 87 109

HSL 330.67, 0.21%, 0.43%

LAB 42.5, 22.09, -4.93

 

CMYK 0 / 40 / 22 / 55

HEX #73455A

RGB 115 69 90

HSL 332.61, 0.25%, 0.36%

LAB 35.28, 22.95, -4.05

 

CMYK 0 / 48 / 28 / 62

HEX #623347

RGB 98 51 71

HSL 334.47, 0.32%, 0.29%

LAB 27.9, 23.89, -2.96

 

CMYK 0 / 59 / 36 / 68

HEX #512134

RGB 81 33 52

HSL 336.25, 0.42%, 0.22%

LAB 20.38, 24.83, -1.49

 

CMYK 0 / 77 / 48 / 75

HEX #400F21

RGB 64 15 33

HSL 337.96, 0.62%, 0.15%

LAB 12.87, 25.44, 0.77

 

CMYK 0 / 35 / 18 / 48

HEX #85576D

RGB 133 87 109

HSL 331.3, 0.21%, 0.43%

LAB 42.62, 22.48, -4.74

 

CMYK 0 / 35 / 27 / 48

HEX #855761

RGB 133 87 97

HSL 346.96, 0.21%, 0.43%

LAB 42.26, 20.53, 2.08

 

CMYK 0 / 35 / 35 / 48

HEX #855757

RGB 133 87 87

HSL 0, 0.21%, 0.43%

LAB 41.99, 19.06, 7.83

 

CMYK 0 / 35 / 18 / 48

HEX #85576D

RGB 133 87 109

HSL 331.3, 0.21%, 0.43%

LAB 42.62, 22.48, -4.74

 

CMYK 0 / 35 / 8 / 48

HEX #85577A

RGB 133 87 122

HSL 314.35, 0.21%, 0.43%

LAB 43.08, 24.82, -12

 

CMYK 2 / 35 / 0 / 48

HEX #835785

RGB 131 87 133

HSL 297.39, 0.21%, 0.43%

LAB 43.26, 26.28, -18.41

 

CMYK 11 / 35 / 0 / 48

HEX #775785

RGB 119 87 133

HSL 281.74, 0.21%, 0.43%

LAB 41.89, 22.15, -20.64

 

CMYK 20 / 35 / 0 / 48

HEX #6B5785

RGB 107 87 133

HSL 266.09, 0.21%, 0.43%

LAB 40.63, 18.09, -22.69

 

CMYK 0 / 35 / 18 / 48

HEX #85576D

RGB 133 87 109

HSL 331.3, 0.21%, 0.43%

LAB 42.62, 22.48, -4.74

 

CMYK 0 / 54 / 27 / 41

HEX #96456D

RGB 150 69 109

HSL 330.37, 0.37%, 0.43%

LAB 40.97, 38.71, -6.95

 

CMYK 0 / 70 / 36 / 34

HEX #A8336C

RGB 168 51 108

HSL 330.77, 0.53%, 0.43%

LAB 40.86, 52.52, -6.18

 

CMYK 0 / 82 / 42 / 27

HEX #BA216C

RGB 186 33 108

HSL 330.59, 0.7%, 0.43%

LAB 42.17, 63.09, -3.87

 

CMYK 0 / 92 / 47 / 20

HEX #CC106C

RGB 204 16 108

HSL 330.64, 0.85%, 0.43%

LAB 44.65, 70.47, 0.18

 

CMYK 0 / 35 / 18 / 48

HEX #85576D

RGB 133 87 109

HSL 331.3, 0.21%, 0.43%

LAB 42.62, 22.48, -4.74

 

CMYK 0 / 10 / 4 / 55

HEX #73686E

RGB 115 104 110

HSL 327.27, 0.05%, 0.43%

LAB 45.18, 5.5, -1.79

 

CMYK 20 / 0 / 10 / 52

HEX #617A6E

RGB 97 122 110

HSL 151.2, 0.11%, 0.43%

LAB 48.99, -11.72, 3.58

 

CMYK 44 / 0 / 21 / 45

HEX #4F8C6E

RGB 79 140 110

HSL 150.49, 0.28%, 0.43%

LAB 53.54, -27.06, 9.93

 

CMYK 61 / 0 / 30 / 38

HEX #3E9E6F

RGB 62 158 111

HSL 150.63, 0.44%, 0.43%

LAB 58.63, -39.5, 16.36

 

CMYK 2 / 35 / 0 / 48

HEX #835785

RGB 131 87 133

HSL 297.39, 0.21%, 0.43%

LAB 43.26, 26.28, -18.41

 

CMYK 0 / 35 / 8 / 48

HEX #85577A

RGB 133 87 122

HSL 314.35, 0.21%, 0.43%

LAB 43.08, 24.82, -12

 

CMYK 0 / 35 / 17 / 48

HEX #85576E

RGB 133 87 110

HSL 330, 0.21%, 0.43%

LAB 42.66, 22.65, -5.3

 

CMYK 0 / 35 / 27 / 48

HEX #855761

RGB 133 87 97

HSL 346.96, 0.21%, 0.43%

LAB 42.26, 20.53, 2.08

 

CMYK 0 / 34 / 35 / 48

HEX #855857

RGB 133 88 87

HSL 1.3, 0.21%, 0.43%

LAB 42.24, 18.47, 8.19

 

CMYK 0 / 35 / 18 / 67

HEX #533644

RGB 83 54 68

HSL 331.03, 0.21%, 0.27%

LAB 26.43, 15.41, -3.37

 

CMYK 0 / 35 / 18 / 58

HEX #6C4659

RGB 108 70 89

HSL 330, 0.21%, 0.35%

LAB 34.58, 19.42, -4.55

 

CMYK 0 / 35 / 18 / 48

HEX #85576D

RGB 133 87 109

HSL 331.3, 0.21%, 0.43%

LAB 42.62, 22.48, -4.74

 

CMYK 0 / 33 / 17 / 39

HEX #9C6882

RGB 156 104 130

HSL 330, 0.21%, 0.51%

LAB 50.19, 24.86, -5.86

 

CMYK 0 / 25 / 13 / 32

HEX #AD8196

RGB 173 129 150

HSL 331.36, 0.21%, 0.59%

LAB 58.78, 20.33, -4.62

 

CMYK 0 / 34 / 17 / 48

HEX #84576D

RGB 132 87 109

HSL 330.67, 0.21%, 0.43%

LAB 42.5, 22.09, -4.93

 

CMYK 0 / 11 / 35 / 48

HEX #857757

RGB 133 119 87

HSL 41.74, 0.21%, 0.43%

LAB 50.53, 0.3, 19.6

 

CMYK 35 / 4 / 0 / 48

HEX #578085

RGB 87 128 133

HSL 186.52, 0.21%, 0.43%

LAB 50.87, -12.84, -7.26

 

CMYK 0 / 34 / 17 / 48

HEX #84576D

RGB 132 87 109

HSL 330.67, 0.21%, 0.43%

LAB 42.5, 22.09, -4.93

 

CMYK 17 / 0 / 35 / 48

HEX #6E8557

RGB 110 133 87

HSL 90, 0.21%, 0.43%

LAB 52.71, -17.01, 22.16

 

CMYK 35 / 17 / 0 / 48

HEX #576E85

RGB 87 110 133

HSL 210, 0.21%, 0.43%

LAB 45.46, -2.49, -15.41

 

CMYK 0 / 34 / 17 / 48

HEX #84576D

RGB 132 87 109

HSL 330.67, 0.21%, 0.43%

LAB 42.5, 22.09, -4.93

 

CMYK 0 / 11 / 35 / 48

HEX #857757

RGB 133 119 87

HSL 41.74, 0.21%, 0.43%

LAB 50.53, 0.3, 19.6

 

CMYK 35 / 0 / 17 / 48

HEX #57856E

RGB 87 133 110

HSL 150, 0.21%, 0.43%

LAB 51.75, -21.05, 7.46

 

CMYK 35 / 25 / 0 / 48

HEX #576485

RGB 87 100 133

HSL 223.04, 0.21%, 0.43%

LAB 42.51, 3.55, -19.93

 

CMYK 0 / 34 / 17 / 48

HEX #84576D

RGB 132 87 109

HSL 330.67, 0.21%, 0.43%

LAB 42.5, 22.09, -4.93

 

CMYK 0 / 0 / 35 / 48

HEX #858557

RGB 133 133 87

HSL 60, 0.21%, 0.43%

LAB 54.5, -7.58, 24.85

 

CMYK 35 / 0 / 17 / 48

HEX #57856E

RGB 87 133 110

HSL 150, 0.21%, 0.43%

LAB 51.75, -21.05, 7.46

 

CMYK 35 / 35 / 0 / 48

HEX #575785

RGB 87 87 133

HSL 240, 0.21%, 0.43%

LAB 38.79, 11.66, -25.7

 

Description

Color code: HEX #84576D | qconv.com Color code: HEX #84576D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 87 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 87 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 17 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 17% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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