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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #845263 it is the complementary color #7BAD9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #845263. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #845263 shade: #89525E, #9A6471, #AB7684, #BC8897 and #CD9AAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #845263. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #845263 shade: #845263, #734050, #622E3D, #511C2A and #400A17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #845263 shade: #845263, #845256 and #845252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #845263 shade: #845263, #845271, #84527E, #7C5284 and #6F5284

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #845263 shade matches the following richer shades: #845263, #95415E, #A63058, #B81E53 and #C90D4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #845263 shade: #845263, #726469, #61756E, #508674 and #3E9879

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #845263 shade: #84527E, #845271, #845264, #845257 and #845B52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #845263 shade: #51333D, #6A4350, #845263, #9D6276 and #AD7C8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #845263 shade: #845263, #847C52 and #527784

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #845263 shade: #845263, #648452 and #526484

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #845263 shade: #845263, #847C52, #528472 and #525A84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #845263 shade: #845263, #7C8452, #528472 and #5A5284

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 25 / 48

HEX #845263

RGB 132 82 99

HSL 339.6, 0.23%, 0.42%

LAB 40.96, 23.38, -1.05

 

Complementary color

CMYK 29 / 0 / 10 / 32

HEX #7BAD9C

RGB 123 173 156

HSL 159.6, 0.23%, 0.58%

LAB 66.9, -20.28, 3.41

 

CMYK 0 / 40 / 31 / 46

HEX #89525E

RGB 137 82 94

HSL 346.91, 0.25%, 0.43%

LAB 41.47, 24.59, 2.86

 

CMYK 0 / 35 / 27 / 40

HEX #9A6471

RGB 154 100 113

HSL 345.56, 0.21%, 0.5%

LAB 48.48, 23.68, 1.74

 

CMYK 0 / 31 / 23 / 33

HEX #AB7684

RGB 171 118 132

HSL 344.15, 0.24%, 0.57%

LAB 55.36, 22.86, 0.77

 

CMYK 0 / 28 / 20 / 26

HEX #BC8897

RGB 188 136 151

HSL 342.69, 0.28%, 0.64%

LAB 62.11, 22.13, -0.1

 

CMYK 0 / 25 / 17 / 20

HEX #CD9AAA

RGB 205 154 170

HSL 341.18, 0.34%, 0.7%

LAB 68.75, 21.47, -0.89

 

CMYK 0 / 38 / 25 / 48

HEX #845263

RGB 132 82 99

HSL 339.6, 0.23%, 0.42%

LAB 40.96, 23.38, -1.05

 

CMYK 0 / 44 / 30 / 55

HEX #734050

RGB 115 64 80

HSL 341.18, 0.28%, 0.35%

LAB 33.75, 24.32, 0.08

 

CMYK 0 / 53 / 38 / 62

HEX #622E3D

RGB 98 46 61

HSL 342.69, 0.36%, 0.28%

LAB 26.41, 25.33, 1.52

 

CMYK 0 / 65 / 48 / 68

HEX #511C2A

RGB 81 28 42

HSL 344.15, 0.49%, 0.21%

LAB 19, 26.28, 3.52

 

CMYK 0 / 84 / 64 / 75

HEX #400A17

RGB 64 10 23

HSL 345.56, 0.73%, 0.15%

LAB 11.75, 26.62, 6.68

 

CMYK 0 / 38 / 25 / 48

HEX #845263

RGB 132 82 99

HSL 339.6, 0.23%, 0.42%

LAB 40.96, 23.38, -1.05

 

CMYK 0 / 38 / 35 / 48

HEX #845256

RGB 132 82 86

HSL 355.2, 0.23%, 0.42%

LAB 40.59, 21.46, 6.46

 

CMYK 0 / 38 / 38 / 48

HEX #845252

RGB 132 82 82

HSL 0, 0.23%, 0.42%

LAB 40.49, 20.92, 8.78

 

CMYK 0 / 38 / 25 / 48

HEX #845263

RGB 132 82 99

HSL 339.6, 0.23%, 0.42%

LAB 40.96, 23.38, -1.05

 

CMYK 0 / 38 / 14 / 48

HEX #845271

RGB 132 82 113

HSL 322.8, 0.23%, 0.42%

LAB 41.43, 25.73, -8.99

 

CMYK 0 / 38 / 5 / 48

HEX #84527E

RGB 132 82 126

HSL 307.2, 0.23%, 0.42%

LAB 41.92, 28.14, -16.21

 

CMYK 6 / 38 / 0 / 48

HEX #7C5284

RGB 124 82 132

HSL 290.4, 0.23%, 0.42%

LAB 41.19, 26.61, -21.06

 

CMYK 16 / 38 / 0 / 48

HEX #6F5284

RGB 111 82 132

HSL 274.8, 0.23%, 0.42%

LAB 39.71, 22.25, -23.47

 

CMYK 0 / 38 / 25 / 48

HEX #845263

RGB 132 82 99

HSL 339.6, 0.23%, 0.42%

LAB 40.96, 23.38, -1.05

 

CMYK 0 / 56 / 37 / 42

HEX #95415E

RGB 149 65 94

HSL 339.29, 0.39%, 0.42%

LAB 39.54, 38.41, 0.28

 

CMYK 0 / 71 / 47 / 35

HEX #A63058

RGB 166 48 88

HSL 339.66, 0.55%, 0.42%

LAB 39.45, 50.97, 4.29

 

CMYK 0 / 84 / 55 / 28

HEX #B81E53

RGB 184 30 83

HSL 339.35, 0.72%, 0.42%

LAB 40.81, 61.18, 9.86

 

CMYK 0 / 94 / 62 / 21

HEX #C90D4D

RGB 201 13 77

HSL 339.57, 0.88%, 0.42%

LAB 43.12, 67.93, 17.38

 

CMYK 0 / 38 / 25 / 48

HEX #845263

RGB 132 82 99

HSL 339.6, 0.23%, 0.42%

LAB 40.96, 23.38, -1.05

 

CMYK 0 / 12 / 8 / 55

HEX #726469

RGB 114 100 105

HSL 338.57, 0.07%, 0.42%

LAB 43.82, 6.52, -0.78

 

CMYK 17 / 0 / 6 / 54

HEX #61756E

RGB 97 117 110

HSL 159, 0.09%, 0.42%

LAB 47.48, -8.91, 1.4

 

CMYK 40 / 0 / 13 / 47

HEX #508674

RGB 80 134 116

HSL 160, 0.25%, 0.42%

LAB 51.86, -22.37, 4.07

 

CMYK 59 / 0 / 20 / 40

HEX #3E9879

RGB 62 152 121

HSL 159.33, 0.42%, 0.42%

LAB 56.94, -34.54, 8.38

 

CMYK 0 / 38 / 5 / 48

HEX #84527E

RGB 132 82 126

HSL 307.2, 0.23%, 0.42%

LAB 41.92, 28.14, -16.21

 

CMYK 0 / 38 / 14 / 48

HEX #845271

RGB 132 82 113

HSL 322.8, 0.23%, 0.42%

LAB 41.43, 25.73, -8.99

 

CMYK 0 / 38 / 24 / 48

HEX #845264

RGB 132 82 100

HSL 338.4, 0.23%, 0.42%

LAB 40.99, 23.54, -1.62

 

CMYK 0 / 38 / 34 / 48

HEX #845257

RGB 132 82 87

HSL 354, 0.23%, 0.42%

LAB 40.62, 21.59, 5.87

 

CMYK 0 / 31 / 38 / 48

HEX #845B52

RGB 132 91 82

HSL 10.8, 0.23%, 0.42%

LAB 42.76, 15.6, 11.95

 

CMYK 0 / 37 / 25 / 68

HEX #51333D

RGB 81 51 61

HSL 340, 0.23%, 0.26%

LAB 25.12, 15.21, -0.67

 

CMYK 0 / 37 / 25 / 58

HEX #6A4350

RGB 106 67 80

HSL 340, 0.23%, 0.34%

LAB 33.26, 18.89, -0.79

 

CMYK 0 / 38 / 25 / 48

HEX #845263

RGB 132 82 99

HSL 339.6, 0.23%, 0.42%

LAB 40.96, 23.38, -1.05

 

CMYK 0 / 38 / 25 / 38

HEX #9D6276

RGB 157 98 118

HSL 339.66, 0.23%, 0.5%

LAB 48.53, 26.72, -1.15

 

CMYK 0 / 28 / 18 / 32

HEX #AD7C8D

RGB 173 124 141

HSL 339.18, 0.23%, 0.58%

LAB 57.29, 21.66, -1.61

 

CMYK 0 / 38 / 25 / 48

HEX #845263

RGB 132 82 99

HSL 339.6, 0.23%, 0.42%

LAB 40.96, 23.38, -1.05

 

CMYK 0 / 6 / 38 / 48

HEX #847C52

RGB 132 124 82

HSL 50.4, 0.23%, 0.42%

LAB 51.76, -3.62, 24.05

 

CMYK 38 / 10 / 0 / 48

HEX #527784

RGB 82 119 132

HSL 195.6, 0.23%, 0.42%

LAB 47.82, -9.52, -11.27

 

CMYK 0 / 38 / 25 / 48

HEX #845263

RGB 132 82 99

HSL 339.6, 0.23%, 0.42%

LAB 40.96, 23.38, -1.05

 

CMYK 24 / 0 / 38 / 48

HEX #648452

RGB 100 132 82

HSL 98.4, 0.23%, 0.42%

LAB 51.63, -21.15, 23.42

 

CMYK 38 / 24 / 0 / 48

HEX #526484

RGB 82 100 132

HSL 218.4, 0.23%, 0.42%

LAB 42.11, 1.74, -19.96

 

CMYK 0 / 38 / 25 / 48

HEX #845263

RGB 132 82 99

HSL 339.6, 0.23%, 0.42%

LAB 40.96, 23.38, -1.05

 

CMYK 0 / 6 / 38 / 48

HEX #847C52

RGB 132 124 82

HSL 50.4, 0.23%, 0.42%

LAB 51.76, -3.62, 24.05

 

CMYK 38 / 0 / 14 / 48

HEX #528472

RGB 82 132 114

HSL 158.4, 0.23%, 0.42%

LAB 51.28, -21.2, 4.42

 

CMYK 38 / 32 / 0 / 48

HEX #525A84

RGB 82 90 132

HSL 230.4, 0.23%, 0.42%

LAB 39.19, 7.96, -24.49

 

CMYK 0 / 38 / 25 / 48

HEX #845263

RGB 132 82 99

HSL 339.6, 0.23%, 0.42%

LAB 40.96, 23.38, -1.05

 

CMYK 6 / 0 / 38 / 48

HEX #7C8452

RGB 124 132 82

HSL 69.6, 0.23%, 0.42%

LAB 53.38, -11.47, 26.03

 

CMYK 38 / 0 / 14 / 48

HEX #528472

RGB 82 132 114

HSL 158.4, 0.23%, 0.42%

LAB 51.28, -21.2, 4.42

 

CMYK 32 / 38 / 0 / 48

HEX #5A5284

RGB 90 82 132

HSL 249.6, 0.23%, 0.42%

LAB 37.62, 15.47, -26.9

 

Description

Color code: HEX #845263 | qconv.com Color code: HEX #845263 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 82 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 82 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 25 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 25% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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