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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #844F53 it is the complementary color #7BB0AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #844F53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #844F53 shade: #894F4E, #9A6161, #AB7374, #BC8587 and #CD979A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #844F53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #844F53 shade: #844F53, #733D40, #622B2D, #51191A and #400707

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #844F53 shade: #834E52 and #834E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #844F53 shade: #834E52, #834E60, #834E6F, #834E7D and #7B4E83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #844F53 shade matches the following richer shades: #834E52, #943D44, #A52D36, #B51C27 and #C60B19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #844F53 shade: #834E52, #725F61, #61706F, #50817D and #3F928C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #844F53 shade: #834E6F, #834E61, #834E53, #83584E and #83664E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #844F53 shade: #4F2F32, #693F42, #834E52, #9C5E63 and #AD777B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #844F53 shade: #844F53, #7D834E and #4E6883

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #844F53 shade: #844F53, #53834E and #4E5383

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #844F53 shade: #844F53, #7D834E, #4E837E and #554E83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #844F53 shade: #844F53, #6D834E, #4E837E and #644E83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 37 / 48

HEX #844F53

RGB 132 79 83

HSL 355.47, 0.25%, 0.41%

LAB 39.79, 22.8, 7.17

 

Complementary color

CMYK 30 / 0 / 2 / 31

HEX #7BB0AC

RGB 123 176 172

HSL 175.47, 0.25%, 0.59%

LAB 68.2, -18.23, -3.55

 

CMYK 0 / 42 / 43 / 46

HEX #894F4E

RGB 137 79 78

HSL 1.02, 0.27%, 0.42%

LAB 40.35, 24.22, 11.15

 

CMYK 0 / 37 / 37 / 40

HEX #9A6161

RGB 154 97 97

HSL 0, 0.23%, 0.49%

LAB 47.34, 23.16, 9.7

 

CMYK 0 / 33 / 32 / 33

HEX #AB7374

RGB 171 115 116

HSL 358.93, 0.25%, 0.56%

LAB 54.22, 22.23, 8.47

 

CMYK 0 / 29 / 28 / 26

HEX #BC8587

RGB 188 133 135

HSL 357.82, 0.29%, 0.63%

LAB 60.97, 21.41, 7.38

 

CMYK 0 / 26 / 25 / 20

HEX #CD979A

RGB 205 151 154

HSL 356.67, 0.35%, 0.7%

LAB 67.61, 20.68, 6.4

 

CMYK 0 / 40 / 37 / 48

HEX #844F53

RGB 132 79 83

HSL 355.47, 0.25%, 0.41%

LAB 39.79, 22.8, 7.17

 

CMYK 0 / 47 / 44 / 55

HEX #733D40

RGB 115 61 64

HSL 356.67, 0.31%, 0.35%

LAB 32.6, 23.91, 8.71

 

CMYK 0 / 56 / 54 / 62

HEX #622B2D

RGB 98 43 45

HSL 357.82, 0.39%, 0.28%

LAB 25.3, 25.12, 10.68

 

CMYK 0 / 69 / 68 / 68

HEX #51191A

RGB 81 25 26

HSL 358.93, 0.53%, 0.21%

LAB 18.01, 26.29, 13.43

 

CMYK 0 / 89 / 89 / 75

HEX #400707

RGB 64 7 7

HSL 0, 0.8%, 0.14%

LAB 10.97, 26.85, 14.25

 

CMYK 0 / 40 / 37 / 49

HEX #834E52

RGB 131 78 82

HSL 355.47, 0.25%, 0.41%

LAB 39.38, 22.85, 7.2

 

CMYK 0 / 40 / 40 / 49

HEX #834E4E

RGB 131 78 78

HSL 0, 0.25%, 0.41%

LAB 39.28, 22.33, 9.55

 

CMYK 0 / 40 / 37 / 49

HEX #834E52

RGB 131 78 82

HSL 355.47, 0.25%, 0.41%

LAB 39.38, 22.85, 7.2

 

CMYK 0 / 40 / 27 / 49

HEX #834E60

RGB 131 78 96

HSL 339.62, 0.25%, 0.41%

LAB 39.78, 24.85, -0.94

 

CMYK 0 / 40 / 15 / 49

HEX #834E6F

RGB 131 78 111

HSL 322.64, 0.25%, 0.41%

LAB 40.28, 27.33, -9.49

 

CMYK 0 / 40 / 5 / 49

HEX #834E7D

RGB 131 78 125

HSL 306.79, 0.25%, 0.41%

LAB 40.82, 29.91, -17.29

 

CMYK 6 / 40 / 0 / 49

HEX #7B4E83

RGB 123 78 131

HSL 290.94, 0.25%, 0.41%

LAB 40.08, 28.42, -22.19

 

CMYK 0 / 40 / 37 / 49

HEX #834E52

RGB 131 78 82

HSL 355.47, 0.25%, 0.41%

LAB 39.38, 22.85, 7.2

 

CMYK 0 / 59 / 54 / 42

HEX #943D44

RGB 148 61 68

HSL 355.17, 0.42%, 0.41%

LAB 37.93, 37.28, 14.34

 

CMYK 0 / 73 / 67 / 35

HEX #A52D36

RGB 165 45 54

HSL 355.5, 0.57%, 0.41%

LAB 38.1, 49.21, 23.89

 

CMYK 0 / 85 / 78 / 29

HEX #B51C27

RGB 181 28 39

HSL 355.69, 0.73%, 0.41%

LAB 39.24, 58.47, 35.12

 

CMYK 0 / 94 / 87 / 22

HEX #C60B19

RGB 198 11 25

HSL 355.51, 0.89%, 0.41%

LAB 41.71, 65.43, 46.27

 

CMYK 0 / 40 / 37 / 49

HEX #834E52

RGB 131 78 82

HSL 355.47, 0.25%, 0.41%

LAB 39.38, 22.85, 7.2

 

CMYK 0 / 17 / 15 / 55

HEX #725F61

RGB 114 95 97

HSL 353.68, 0.09%, 0.41%

LAB 42.19, 8.03, 1.72

 

CMYK 13 / 0 / 1 / 56

HEX #61706F

RGB 97 112 111

HSL 176, 0.07%, 0.41%

LAB 46.01, -5.82, -1.35

 

CMYK 38 / 0 / 3 / 49

HEX #50817D

RGB 80 129 125

HSL 175.1, 0.23%, 0.41%

LAB 50.55, -17.51, -3.08

 

CMYK 57 / 0 / 4 / 43

HEX #3F928C

RGB 63 146 140

HSL 175.66, 0.4%, 0.41%

LAB 55.59, -26.53, -4.43

 

CMYK 0 / 40 / 15 / 49

HEX #834E6F

RGB 131 78 111

HSL 322.64, 0.25%, 0.41%

LAB 40.28, 27.33, -9.49

 

CMYK 0 / 40 / 26 / 49

HEX #834E61

RGB 131 78 97

HSL 338.49, 0.25%, 0.41%

LAB 39.81, 25.01, -1.52

 

CMYK 0 / 40 / 37 / 49

HEX #834E53

RGB 131 78 83

HSL 354.34, 0.25%, 0.41%

LAB 39.41, 22.98, 6.62

 

CMYK 0 / 33 / 40 / 49

HEX #83584E

RGB 131 88 78

HSL 11.32, 0.25%, 0.41%

LAB 41.77, 16.44, 13

 

CMYK 0 / 22 / 40 / 49

HEX #83664E

RGB 131 102 78

HSL 27.17, 0.25%, 0.41%

LAB 45.47, 8.15, 18.01

 

CMYK 0 / 41 / 37 / 69

HEX #4F2F32

RGB 79 47 50

HSL 354.38, 0.25%, 0.25%

LAB 23.42, 15.1, 4.25

 

CMYK 0 / 40 / 37 / 59

HEX #693F42

RGB 105 63 66

HSL 355.71, 0.25%, 0.33%

LAB 31.7, 18.76, 5.94

 

CMYK 0 / 40 / 37 / 49

HEX #834E52

RGB 131 78 82

HSL 355.47, 0.25%, 0.41%

LAB 39.38, 22.85, 7.2

 

CMYK 0 / 40 / 37 / 39

HEX #9C5E63

RGB 156 94 99

HSL 355.16, 0.25%, 0.49%

LAB 46.94, 25.93, 7.97

 

CMYK 0 / 31 / 29 / 32

HEX #AD777B

RGB 173 119 123

HSL 355.56, 0.25%, 0.57%

LAB 55.59, 21.74, 6.37

 

CMYK 0 / 40 / 37 / 48

HEX #844F53

RGB 132 79 83

HSL 355.47, 0.25%, 0.41%

LAB 39.79, 22.8, 7.17

 

CMYK 5 / 0 / 40 / 49

HEX #7D834E

RGB 125 131 78

HSL 66.79, 0.25%, 0.41%

LAB 53.11, -11.01, 27.89

 

CMYK 40 / 21 / 0 / 49

HEX #4E6883

RGB 78 104 131

HSL 210.57, 0.25%, 0.41%

LAB 43, -2.18, -18.02

 

CMYK 0 / 40 / 37 / 48

HEX #844F53

RGB 132 79 83

HSL 355.47, 0.25%, 0.41%

LAB 39.79, 22.8, 7.17

 

CMYK 37 / 0 / 40 / 49

HEX #53834E

RGB 83 131 78

HSL 114.34, 0.25%, 0.41%

LAB 50.24, -27.52, 23.63

 

CMYK 40 / 37 / 0 / 49

HEX #4E5383

RGB 78 83 131

HSL 234.34, 0.25%, 0.41%

LAB 36.83, 10.92, -27.6

 

CMYK 0 / 40 / 37 / 48

HEX #844F53

RGB 132 79 83

HSL 355.47, 0.25%, 0.41%

LAB 39.79, 22.8, 7.17

 

CMYK 5 / 0 / 40 / 49

HEX #7D834E

RGB 125 131 78

HSL 66.79, 0.25%, 0.41%

LAB 53.11, -11.01, 27.89

 

CMYK 40 / 0 / 4 / 49

HEX #4E837E

RGB 78 131 126

HSL 174.34, 0.25%, 0.41%

LAB 51.1, -18.9, -2.87

 

CMYK 35 / 40 / 0 / 49

HEX #554E83

RGB 85 78 131

HSL 247.92, 0.25%, 0.41%

LAB 36.02, 16.2, -28.83

 

CMYK 0 / 40 / 37 / 48

HEX #844F53

RGB 132 79 83

HSL 355.47, 0.25%, 0.41%

LAB 39.79, 22.8, 7.17

 

CMYK 17 / 0 / 40 / 49

HEX #6D834E

RGB 109 131 78

HSL 84.91, 0.25%, 0.41%

LAB 51.88, -17.66, 26.07

 

CMYK 40 / 0 / 4 / 49

HEX #4E837E

RGB 78 131 126

HSL 174.34, 0.25%, 0.41%

LAB 51.1, -18.9, -2.87

 

CMYK 24 / 40 / 0 / 49

HEX #644E83

RGB 100 78 131

HSL 264.91, 0.25%, 0.41%

LAB 37.48, 20.87, -26.44

 

Description

Color code: HEX #844F53 | qconv.com Color code: HEX #844F53 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 79 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 79 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 37 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 37% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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