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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #844A5E it is the complementary color #7BB5A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #844A5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #844A5E shade: #894A59, #9A5C6C, #AB6E7F, #BC8092 and #CD92A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #844A5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #844A5E shade: #844A5E, #73384B, #622638, #511425 and #400212

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #844A5E shade: #83495D, #83494E and #834949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #844A5E shade: #83495D, #83496D, #83497C, #7A4983 and #6A4983

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #844A5E shade matches the following richer shades: #83495D, #933958, #A42853, #B4184E and #C50749

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #844A5E shade: #83495D, #725A62, #626A67, #517B6D and #418B72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #844A5E shade: #83497C, #83496D, #83495D, #83494E and #835449

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #844A5E shade: #4E2C37, #683B4A, #83495D, #9D5870 and #AF7086

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #844A5E shade: #844A5E, #837A49 and #497483

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #844A5E shade: #844A5E, #5D8349 and #495D83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #844A5E shade: #844A5E, #837A49, #49836F and #495283

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #844A5E shade: #844A5E, #7A8349, #49836F and #524983

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 29 / 48

HEX #844A5E

RGB 132 74 94

HSL 339.31, 0.28%, 0.4%

LAB 38.92, 27.25, -0.94

 

Complementary color

CMYK 32 / 0 / 11 / 29

HEX #7BB5A1

RGB 123 181 161

HSL 159.31, 0.28%, 0.6%

LAB 69.35, -23.25, 4.19

 

CMYK 0 / 46 / 35 / 46

HEX #894A59

RGB 137 74 89

HSL 345.71, 0.3%, 0.41%

LAB 39.47, 28.47, 3.08

 

CMYK 0 / 40 / 30 / 40

HEX #9A5C6C

RGB 154 92 108

HSL 344.52, 0.25%, 0.48%

LAB 46.45, 27.5, 1.81

 

CMYK 0 / 36 / 26 / 33

HEX #AB6E7F

RGB 171 110 127

HSL 343.28, 0.27%, 0.55%

LAB 53.32, 26.61, 0.73

 

CMYK 0 / 32 / 22 / 26

HEX #BC8092

RGB 188 128 146

HSL 342, 0.31%, 0.62%

LAB 60.07, 25.8, -0.22

 

CMYK 0 / 29 / 20 / 20

HEX #CD92A5

RGB 205 146 165

HSL 340.68, 0.37%, 0.69%

LAB 66.71, 25.06, -1.07

 

CMYK 0 / 44 / 29 / 48

HEX #844A5E

RGB 132 74 94

HSL 339.31, 0.28%, 0.4%

LAB 38.92, 27.25, -0.94

 

CMYK 0 / 51 / 35 / 55

HEX #73384B

RGB 115 56 75

HSL 340.68, 0.35%, 0.34%

LAB 31.76, 28.21, 0.4

 

CMYK 0 / 61 / 43 / 62

HEX #622638

RGB 98 38 56

HSL 342, 0.44%, 0.27%

LAB 24.54, 29.14, 2.18

 

CMYK 0 / 75 / 54 / 68

HEX #511425

RGB 81 20 37

HSL 343.28, 0.6%, 0.2%

LAB 17.38, 29.7, 4.78

 

CMYK 0 / 97 / 72 / 75

HEX #400212

RGB 64 2 18

HSL 344.52, 0.94%, 0.13%

LAB 10.39, 29.73, 8.17

 

CMYK 0 / 44 / 29 / 49

HEX #83495D

RGB 131 73 93

HSL 339.31, 0.28%, 0.4%

LAB 38.52, 27.29, -0.92

 

CMYK 0 / 44 / 40 / 49

HEX #83494E

RGB 131 73 78

HSL 354.83, 0.28%, 0.4%

LAB 38.09, 25.23, 7.88

 

CMYK 0 / 44 / 44 / 49

HEX #834949

RGB 131 73 73

HSL 0, 0.28%, 0.4%

LAB 37.97, 24.62, 10.83

 

CMYK 0 / 44 / 29 / 49

HEX #83495D

RGB 131 73 93

HSL 339.31, 0.28%, 0.4%

LAB 38.52, 27.29, -0.92

 

CMYK 0 / 44 / 17 / 49

HEX #83496D

RGB 131 73 109

HSL 322.76, 0.28%, 0.4%

LAB 39.06, 29.85, -10.09

 

CMYK 0 / 44 / 5 / 49

HEX #83497C

RGB 131 73 124

HSL 307.24, 0.28%, 0.4%

LAB 39.66, 32.57, -18.46

 

CMYK 7 / 44 / 0 / 49

HEX #7A4983

RGB 122 73 131

HSL 290.69, 0.28%, 0.4%

LAB 38.8, 31, -24.19

 

CMYK 19 / 44 / 0 / 49

HEX #6A4983

RGB 106 73 131

HSL 274.14, 0.28%, 0.4%

LAB 36.87, 25.86, -27.34

 

CMYK 0 / 44 / 29 / 49

HEX #83495D

RGB 131 73 93

HSL 339.31, 0.28%, 0.4%

LAB 38.52, 27.29, -0.92

 

CMYK 0 / 61 / 40 / 42

HEX #933958

RGB 147 57 88

HSL 339.33, 0.44%, 0.4%

LAB 37.54, 40.95, 1.11

 

CMYK 0 / 76 / 49 / 36

HEX #A42853

RGB 164 40 83

HSL 339.19, 0.61%, 0.4%

LAB 37.9, 52.8, 5.2

 

CMYK 0 / 87 / 57 / 29

HEX #B4184E

RGB 180 24 78

HSL 339.23, 0.76%, 0.4%

LAB 39.42, 61.08, 10.99

 

CMYK 0 / 96 / 63 / 23

HEX #C50749

RGB 197 7 73

HSL 339.16, 0.93%, 0.4%

LAB 42.01, 67.34, 18.26

 

CMYK 0 / 44 / 29 / 49

HEX #83495D

RGB 131 73 93

HSL 339.31, 0.28%, 0.4%

LAB 38.52, 27.29, -0.92

 

CMYK 0 / 21 / 14 / 55

HEX #725A62

RGB 114 90 98

HSL 340, 0.12%, 0.4%

LAB 40.85, 11.24, -0.85

 

CMYK 8 / 0 / 3 / 58

HEX #626A67

RGB 98 106 103

HSL 157.5, 0.04%, 0.4%

LAB 44.07, -3.7, 0.62

 

CMYK 34 / 0 / 11 / 52

HEX #517B6D

RGB 81 123 109

HSL 160, 0.21%, 0.4%

LAB 48.28, -17.92, 3.02

 

CMYK 53 / 0 / 18 / 45

HEX #418B72

RGB 65 139 114

HSL 159.73, 0.36%, 0.4%

LAB 52.73, -29.41, 6.41

 

CMYK 0 / 44 / 5 / 49

HEX #83497C

RGB 131 73 124

HSL 307.24, 0.28%, 0.4%

LAB 39.66, 32.57, -18.46

 

CMYK 0 / 44 / 17 / 49

HEX #83496D

RGB 131 73 109

HSL 322.76, 0.28%, 0.4%

LAB 39.06, 29.85, -10.09

 

CMYK 0 / 44 / 29 / 49

HEX #83495D

RGB 131 73 93

HSL 339.31, 0.28%, 0.4%

LAB 38.52, 27.29, -0.92

 

CMYK 0 / 44 / 40 / 49

HEX #83494E

RGB 131 73 78

HSL 354.83, 0.28%, 0.4%

LAB 38.09, 25.23, 7.88

 

CMYK 0 / 36 / 44 / 49

HEX #835449

RGB 131 84 73

HSL 11.38, 0.28%, 0.4%

LAB 40.65, 18.19, 14.51

 

CMYK 0 / 44 / 29 / 69

HEX #4E2C37

RGB 78 44 55

HSL 340.59, 0.28%, 0.24%

LAB 22.64, 17.38, -0.29

 

CMYK 0 / 43 / 29 / 59

HEX #683B4A

RGB 104 59 74

HSL 340, 0.28%, 0.32%

LAB 30.8, 21.97, -0.56

 

CMYK 0 / 44 / 29 / 49

HEX #83495D

RGB 131 73 93

HSL 339.31, 0.28%, 0.4%

LAB 38.52, 27.29, -0.92

 

CMYK 0 / 44 / 29 / 38

HEX #9D5870

RGB 157 88 112

HSL 339.13, 0.28%, 0.48%

LAB 46.07, 31.44, -1.14

 

CMYK 0 / 36 / 23 / 31

HEX #AF7086

RGB 175 112 134

HSL 339.05, 0.28%, 0.56%

LAB 54.47, 28.04, -1.64

 

CMYK 0 / 44 / 29 / 48

HEX #844A5E

RGB 132 74 94

HSL 339.31, 0.28%, 0.4%

LAB 38.92, 27.25, -0.94

 

CMYK 0 / 7 / 44 / 49

HEX #837A49

RGB 131 122 73

HSL 50.69, 0.28%, 0.4%

LAB 50.95, -4.01, 28.02

 

CMYK 44 / 11 / 0 / 49

HEX #497483

RGB 73 116 131

HSL 195.52, 0.28%, 0.4%

LAB 46.37, -10.64, -12.91

 

CMYK 0 / 44 / 29 / 48

HEX #844A5E

RGB 132 74 94

HSL 339.31, 0.28%, 0.4%

LAB 38.92, 27.25, -0.94

 

CMYK 29 / 0 / 44 / 49

HEX #5D8349

RGB 93 131 73

HSL 99.31, 0.28%, 0.4%

LAB 50.73, -24.65, 27.14

 

CMYK 44 / 29 / 0 / 49

HEX #495D83

RGB 73 93 131

HSL 219.31, 0.28%, 0.4%

LAB 39.38, 3.14, -23.63

 

CMYK 0 / 44 / 29 / 48

HEX #844A5E

RGB 132 74 94

HSL 339.31, 0.28%, 0.4%

LAB 38.92, 27.25, -0.94

 

CMYK 0 / 7 / 44 / 49

HEX #837A49

RGB 131 122 73

HSL 50.69, 0.28%, 0.4%

LAB 50.95, -4.01, 28.02

 

CMYK 44 / 0 / 15 / 49

HEX #49836F

RGB 73 131 111

HSL 159.31, 0.28%, 0.4%

LAB 50.45, -24.05, 4.92

 

CMYK 44 / 37 / 0 / 49

HEX #495283

RGB 73 82 131

HSL 230.69, 0.28%, 0.4%

LAB 36.16, 10.14, -28.68

 

CMYK 0 / 44 / 29 / 48

HEX #844A5E

RGB 132 74 94

HSL 339.31, 0.28%, 0.4%

LAB 38.92, 27.25, -0.94

 

CMYK 7 / 0 / 44 / 49

HEX #7A8349

RGB 122 131 73

HSL 69.31, 0.28%, 0.4%

LAB 52.79, -12.89, 30.16

 

CMYK 44 / 0 / 15 / 49

HEX #49836F

RGB 73 131 111

HSL 159.31, 0.28%, 0.4%

LAB 50.45, -24.05, 4.92

 

CMYK 37 / 44 / 0 / 49

HEX #524983

RGB 82 73 131

HSL 249.31, 0.28%, 0.4%

LAB 34.39, 18.52, -31.41

 

Description

Color code: HEX #844A5E | qconv.com Color code: HEX #844A5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 74 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 74 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 29 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 29% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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