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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #844358 it is the complementary color #7BBCA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #844358. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #844358 shade: #894353, #9A5566, #AB6779, #BC798C and #CD8B9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #844358. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #844358 shade: #844358, #733145, #621F32, #510D1F and #40000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #844358 shade: #844358, #844346 and #844343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #844358 shade: #844358, #84436A, #84437B, #7C4384 and #6A4384

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #844358 shade matches the following richer shades: #844358, #943352, #A4224C, #B51247 and #C50241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #844358 shade: #844358, #74535E, #646363, #547369 and #44836F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #844358 shade: #84437C, #84436A, #844359, #844347 and #845043

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #844358 shade: #4D2733, #693546, #844358, #A0506A and #B2677F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #844358 shade: #844358, #847C43 and #437384

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #844358 shade: #844358, #598443 and #435984

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #844358 shade: #844358, #847C43, #43846E and #434B84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #844358 shade: #844358, #798443, #43846E and #4E4384

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 33 / 48

HEX #844358

RGB 132 67 88

HSL 340.62, 0.33%, 0.39%

LAB 37.16, 30.34, 0.26

 

Complementary color

CMYK 35 / 0 / 11 / 26

HEX #7BBCA7

RGB 123 188 167

HSL 160.62, 0.33%, 0.61%

LAB 71.53, -25.43, 4.06

 

CMYK 0 / 51 / 39 / 46

HEX #894353

RGB 137 67 83

HSL 346.29, 0.34%, 0.4%

LAB 37.77, 31.59, 4.39

 

CMYK 0 / 45 / 34 / 40

HEX #9A5566

RGB 154 85 102

HSL 345.22, 0.29%, 0.47%

LAB 44.7, 30.59, 2.9

 

CMYK 0 / 40 / 29 / 33

HEX #AB6779

RGB 171 103 121

HSL 344.12, 0.29%, 0.54%

LAB 51.54, 29.65, 1.68

 

CMYK 0 / 36 / 26 / 26

HEX #BC798C

RGB 188 121 140

HSL 342.99, 0.33%, 0.61%

LAB 58.28, 28.77, 0.62

 

CMYK 0 / 32 / 22 / 20

HEX #CD8B9F

RGB 205 139 159

HSL 341.82, 0.4%, 0.67%

LAB 64.92, 27.97, -0.31

 

CMYK 0 / 49 / 33 / 48

HEX #844358

RGB 132 67 88

HSL 340.62, 0.33%, 0.39%

LAB 37.16, 30.34, 0.26

 

CMYK 0 / 57 / 40 / 55

HEX #733145

RGB 115 49 69

HSL 341.82, 0.4%, 0.32%

LAB 30.09, 31.28, 1.89

 

CMYK 0 / 68 / 49 / 62

HEX #621F32

RGB 98 31 50

HSL 342.99, 0.52%, 0.25%

LAB 23.02, 32.01, 4.11

 

CMYK 0 / 84 / 62 / 68

HEX #510D1F

RGB 81 13 31

HSL 344.12, 0.72%, 0.18%

LAB 16.19, 32.01, 7.45

 

CMYK 0 / 100 / 81 / 75

HEX #40000C

RGB 64 0 12

HSL 348.75, 1%, 0.13%

LAB 9.93, 30.32, 10.7

 

CMYK 0 / 49 / 33 / 48

HEX #844358

RGB 132 67 88

HSL 340.62, 0.33%, 0.39%

LAB 37.16, 30.34, 0.26

 

CMYK 0 / 49 / 47 / 48

HEX #844346

RGB 132 67 70

HSL 357.23, 0.33%, 0.39%

LAB 36.67, 28.1, 10.94

 

CMYK 0 / 49 / 49 / 48

HEX #844343

RGB 132 67 67

HSL 0, 0.33%, 0.39%

LAB 36.6, 27.78, 12.73

 

CMYK 0 / 49 / 33 / 48

HEX #844358

RGB 132 67 88

HSL 340.62, 0.33%, 0.39%

LAB 37.16, 30.34, 0.26

 

CMYK 0 / 49 / 20 / 48

HEX #84436A

RGB 132 67 106

HSL 324, 0.33%, 0.39%

LAB 37.77, 33.07, -10.16

 

CMYK 0 / 49 / 7 / 48

HEX #84437B

RGB 132 67 123

HSL 308.31, 0.33%, 0.39%

LAB 38.46, 36.03, -19.68

 

CMYK 6 / 49 / 0 / 48

HEX #7C4384

RGB 124 67 132

HSL 292.62, 0.33%, 0.39%

LAB 37.78, 35.26, -26.37

 

CMYK 20 / 49 / 0 / 48

HEX #6A4384

RGB 106 67 132

HSL 276, 0.33%, 0.39%

LAB 35.49, 29.71, -30.13

 

CMYK 0 / 49 / 33 / 48

HEX #844358

RGB 132 67 88

HSL 340.62, 0.33%, 0.39%

LAB 37.16, 30.34, 0.26

 

CMYK 0 / 66 / 45 / 42

HEX #943352

RGB 148 51 82

HSL 340.82, 0.49%, 0.39%

LAB 36.5, 43.41, 3.45

 

CMYK 0 / 79 / 54 / 36

HEX #A4224C

RGB 164 34 76

HSL 340.62, 0.66%, 0.39%

LAB 37.04, 54.13, 8.46

 

CMYK 0 / 90 / 61 / 29

HEX #B51247

RGB 181 18 71

HSL 340.49, 0.82%, 0.39%

LAB 39.09, 61.96, 15.04

 

CMYK 0 / 99 / 67 / 23

HEX #C50241

RGB 197 2 65

HSL 340.62, 0.98%, 0.39%

LAB 41.68, 67.41, 22.88

 

CMYK 0 / 49 / 33 / 48

HEX #844358

RGB 132 67 88

HSL 340.62, 0.33%, 0.39%

LAB 37.16, 30.34, 0.26

 

CMYK 0 / 28 / 19 / 55

HEX #74535E

RGB 116 83 94

HSL 340, 0.17%, 0.39%

LAB 39.08, 15.59, -0.94

 

CMYK 0 / 1 / 1 / 61

HEX #646363

RGB 100 99 99

HSL 0, 0.01%, 0.39%

LAB 42.05, 0.39, 0.13

 

CMYK 27 / 0 / 9 / 55

HEX #547369

RGB 84 115 105

HSL 160.65, 0.16%, 0.39%

LAB 45.86, -13.49, 1.91

 

CMYK 48 / 0 / 15 / 49

HEX #44836F

RGB 68 131 111

HSL 160.95, 0.32%, 0.39%

LAB 50.23, -25.43, 4.57

 

CMYK 0 / 49 / 6 / 48

HEX #84437C

RGB 132 67 124

HSL 307.38, 0.33%, 0.39%

LAB 38.51, 36.22, -20.22

 

CMYK 0 / 49 / 20 / 48

HEX #84436A

RGB 132 67 106

HSL 324, 0.33%, 0.39%

LAB 37.77, 33.07, -10.16

 

CMYK 0 / 49 / 33 / 48

HEX #844359

RGB 132 67 89

HSL 339.69, 0.33%, 0.39%

LAB 37.19, 30.48, -0.33

 

CMYK 0 / 49 / 46 / 48

HEX #844347

RGB 132 67 71

HSL 356.31, 0.33%, 0.39%

LAB 36.7, 28.21, 10.34

 

CMYK 0 / 39 / 49 / 48

HEX #845043

RGB 132 80 67

HSL 12, 0.33%, 0.39%

LAB 39.66, 20.29, 16.87

 

CMYK 0 / 49 / 34 / 70

HEX #4D2733

RGB 77 39 51

HSL 341.05, 0.33%, 0.23%

LAB 21.09, 19.45, 0.16

 

CMYK 0 / 50 / 33 / 59

HEX #693546

RGB 105 53 70

HSL 340.38, 0.33%, 0.31%

LAB 29.39, 25.32, 0.02

 

CMYK 0 / 49 / 33 / 48

HEX #844358

RGB 132 67 88

HSL 340.62, 0.33%, 0.39%

LAB 37.16, 30.34, 0.26

 

CMYK 0 / 50 / 34 / 37

HEX #A0506A

RGB 160 80 106

HSL 340.5, 0.33%, 0.47%

LAB 44.59, 36.06, 0.41

 

CMYK 0 / 42 / 29 / 30

HEX #B2677F

RGB 178 103 127

HSL 340.8, 0.33%, 0.55%

LAB 52.62, 33.09, -0.2

 

CMYK 0 / 49 / 33 / 48

HEX #844358

RGB 132 67 88

HSL 340.62, 0.33%, 0.39%

LAB 37.16, 30.34, 0.26

 

CMYK 0 / 6 / 49 / 48

HEX #847C43

RGB 132 124 67

HSL 52.62, 0.33%, 0.39%

LAB 51.53, -5.34, 32.02

 

CMYK 49 / 13 / 0 / 48

HEX #437384

RGB 67 115 132

HSL 195.69, 0.33%, 0.39%

LAB 45.8, -11.36, -14.4

 

CMYK 0 / 49 / 33 / 48

HEX #844358

RGB 132 67 88

HSL 340.62, 0.33%, 0.39%

LAB 37.16, 30.34, 0.26

 

CMYK 33 / 0 / 49 / 48

HEX #598443

RGB 89 132 67

HSL 99.69, 0.33%, 0.39%

LAB 50.72, -27.48, 30.31

 

CMYK 49 / 33 / 0 / 48

HEX #435984

RGB 67 89 132

HSL 219.69, 0.33%, 0.39%

LAB 37.85, 4.34, -26.66

 

CMYK 0 / 49 / 33 / 48

HEX #844358

RGB 132 67 88

HSL 340.62, 0.33%, 0.39%

LAB 37.16, 30.34, 0.26

 

CMYK 0 / 6 / 49 / 48

HEX #847C43

RGB 132 124 67

HSL 52.62, 0.33%, 0.39%

LAB 51.53, -5.34, 32.02

 

CMYK 49 / 0 / 17 / 48

HEX #43846E

RGB 67 132 110

HSL 159.69, 0.33%, 0.39%

LAB 50.48, -26.44, 5.51

 

CMYK 49 / 43 / 0 / 48

HEX #434B84

RGB 67 75 132

HSL 232.62, 0.33%, 0.39%

LAB 33.76, 13.4, -33.12

 

CMYK 0 / 49 / 33 / 48

HEX #844358

RGB 132 67 88

HSL 340.62, 0.33%, 0.39%

LAB 37.16, 30.34, 0.26

 

CMYK 8 / 0 / 49 / 48

HEX #798443

RGB 121 132 67

HSL 70.15, 0.33%, 0.39%

LAB 52.92, -14.53, 33.5

 

CMYK 49 / 0 / 17 / 48

HEX #43846E

RGB 67 132 110

HSL 159.69, 0.33%, 0.39%

LAB 50.48, -26.44, 5.51

 

CMYK 41 / 49 / 0 / 48

HEX #4E4384

RGB 78 67 132

HSL 250.15, 0.33%, 0.39%

LAB 32.48, 21.55, -35.09

 

Description

Color code: HEX #844358 | qconv.com Color code: HEX #844358 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 67 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 67 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 33 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 33% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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