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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #843FA2 it is the complementary color #7BC05D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #843FA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #843FA2 shade: #893F9D, #9A51B0, #AB63C3, #BC75D6 and #CD87E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #843FA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #843FA2 shade: #843FA2, #732D8F, #621B7C, #510969 and #400056

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #843FA2 shade: #843FA2, #9E3FA2, #A23F8A, #A23F70 and #A23F55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #843FA2 shade: #843FA2, #693FA2, #4E3FA2 and #3F3FA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #843FA2 shade matches the following richer shades: #843FA2, #8B2DB4, #921BC6 and #9908D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #843FA2 shade: #843FA2, #7C518F, #75637D, #6E756B and #678759

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #843FA2 shade: #4E3FA2, #683FA2, #823FA2, #9D3FA2 and #A23F8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #843FA2 shade: #532866, #6B3384, #843FA2, #9A4FBB and #AB6DC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #843FA2 shade: #843FA2, #A23F4A and #3FA25B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #843FA2 shade: #843FA2, #A2823F and #3FA282

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #843FA2 shade: #843FA2, #A23F4A, #5EA23F and #3FA296

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #843FA2 shade: #843FA2, #A2513F, #5EA23F and #3F8FA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 61 / 0 / 36

HEX #843FA2

RGB 132 63 162

HSL 281.82, 0.44%, 0.44%

LAB 39.7, 46.07, -41.47

 

Complementary color

CMYK 36 / 0 / 52 / 25

HEX #7BC05D

RGB 123 192 93

HSL 101.82, 0.44%, 0.56%

LAB 71.35, -39.93, 42.76

 

CMYK 13 / 60 / 0 / 38

HEX #893F9D

RGB 137 63 157

HSL 287.23, 0.43%, 0.43%

LAB 40.09, 46.3, -37.8

 

CMYK 13 / 54 / 0 / 31

HEX #9A51B0

RGB 154 81 176

HSL 286.11, 0.38%, 0.5%

LAB 46.83, 45.68, -38.26

 

CMYK 12 / 49 / 0 / 24

HEX #AB63C3

RGB 171 99 195

HSL 285, 0.44%, 0.58%

LAB 53.52, 44.93, -38.6

 

CMYK 12 / 45 / 0 / 16

HEX #BC75D6

RGB 188 117 214

HSL 283.92, 0.54%, 0.65%

LAB 60.13, 44.15, -38.86

 

CMYK 12 / 42 / 0 / 9

HEX #CD87E9

RGB 205 135 233

HSL 282.86, 0.69%, 0.72%

LAB 66.67, 43.37, -39.08

 

CMYK 19 / 61 / 0 / 36

HEX #843FA2

RGB 132 63 162

HSL 281.82, 0.44%, 0.44%

LAB 39.7, 46.07, -41.47

 

CMYK 20 / 69 / 0 / 44

HEX #732D8F

RGB 115 45 143

HSL 282.86, 0.52%, 0.37%

LAB 32.93, 46.49, -40.9

 

CMYK 21 / 78 / 0 / 51

HEX #621B7C

RGB 98 27 124

HSL 283.92, 0.64%, 0.3%

LAB 26.26, 46.3, -39.92

 

CMYK 23 / 91 / 0 / 59

HEX #510969

RGB 81 9 105

HSL 285, 0.84%, 0.22%

LAB 19.9, 44.79, -38.12

 

CMYK 26 / 100 / 0 / 66

HEX #400056

RGB 64 0 86

HSL 284.65, 1%, 0.17%

LAB 14.18, 40.78, -34.9

 

CMYK 19 / 61 / 0 / 36

HEX #843FA2

RGB 132 63 162

HSL 281.82, 0.44%, 0.44%

LAB 39.7, 46.07, -41.47

 

CMYK 2 / 61 / 0 / 36

HEX #9E3FA2

RGB 158 63 162

HSL 297.58, 0.44%, 0.44%

LAB 43.41, 52.77, -35.35

 

CMYK 0 / 61 / 15 / 36

HEX #A23F8A

RGB 162 63 138

HSL 314.55, 0.44%, 0.44%

LAB 42.87, 49.79, -21.69

 

CMYK 0 / 61 / 31 / 36

HEX #A23F70

RGB 162 63 112

HSL 330.3, 0.44%, 0.44%

LAB 41.85, 46.04, -7.29

 

CMYK 0 / 61 / 48 / 36

HEX #A23F55

RGB 162 63 85

HSL 346.67, 0.44%, 0.44%

LAB 41.04, 42.93, 8.35

 

CMYK 19 / 61 / 0 / 36

HEX #843FA2

RGB 132 63 162

HSL 281.82, 0.44%, 0.44%

LAB 39.7, 46.07, -41.47

 

CMYK 35 / 61 / 0 / 36

HEX #693FA2

RGB 105 63 162

HSL 265.45, 0.44%, 0.44%

LAB 36.3, 39.39, -47.1

 

CMYK 52 / 61 / 0 / 36

HEX #4E3FA2

RGB 78 63 162

HSL 249.09, 0.44%, 0.44%

LAB 33.53, 33.39, -51.72

 

CMYK 61 / 61 / 0 / 36

HEX #3F3FA2

RGB 63 63 162

HSL 240, 0.44%, 0.44%

LAB 32.3, 30.55, -53.76

 

CMYK 19 / 61 / 0 / 36

HEX #843FA2

RGB 132 63 162

HSL 281.82, 0.44%, 0.44%

LAB 39.7, 46.07, -41.47

 

CMYK 23 / 75 / 0 / 29

HEX #8B2DB4

RGB 139 45 180

HSL 281.78, 0.6%, 0.44%

LAB 39, 59.44, -53.25

 

CMYK 26 / 86 / 0 / 22

HEX #921BC6

RGB 146 27 198

HSL 281.75, 0.76%, 0.44%

LAB 39.53, 69.66, -62.91

 

CMYK 29 / 96 / 0 / 15

HEX #9908D8

RGB 153 8 216

HSL 281.83, 0.93%, 0.44%

LAB 41.06, 77.02, -70.8

 

CMYK 19 / 61 / 0 / 36

HEX #843FA2

RGB 132 63 162

HSL 281.82, 0.44%, 0.44%

LAB 39.7, 46.07, -41.47

 

CMYK 13 / 43 / 0 / 44

HEX #7C518F

RGB 124 81 143

HSL 281.61, 0.28%, 0.44%

LAB 41.46, 29.63, -27.32

 

CMYK 6 / 21 / 0 / 51

HEX #75637D

RGB 117 99 125

HSL 281.54, 0.12%, 0.44%

LAB 44.5, 12.4, -11.84

 

CMYK 6 / 0 / 9 / 54

HEX #6E756B

RGB 110 117 107

HSL 102, 0.04%, 0.44%

LAB 48.38, -4.67, 4.6

 

CMYK 24 / 0 / 34 / 47

HEX #678759

RGB 103 135 89

HSL 101.74, 0.21%, 0.44%

LAB 52.88, -20.45, 21.17

 

CMYK 52 / 61 / 0 / 36

HEX #4E3FA2

RGB 78 63 162

HSL 249.09, 0.44%, 0.44%

LAB 33.53, 33.39, -51.72

 

CMYK 36 / 61 / 0 / 36

HEX #683FA2

RGB 104 63 162

HSL 264.85, 0.44%, 0.44%

LAB 36.19, 39.16, -47.29

 

CMYK 20 / 61 / 0 / 36

HEX #823FA2

RGB 130 63 162

HSL 280.61, 0.44%, 0.44%

LAB 39.43, 45.56, -41.91

 

CMYK 3 / 61 / 0 / 36

HEX #9D3FA2

RGB 157 63 162

HSL 296.97, 0.44%, 0.44%

LAB 43.26, 52.51, -35.59

 

CMYK 0 / 61 / 14 / 36

HEX #A23F8C

RGB 162 63 140

HSL 313.33, 0.44%, 0.44%

LAB 42.96, 50.1, -22.77

 

CMYK 19 / 61 / 0 / 60

HEX #532866

RGB 83 40 102

HSL 281.61, 0.44%, 0.28%

LAB 24.69, 31.41, -28.45

 

CMYK 19 / 61 / 0 / 48

HEX #6B3384

RGB 107 51 132

HSL 281.48, 0.44%, 0.36%

LAB 32.17, 39.05, -35.39

 

CMYK 19 / 61 / 0 / 36

HEX #843FA2

RGB 132 63 162

HSL 281.82, 0.44%, 0.44%

LAB 39.7, 46.07, -41.47

 

CMYK 18 / 58 / 0 / 27

HEX #9A4FBB

RGB 154 79 187

HSL 281.67, 0.44%, 0.52%

LAB 47.04, 49.03, -44.36

 

CMYK 14 / 45 / 0 / 22

HEX #AB6DC6

RGB 171 109 198

HSL 281.8, 0.44%, 0.6%

LAB 55.76, 40.18, -36.79

 

CMYK 19 / 61 / 0 / 36

HEX #843FA2

RGB 132 63 162

HSL 281.82, 0.44%, 0.44%

LAB 39.7, 46.07, -41.47

 

CMYK 0 / 61 / 54 / 36

HEX #A23F4A

RGB 162 63 74

HSL 353.33, 0.44%, 0.44%

LAB 40.79, 41.91, 14.85

 

CMYK 61 / 0 / 44 / 36

HEX #3FA25B

RGB 63 162 91

HSL 136.97, 0.44%, 0.44%

LAB 59.57, -44.82, 28.53

 

CMYK 19 / 61 / 0 / 36

HEX #843FA2

RGB 132 63 162

HSL 281.82, 0.44%, 0.44%

LAB 39.7, 46.07, -41.47

 

CMYK 0 / 20 / 61 / 36

HEX #A2823F

RGB 162 130 63

HSL 40.61, 0.44%, 0.44%

LAB 56.09, 4.31, 40.24

 

CMYK 61 / 0 / 20 / 36

HEX #3FA282

RGB 63 162 130

HSL 160.61, 0.44%, 0.44%

LAB 60.35, -36.73, 8.16

 

CMYK 19 / 61 / 0 / 36

HEX #843FA2

RGB 132 63 162

HSL 281.82, 0.44%, 0.44%

LAB 39.7, 46.07, -41.47

 

CMYK 0 / 61 / 54 / 36

HEX #A23F4A

RGB 162 63 74

HSL 353.33, 0.44%, 0.44%

LAB 40.79, 41.91, 14.85

 

CMYK 42 / 0 / 61 / 36

HEX #5EA23F

RGB 94 162 63

HSL 101.21, 0.44%, 0.44%

LAB 60.41, -39.93, 43.83

 

CMYK 61 / 0 / 7 / 36

HEX #3FA296

RGB 63 162 150

HSL 172.73, 0.44%, 0.44%

LAB 60.87, -31.6, -2.34

 

CMYK 19 / 61 / 0 / 36

HEX #843FA2

RGB 132 63 162

HSL 281.82, 0.44%, 0.44%

LAB 39.7, 46.07, -41.47

 

CMYK 0 / 50 / 61 / 36

HEX #A2513F

RGB 162 81 63

HSL 10.91, 0.44%, 0.44%

LAB 44.13, 31.85, 25.89

 

CMYK 42 / 0 / 61 / 36

HEX #5EA23F

RGB 94 162 63

HSL 101.21, 0.44%, 0.44%

LAB 60.41, -39.93, 43.83

 

CMYK 61 / 12 / 0 / 36

HEX #3F8FA2

RGB 63 143 162

HSL 191.52, 0.44%, 0.44%

LAB 55.39, -18.51, -17.37

 

Description

Color code: HEX #843FA2 | qconv.com Color code: HEX #843FA2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 63 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 63 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 61 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 61% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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