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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8435CD it is the complementary color #7BCA32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8435CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8435CD shade: #8935C8, #9A47DB, #AB59EE, #BC6BFF and #CD7DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8435CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8435CD shade: #8435CD, #7323BA, #6211A7, #510094 and #400081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8435CD shade: #8537CD, #AD37CD, #CD37C4, #CD379C and #CD3773

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8435CD shade: #8537CD, #5D37CD and #3737CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8435CD shade matches the following richer shades: #8537CD, #8623E1 and #870FF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8435CD shade: #8537CD, #844BB9, #8360A5, #837490 and #82887C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8435CD shade: #373ACD, #5D37CD, #8537CD, #AD37CD and #CD37C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8435CD shade: #5B248E, #702CAF, #8537CD, #9958D5 and #AD79DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8435CD shade: #8435CD, #CD3762 and #37CD49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8435CD shade: #8435CD, #CD8537 and #37CD85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8435CD shade: #8435CD, #CD3762, #80CD37 and #37CDA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8435CD shade: #8435CD, #CD3A37, #80CD37 and #37CBCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 74 / 0 / 20

HEX #8435CD

RGB 132 53 205

HSL 271.18, 0.6%, 0.51%

LAB 40.99, 60.45, -64.7

 

Complementary color

CMYK 39 / 0 / 75 / 21

HEX #7BCA32

RGB 123 202 50

HSL 91.18, 0.6%, 0.49%

LAB 73.99, -47.95, 63.57

 

CMYK 32 / 74 / 0 / 22

HEX #8935C8

RGB 137 53 200

HSL 274.29, 0.58%, 0.5%

LAB 41.27, 60.21, -61.31

 

CMYK 30 / 68 / 0 / 14

HEX #9A47DB

RGB 154 71 219

HSL 273.65, 0.67%, 0.57%

LAB 47.61, 59.95, -61.87

 

CMYK 28 / 63 / 0 / 7

HEX #AB59EE

RGB 171 89 238

HSL 273.02, 0.81%, 0.64%

LAB 54, 59.36, -62.19

 

CMYK 26 / 58 / 0 / 0

HEX #BC6BFF

RGB 188 107 255

HSL 272.84, 1%, 0.71%

LAB 60.27, 58.17, -61.45

 

CMYK 20 / 51 / 0 / 0

HEX #CD7DFF

RGB 205 125 255

HSL 276.92, 1%, 0.75%

LAB 65.64, 53.21, -52.78

 

CMYK 36 / 74 / 0 / 20

HEX #8435CD

RGB 132 53 205

HSL 271.18, 0.6%, 0.51%

LAB 40.99, 60.45, -64.7

 

CMYK 38 / 81 / 0 / 27

HEX #7323BA

RGB 115 35 186

HSL 271.79, 0.68%, 0.43%

LAB 34.79, 60.21, -63.8

 

CMYK 41 / 90 / 0 / 35

HEX #6211A7

RGB 98 17 167

HSL 272.4, 0.82%, 0.36%

LAB 28.87, 58.9, -62.24

 

CMYK 45 / 100 / 0 / 42

HEX #510094

RGB 81 0 148

HSL 272.84, 1%, 0.29%

LAB 23.3, 56.29, -59.89

 

CMYK 50 / 100 / 0 / 49

HEX #400081

RGB 64 0 129

HSL 269.77, 1%, 0.25%

LAB 18.69, 50.4, -55.68

 

CMYK 35 / 73 / 0 / 20

HEX #8537CD

RGB 133 55 205

HSL 271.2, 0.6%, 0.51%

LAB 41.42, 59.78, -64

 

CMYK 16 / 73 / 0 / 20

HEX #AD37CD

RGB 173 55 205

HSL 287.2, 0.6%, 0.51%

LAB 47.01, 67.41, -54.69

 

CMYK 0 / 73 / 4 / 20

HEX #CD37C4

RGB 205 55 196

HSL 303.6, 0.6%, 0.51%

LAB 51.49, 72.54, -42.04

 

CMYK 0 / 73 / 24 / 20

HEX #CD379C

RGB 205 55 156

HSL 319.6, 0.6%, 0.51%

LAB 49.63, 66.9, -21.5

 

CMYK 0 / 73 / 44 / 20

HEX #CD3773

RGB 205 55 115

HSL 336, 0.6%, 0.51%

LAB 48.2, 62.35, 1.06

 

CMYK 35 / 73 / 0 / 20

HEX #8537CD

RGB 133 55 205

HSL 271.2, 0.6%, 0.51%

LAB 41.42, 59.78, -64

 

CMYK 55 / 73 / 0 / 20

HEX #5D37CD

RGB 93 55 205

HSL 255.2, 0.6%, 0.51%

LAB 36.87, 53.28, -71.62

 

CMYK 73 / 73 / 0 / 20

HEX #3737CD

RGB 55 55 205

HSL 240, 0.6%, 0.51%

LAB 33.88, 48.8, -76.64

 

CMYK 35 / 73 / 0 / 20

HEX #8537CD

RGB 133 55 205

HSL 271.2, 0.6%, 0.51%

LAB 41.42, 59.78, -64

 

CMYK 40 / 84 / 0 / 12

HEX #8623E1

RGB 134 35 225

HSL 271.26, 0.76%, 0.51%

LAB 40.75, 71.54, -76.59

 

CMYK 45 / 94 / 0 / 4

HEX #870FF5

RGB 135 15 245

HSL 271.3, 0.92%, 0.51%

LAB 41.35, 80.03, -86.93

 

CMYK 35 / 73 / 0 / 20

HEX #8537CD

RGB 133 55 205

HSL 271.2, 0.6%, 0.51%

LAB 41.42, 59.78, -64

 

CMYK 29 / 59 / 0 / 27

HEX #844BB9

RGB 132 75 185

HSL 271.09, 0.44%, 0.51%

LAB 43.42, 45.14, -49.13

 

CMYK 21 / 42 / 0 / 35

HEX #8360A5

RGB 131 96 165

HSL 270.43, 0.28%, 0.51%

LAB 46.85, 28.13, -31.94

 

CMYK 9 / 19 / 0 / 44

HEX #837490

RGB 131 116 144

HSL 272.14, 0.11%, 0.51%

LAB 51.07, 11.43, -13.08

 

CMYK 4 / 0 / 9 / 47

HEX #82887C

RGB 130 136 124

HSL 90, 0.05%, 0.51%

LAB 55.9, -4.55, 5.68

 

CMYK 73 / 72 / 0 / 20

HEX #373ACD

RGB 55 58 205

HSL 238.8, 0.6%, 0.51%

LAB 34.49, 47.11, -75.64

 

CMYK 55 / 73 / 0 / 20

HEX #5D37CD

RGB 93 55 205

HSL 255.2, 0.6%, 0.51%

LAB 36.87, 53.28, -71.62

 

CMYK 35 / 73 / 0 / 20

HEX #8537CD

RGB 133 55 205

HSL 271.2, 0.6%, 0.51%

LAB 41.42, 59.78, -64

 

CMYK 16 / 73 / 0 / 20

HEX #AD37CD

RGB 173 55 205

HSL 287.2, 0.6%, 0.51%

LAB 47.01, 67.41, -54.69

 

CMYK 0 / 73 / 3 / 20

HEX #CD37C6

RGB 205 55 198

HSL 302.8, 0.6%, 0.51%

LAB 51.6, 72.84, -43.03

 

CMYK 36 / 75 / 0 / 44

HEX #5B248E

RGB 91 36 142

HSL 271.13, 0.6%, 0.35%

LAB 27.95, 45.24, -48.5

 

CMYK 36 / 75 / 0 / 31

HEX #702CAF

RGB 112 44 175

HSL 271.15, 0.6%, 0.43%

LAB 34.68, 53.65, -57.46

 

CMYK 35 / 73 / 0 / 20

HEX #8537CD

RGB 133 55 205

HSL 271.2, 0.6%, 0.51%

LAB 41.42, 59.78, -64

 

CMYK 28 / 59 / 0 / 16

HEX #9958D5

RGB 153 88 213

HSL 271.2, 0.6%, 0.59%

LAB 50.16, 50.01, -54.35

 

CMYK 22 / 45 / 0 / 13

HEX #AD79DE

RGB 173 121 222

HSL 270.89, 0.6%, 0.67%

LAB 59.74, 39.47, -44.08

 

CMYK 36 / 74 / 0 / 20

HEX #8435CD

RGB 132 53 205

HSL 271.18, 0.6%, 0.51%

LAB 40.99, 60.45, -64.7

 

CMYK 0 / 73 / 52 / 20

HEX #CD3762

RGB 205 55 98

HSL 342.8, 0.6%, 0.51%

LAB 47.74, 60.87, 10.81

 

CMYK 73 / 0 / 64 / 20

HEX #37CD49

RGB 55 205 73

HSL 127.2, 0.6%, 0.51%

LAB 72.86, -64.35, 53.03

 

CMYK 36 / 74 / 0 / 20

HEX #8435CD

RGB 132 53 205

HSL 271.18, 0.6%, 0.51%

LAB 40.99, 60.45, -64.7

 

CMYK 0 / 35 / 73 / 20

HEX #CD8537

RGB 205 133 55

HSL 31.2, 0.6%, 0.51%

LAB 61.68, 20.99, 51.56

 

CMYK 73 / 0 / 35 / 20

HEX #37CD85

RGB 55 205 133

HSL 151.2, 0.6%, 0.51%

LAB 73.65, -55.18, 24.95

 

CMYK 36 / 74 / 0 / 20

HEX #8435CD

RGB 132 53 205

HSL 271.18, 0.6%, 0.51%

LAB 40.99, 60.45, -64.7

 

CMYK 0 / 73 / 52 / 20

HEX #CD3762

RGB 205 55 98

HSL 342.8, 0.6%, 0.51%

LAB 47.74, 60.87, 10.81

 

CMYK 38 / 0 / 73 / 20

HEX #80CD37

RGB 128 205 55

HSL 90.8, 0.6%, 0.51%

LAB 75.16, -47.18, 63.11

 

CMYK 73 / 0 / 20 / 20

HEX #37CDA3

RGB 55 205 163

HSL 163.2, 0.6%, 0.51%

LAB 74.27, -48.58, 9.85

 

CMYK 36 / 74 / 0 / 20

HEX #8435CD

RGB 132 53 205

HSL 271.18, 0.6%, 0.51%

LAB 40.99, 60.45, -64.7

 

CMYK 0 / 72 / 73 / 20

HEX #CD3A37

RGB 205 58 55

HSL 1.2, 0.6%, 0.51%

LAB 47.34, 57.19, 36.12

 

CMYK 38 / 0 / 73 / 20

HEX #80CD37

RGB 128 205 55

HSL 90.8, 0.6%, 0.51%

LAB 75.16, -47.18, 63.11

 

CMYK 73 / 1 / 0 / 20

HEX #37CBCD

RGB 55 203 205

HSL 180.8, 0.6%, 0.51%

LAB 74.78, -36.54, -12.07

 

Description

Color code: HEX #8435CD | qconv.com Color code: HEX #8435CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 53 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 53 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 74 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 74% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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