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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #842E91 it is the complementary color #7BD16E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #842E91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #842E91 shade: #892E8C, #9A409F, #AB52B2, #BC64C5 and #CD76D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #842E91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #842E91 shade: #842E91, #731C7E, #620A6B, #510058 and #400045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #842E91 shade: #832D8F, #8F2D82, #8F2D67, #8F2D4D and #8F2D32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #842E91 shade: #832D8F, #682D8F, #4E2D8F, #332D8F and #2D2D8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #842E91 shade matches the following richer shades: #832D8F, #8E1E9F and #990FAE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #842E91 shade: #832D8F, #773D80, #6C4C71, #615B62 and #566A52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #842E91 shade: #4E2D8F, #682D8F, #822D8F, #8F2D82 and #8F2D68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #842E91 shade: #491951, #662370, #832D8F, #9F37AF and #B54AC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #842E91 shade: #842E91, #8F342D and #2D8F5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #842E91 shade: #842E91, #8F822D and #2D8F82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #842E91 shade: #842E91, #8F342D, #3A8F2D and #2D898F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #842E91 shade: #842E91, #8F512D, #3A8F2D and #2D6B8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 68 / 0 / 43

HEX #842E91

RGB 132 46 145

HSL 292.12, 0.52%, 0.37%

LAB 35.8, 50.51, -37.4

 

Complementary color

CMYK 41 / 0 / 47 / 18

HEX #7BD16E

RGB 123 209 110

HSL 112.12, 0.52%, 0.63%

LAB 76.64, -45.14, 40.96

 

CMYK 2 / 67 / 0 / 45

HEX #892E8C

RGB 137 46 140

HSL 298.09, 0.51%, 0.36%

LAB 36.3, 50.8, -33.48

 

CMYK 3 / 60 / 0 / 38

HEX #9A409F

RGB 154 64 159

HSL 296.84, 0.43%, 0.44%

LAB 42.82, 50.71, -34.52

 

CMYK 4 / 54 / 0 / 30

HEX #AB52B2

RGB 171 82 178

HSL 295.63, 0.38%, 0.51%

LAB 49.38, 50.27, -35.26

 

CMYK 5 / 49 / 0 / 23

HEX #BC64C5

RGB 188 100 197

HSL 294.43, 0.46%, 0.58%

LAB 55.92, 49.64, -35.81

 

CMYK 5 / 45 / 0 / 15

HEX #CD76D8

RGB 205 118 216

HSL 293.27, 0.56%, 0.65%

LAB 62.42, 48.93, -36.26

 

CMYK 9 / 68 / 0 / 43

HEX #842E91

RGB 132 46 145

HSL 292.12, 0.52%, 0.37%

LAB 35.8, 50.51, -37.4

 

CMYK 9 / 78 / 0 / 51

HEX #731C7E

RGB 115 28 126

HSL 293.27, 0.64%, 0.3%

LAB 29.37, 49.96, -36.04

 

CMYK 8 / 91 / 0 / 58

HEX #620A6B

RGB 98 10 107

HSL 294.43, 0.83%, 0.23%

LAB 23.25, 48.07, -33.85

 

CMYK 8 / 100 / 0 / 65

HEX #510058

RGB 81 0 88

HSL 295.23, 1%, 0.17%

LAB 17.71, 43.96, -30.38

 

CMYK 7 / 100 / 0 / 73

HEX #400045

RGB 64 0 69

HSL 295.65, 1%, 0.14%

LAB 12.73, 37.41, -25.52

 

CMYK 8 / 69 / 0 / 44

HEX #832D8F

RGB 131 45 143

HSL 292.65, 0.52%, 0.37%

LAB 35.37, 50.31, -36.86

 

CMYK 0 / 69 / 9 / 44

HEX #8F2D82

RGB 143 45 130

HSL 307.96, 0.52%, 0.37%

LAB 36.61, 51, -26.76

 

CMYK 0 / 69 / 28 / 44

HEX #8F2D67

RGB 143 45 103

HSL 324.49, 0.52%, 0.37%

LAB 35.39, 46.96, -11.7

 

CMYK 0 / 69 / 46 / 44

HEX #8F2D4D

RGB 143 45 77

HSL 340.41, 0.52%, 0.37%

LAB 34.5, 43.87, 3.67

 

CMYK 0 / 69 / 65 / 44

HEX #8F2D32

RGB 143 45 50

HSL 356.94, 0.52%, 0.37%

LAB 33.87, 41.6, 20.2

 

CMYK 8 / 69 / 0 / 44

HEX #832D8F

RGB 131 45 143

HSL 292.65, 0.52%, 0.37%

LAB 35.37, 50.31, -36.86

 

CMYK 27 / 69 / 0 / 44

HEX #682D8F

RGB 104 45 143

HSL 276.12, 0.52%, 0.37%

LAB 31.35, 43.94, -43.52

 

CMYK 45 / 69 / 0 / 44

HEX #4E2D8F

RGB 78 45 143

HSL 260.2, 0.52%, 0.37%

LAB 28.06, 38.31, -49.01

 

CMYK 64 / 69 / 0 / 44

HEX #332D8F

RGB 51 45 143

HSL 243.67, 0.52%, 0.37%

LAB 25.45, 33.48, -53.37

 

CMYK 69 / 69 / 0 / 44

HEX #2D2D8F

RGB 45 45 143

HSL 240, 0.52%, 0.37%

LAB 25.01, 32.61, -54.12

 

CMYK 8 / 69 / 0 / 44

HEX #832D8F

RGB 131 45 143

HSL 292.65, 0.52%, 0.37%

LAB 35.37, 50.31, -36.86

 

CMYK 11 / 81 / 0 / 38

HEX #8E1E9F

RGB 142 30 159

HSL 292.09, 0.68%, 0.37%

LAB 36.33, 60.9, -44.96

 

CMYK 12 / 91 / 0 / 32

HEX #990FAE

RGB 153 15 174

HSL 292.08, 0.84%, 0.37%

LAB 38.15, 68.63, -50.96

 

CMYK 8 / 69 / 0 / 44

HEX #832D8F

RGB 131 45 143

HSL 292.65, 0.52%, 0.37%

LAB 35.37, 50.31, -36.86

 

CMYK 7 / 52 / 0 / 50

HEX #773D80

RGB 119 61 128

HSL 291.94, 0.35%, 0.37%

LAB 35.63, 36.2, -27.32

 

CMYK 4 / 33 / 0 / 56

HEX #6C4C71

RGB 108 76 113

HSL 291.89, 0.2%, 0.37%

LAB 37.02, 20.54, -15.95

 

CMYK 1 / 7 / 0 / 62

HEX #615B62

RGB 97 91 98

HSL 291.43, 0.04%, 0.37%

LAB 39.42, 3.86, -3.15

 

CMYK 19 / 0 / 23 / 58

HEX #566A52

RGB 86 106 82

HSL 110, 0.13%, 0.37%

LAB 42.61, -12.59, 11.06

 

CMYK 45 / 69 / 0 / 44

HEX #4E2D8F

RGB 78 45 143

HSL 260.2, 0.52%, 0.37%

LAB 28.06, 38.31, -49.01

 

CMYK 27 / 69 / 0 / 44

HEX #682D8F

RGB 104 45 143

HSL 276.12, 0.52%, 0.37%

LAB 31.35, 43.94, -43.52

 

CMYK 9 / 69 / 0 / 44

HEX #822D8F

RGB 130 45 143

HSL 292.04, 0.52%, 0.37%

LAB 35.21, 50.06, -37.12

 

CMYK 0 / 69 / 9 / 44

HEX #8F2D82

RGB 143 45 130

HSL 307.96, 0.52%, 0.37%

LAB 36.61, 51, -26.76

 

CMYK 0 / 69 / 27 / 44

HEX #8F2D68

RGB 143 45 104

HSL 323.88, 0.52%, 0.37%

LAB 35.43, 47.09, -12.27

 

CMYK 10 / 69 / 0 / 68

HEX #491951

RGB 73 25 81

HSL 291.43, 0.53%, 0.21%

LAB 18.82, 31.85, -23.95

 

CMYK 9 / 69 / 0 / 56

HEX #662370

RGB 102 35 112

HSL 292.21, 0.52%, 0.29%

LAB 27.29, 41.35, -30.59

 

CMYK 8 / 69 / 0 / 44

HEX #832D8F

RGB 131 45 143

HSL 292.65, 0.52%, 0.37%

LAB 35.37, 50.31, -36.86

 

CMYK 9 / 69 / 0 / 31

HEX #9F37AF

RGB 159 55 175

HSL 292, 0.52%, 0.45%

LAB 43.06, 58.81, -43.61

 

CMYK 9 / 63 / 0 / 22

HEX #B54AC6

RGB 181 74 198

HSL 291.77, 0.52%, 0.53%

LAB 50.45, 60.31, -45.08

 

CMYK 9 / 68 / 0 / 43

HEX #842E91

RGB 132 46 145

HSL 292.12, 0.52%, 0.37%

LAB 35.8, 50.51, -37.4

 

CMYK 0 / 64 / 69 / 44

HEX #8F342D

RGB 143 52 45

HSL 4.29, 0.52%, 0.37%

LAB 34.97, 38.1, 24.7

 

CMYK 69 / 0 / 36 / 44

HEX #2D8F5B

RGB 45 143 91

HSL 148.16, 0.52%, 0.37%

LAB 52.9, -40.76, 19.64

 

CMYK 9 / 68 / 0 / 43

HEX #842E91

RGB 132 46 145

HSL 292.12, 0.52%, 0.37%

LAB 35.8, 50.51, -37.4

 

CMYK 0 / 9 / 69 / 44

HEX #8F822D

RGB 143 130 45

HSL 52.04, 0.52%, 0.37%

LAB 54.02, -5.49, 45.97

 

CMYK 69 / 0 / 9 / 44

HEX #2D8F82

RGB 45 143 130

HSL 172.04, 0.52%, 0.37%

LAB 53.83, -31.19, -1.32

 

CMYK 9 / 68 / 0 / 43

HEX #842E91

RGB 132 46 145

HSL 292.12, 0.52%, 0.37%

LAB 35.8, 50.51, -37.4

 

CMYK 0 / 64 / 69 / 44

HEX #8F342D

RGB 143 52 45

HSL 4.29, 0.52%, 0.37%

LAB 34.97, 38.1, 24.7

 

CMYK 59 / 0 / 69 / 44

HEX #3A8F2D

RGB 58 143 45

HSL 112.04, 0.52%, 0.37%

LAB 52.66, -44.82, 42.91

 

CMYK 69 / 4 / 0 / 44

HEX #2D898F

RGB 45 137 143

HSL 183.67, 0.52%, 0.37%

LAB 52.32, -24.38, -11.09

 

CMYK 9 / 68 / 0 / 43

HEX #842E91

RGB 132 46 145

HSL 292.12, 0.52%, 0.37%

LAB 35.8, 50.51, -37.4

 

CMYK 0 / 43 / 69 / 44

HEX #8F512D

RGB 143 81 45

HSL 22.04, 0.52%, 0.37%

LAB 41.08, 22.62, 31.9

 

CMYK 59 / 0 / 69 / 44

HEX #3A8F2D

RGB 58 143 45

HSL 112.04, 0.52%, 0.37%

LAB 52.66, -44.82, 42.91

 

CMYK 69 / 25 / 0 / 44

HEX #2D6B8F

RGB 45 107 143

HSL 202.04, 0.52%, 0.37%

LAB 42.85, -7.81, -25.59

 

Description

Color code: HEX #842E91 | qconv.com Color code: HEX #842E91 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 46 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 46 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 68 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 68% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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