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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #842BA5 it is the complementary color #7BD45A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #842BA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #842BA5 shade: #892BA0, #9A3DB3, #AB4FC6, #BC61D9 and #CD73EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #842BA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #842BA5 shade: #842BA5, #731992, #62077F, #51006C and #400059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #842BA5 shade: #852BA6, #A62BA6, #A62B85, #A62B64 and #A62B43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #842BA5 shade: #852BA6, #642BA6, #422BA6 and #2B2BA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #842BA5 shade matches the following richer shades: #852BA6, #8D1AB7 and #9409C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #842BA5 shade: #852BA6, #7D3C95, #754D84, #6E5E73 and #666F63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #842BA5 shade: #412BA6, #622BA6, #832BA6, #A42BA6 and #A62B87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #842BA5 shade: #501A65, #6B2285, #852BA6, #9F33C7 and #AF51D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #842BA5 shade: #842BA5, #A62B35 and #2BA652

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #842BA5 shade: #842BA5, #A6832B and #2BA683

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #842BA5 shade: #842BA5, #A62B35, #4EA62B and #2BA69C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #842BA5 shade: #842BA5, #A6462B, #4EA62B and #2B8CA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 74 / 0 / 35

HEX #842BA5

RGB 132 43 165

HSL 283.77, 0.59%, 0.41%

LAB 36.65, 55.72, -48.16

 

Complementary color

CMYK 42 / 0 / 58 / 17

HEX #7BD45A

RGB 123 212 90

HSL 103.77, 0.59%, 0.59%

LAB 77.3, -48.78, 51.21

 

CMYK 14 / 73 / 0 / 37

HEX #892BA0

RGB 137 43 160

HSL 288.21, 0.58%, 0.4%

LAB 37.09, 55.77, -44.4

 

CMYK 14 / 66 / 0 / 30

HEX #9A3DB3

RGB 154 61 179

HSL 287.29, 0.49%, 0.47%

LAB 43.45, 55.92, -45.39

 

CMYK 14 / 60 / 0 / 22

HEX #AB4FC6

RGB 171 79 198

HSL 286.39, 0.51%, 0.54%

LAB 49.89, 55.6, -46.06

 

CMYK 13 / 55 / 0 / 15

HEX #BC61D9

RGB 188 97 217

HSL 285.5, 0.61%, 0.62%

LAB 56.34, 55.04, -46.53

 

CMYK 13 / 51 / 0 / 7

HEX #CD73EC

RGB 205 115 236

HSL 284.63, 0.76%, 0.69%

LAB 62.76, 54.36, -46.87

 

CMYK 20 / 74 / 0 / 35

HEX #842BA5

RGB 132 43 165

HSL 283.77, 0.59%, 0.41%

LAB 36.65, 55.72, -48.16

 

CMYK 21 / 83 / 0 / 43

HEX #731992

RGB 115 25 146

HSL 284.63, 0.71%, 0.34%

LAB 30.44, 54.83, -46.77

 

CMYK 23 / 94 / 0 / 50

HEX #62077F

RGB 98 7 127

HSL 285.5, 0.9%, 0.26%

LAB 24.58, 52.51, -44.54

 

CMYK 25 / 100 / 0 / 58

HEX #51006C

RGB 81 0 108

HSL 285, 1%, 0.21%

LAB 19.36, 47.78, -40.96

 

CMYK 28 / 100 / 0 / 65

HEX #400059

RGB 64 0 89

HSL 283.15, 1%, 0.17%

LAB 14.46, 41.4, -36.47

 

CMYK 20 / 74 / 0 / 35

HEX #852BA6

RGB 133 43 166

HSL 283.9, 0.59%, 0.41%

LAB 36.87, 56.13, -48.39

 

CMYK 0 / 74 / 0 / 35

HEX #A62BA6

RGB 166 43 166

HSL 300, 0.59%, 0.41%

LAB 42.14, 63.11, -39.67

 

CMYK 0 / 74 / 20 / 35

HEX #A62B85

RGB 166 43 133

HSL 316.1, 0.59%, 0.41%

LAB 40.46, 58.08, -22.32

 

CMYK 0 / 74 / 40 / 35

HEX #A62B64

RGB 166 43 100

HSL 332.2, 0.59%, 0.41%

LAB 39.16, 54.01, -3.72

 

CMYK 0 / 74 / 60 / 35

HEX #A62B43

RGB 166 43 67

HSL 348.29, 0.59%, 0.41%

LAB 38.27, 51.08, 15.97

 

CMYK 20 / 74 / 0 / 35

HEX #852BA6

RGB 133 43 166

HSL 283.9, 0.59%, 0.41%

LAB 36.87, 56.13, -48.39

 

CMYK 40 / 74 / 0 / 35

HEX #642BA6

RGB 100 43 166

HSL 267.8, 0.59%, 0.41%

LAB 32.24, 49.72, -56.12

 

CMYK 60 / 74 / 0 / 35

HEX #422BA6

RGB 66 43 166

HSL 251.22, 0.59%, 0.41%

LAB 28.48, 44.25, -62.41

 

CMYK 74 / 74 / 0 / 35

HEX #2B2BA6

RGB 43 43 166

HSL 240, 0.59%, 0.41%

LAB 26.72, 41.57, -65.38

 

CMYK 20 / 74 / 0 / 35

HEX #852BA6

RGB 133 43 166

HSL 283.9, 0.59%, 0.41%

LAB 36.87, 56.13, -48.39

 

CMYK 23 / 86 / 0 / 28

HEX #8D1AB7

RGB 141 26 183

HSL 283.95, 0.75%, 0.41%

LAB 37.52, 66.22, -57.41

 

CMYK 26 / 96 / 0 / 22

HEX #9409C8

RGB 148 9 200

HSL 283.66, 0.91%, 0.41%

LAB 39, 73.29, -64.93

 

CMYK 20 / 74 / 0 / 35

HEX #852BA6

RGB 133 43 166

HSL 283.9, 0.59%, 0.41%

LAB 36.87, 56.13, -48.39

 

CMYK 16 / 60 / 0 / 42

HEX #7D3C95

RGB 125 60 149

HSL 283.82, 0.43%, 0.41%

LAB 37.41, 42.94, -37.33

 

CMYK 11 / 42 / 0 / 48

HEX #754D84

RGB 117 77 132

HSL 283.64, 0.26%, 0.41%

LAB 39.17, 27.24, -24.27

 

CMYK 4 / 18 / 0 / 55

HEX #6E5E73

RGB 110 94 115

HSL 285.71, 0.1%, 0.41%

LAB 42.09, 10.67, -9.47

 

CMYK 8 / 0 / 11 / 56

HEX #666F63

RGB 102 111 99

HSL 105, 0.06%, 0.41%

LAB 45.76, -5.89, 5.52

 

CMYK 61 / 74 / 0 / 35

HEX #412BA6

RGB 65 43 166

HSL 250.73, 0.59%, 0.41%

LAB 28.39, 44.12, -62.57

 

CMYK 41 / 74 / 0 / 35

HEX #622BA6

RGB 98 43 166

HSL 266.83, 0.59%, 0.41%

LAB 31.98, 49.36, -56.54

 

CMYK 21 / 74 / 0 / 35

HEX #832BA6

RGB 131 43 166

HSL 282.93, 0.59%, 0.41%

LAB 36.57, 55.72, -48.9

 

CMYK 1 / 74 / 0 / 35

HEX #A42BA6

RGB 164 43 166

HSL 299.02, 0.59%, 0.41%

LAB 41.8, 62.68, -40.22

 

CMYK 0 / 74 / 19 / 35

HEX #A62B87

RGB 166 43 135

HSL 315.12, 0.59%, 0.41%

LAB 40.55, 58.36, -23.41

 

CMYK 21 / 74 / 0 / 60

HEX #501A65

RGB 80 26 101

HSL 283.2, 0.59%, 0.25%

LAB 21.52, 37.66, -32.89

 

CMYK 20 / 74 / 0 / 48

HEX #6B2285

RGB 107 34 133

HSL 284.24, 0.59%, 0.33%

LAB 29.32, 47.35, -40.57

 

CMYK 20 / 74 / 0 / 35

HEX #852BA6

RGB 133 43 166

HSL 283.9, 0.59%, 0.41%

LAB 36.87, 56.13, -48.39

 

CMYK 20 / 74 / 0 / 22

HEX #9F33C7

RGB 159 51 199

HSL 283.78, 0.59%, 0.49%

LAB 44.03, 64.93, -56.11

 

CMYK 17 / 61 / 0 / 18

HEX #AF51D2

RGB 175 81 210

HSL 283.72, 0.59%, 0.57%

LAB 51.44, 58.06, -50.44

 

CMYK 20 / 74 / 0 / 35

HEX #842BA5

RGB 132 43 165

HSL 283.77, 0.59%, 0.41%

LAB 36.65, 55.72, -48.16

 

CMYK 0 / 74 / 68 / 35

HEX #A62B35

RGB 166 43 53

HSL 355.12, 0.59%, 0.41%

LAB 38.01, 50.2, 24.44

 

CMYK 74 / 0 / 51 / 35

HEX #2BA652

RGB 43 166 82

HSL 139.02, 0.59%, 0.41%

LAB 60.24, -51.67, 33.96

 

CMYK 20 / 74 / 0 / 35

HEX #842BA5

RGB 132 43 165

HSL 283.77, 0.59%, 0.41%

LAB 36.65, 55.72, -48.16

 

CMYK 0 / 21 / 74 / 35

HEX #A6832B

RGB 166 131 43

HSL 42.93, 0.59%, 0.41%

LAB 56.6, 4.32, 50.19

 

CMYK 74 / 0 / 21 / 35

HEX #2BA683

RGB 43 166 131

HSL 162.93, 0.59%, 0.41%

LAB 61.15, -41.61, 8.68

 

CMYK 20 / 74 / 0 / 35

HEX #842BA5

RGB 132 43 165

HSL 283.77, 0.59%, 0.41%

LAB 36.65, 55.72, -48.16

 

CMYK 0 / 74 / 68 / 35

HEX #A62B35

RGB 166 43 53

HSL 355.12, 0.59%, 0.41%

LAB 38.01, 50.2, 24.44

 

CMYK 53 / 0 / 74 / 35

HEX #4EA62B

RGB 78 166 43

HSL 102.93, 0.59%, 0.41%

LAB 60.84, -48.32, 52.41

 

CMYK 74 / 0 / 6 / 35

HEX #2BA69C

RGB 43 166 156

HSL 175.12, 0.59%, 0.41%

LAB 61.81, -34.91, -4.38

 

CMYK 20 / 74 / 0 / 35

HEX #842BA5

RGB 132 43 165

HSL 283.77, 0.59%, 0.41%

LAB 36.65, 55.72, -48.16

 

CMYK 0 / 58 / 74 / 35

HEX #A6462B

RGB 166 70 43

HSL 13.17, 0.59%, 0.41%

LAB 42.25, 37.92, 35.29

 

CMYK 53 / 0 / 74 / 35

HEX #4EA62B

RGB 78 166 43

HSL 102.93, 0.59%, 0.41%

LAB 60.84, -48.32, 52.41

 

CMYK 74 / 16 / 0 / 35

HEX #2B8CA6

RGB 43 140 166

HSL 192.68, 0.59%, 0.41%

LAB 54.05, -18.82, -21.76

 

Description

Color code: HEX #842BA5 | qconv.com Color code: HEX #842BA5 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 43 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 43 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 74 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 74% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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