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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #842BA3 it is the complementary color #7BD45C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #842BA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #842BA3 shade: #892B9E, #9A3DB1, #AB4FC4, #BC61D7 and #CD73EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #842BA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #842BA3 shade: #842BA3, #731990, #62077D, #51006A and #400057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #842BA3 shade: #832BA1, #A12BA0, #A12B80, #A12B60 and #A12B40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #842BA3 shade: #832BA1, #632BA1, #432BA1 and #2B2BA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #842BA3 shade matches the following richer shades: #832BA1, #8B1AB2 and #930AC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #842BA3 shade: #832BA1, #7B3B91, #734C80, #6B5C70 and #636D5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #842BA3 shade: #432BA1, #622BA1, #822BA1, #A12BA1 and #A12B82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #842BA3 shade: #4E1A60, #682281, #832BA1, #9D34C2 and #AF4ED0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #842BA3 shade: #842BA3, #A12B33 and #2BA152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #842BA3 shade: #842BA3, #A1822B and #2BA182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #842BA3 shade: #842BA3, #A12B33, #4AA12B and #2BA199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #842BA3 shade: #842BA3, #A1462B, #4AA12B and #2B86A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 74 / 0 / 36

HEX #842BA3

RGB 132 43 163

HSL 284.5, 0.58%, 0.4%

LAB 36.51, 55.31, -47.17

 

Complementary color

CMYK 42 / 0 / 57 / 17

HEX #7BD45C

RGB 123 212 92

HSL 104.5, 0.58%, 0.6%

LAB 77.32, -48.56, 50.32

 

CMYK 13 / 73 / 0 / 38

HEX #892B9E

RGB 137 43 158

HSL 289.04, 0.57%, 0.39%

LAB 36.96, 55.38, -43.4

 

CMYK 13 / 66 / 0 / 31

HEX #9A3DB1

RGB 154 61 177

HSL 288.1, 0.49%, 0.47%

LAB 43.33, 55.52, -44.4

 

CMYK 13 / 60 / 0 / 23

HEX #AB4FC4

RGB 171 79 196

HSL 287.18, 0.5%, 0.54%

LAB 49.78, 55.2, -45.08

 

CMYK 13 / 55 / 0 / 16

HEX #BC61D7

RGB 188 97 215

HSL 286.27, 0.6%, 0.61%

LAB 56.23, 54.64, -45.56

 

CMYK 12 / 51 / 0 / 8

HEX #CD73EA

RGB 205 115 234

HSL 285.38, 0.74%, 0.68%

LAB 62.66, 53.96, -45.92

 

CMYK 19 / 74 / 0 / 36

HEX #842BA3

RGB 132 43 163

HSL 284.5, 0.58%, 0.4%

LAB 36.51, 55.31, -47.17

 

CMYK 20 / 83 / 0 / 44

HEX #731990

RGB 115 25 144

HSL 285.38, 0.7%, 0.33%

LAB 30.29, 54.43, -45.78

 

CMYK 22 / 94 / 0 / 51

HEX #62077D

RGB 98 7 125

HSL 286.27, 0.89%, 0.26%

LAB 24.42, 52.12, -43.54

 

CMYK 24 / 100 / 0 / 58

HEX #51006A

RGB 81 0 106

HSL 285.85, 1%, 0.21%

LAB 19.18, 47.38, -39.94

 

CMYK 26 / 100 / 0 / 66

HEX #400057

RGB 64 0 87

HSL 284.14, 1%, 0.17%

LAB 14.28, 40.98, -35.43

 

CMYK 19 / 73 / 0 / 37

HEX #832BA1

RGB 131 43 161

HSL 284.75, 0.58%, 0.4%

LAB 36.23, 54.69, -46.44

 

CMYK 0 / 73 / 1 / 37

HEX #A12BA0

RGB 161 43 160

HSL 300.51, 0.58%, 0.4%

LAB 40.97, 61.02, -37.99

 

CMYK 0 / 73 / 20 / 37

HEX #A12B80

RGB 161 43 128

HSL 316.78, 0.58%, 0.4%

LAB 39.35, 56.11, -21.02

 

CMYK 0 / 73 / 40 / 37

HEX #A12B60

RGB 161 43 96

HSL 333.05, 0.58%, 0.4%

LAB 38.11, 52.15, -2.85

 

CMYK 0 / 73 / 60 / 37

HEX #A12B40

RGB 161 43 64

HSL 349.32, 0.58%, 0.4%

LAB 37.25, 49.31, 16.35

 

CMYK 19 / 73 / 0 / 37

HEX #832BA1

RGB 131 43 161

HSL 284.75, 0.58%, 0.4%

LAB 36.23, 54.69, -46.44

 

CMYK 39 / 73 / 0 / 37

HEX #632BA1

RGB 99 43 161

HSL 268.47, 0.58%, 0.4%

LAB 31.7, 48.27, -53.98

 

CMYK 58 / 73 / 0 / 37

HEX #432BA1

RGB 67 43 161

HSL 252.2, 0.58%, 0.4%

LAB 28.1, 42.87, -60.01

 

CMYK 73 / 73 / 0 / 37

HEX #2B2BA1

RGB 43 43 161

HSL 240, 0.58%, 0.4%

LAB 26.2, 39.87, -63.21

 

CMYK 19 / 73 / 0 / 37

HEX #832BA1

RGB 131 43 161

HSL 284.75, 0.58%, 0.4%

LAB 36.23, 54.69, -46.44

 

CMYK 22 / 85 / 0 / 30

HEX #8B1AB2

RGB 139 26 178

HSL 284.61, 0.75%, 0.4%

LAB 36.82, 64.94, -55.59

 

CMYK 24 / 95 / 0 / 24

HEX #930AC2

RGB 147 10 194

HSL 284.67, 0.9%, 0.4%

LAB 38.4, 71.94, -62.41

 

CMYK 19 / 73 / 0 / 37

HEX #832BA1

RGB 131 43 161

HSL 284.75, 0.58%, 0.4%

LAB 36.23, 54.69, -46.44

 

CMYK 15 / 59 / 0 / 43

HEX #7B3B91

RGB 123 59 145

HSL 284.65, 0.42%, 0.4%

LAB 36.71, 42.05, -36.02

 

CMYK 10 / 41 / 0 / 50

HEX #734C80

RGB 115 76 128

HSL 285, 0.25%, 0.4%

LAB 38.5, 26.28, -22.87

 

CMYK 4 / 18 / 0 / 56

HEX #6B5C70

RGB 107 92 112

HSL 285, 0.1%, 0.4%

LAB 41.14, 10.11, -9.1

 

CMYK 9 / 0 / 13 / 57

HEX #636D5F

RGB 99 109 95

HSL 102.86, 0.07%, 0.4%

LAB 44.82, -6.69, 6.54

 

CMYK 58 / 73 / 0 / 37

HEX #432BA1

RGB 67 43 161

HSL 252.2, 0.58%, 0.4%

LAB 28.1, 42.87, -60.01

 

CMYK 39 / 73 / 0 / 37

HEX #622BA1

RGB 98 43 161

HSL 267.97, 0.58%, 0.4%

LAB 31.57, 48.08, -54.19

 

CMYK 19 / 73 / 0 / 37

HEX #822BA1

RGB 130 43 161

HSL 284.24, 0.58%, 0.4%

LAB 36.07, 54.48, -46.69

 

CMYK 0 / 73 / 0 / 37

HEX #A12BA1

RGB 161 43 161

HSL 300, 0.58%, 0.4%

LAB 41.02, 61.19, -38.5

 

CMYK 0 / 73 / 19 / 37

HEX #A12B82

RGB 161 43 130

HSL 315.76, 0.58%, 0.4%

LAB 39.44, 56.39, -22.12

 

CMYK 19 / 73 / 0 / 62

HEX #4E1A60

RGB 78 26 96

HSL 284.57, 0.57%, 0.24%

LAB 20.84, 36.03, -30.72

 

CMYK 19 / 74 / 0 / 49

HEX #682281

RGB 104 34 129

HSL 284.21, 0.58%, 0.32%

LAB 28.57, 45.83, -39.3

 

CMYK 19 / 73 / 0 / 37

HEX #832BA1

RGB 131 43 161

HSL 284.75, 0.58%, 0.4%

LAB 36.23, 54.69, -46.44

 

CMYK 19 / 73 / 0 / 24

HEX #9D34C2

RGB 157 52 194

HSL 284.37, 0.58%, 0.48%

LAB 43.54, 63.19, -54.02

 

CMYK 16 / 63 / 0 / 18

HEX #AF4ED0

RGB 175 78 208

HSL 284.77, 0.58%, 0.56%

LAB 50.82, 59.04, -50.28

 

CMYK 19 / 74 / 0 / 36

HEX #842BA3

RGB 132 43 163

HSL 284.5, 0.58%, 0.4%

LAB 36.51, 55.31, -47.17

 

CMYK 0 / 73 / 68 / 37

HEX #A12B33

RGB 161 43 51

HSL 355.93, 0.58%, 0.4%

LAB 37.01, 48.5, 24.24

 

CMYK 73 / 0 / 49 / 37

HEX #2BA152

RGB 43 161 82

HSL 139.83, 0.58%, 0.4%

LAB 58.61, -49.83, 31.92

 

CMYK 19 / 74 / 0 / 36

HEX #842BA3

RGB 132 43 163

HSL 284.5, 0.58%, 0.4%

LAB 36.51, 55.31, -47.17

 

CMYK 0 / 19 / 73 / 37

HEX #A1822B

RGB 161 130 43

HSL 44.24, 0.58%, 0.4%

LAB 55.8, 2.61, 49.22

 

CMYK 73 / 0 / 19 / 37

HEX #2BA182

RGB 43 161 130

HSL 164.24, 0.58%, 0.4%

LAB 59.54, -39.69, 6.94

 

CMYK 19 / 74 / 0 / 36

HEX #842BA3

RGB 132 43 163

HSL 284.5, 0.58%, 0.4%

LAB 36.51, 55.31, -47.17

 

CMYK 0 / 73 / 68 / 37

HEX #A12B33

RGB 161 43 51

HSL 355.93, 0.58%, 0.4%

LAB 37.01, 48.5, 24.24

 

CMYK 54 / 0 / 73 / 37

HEX #4AA12B

RGB 74 161 43

HSL 104.24, 0.58%, 0.4%

LAB 59.09, -47.54, 50.59

 

CMYK 73 / 0 / 5 / 37

HEX #2BA199

RGB 43 161 153

HSL 175.93, 0.58%, 0.4%

LAB 60.16, -33.43, -5.13

 

CMYK 19 / 74 / 0 / 36

HEX #842BA3

RGB 132 43 163

HSL 284.5, 0.58%, 0.4%

LAB 36.51, 55.31, -47.17

 

CMYK 0 / 57 / 73 / 37

HEX #A1462B

RGB 161 70 43

HSL 13.73, 0.58%, 0.4%

LAB 41.42, 35.97, 34.15

 

CMYK 54 / 0 / 73 / 37

HEX #4AA12B

RGB 74 161 43

HSL 104.24, 0.58%, 0.4%

LAB 59.09, -47.54, 50.59

 

CMYK 73 / 17 / 0 / 37

HEX #2B86A1

RGB 43 134 161

HSL 193.73, 0.58%, 0.4%

LAB 51.99, -17.25, -22.04

 

Description

Color code: HEX #842BA3 | qconv.com Color code: HEX #842BA3 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 43 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 43 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 74 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 74% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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