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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8428C8 it is the complementary color #7BD737. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8428C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8428C8 shade: #8928C3, #9A3AD6, #AB4CE9, #BC5EFC and #CD70FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8428C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8428C8 shade: #8428C8, #7316B5, #6204A2, #51008F and #40007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8428C8 shade: #8428C8, #AF28C8, #C828B6, #C8288A and #C8285F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8428C8 shade: #8428C8, #5928C8, #2D28C8 and #2828C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8428C8 shade matches the following richer shades: #8428C8, #8714DC and #8A01EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8428C8 shade: #8428C8, #813BB5, #7E4EA1, #7B628E and #78757B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8428C8 shade: #2D28C8, #5828C8, #8328C8, #AD28C8 and #C828B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8428C8 shade: #561A83, #6D21A6, #8428C8, #9840D9 and #AB62E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8428C8 shade: #8428C8, #C8284D and #28C842

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8428C8 shade: #8428C8, #C88328 and #28C883

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8428C8 shade: #8428C8, #C8284D, #6DC828 and #28C8A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8428C8 shade: #8428C8, #C83228, #6DC828 and #28BDC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 80 / 0 / 22

HEX #8428C8

RGB 132 40 200

HSL 274.5, 0.67%, 0.47%

LAB 38.89, 64.24, -65.22

 

Complementary color

CMYK 43 / 0 / 74 / 16

HEX #7BD737

RGB 123 215 55

HSL 94.5, 0.67%, 0.53%

LAB 77.93, -52.87, 65.75

 

CMYK 30 / 79 / 0 / 24

HEX #8928C3

RGB 137 40 195

HSL 277.55, 0.66%, 0.46%

LAB 39.2, 63.98, -61.76

 

CMYK 28 / 73 / 0 / 16

HEX #9A3AD6

RGB 154 58 214

HSL 276.92, 0.66%, 0.53%

LAB 45.29, 64.4, -62.76

 

CMYK 27 / 67 / 0 / 9

HEX #AB4CE9

RGB 171 76 233

HSL 276.31, 0.78%, 0.61%

LAB 51.51, 64.26, -63.4

 

CMYK 25 / 63 / 0 / 1

HEX #BC5EFC

RGB 188 94 252

HSL 275.7, 0.96%, 0.68%

LAB 57.78, 63.78, -63.8

 

CMYK 20 / 56 / 0 / 0

HEX #CD70FF

RGB 205 112 255

HSL 279.02, 1%, 0.72%

LAB 63.17, 59.74, -56.71

 

CMYK 34 / 80 / 0 / 22

HEX #8428C8

RGB 132 40 200

HSL 274.5, 0.67%, 0.47%

LAB 38.89, 64.24, -65.22

 

CMYK 36 / 88 / 0 / 29

HEX #7316B5

RGB 115 22 181

HSL 275.09, 0.78%, 0.4%

LAB 33.04, 62.96, -63.7

 

CMYK 40 / 98 / 0 / 36

HEX #6204A2

RGB 98 4 162

HSL 275.7, 0.95%, 0.33%

LAB 27.55, 60.31, -61.38

 

CMYK 43 / 100 / 0 / 44

HEX #51008F

RGB 81 0 143

HSL 273.99, 1%, 0.28%

LAB 22.77, 55.19, -57.66

 

CMYK 48 / 100 / 0 / 51

HEX #40007C

RGB 64 0 124

HSL 270.97, 1%, 0.24%

LAB 18.12, 49.23, -53.43

 

CMYK 34 / 80 / 0 / 22

HEX #8428C8

RGB 132 40 200

HSL 274.5, 0.67%, 0.47%

LAB 38.89, 64.24, -65.22

 

CMYK 13 / 80 / 0 / 22

HEX #AF28C8

RGB 175 40 200

HSL 290.63, 0.67%, 0.47%

LAB 45.36, 71.59, -54.43

 

CMYK 0 / 80 / 9 / 22

HEX #C828B6

RGB 200 40 182

HSL 306.75, 0.67%, 0.47%

LAB 48.48, 73.57, -38.72

 

CMYK 0 / 80 / 31 / 22

HEX #C8288A

RGB 200 40 138

HSL 323.25, 0.67%, 0.47%

LAB 46.49, 67.9, -15.58

 

CMYK 0 / 80 / 53 / 22

HEX #C8285F

RGB 200 40 95

HSL 339.38, 0.67%, 0.47%

LAB 45.11, 63.81, 8.83

 

CMYK 34 / 80 / 0 / 22

HEX #8428C8

RGB 132 40 200

HSL 274.5, 0.67%, 0.47%

LAB 38.89, 64.24, -65.22

 

CMYK 56 / 80 / 0 / 22

HEX #5928C8

RGB 89 40 200

HSL 258.38, 0.67%, 0.47%

LAB 33.59, 58.28, -74.12

 

CMYK 78 / 80 / 0 / 22

HEX #2D28C8

RGB 45 40 200

HSL 241.88, 0.67%, 0.47%

LAB 30.02, 54.3, -80.12

 

CMYK 80 / 80 / 0 / 22

HEX #2828C8

RGB 40 40 200

HSL 240, 0.67%, 0.47%

LAB 29.76, 54, -80.57

 

CMYK 34 / 80 / 0 / 22

HEX #8428C8

RGB 132 40 200

HSL 274.5, 0.67%, 0.47%

LAB 38.89, 64.24, -65.22

 

CMYK 39 / 91 / 0 / 14

HEX #8714DC

RGB 135 20 220

HSL 274.5, 0.83%, 0.47%

LAB 39.27, 74.05, -76.14

 

CMYK 42 / 100 / 0 / 6

HEX #8A01EF

RGB 138 1 239

HSL 274.54, 0.99%, 0.47%

LAB 40.67, 80.63, -84.66

 

CMYK 34 / 80 / 0 / 22

HEX #8428C8

RGB 132 40 200

HSL 274.5, 0.67%, 0.47%

LAB 38.89, 64.24, -65.22

 

CMYK 29 / 67 / 0 / 29

HEX #813BB5

RGB 129 59 181

HSL 274.43, 0.51%, 0.47%

LAB 39.8, 51.62, -52.62

 

CMYK 22 / 52 / 0 / 37

HEX #7E4EA1

RGB 126 78 161

HSL 274.7, 0.35%, 0.47%

LAB 41.93, 36.14, -37.36

 

CMYK 13 / 31 / 0 / 44

HEX #7B628E

RGB 123 98 142

HSL 274.09, 0.18%, 0.47%

LAB 45.5, 18.94, -20.47

 

CMYK 2 / 5 / 0 / 52

HEX #78757B

RGB 120 117 123

HSL 270, 0.03%, 0.47%

LAB 49.67, 2.36, -2.89

 

CMYK 78 / 80 / 0 / 22

HEX #2D28C8

RGB 45 40 200

HSL 241.88, 0.67%, 0.47%

LAB 30.02, 54.3, -80.12

 

CMYK 56 / 80 / 0 / 22

HEX #5828C8

RGB 88 40 200

HSL 258, 0.67%, 0.47%

LAB 33.48, 58.16, -74.29

 

CMYK 35 / 80 / 0 / 22

HEX #8328C8

RGB 131 40 200

HSL 274.13, 0.67%, 0.47%

LAB 38.75, 64.09, -65.46

 

CMYK 14 / 80 / 0 / 22

HEX #AD28C8

RGB 173 40 200

HSL 289.88, 0.67%, 0.47%

LAB 45.04, 71.23, -54.96

 

CMYK 0 / 80 / 8 / 22

HEX #C828B8

RGB 200 40 184

HSL 306, 0.67%, 0.47%

LAB 48.58, 73.86, -39.72

 

CMYK 34 / 80 / 0 / 49

HEX #561A83

RGB 86 26 131

HSL 274.29, 0.67%, 0.31%

LAB 24.81, 45.94, -46.77

 

CMYK 34 / 80 / 0 / 35

HEX #6D21A6

RGB 109 33 166

HSL 274.29, 0.67%, 0.39%

LAB 32.02, 55.41, -56.43

 

CMYK 34 / 80 / 0 / 22

HEX #8428C8

RGB 132 40 200

HSL 274.5, 0.67%, 0.47%

LAB 38.89, 64.24, -65.22

 

CMYK 30 / 71 / 0 / 15

HEX #9840D9

RGB 152 64 217

HSL 274.51, 0.67%, 0.55%

LAB 46.11, 62.2, -63.16

 

CMYK 24 / 56 / 0 / 12

HEX #AB62E0

RGB 171 98 224

HSL 274.76, 0.67%, 0.63%

LAB 54.84, 51.73, -52.98

 

CMYK 34 / 80 / 0 / 22

HEX #8428C8

RGB 132 40 200

HSL 274.5, 0.67%, 0.47%

LAB 38.89, 64.24, -65.22

 

CMYK 0 / 80 / 62 / 22

HEX #C8284D

RGB 200 40 77

HSL 346.13, 0.67%, 0.47%

LAB 44.71, 62.57, 19.45

 

CMYK 80 / 0 / 67 / 22

HEX #28C842

RGB 40 200 66

HSL 129.75, 0.67%, 0.47%

LAB 70.98, -65.54, 53.79

 

CMYK 34 / 80 / 0 / 22

HEX #8428C8

RGB 132 40 200

HSL 274.5, 0.67%, 0.47%

LAB 38.89, 64.24, -65.22

 

CMYK 0 / 35 / 80 / 22

HEX #C88328

RGB 200 131 40

HSL 34.13, 0.67%, 0.47%

LAB 60.48, 19.31, 56.46

 

CMYK 80 / 0 / 35 / 22

HEX #28C883

RGB 40 200 131

HSL 154.13, 0.67%, 0.47%

LAB 71.82, -55.54, 23.49

 

CMYK 34 / 80 / 0 / 22

HEX #8428C8

RGB 132 40 200

HSL 274.5, 0.67%, 0.47%

LAB 38.89, 64.24, -65.22

 

CMYK 0 / 80 / 62 / 22

HEX #C8284D

RGB 200 40 77

HSL 346.13, 0.67%, 0.47%

LAB 44.71, 62.57, 19.45

 

CMYK 46 / 0 / 80 / 22

HEX #6DC828

RGB 109 200 40

HSL 94.13, 0.67%, 0.47%

LAB 72.7, -52.26, 65.18

 

CMYK 80 / 0 / 19 / 22

HEX #28C8A3

RGB 40 200 163

HSL 166.13, 0.67%, 0.47%

LAB 72.5, -48.21, 7.3

 

CMYK 34 / 80 / 0 / 22

HEX #8428C8

RGB 132 40 200

HSL 274.5, 0.67%, 0.47%

LAB 38.89, 64.24, -65.22

 

CMYK 0 / 75 / 80 / 22

HEX #C83228

RGB 200 50 40

HSL 3.75, 0.67%, 0.47%

LAB 45.24, 57.85, 41.92

 

CMYK 46 / 0 / 80 / 22

HEX #6DC828

RGB 109 200 40

HSL 94.13, 0.67%, 0.47%

LAB 72.7, -52.26, 65.18

 

CMYK 80 / 5 / 0 / 22

HEX #28BDC8

RGB 40 189 200

HSL 184.13, 0.67%, 0.47%

LAB 70.19, -32.97, -16.28

 

Description

Color code: HEX #8428C8 | qconv.com Color code: HEX #8428C8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 40 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 40 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 80 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 80% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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