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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #842684 it is the complementary color #7BD97B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #842684. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #842684 shade: #89267F, #9A3892, #AB4AA5, #BC5CB8 and #CD6ECB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #842684. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #842684 shade: #842684, #731471, #62025E, #51004B and #400038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #842684 shade: #822682, #822669, #822651, #822638 and #822626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #842684 shade: #822682, #692682, #512682, #382682 and #262682

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #842684 shade matches the following richer shades: #822682, #901890 and #9E0B9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #842684 shade: #822682, #753375, #674167, #5A4F5A and #4C5C4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #842684 shade: #512682, #6A2682, #822682, #82266A and #822651

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #842684 shade: #421342, #621D62, #822682, #A22FA2 and #C238C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #842684 shade: #842684, #823826 and #26825D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #842684 shade: #842684, #828226 and #268282

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #842684 shade: #842684, #823826, #268226 and #267082

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #842684 shade: #842684, #825426, #268226 and #265482

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 0 / 48

HEX #842684

RGB 132 38 132

HSL 300, 0.55%, 0.33%

LAB 33.89, 51.32, -32.41

 

Complementary color

CMYK 43 / 0 / 43 / 15

HEX #7BD97B

RGB 123 217 123

HSL 120, 0.55%, 0.67%

LAB 79.19, -46.7, 37.74

 

CMYK 0 / 72 / 7 / 46

HEX #89267F

RGB 137 38 127

HSL 306.06, 0.57%, 0.34%

LAB 34.47, 51.69, -28.32

 

CMYK 0 / 64 / 5 / 40

HEX #9A3892

RGB 154 56 146

HSL 304.9, 0.47%, 0.41%

LAB 40.85, 51.98, -29.79

 

CMYK 0 / 57 / 4 / 33

HEX #AB4AA5

RGB 171 74 165

HSL 303.71, 0.4%, 0.48%

LAB 47.33, 51.75, -30.84

 

CMYK 0 / 51 / 2 / 26

HEX #BC5CB8

RGB 188 92 184

HSL 302.5, 0.42%, 0.55%

LAB 53.82, 51.24, -31.63

 

CMYK 0 / 46 / 1 / 20

HEX #CD6ECB

RGB 205 110 203

HSL 301.26, 0.49%, 0.62%

LAB 60.29, 50.6, -32.26

 

CMYK 0 / 71 / 0 / 48

HEX #842684

RGB 132 38 132

HSL 300, 0.55%, 0.33%

LAB 33.89, 51.32, -32.41

 

CMYK 0 / 83 / 2 / 55

HEX #731471

RGB 115 20 113

HSL 301.26, 0.7%, 0.26%

LAB 27.68, 50.13, -30.48

 

CMYK 0 / 98 / 4 / 62

HEX #62025E

RGB 98 2 94

HSL 302.5, 0.96%, 0.2%

LAB 21.76, 47.63, -27.72

 

CMYK 0 / 100 / 7 / 68

HEX #51004B

RGB 81 0 75

HSL 304.44, 1%, 0.16%

LAB 16.78, 41.74, -23.01

 

CMYK 0 / 100 / 13 / 75

HEX #400038

RGB 64 0 56

HSL 307.5, 1%, 0.13%

LAB 11.79, 35.14, -17.77

 

CMYK 0 / 71 / 0 / 49

HEX #822682

RGB 130 38 130

HSL 300, 0.55%, 0.33%

LAB 33.44, 50.49, -31.9

 

CMYK 0 / 71 / 19 / 49

HEX #822669

RGB 130 38 105

HSL 316.3, 0.55%, 0.33%

LAB 32.15, 46.38, -18.14

 

CMYK 0 / 71 / 38 / 49

HEX #822651

RGB 130 38 81

HSL 331.96, 0.55%, 0.33%

LAB 31.18, 43.13, -4.08

 

CMYK 0 / 71 / 57 / 49

HEX #822638

RGB 130 38 56

HSL 348.26, 0.55%, 0.33%

LAB 30.44, 40.59, 11.33

 

CMYK 0 / 71 / 71 / 49

HEX #822626

RGB 130 38 38

HSL 0, 0.55%, 0.33%

LAB 30.09, 39.33, 22.59

 

CMYK 0 / 71 / 0 / 49

HEX #822682

RGB 130 38 130

HSL 300, 0.55%, 0.33%

LAB 33.44, 50.49, -31.9

 

CMYK 19 / 71 / 0 / 49

HEX #692682

RGB 105 38 130

HSL 283.7, 0.55%, 0.33%

LAB 29.42, 44.52, -38.56

 

CMYK 38 / 71 / 0 / 49

HEX #512682

RGB 81 38 130

HSL 268.04, 0.55%, 0.33%

LAB 26, 39.13, -44.24

 

CMYK 57 / 71 / 0 / 49

HEX #382682

RGB 56 38 130

HSL 251.74, 0.55%, 0.33%

LAB 23.13, 34.25, -49.04

 

CMYK 71 / 71 / 0 / 49

HEX #262682

RGB 38 38 130

HSL 240, 0.55%, 0.33%

LAB 21.62, 31.51, -51.58

 

CMYK 0 / 71 / 0 / 49

HEX #822682

RGB 130 38 130

HSL 300, 0.55%, 0.33%

LAB 33.44, 50.49, -31.9

 

CMYK 0 / 83 / 0 / 44

HEX #901890

RGB 144 24 144

HSL 300, 0.71%, 0.33%

LAB 35.19, 60.28, -37.63

 

CMYK 0 / 93 / 0 / 38

HEX #9E0B9E

RGB 158 11 158

HSL 300, 0.87%, 0.33%

LAB 37.8, 67.42, -41.85

 

CMYK 0 / 71 / 0 / 49

HEX #822682

RGB 130 38 130

HSL 300, 0.55%, 0.33%

LAB 33.44, 50.49, -31.9

 

CMYK 0 / 56 / 0 / 54

HEX #753375

RGB 117 51 117

HSL 300, 0.39%, 0.33%

LAB 32.77, 38.71, -24.95

 

CMYK 0 / 37 / 0 / 60

HEX #674167

RGB 103 65 103

HSL 300, 0.23%, 0.33%

LAB 33.23, 23.31, -15.55

 

CMYK 0 / 12 / 0 / 65

HEX #5A4F5A

RGB 90 79 90

HSL 300, 0.07%, 0.33%

LAB 35.01, 6.82, -4.77

 

CMYK 17 / 0 / 17 / 64

HEX #4C5C4C

RGB 76 92 76

HSL 120, 0.1%, 0.33%

LAB 37.32, -9.69, 7.18

 

CMYK 38 / 71 / 0 / 49

HEX #512682

RGB 81 38 130

HSL 268.04, 0.55%, 0.33%

LAB 26, 39.13, -44.24

 

CMYK 18 / 71 / 0 / 49

HEX #6A2682

RGB 106 38 130

HSL 284.35, 0.55%, 0.33%

LAB 29.57, 44.76, -38.31

 

CMYK 0 / 71 / 0 / 49

HEX #822682

RGB 130 38 130

HSL 300, 0.55%, 0.33%

LAB 33.44, 50.49, -31.9

 

CMYK 0 / 71 / 18 / 49

HEX #82266A

RGB 130 38 106

HSL 315.65, 0.55%, 0.33%

LAB 32.2, 46.53, -18.71

 

CMYK 0 / 71 / 38 / 49

HEX #822651

RGB 130 38 81

HSL 331.96, 0.55%, 0.33%

LAB 31.18, 43.13, -4.08

 

CMYK 0 / 71 / 0 / 74

HEX #421342

RGB 66 19 66

HSL 300, 0.55%, 0.17%

LAB 15.58, 29.65, -18.86

 

CMYK 0 / 70 / 0 / 62

HEX #621D62

RGB 98 29 98

HSL 300, 0.54%, 0.25%

LAB 24.82, 40.23, -25.49

 

CMYK 0 / 71 / 0 / 49

HEX #822682

RGB 130 38 130

HSL 300, 0.55%, 0.33%

LAB 33.44, 50.49, -31.9

 

CMYK 0 / 71 / 0 / 36

HEX #A22FA2

RGB 162 47 162

HSL 300, 0.55%, 0.41%

LAB 41.73, 60.21, -37.97

 

CMYK 0 / 71 / 0 / 24

HEX #C238C2

RGB 194 56 194

HSL 300, 0.55%, 0.49%

LAB 49.73, 69.52, -43.79

 

CMYK 0 / 71 / 0 / 48

HEX #842684

RGB 132 38 132

HSL 300, 0.55%, 0.33%

LAB 33.89, 51.32, -32.41

 

CMYK 0 / 57 / 71 / 49

HEX #823826

RGB 130 56 38

HSL 11.74, 0.55%, 0.33%

LAB 33.38, 30.59, 26.5

 

CMYK 71 / 0 / 28 / 49

HEX #26825D

RGB 38 130 93

HSL 155.87, 0.55%, 0.33%

LAB 48.47, -36.03, 12.42

 

CMYK 0 / 71 / 0 / 48

HEX #842684

RGB 132 38 132

HSL 300, 0.55%, 0.33%

LAB 33.89, 51.32, -32.41

 

CMYK 0 / 0 / 71 / 49

HEX #828226

RGB 130 130 38

HSL 60, 0.55%, 0.33%

LAB 52.79, -11.84, 47.29

 

CMYK 71 / 0 / 0 / 49

HEX #268282

RGB 38 130 130

HSL 180, 0.55%, 0.33%

LAB 49.48, -25.89, -7.77

 

CMYK 0 / 71 / 0 / 48

HEX #842684

RGB 132 38 132

HSL 300, 0.55%, 0.33%

LAB 33.89, 51.32, -32.41

 

CMYK 0 / 57 / 71 / 49

HEX #823826

RGB 130 56 38

HSL 11.74, 0.55%, 0.33%

LAB 33.38, 30.59, 26.5

 

CMYK 71 / 0 / 71 / 49

HEX #268226

RGB 38 130 38

HSL 120, 0.55%, 0.33%

LAB 47.65, -45.33, 40.38

 

CMYK 71 / 14 / 0 / 49

HEX #267082

RGB 38 112 130

HSL 191.74, 0.55%, 0.33%

LAB 43.67, -16.36, -16.55

 

CMYK 0 / 71 / 0 / 48

HEX #842684

RGB 132 38 132

HSL 300, 0.55%, 0.33%

LAB 33.89, 51.32, -32.41

 

CMYK 0 / 35 / 71 / 49

HEX #825426

RGB 130 84 38

HSL 30, 0.55%, 0.33%

LAB 39.96, 14.59, 33.94

 

CMYK 71 / 0 / 71 / 49

HEX #268226

RGB 38 130 38

HSL 120, 0.55%, 0.33%

LAB 47.65, -45.33, 40.38

 

CMYK 71 / 35 / 0 / 49

HEX #265482

RGB 38 84 130

HSL 210, 0.55%, 0.33%

LAB 34.73, 0.45, -30.44

 

Description

Color code: HEX #842684 | qconv.com Color code: HEX #842684 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 38 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 38 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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