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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #842251 it is the complementary color #7BDDAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #842251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #842251 shade: #89224C, #9A345F, #AB4672, #BC5885 and #CD6A98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #842251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #842251 shade: #842251, #73103E, #62002B, #510018 and #400005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #842251 shade: #862352, #862337 and #862323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #842251 shade: #862352, #86236D, #842386, #692386 and #4E2386

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #842251 shade matches the following richer shades: #862352, #931552 and #A10751

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #842251 shade: #862352, #783053, #6B3E53, #5D4B54 and #4F5954

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #842251 shade: #842386, #86236D, #862352, #862338 and #862723

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #842251 shade: #44122A, #651A3E, #862352, #A72B66 and #C7337A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #842251 shade: #842251, #866A23 and #237A86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #842251 shade: #842251, #528623 and #235286

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #842251 shade: #842251, #866A23, #238656 and #233F86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #842251 shade: #842251, #848623, #238656 and #242386

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 39 / 48

HEX #842251

RGB 132 34 81

HSL 331.22, 0.59%, 0.33%

LAB 30.98, 45.31, -4.33

 

Complementary color

CMYK 44 / 0 / 21 / 13

HEX #7BDDAE

RGB 123 221 174

HSL 151.22, 0.59%, 0.67%

LAB 81.28, -39.49, 14.22

 

CMYK 0 / 75 / 45 / 46

HEX #89224C

RGB 137 34 76

HSL 335.53, 0.6%, 0.34%

LAB 31.77, 46.26, 0.22

 

CMYK 0 / 66 / 38 / 40

HEX #9A345F

RGB 154 52 95

HSL 334.71, 0.5%, 0.4%

LAB 38.11, 46.35, -2.35

 

CMYK 0 / 59 / 33 / 33

HEX #AB4672

RGB 171 70 114

HSL 333.86, 0.42%, 0.47%

LAB 44.59, 45.92, -4.29

 

CMYK 0 / 53 / 29 / 26

HEX #BC5885

RGB 188 88 133

HSL 333, 0.43%, 0.54%

LAB 51.11, 45.24, -5.82

 

CMYK 0 / 48 / 26 / 20

HEX #CD6A98

RGB 205 106 152

HSL 332.12, 0.5%, 0.61%

LAB 57.61, 44.47, -7.07

 

CMYK 0 / 74 / 39 / 48

HEX #842251

RGB 132 34 81

HSL 331.22, 0.59%, 0.33%

LAB 30.98, 45.31, -4.33

 

CMYK 0 / 86 / 46 / 55

HEX #73103E

RGB 115 16 62

HSL 332.12, 0.76%, 0.26%

LAB 24.84, 44.23, -1.07

 

CMYK 0 / 100 / 56 / 62

HEX #62002B

RGB 98 0 43

HSL 333.67, 1%, 0.19%

LAB 19.1, 41.77, 3.44

 

CMYK 0 / 100 / 70 / 68

HEX #510018

RGB 81 0 24

HSL 342.22, 1%, 0.16%

LAB 14.49, 35.86, 10.31

 

CMYK 0 / 100 / 92 / 75

HEX #400005

RGB 64 0 5

HSL 355.31, 1%, 0.13%

LAB 9.81, 29.99, 13.43

 

CMYK 0 / 74 / 39 / 47

HEX #862352

RGB 134 35 82

HSL 331.52, 0.59%, 0.33%

LAB 31.53, 45.65, -4.13

 

CMYK 0 / 74 / 59 / 47

HEX #862337

RGB 134 35 55

HSL 347.88, 0.59%, 0.33%

LAB 30.75, 43.05, 12.54

 

CMYK 0 / 74 / 74 / 47

HEX #862323

RGB 134 35 35

HSL 0, 0.59%, 0.33%

LAB 30.38, 41.78, 25.02

 

CMYK 0 / 74 / 39 / 47

HEX #862352

RGB 134 35 82

HSL 331.52, 0.59%, 0.33%

LAB 31.53, 45.65, -4.13

 

CMYK 0 / 74 / 19 / 47

HEX #86236D

RGB 134 35 109

HSL 315.15, 0.59%, 0.33%

LAB 32.64, 49.21, -19.87

 

CMYK 1 / 74 / 0 / 47

HEX #842386

RGB 132 35 134

HSL 298.79, 0.59%, 0.33%

LAB 33.62, 52.78, -34.08

 

CMYK 22 / 74 / 0 / 47

HEX #692386

RGB 105 35 134

HSL 282.42, 0.59%, 0.33%

LAB 29.23, 46.71, -41.36

 

CMYK 42 / 74 / 0 / 47

HEX #4E2386

RGB 78 35 134

HSL 266.06, 0.59%, 0.33%

LAB 25.39, 41.13, -47.76

 

CMYK 0 / 74 / 39 / 47

HEX #862352

RGB 134 35 82

HSL 331.52, 0.59%, 0.33%

LAB 31.53, 45.65, -4.13

 

CMYK 0 / 86 / 44 / 42

HEX #931552

RGB 147 21 82

HSL 330.95, 0.75%, 0.33%

LAB 32.59, 53.52, -2.28

 

CMYK 0 / 96 / 50 / 37

HEX #A10751

RGB 161 7 81

HSL 331.17, 0.92%, 0.33%

LAB 34.65, 59.25, 1.73

 

CMYK 0 / 74 / 39 / 47

HEX #862352

RGB 134 35 82

HSL 331.52, 0.59%, 0.33%

LAB 31.53, 45.65, -4.13

 

CMYK 0 / 60 / 31 / 53

HEX #783053

RGB 120 48 83

HSL 330.83, 0.43%, 0.33%

LAB 31.19, 35.48, -5.56

 

CMYK 0 / 42 / 22 / 58

HEX #6B3E53

RGB 107 62 83

HSL 332, 0.27%, 0.33%

LAB 32.25, 22.83, -4.19

 

CMYK 0 / 19 / 10 / 64

HEX #5D4B54

RGB 93 75 84

HSL 330, 0.11%, 0.33%

LAB 33.98, 9.3, -2.46

 

CMYK 11 / 0 / 6 / 65

HEX #4F5954

RGB 79 89 84

HSL 150, 0.06%, 0.33%

LAB 36.83, -5.03, 1.56

 

CMYK 1 / 74 / 0 / 47

HEX #842386

RGB 132 35 134

HSL 298.79, 0.59%, 0.33%

LAB 33.62, 52.78, -34.08

 

CMYK 0 / 74 / 19 / 47

HEX #86236D

RGB 134 35 109

HSL 315.15, 0.59%, 0.33%

LAB 32.64, 49.21, -19.87

 

CMYK 0 / 74 / 39 / 47

HEX #862352

RGB 134 35 82

HSL 331.52, 0.59%, 0.33%

LAB 31.53, 45.65, -4.13

 

CMYK 0 / 74 / 58 / 47

HEX #862338

RGB 134 35 56

HSL 347.27, 0.59%, 0.33%

LAB 30.77, 43.13, 11.91

 

CMYK 0 / 71 / 74 / 47

HEX #862723

RGB 134 39 35

HSL 2.42, 0.59%, 0.33%

LAB 30.97, 40.15, 25.71

 

CMYK 0 / 74 / 38 / 73

HEX #44122A

RGB 68 18 42

HSL 331.2, 0.58%, 0.17%

LAB 14.56, 26.6, -3.26

 

CMYK 0 / 74 / 39 / 60

HEX #651A3E

RGB 101 26 62

HSL 331.2, 0.59%, 0.25%

LAB 23.18, 36.69, -3.84

 

CMYK 0 / 74 / 39 / 47

HEX #862352

RGB 134 35 82

HSL 331.52, 0.59%, 0.33%

LAB 31.53, 45.65, -4.13

 

CMYK 0 / 74 / 39 / 35

HEX #A72B66

RGB 167 43 102

HSL 331.45, 0.59%, 0.41%

LAB 39.42, 54.51, -4.58

 

CMYK 0 / 74 / 39 / 22

HEX #C7337A

RGB 199 51 122

HSL 331.22, 0.59%, 0.49%

LAB 46.86, 62.72, -5.3

 

CMYK 0 / 74 / 39 / 48

HEX #842251

RGB 132 34 81

HSL 331.22, 0.59%, 0.33%

LAB 30.98, 45.31, -4.33

 

CMYK 0 / 21 / 74 / 47

HEX #866A23

RGB 134 106 35

HSL 43.03, 0.59%, 0.33%

LAB 46.31, 3.35, 42.21

 

CMYK 74 / 9 / 0 / 47

HEX #237A86

RGB 35 122 134

HSL 187.27, 0.59%, 0.33%

LAB 46.97, -20.9, -13.92

 

CMYK 0 / 74 / 39 / 48

HEX #842251

RGB 132 34 81

HSL 331.22, 0.59%, 0.33%

LAB 30.98, 45.31, -4.33

 

CMYK 39 / 0 / 74 / 47

HEX #528623

RGB 82 134 35

HSL 91.52, 0.59%, 0.33%

LAB 50.65, -34.31, 45.24

 

CMYK 74 / 39 / 0 / 47

HEX #235286

RGB 35 82 134

HSL 211.52, 0.59%, 0.33%

LAB 34.22, 2.79, -33.72

 

CMYK 0 / 74 / 39 / 48

HEX #842251

RGB 132 34 81

HSL 331.22, 0.59%, 0.33%

LAB 30.98, 45.31, -4.33

 

CMYK 0 / 21 / 74 / 47

HEX #866A23

RGB 134 106 35

HSL 43.03, 0.59%, 0.33%

LAB 46.31, 3.35, 42.21

 

CMYK 74 / 0 / 36 / 47

HEX #238656

RGB 35 134 86

HSL 150.91, 0.59%, 0.33%

LAB 49.59, -39.82, 17.95

 

CMYK 74 / 53 / 0 / 47

HEX #233F86

RGB 35 63 134

HSL 223.03, 0.59%, 0.33%

LAB 28.47, 15.63, -42.93

 

CMYK 0 / 74 / 39 / 48

HEX #842251

RGB 132 34 81

HSL 331.22, 0.59%, 0.33%

LAB 30.98, 45.31, -4.33

 

CMYK 1 / 0 / 74 / 47

HEX #848623

RGB 132 134 35

HSL 61.21, 0.59%, 0.33%

LAB 54.11, -13.24, 49.81

 

CMYK 74 / 0 / 36 / 47

HEX #238656

RGB 35 134 86

HSL 150.91, 0.59%, 0.33%

LAB 49.59, -39.82, 17.95

 

CMYK 73 / 74 / 0 / 47

HEX #242386

RGB 36 35 134

HSL 240.61, 0.59%, 0.33%

LAB 21.2, 34.58, -54.79

 

Description

Color code: HEX #842251 | qconv.com Color code: HEX #842251 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 34 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 34 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 39 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 39% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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