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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #842070 it is the complementary color #7BDF8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #842070. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #842070 shade: #89206B, #9A327E, #AB4491, #BC56A4 and #CD68B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #842070. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #842070 shade: #842070, #730E5D, #62004A, #510037 and #400024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #842070 shade: #83206F, #832055, #83203A and #832020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #842070 shade: #83206F, #7C2083, #622083, #472083 and #2C2083

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #842070 shade matches the following richer shades: #83206F, #911377 and #9E057F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #842070 shade: #83206F, #762D68, #693A60, #5C4758 and #4F5550

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #842070 shade: #622083, #7D2083, #83206F, #832055 and #83203A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #842070 shade: #411037, #621853, #83206F, #A5288C and #C630A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #842070 shade: #842070, #834820 and #20836F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #842070 shade: #842070, #6F8320 and #206F83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #842070 shade: #842070, #834820, #208334 and #205C83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #842070 shade: #842070, #836620, #208334 and #203E83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 15 / 48

HEX #842070

RGB 132 32 112

HSL 312, 0.61%, 0.32%

LAB 32.05, 50.21, -22.73

 

Complementary color

CMYK 45 / 0 / 36 / 13

HEX #7BDF8F

RGB 123 223 143

HSL 132, 0.61%, 0.68%

LAB 81.27, -46.12, 30.34

 

CMYK 0 / 77 / 22 / 46

HEX #89206B

RGB 137 32 107

HSL 317.14, 0.62%, 0.33%

LAB 32.73, 50.75, -18.42

 

CMYK 0 / 68 / 18 / 40

HEX #9A327E

RGB 154 50 126

HSL 316.15, 0.51%, 0.4%

LAB 39, 51.31, -20.43

 

CMYK 0 / 60 / 15 / 33

HEX #AB4491

RGB 171 68 145

HSL 315.15, 0.43%, 0.47%

LAB 45.41, 51.21, -21.89

 

CMYK 0 / 54 / 13 / 26

HEX #BC56A4

RGB 188 86 164

HSL 314.12, 0.43%, 0.54%

LAB 51.87, 50.78, -23.01

 

CMYK 0 / 49 / 11 / 20

HEX #CD68B7

RGB 205 104 183

HSL 313.07, 0.5%, 0.61%

LAB 58.32, 50.17, -23.91

 

CMYK 0 / 76 / 15 / 48

HEX #842070

RGB 132 32 112

HSL 312, 0.61%, 0.32%

LAB 32.05, 50.21, -22.73

 

CMYK 0 / 88 / 19 / 55

HEX #730E5D

RGB 115 14 93

HSL 313.07, 0.78%, 0.25%

LAB 26.01, 48.53, -20.12

 

CMYK 0 / 100 / 24 / 62

HEX #62004A

RGB 98 0 74

HSL 314.69, 1%, 0.19%

LAB 20.41, 45.14, -16.37

 

CMYK 0 / 100 / 32 / 68

HEX #510037

RGB 81 0 55

HSL 319.26, 1%, 0.16%

LAB 15.62, 38.82, -10.79

 

CMYK 0 / 100 / 44 / 75

HEX #400024

RGB 64 0 36

HSL 326.25, 1%, 0.13%

LAB 10.68, 32.33, -4.71

 

CMYK 0 / 76 / 15 / 49

HEX #83206F

RGB 131 32 111

HSL 312.12, 0.61%, 0.32%

LAB 31.82, 49.8, -22.47

 

CMYK 0 / 76 / 35 / 49

HEX #832055

RGB 131 32 85

HSL 327.88, 0.61%, 0.32%

LAB 30.67, 46.23, -7.43

 

CMYK 0 / 76 / 56 / 49

HEX #83203A

RGB 131 32 58

HSL 344.24, 0.61%, 0.32%

LAB 29.82, 43.47, 9.19

 

CMYK 0 / 76 / 76 / 49

HEX #832020

RGB 131 32 32

HSL 0, 0.61%, 0.32%

LAB 29.32, 41.78, 25.51

 

CMYK 0 / 76 / 15 / 49

HEX #83206F

RGB 131 32 111

HSL 312.12, 0.61%, 0.32%

LAB 31.82, 49.8, -22.47

 

CMYK 5 / 76 / 0 / 49

HEX #7C2083

RGB 124 32 131

HSL 295.76, 0.61%, 0.32%

LAB 31.71, 51.48, -35.34

 

CMYK 25 / 76 / 0 / 49

HEX #622083

RGB 98 32 131

HSL 280, 0.61%, 0.32%

LAB 27.49, 45.82, -42.35

 

CMYK 46 / 76 / 0 / 49

HEX #472083

RGB 71 32 131

HSL 263.64, 0.61%, 0.32%

LAB 23.71, 40.52, -48.66

 

CMYK 66 / 76 / 0 / 49

HEX #2C2083

RGB 44 32 131

HSL 247.27, 0.61%, 0.32%

LAB 20.86, 36.3, -53.45

 

CMYK 0 / 76 / 15 / 49

HEX #83206F

RGB 131 32 111

HSL 312.12, 0.61%, 0.32%

LAB 31.82, 49.8, -22.47

 

CMYK 0 / 87 / 18 / 43

HEX #911377

RGB 145 19 119

HSL 312.38, 0.77%, 0.32%

LAB 33.6, 57.84, -24.57

 

CMYK 0 / 97 / 20 / 38

HEX #9E057F

RGB 158 5 127

HSL 312.16, 0.94%, 0.32%

LAB 35.81, 63.73, -25.95

 

CMYK 0 / 76 / 15 / 49

HEX #83206F

RGB 131 32 111

HSL 312.12, 0.61%, 0.32%

LAB 31.82, 49.8, -22.47

 

CMYK 0 / 62 / 12 / 54

HEX #762D68

RGB 118 45 104

HSL 311.51, 0.45%, 0.32%

LAB 31.18, 39.63, -19.17

 

CMYK 0 / 45 / 9 / 59

HEX #693A60

RGB 105 58 96

HSL 311.49, 0.29%, 0.32%

LAB 31.52, 26.81, -13.68

 

CMYK 0 / 23 / 4 / 64

HEX #5C4758

RGB 92 71 88

HSL 311.43, 0.13%, 0.32%

LAB 32.89, 12.24, -6.64

 

CMYK 7 / 0 / 6 / 67

HEX #4F5550

RGB 79 85 80

HSL 130, 0.04%, 0.32%

LAB 35.48, -3.48, 2.09

 

CMYK 25 / 76 / 0 / 49

HEX #622083

RGB 98 32 131

HSL 280, 0.61%, 0.32%

LAB 27.49, 45.82, -42.35

 

CMYK 5 / 76 / 0 / 49

HEX #7D2083

RGB 125 32 131

HSL 296.36, 0.61%, 0.32%

LAB 31.88, 51.71, -35.06

 

CMYK 0 / 76 / 15 / 49

HEX #83206F

RGB 131 32 111

HSL 312.12, 0.61%, 0.32%

LAB 31.82, 49.8, -22.47

 

CMYK 0 / 76 / 35 / 49

HEX #832055

RGB 131 32 85

HSL 327.88, 0.61%, 0.32%

LAB 30.67, 46.23, -7.43

 

CMYK 0 / 76 / 56 / 49

HEX #83203A

RGB 131 32 58

HSL 344.24, 0.61%, 0.32%

LAB 29.82, 43.47, 9.19

 

CMYK 0 / 75 / 15 / 75

HEX #411037

RGB 65 16 55

HSL 312.24, 0.6%, 0.16%

LAB 14.23, 28.66, -13.21

 

CMYK 0 / 76 / 15 / 62

HEX #621853

RGB 98 24 83

HSL 312.16, 0.61%, 0.24%

LAB 23.25, 39.64, -18.02

 

CMYK 0 / 76 / 15 / 49

HEX #83206F

RGB 131 32 111

HSL 312.12, 0.61%, 0.32%

LAB 31.82, 49.8, -22.47

 

CMYK 0 / 76 / 15 / 35

HEX #A5288C

RGB 165 40 140

HSL 312, 0.61%, 0.4%

LAB 40.26, 59.8, -26.92

 

CMYK 0 / 76 / 15 / 22

HEX #C630A8

RGB 198 48 168

HSL 312, 0.61%, 0.48%

LAB 48.19, 69, -30.95

 

CMYK 0 / 76 / 15 / 48

HEX #842070

RGB 132 32 112

HSL 312, 0.61%, 0.32%

LAB 32.05, 50.21, -22.73

 

CMYK 0 / 45 / 76 / 49

HEX #834820

RGB 131 72 32

HSL 24.24, 0.61%, 0.32%

LAB 37.05, 21.74, 33.99

 

CMYK 76 / 0 / 15 / 49

HEX #20836F

RGB 32 131 111

HSL 167.88, 0.61%, 0.32%

LAB 49.11, -32.79, 2.82

 

CMYK 0 / 76 / 15 / 48

HEX #842070

RGB 132 32 112

HSL 312, 0.61%, 0.32%

LAB 32.05, 50.21, -22.73

 

CMYK 15 / 0 / 76 / 49

HEX #6F8320

RGB 111 131 32

HSL 72.12, 0.61%, 0.32%

LAB 51.52, -21.22, 47.85

 

CMYK 76 / 15 / 0 / 49

HEX #206F83

RGB 32 111 131

HSL 192.12, 0.61%, 0.32%

LAB 43.23, -16.35, -17.83

 

CMYK 0 / 76 / 15 / 48

HEX #842070

RGB 132 32 112

HSL 312, 0.61%, 0.32%

LAB 32.05, 50.21, -22.73

 

CMYK 0 / 45 / 76 / 49

HEX #834820

RGB 131 72 32

HSL 24.24, 0.61%, 0.32%

LAB 37.05, 21.74, 33.99

 

CMYK 76 / 0 / 60 / 49

HEX #208334

RGB 32 131 52

HSL 132.12, 0.61%, 0.32%

LAB 47.99, -45.16, 34.23

 

CMYK 76 / 30 / 0 / 49

HEX #205C83

RGB 32 92 131

HSL 203.64, 0.61%, 0.32%

LAB 37.11, -5.18, -27.32

 

CMYK 0 / 76 / 15 / 48

HEX #842070

RGB 132 32 112

HSL 312, 0.61%, 0.32%

LAB 32.05, 50.21, -22.73

 

CMYK 0 / 22 / 76 / 49

HEX #836620

RGB 131 102 32

HSL 42.42, 0.61%, 0.32%

LAB 44.85, 4.11, 41.96

 

CMYK 76 / 0 / 60 / 49

HEX #208334

RGB 32 131 52

HSL 132.12, 0.61%, 0.32%

LAB 47.99, -45.16, 34.23

 

CMYK 76 / 53 / 0 / 49

HEX #203E83

RGB 32 62 131

HSL 221.82, 0.61%, 0.32%

LAB 27.82, 14.69, -42.12

 

Description

Color code: HEX #842070 | qconv.com Color code: HEX #842070 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 32 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 32 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 15 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 15% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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