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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84206F it is the complementary color #7BDF90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84206F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84206F shade: #89206A, #9A327D, #AB4490, #BC56A3 and #CD68B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84206F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84206F shade: #84206F, #730E5C, #620049, #510036 and #400023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84206F shade: #83206E, #832054, #832039 and #832020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84206F shade: #83206E, #7D2083, #632083, #482083 and #2D2083

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84206F shade matches the following richer shades: #83206E, #911376 and #9E057E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84206F shade: #83206E, #762D67, #693A5F, #5C4757 and #4F5550

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84206F shade: #622083, #7D2083, #83206F, #832055 and #83203A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84206F shade: #411037, #621853, #83206E, #A5288A and #C630A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84206F shade: #84206F, #834820 and #20836F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84206F shade: #84206F, #6F8320 and #206F83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84206F shade: #84206F, #834820, #208334 and #205C83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84206F shade: #84206F, #836620, #208334 and #203E83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 16 / 48

HEX #84206F

RGB 132 32 111

HSL 312.6, 0.61%, 0.32%

LAB 32, 50.06, -22.17

 

Complementary color

CMYK 45 / 0 / 35 / 13

HEX #7BDF90

RGB 123 223 144

HSL 132.6, 0.61%, 0.68%

LAB 81.29, -45.95, 29.85

 

CMYK 0 / 77 / 23 / 46

HEX #89206A

RGB 137 32 106

HSL 317.71, 0.62%, 0.33%

LAB 32.68, 50.61, -17.85

 

CMYK 0 / 68 / 19 / 40

HEX #9A327D

RGB 154 50 125

HSL 316.73, 0.51%, 0.4%

LAB 38.95, 51.16, -19.88

 

CMYK 0 / 60 / 16 / 33

HEX #AB4490

RGB 171 68 144

HSL 315.73, 0.43%, 0.47%

LAB 45.37, 51.06, -21.35

 

CMYK 0 / 54 / 13 / 26

HEX #BC56A3

RGB 188 86 163

HSL 314.71, 0.43%, 0.54%

LAB 51.83, 50.62, -22.49

 

CMYK 0 / 49 / 11 / 20

HEX #CD68B6

RGB 205 104 182

HSL 313.66, 0.5%, 0.61%

LAB 58.28, 50, -23.39

 

CMYK 0 / 76 / 16 / 48

HEX #84206F

RGB 132 32 111

HSL 312.6, 0.61%, 0.32%

LAB 32, 50.06, -22.17

 

CMYK 0 / 88 / 20 / 55

HEX #730E5C

RGB 115 14 92

HSL 313.66, 0.78%, 0.25%

LAB 25.96, 48.39, -19.54

 

CMYK 0 / 100 / 26 / 62

HEX #620049

RGB 98 0 73

HSL 315.31, 1%, 0.19%

LAB 20.35, 45.01, -15.76

 

CMYK 0 / 100 / 33 / 68

HEX #510036

RGB 81 0 54

HSL 320, 1%, 0.16%

LAB 15.57, 38.7, -10.15

 

CMYK 0 / 100 / 45 / 75

HEX #400023

RGB 64 0 35

HSL 327.19, 1%, 0.13%

LAB 10.64, 32.22, -4.02

 

CMYK 0 / 76 / 16 / 49

HEX #83206E

RGB 131 32 110

HSL 312.73, 0.61%, 0.32%

LAB 31.77, 49.65, -21.91

 

CMYK 0 / 76 / 36 / 49

HEX #832054

RGB 131 32 84

HSL 328.48, 0.61%, 0.32%

LAB 30.64, 46.11, -6.83

 

CMYK 0 / 76 / 56 / 49

HEX #832039

RGB 131 32 57

HSL 344.85, 0.61%, 0.32%

LAB 29.8, 43.39, 9.82

 

CMYK 0 / 76 / 76 / 49

HEX #832020

RGB 131 32 32

HSL 0, 0.61%, 0.32%

LAB 29.32, 41.78, 25.51

 

CMYK 0 / 76 / 16 / 49

HEX #83206E

RGB 131 32 110

HSL 312.73, 0.61%, 0.32%

LAB 31.77, 49.65, -21.91

 

CMYK 5 / 76 / 0 / 49

HEX #7D2083

RGB 125 32 131

HSL 296.36, 0.61%, 0.32%

LAB 31.88, 51.71, -35.06

 

CMYK 24 / 76 / 0 / 49

HEX #632083

RGB 99 32 131

HSL 280.61, 0.61%, 0.32%

LAB 27.64, 46.03, -42.09

 

CMYK 45 / 76 / 0 / 49

HEX #482083

RGB 72 32 131

HSL 264.24, 0.61%, 0.32%

LAB 23.83, 40.7, -48.45

 

CMYK 66 / 76 / 0 / 49

HEX #2D2083

RGB 45 32 131

HSL 247.88, 0.61%, 0.32%

LAB 20.94, 36.43, -53.3

 

CMYK 0 / 76 / 16 / 49

HEX #83206E

RGB 131 32 110

HSL 312.73, 0.61%, 0.32%

LAB 31.77, 49.65, -21.91

 

CMYK 0 / 87 / 19 / 43

HEX #911376

RGB 145 19 118

HSL 312.86, 0.77%, 0.32%

LAB 33.55, 57.7, -24.02

 

CMYK 0 / 97 / 20 / 38

HEX #9E057E

RGB 158 5 126

HSL 312.55, 0.94%, 0.32%

LAB 35.76, 63.61, -25.4

 

CMYK 0 / 76 / 16 / 49

HEX #83206E

RGB 131 32 110

HSL 312.73, 0.61%, 0.32%

LAB 31.77, 49.65, -21.91

 

CMYK 0 / 62 / 13 / 54

HEX #762D67

RGB 118 45 103

HSL 312.33, 0.45%, 0.32%

LAB 31.13, 39.45, -18.6

 

CMYK 0 / 45 / 10 / 59

HEX #693A5F

RGB 105 58 95

HSL 312.77, 0.29%, 0.32%

LAB 31.48, 26.62, -13.1

 

CMYK 0 / 23 / 5 / 64

HEX #5C4757

RGB 92 71 87

HSL 314.29, 0.13%, 0.32%

LAB 32.85, 12.03, -6.05

 

CMYK 7 / 0 / 6 / 67

HEX #4F5550

RGB 79 85 80

HSL 130, 0.04%, 0.32%

LAB 35.48, -3.48, 2.09

 

CMYK 25 / 76 / 0 / 49

HEX #622083

RGB 98 32 131

HSL 280, 0.61%, 0.32%

LAB 27.49, 45.82, -42.35

 

CMYK 5 / 76 / 0 / 49

HEX #7D2083

RGB 125 32 131

HSL 296.36, 0.61%, 0.32%

LAB 31.88, 51.71, -35.06

 

CMYK 0 / 76 / 15 / 49

HEX #83206F

RGB 131 32 111

HSL 312.12, 0.61%, 0.32%

LAB 31.82, 49.8, -22.47

 

CMYK 0 / 76 / 35 / 49

HEX #832055

RGB 131 32 85

HSL 327.88, 0.61%, 0.32%

LAB 30.67, 46.23, -7.43

 

CMYK 0 / 76 / 56 / 49

HEX #83203A

RGB 131 32 58

HSL 344.24, 0.61%, 0.32%

LAB 29.82, 43.47, 9.19

 

CMYK 0 / 75 / 15 / 75

HEX #411037

RGB 65 16 55

HSL 312.24, 0.6%, 0.16%

LAB 14.23, 28.66, -13.21

 

CMYK 0 / 76 / 15 / 62

HEX #621853

RGB 98 24 83

HSL 312.16, 0.61%, 0.24%

LAB 23.25, 39.64, -18.02

 

CMYK 0 / 76 / 16 / 49

HEX #83206E

RGB 131 32 110

HSL 312.73, 0.61%, 0.32%

LAB 31.77, 49.65, -21.91

 

CMYK 0 / 76 / 16 / 35

HEX #A5288A

RGB 165 40 138

HSL 312.96, 0.61%, 0.4%

LAB 40.17, 59.52, -25.85

 

CMYK 0 / 76 / 16 / 22

HEX #C630A6

RGB 198 48 166

HSL 312.8, 0.61%, 0.48%

LAB 48.1, 68.73, -29.91

 

CMYK 0 / 76 / 16 / 48

HEX #84206F

RGB 132 32 111

HSL 312.6, 0.61%, 0.32%

LAB 32, 50.06, -22.17

 

CMYK 0 / 45 / 76 / 49

HEX #834820

RGB 131 72 32

HSL 24.24, 0.61%, 0.32%

LAB 37.05, 21.74, 33.99

 

CMYK 76 / 0 / 15 / 49

HEX #20836F

RGB 32 131 111

HSL 167.88, 0.61%, 0.32%

LAB 49.11, -32.79, 2.82

 

CMYK 0 / 76 / 16 / 48

HEX #84206F

RGB 132 32 111

HSL 312.6, 0.61%, 0.32%

LAB 32, 50.06, -22.17

 

CMYK 15 / 0 / 76 / 49

HEX #6F8320

RGB 111 131 32

HSL 72.12, 0.61%, 0.32%

LAB 51.52, -21.22, 47.85

 

CMYK 76 / 15 / 0 / 49

HEX #206F83

RGB 32 111 131

HSL 192.12, 0.61%, 0.32%

LAB 43.23, -16.35, -17.83

 

CMYK 0 / 76 / 16 / 48

HEX #84206F

RGB 132 32 111

HSL 312.6, 0.61%, 0.32%

LAB 32, 50.06, -22.17

 

CMYK 0 / 45 / 76 / 49

HEX #834820

RGB 131 72 32

HSL 24.24, 0.61%, 0.32%

LAB 37.05, 21.74, 33.99

 

CMYK 76 / 0 / 60 / 49

HEX #208334

RGB 32 131 52

HSL 132.12, 0.61%, 0.32%

LAB 47.99, -45.16, 34.23

 

CMYK 76 / 30 / 0 / 49

HEX #205C83

RGB 32 92 131

HSL 203.64, 0.61%, 0.32%

LAB 37.11, -5.18, -27.32

 

CMYK 0 / 76 / 16 / 48

HEX #84206F

RGB 132 32 111

HSL 312.6, 0.61%, 0.32%

LAB 32, 50.06, -22.17

 

CMYK 0 / 22 / 76 / 49

HEX #836620

RGB 131 102 32

HSL 42.42, 0.61%, 0.32%

LAB 44.85, 4.11, 41.96

 

CMYK 76 / 0 / 60 / 49

HEX #208334

RGB 32 131 52

HSL 132.12, 0.61%, 0.32%

LAB 47.99, -45.16, 34.23

 

CMYK 76 / 53 / 0 / 49

HEX #203E83

RGB 32 62 131

HSL 221.82, 0.61%, 0.32%

LAB 27.82, 14.69, -42.12

 

Description

Color code: HEX #84206F | qconv.com Color code: HEX #84206F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 32 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 32 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 16 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 16% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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