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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #842055 it is the complementary color #7BDFAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #842055. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #842055 shade: #892050, #9A3263, #AB4476, #BC5689 and #CD689C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #842055. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #842055 shade: #842055, #730E42, #62002F, #51001C and #400009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #842055 shade: #832055, #83203A and #832020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #842055 shade: #832055, #83206F, #7C2083, #622083 and #472083

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #842055 shade matches the following richer shades: #832055, #911355 and #9E0556

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #842055 shade: #832055, #762D54, #693A53, #5C4752 and #4F5551

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #842055 shade: #7D2083, #83206F, #832055, #83203A and #832020

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #842055 shade: #41102A, #62183F, #832055, #A5286A and #C6307F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #842055 shade: #842055, #836220 and #207D83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #842055 shade: #842055, #558320 and #205583

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #842055 shade: #842055, #836220, #20834E and #204183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #842055 shade: #842055, #838020, #20834E and #202383

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 36 / 48

HEX #842055

RGB 132 32 85

HSL 328.2, 0.61%, 0.32%

LAB 30.87, 46.52, -7.12

 

Complementary color

CMYK 45 / 0 / 24 / 13

HEX #7BDFAA

RGB 123 223 170

HSL 148.2, 0.61%, 0.68%

LAB 81.78, -41.19, 17.02

 

CMYK 0 / 77 / 42 / 46

HEX #892050

RGB 137 32 80

HSL 332.57, 0.62%, 0.33%

LAB 31.65, 47.39, -2.58

 

CMYK 0 / 68 / 36 / 40

HEX #9A3263

RGB 154 50 99

HSL 331.73, 0.51%, 0.4%

LAB 37.94, 47.67, -5.14

 

CMYK 0 / 60 / 31 / 33

HEX #AB4476

RGB 171 68 118

HSL 330.87, 0.43%, 0.47%

LAB 44.38, 47.36, -7.06

 

CMYK 0 / 54 / 27 / 26

HEX #BC5689

RGB 188 86 137

HSL 330, 0.43%, 0.54%

LAB 50.87, 46.77, -8.57

 

CMYK 0 / 49 / 24 / 20

HEX #CD689C

RGB 205 104 156

HSL 329.11, 0.5%, 0.61%

LAB 57.35, 46.04, -9.79

 

CMYK 0 / 76 / 36 / 48

HEX #842055

RGB 132 32 85

HSL 328.2, 0.61%, 0.32%

LAB 30.87, 46.52, -7.12

 

CMYK 0 / 88 / 43 / 55

HEX #730E42

RGB 115 14 66

HSL 329.11, 0.78%, 0.25%

LAB 24.8, 45.15, -3.86

 

CMYK 0 / 100 / 52 / 62

HEX #62002F

RGB 98 0 47

HSL 331.22, 1%, 0.19%

LAB 19.23, 42.12, 0.76

 

CMYK 0 / 100 / 65 / 68

HEX #51001C

RGB 81 0 28

HSL 339.26, 1%, 0.16%

LAB 14.59, 36.12, 7.47

 

CMYK 0 / 100 / 86 / 75

HEX #400009

RGB 64 0 9

HSL 351.56, 1%, 0.13%

LAB 9.87, 30.18, 11.89

 

CMYK 0 / 76 / 35 / 49

HEX #832055

RGB 131 32 85

HSL 327.88, 0.61%, 0.32%

LAB 30.67, 46.23, -7.43

 

CMYK 0 / 76 / 56 / 49

HEX #83203A

RGB 131 32 58

HSL 344.24, 0.61%, 0.32%

LAB 29.82, 43.47, 9.19

 

CMYK 0 / 76 / 76 / 49

HEX #832020

RGB 131 32 32

HSL 0, 0.61%, 0.32%

LAB 29.32, 41.78, 25.51

 

CMYK 0 / 76 / 35 / 49

HEX #832055

RGB 131 32 85

HSL 327.88, 0.61%, 0.32%

LAB 30.67, 46.23, -7.43

 

CMYK 0 / 76 / 15 / 49

HEX #83206F

RGB 131 32 111

HSL 312.12, 0.61%, 0.32%

LAB 31.82, 49.8, -22.47

 

CMYK 5 / 76 / 0 / 49

HEX #7C2083

RGB 124 32 131

HSL 295.76, 0.61%, 0.32%

LAB 31.71, 51.48, -35.34

 

CMYK 25 / 76 / 0 / 49

HEX #622083

RGB 98 32 131

HSL 280, 0.61%, 0.32%

LAB 27.49, 45.82, -42.35

 

CMYK 46 / 76 / 0 / 49

HEX #472083

RGB 71 32 131

HSL 263.64, 0.61%, 0.32%

LAB 23.71, 40.52, -48.66

 

CMYK 0 / 76 / 35 / 49

HEX #832055

RGB 131 32 85

HSL 327.88, 0.61%, 0.32%

LAB 30.67, 46.23, -7.43

 

CMYK 0 / 87 / 41 / 43

HEX #911355

RGB 145 19 85

HSL 328.57, 0.77%, 0.32%

LAB 32.13, 53.75, -4.97

 

CMYK 0 / 97 / 46 / 38

HEX #9E0556

RGB 158 5 86

HSL 328.24, 0.94%, 0.32%

LAB 34.09, 59.24, -2.42

 

CMYK 0 / 76 / 35 / 49

HEX #832055

RGB 131 32 85

HSL 327.88, 0.61%, 0.32%

LAB 30.67, 46.23, -7.43

 

CMYK 0 / 62 / 29 / 54

HEX #762D54

RGB 118 45 84

HSL 327.95, 0.45%, 0.32%

LAB 30.32, 36.45, -7.54

 

CMYK 0 / 45 / 21 / 59

HEX #693A53

RGB 105 58 83

HSL 328.09, 0.29%, 0.32%

LAB 31.01, 24.44, -6.07

 

CMYK 0 / 23 / 11 / 64

HEX #5C4752

RGB 92 71 82

HSL 328.57, 0.13%, 0.32%

LAB 32.68, 11.01, -3.12

 

CMYK 7 / 0 / 5 / 67

HEX #4F5551

RGB 79 85 81

HSL 140, 0.04%, 0.32%

LAB 35.5, -3.26, 1.5

 

CMYK 5 / 76 / 0 / 49

HEX #7D2083

RGB 125 32 131

HSL 296.36, 0.61%, 0.32%

LAB 31.88, 51.71, -35.06

 

CMYK 0 / 76 / 15 / 49

HEX #83206F

RGB 131 32 111

HSL 312.12, 0.61%, 0.32%

LAB 31.82, 49.8, -22.47

 

CMYK 0 / 76 / 35 / 49

HEX #832055

RGB 131 32 85

HSL 327.88, 0.61%, 0.32%

LAB 30.67, 46.23, -7.43

 

CMYK 0 / 76 / 56 / 49

HEX #83203A

RGB 131 32 58

HSL 344.24, 0.61%, 0.32%

LAB 29.82, 43.47, 9.19

 

CMYK 0 / 76 / 76 / 49

HEX #832020

RGB 131 32 32

HSL 0, 0.61%, 0.32%

LAB 29.32, 41.78, 25.51

 

CMYK 0 / 75 / 35 / 75

HEX #41102A

RGB 65 16 42

HSL 328.16, 0.6%, 0.16%

LAB 13.6, 26.52, -4.76

 

CMYK 0 / 76 / 36 / 62

HEX #62183F

RGB 98 24 63

HSL 328.38, 0.61%, 0.24%

LAB 22.33, 36.7, -5.86

 

CMYK 0 / 76 / 35 / 49

HEX #832055

RGB 131 32 85

HSL 327.88, 0.61%, 0.32%

LAB 30.67, 46.23, -7.43

 

CMYK 0 / 76 / 36 / 35

HEX #A5286A

RGB 165 40 106

HSL 328.32, 0.61%, 0.4%

LAB 38.83, 55.41, -8.02

 

CMYK 0 / 76 / 36 / 22

HEX #C6307F

RGB 198 48 127

HSL 328.4, 0.61%, 0.48%

LAB 46.51, 63.93, -8.89

 

CMYK 0 / 76 / 36 / 48

HEX #842055

RGB 132 32 85

HSL 328.2, 0.61%, 0.32%

LAB 30.87, 46.52, -7.12

 

CMYK 0 / 25 / 76 / 49

HEX #836220

RGB 131 98 32

HSL 40, 0.61%, 0.32%

LAB 43.75, 6.45, 40.87

 

CMYK 76 / 5 / 0 / 49

HEX #207D83

RGB 32 125 131

HSL 183.64, 0.61%, 0.32%

LAB 47.77, -23.85, -10.94

 

CMYK 0 / 76 / 36 / 48

HEX #842055

RGB 132 32 85

HSL 328.2, 0.61%, 0.32%

LAB 30.87, 46.52, -7.12

 

CMYK 35 / 0 / 76 / 49

HEX #558320

RGB 85 131 32

HSL 87.88, 0.61%, 0.32%

LAB 49.82, -32.02, 45.62

 

CMYK 76 / 35 / 0 / 49

HEX #205583

RGB 32 85 131

HSL 207.88, 0.61%, 0.32%

LAB 34.89, -0.77, -30.82

 

CMYK 0 / 76 / 36 / 48

HEX #842055

RGB 132 32 85

HSL 328.2, 0.61%, 0.32%

LAB 30.87, 46.52, -7.12

 

CMYK 0 / 25 / 76 / 49

HEX #836220

RGB 131 98 32

HSL 40, 0.61%, 0.32%

LAB 43.75, 6.45, 40.87

 

CMYK 76 / 0 / 40 / 49

HEX #20834E

RGB 32 131 78

HSL 147.88, 0.61%, 0.32%

LAB 48.37, -40.74, 20.83

 

CMYK 76 / 50 / 0 / 49

HEX #204183

RGB 32 65 131

HSL 220, 0.61%, 0.32%

LAB 28.71, 12.61, -40.68

 

CMYK 0 / 76 / 36 / 48

HEX #842055

RGB 132 32 85

HSL 328.2, 0.61%, 0.32%

LAB 30.87, 46.52, -7.12

 

CMYK 0 / 2 / 76 / 49

HEX #838020

RGB 131 128 32

HSL 58.18, 0.61%, 0.32%

LAB 52.25, -10.61, 49.12

 

CMYK 76 / 0 / 40 / 49

HEX #20834E

RGB 32 131 78

HSL 147.88, 0.61%, 0.32%

LAB 48.37, -40.74, 20.83

 

CMYK 76 / 73 / 0 / 49

HEX #202383

RGB 32 35 131

HSL 238.18, 0.61%, 0.32%

LAB 20.63, 33.07, -53.86

 

Description

Color code: HEX #842055 | qconv.com Color code: HEX #842055 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 32 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 32 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 36 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 36% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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